Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies E-ISSN: 2175-8026
[email protected] Universidade Federal de Santa Catarina Brasil Morita Kawamoto, Marcia Tiemy CHRONOS SICKNESS: DIGITAL REALITY IN DUNCAN JONES’S SOURCE CODE Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies, vol. 70, núm. 1, enero-abril, 2017, pp. 249-256 Universidade Federal de Santa Catarina Florianópolis, Brasil Available in: http://www.redalyc.org/articulo.oa?id=478355266023 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative DOI: http://dx.doi.org/10.5007/2175-8026.2017v70n1p249 CHRONOS SICKNESS: DIGITAL REALITY IN DUNCAN JONES’S SOURCE CODE Marcia Tiemy Morita Kawamoto* Instituto Federal de Santa Catarina Canoinhas, Santa Catarina, BR Abstract he advent of digital technologies unquestionably afected cinema. he indexical relation and realistic efect with the photographed world much praised by André Bazin (2005) and Roland Barthes (1986) is just one of the afected aspects. his article discusses cinema in light of the new digital possibilities, relecting on Steven Shaviro’s consideration of “how a nonindexical realism might be possible” (Postcinematic 63) and how in fact a new kind of reality, a digital one, might emerge in the science iction ilm Source Code (2013) by Duncan Jones. Keywords: Science Fiction Film; Post-postmodernism; Source Code; Digital Cinema his article analyzes how the recent science iction genre.