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Hip Hop Pedagogies of Black Women Rappers Nichole Ann Guillory Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 Schoolin' women: hip hop pedagogies of black women rappers Nichole Ann Guillory Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Education Commons Recommended Citation Guillory, Nichole Ann, "Schoolin' women: hip hop pedagogies of black women rappers" (2005). LSU Doctoral Dissertations. 173. https://digitalcommons.lsu.edu/gradschool_dissertations/173 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. SCHOOLIN’ WOMEN: HIP HOP PEDAGOGIES OF BLACK WOMEN RAPPERS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Curriculum and Instruction by Nichole Ann Guillory B.S., Louisiana State University, 1993 M.Ed., University of Louisiana at Lafayette, 1998 May 2005 ©Copyright 2005 Nichole Ann Guillory All Rights Reserved ii For my mother Linda Espree and my grandmother Lovenia Espree iii ACKNOWLEDGMENTS I am humbled by the continuous encouragement and support I have received from family, friends, and professors. For their prayers and kindness, I will be forever grateful. I offer my sincere thanks to all who made sure I was well fed—mentally, physically, emotionally, and spiritually. I would not have finished this program without my mother’s constant love and steadfast confidence in me. -
Gonzo Weekly #165
Subscribe to Gonzo Weekly http://eepurl.com/r-VTD Subscribe to Gonzo Daily http://eepurl.com/OvPez Gonzo Facebook Group https://www.facebook.com/groups/287744711294595/ Gonzo Weekly on Twitter https://twitter.com/gonzoweekly Gonzo Multimedia (UK) http://www.gonzomultimedia.co.uk/ Gonzo Multimedia (USA) http://www.gonzomultimedia.com/ 3 gave it, when we said that it was his best album since Scary Monsters back in 1980. Yes, I think that it probably was, although the 2002 album Heathen gives it a run for its money, but with the benefit of hindsight, it still lacked the hallmarks of a classic David Bowie album, mainly because it didn't break new ground. Between 1969 and 1980 Bowie released thirteen studio albums which basically defined the decade. With the possible exception of Lodger which was basically bollocks, IMHO, each of these albums not only broke new ground, but was a significant advance upon the one that came before it. Bowie defined the concept of the rock star as artist, and where he led many others followed. Each of his stylistic changes spawned a hundred imitators. In the wake of Ziggy Stardust and Aladdin Sane came dozens of glam bands, most of them totally missing the point, and schoolboys across the United My dear friends, Kingdom sported Ziggy haircuts. His plastic soul period not only persuaded his loyal legions that Luther Vandross was where it was at, but also meant that the 2016 is only a couple of weeks old, but we already high street outfitters were full of Oxford Bags and have the first major cultural event of the year. -
Safewow Wow Gold New Year Promo and Warcraft Director Is Leaving Awhile for His Father’S Death
Jan 13, 2016 03:24 EST Safewow wow gold New Year Promo and Warcraft Director Is Leaving awhile for His Father’s Death All love and strength to Warcraft Director, Duncan Jones from safewow - a reliable wow gold seller. It was sad to know that Jones’ father, the rock legend David Bowie was passing after 18-month battle with cancer. Condolences continue to pour in for this legend, but none more touching than the one from his son on twitter. Happy New Year!Safewow 2016 New Year Promotion II :$10 Free Cash Coupon for wow gold (Up to 12.5% off)buying during 11.12-11.22.2016 . NY3-$3 Cash code (when your order over $30) NY5-$5 Cash code (when your order over $50) NY10-$10 Cash code (when your order over $80) Welcome to join safewow 2016 Happy Wednesday for 10% off wow gold buying on 2016 every Wednesday(10% off code:WED). Duncan Jones ride on his father David Bowie’s shoulderOn Sunday evening, the horrible news was revealed on Bowie's Facebook page, showing “David Bowie died peacefully today surrounded by his family after a courageous 18 month battle with cancer”. While the news attracted broader attention from all over the world, the Warcraft director confirmed Bowie's passing to fans early Monday morning on his Twitter: “Very sorry and sad to say it’s true, I’ll be offline for a while. Love to all.” Along with the heart breaking words, Jones also shared a black-and-white image showing him ride on his daddy’s shoulder. -
The Commutation Test and Chris Bacon's Score for Source Code As
The Commutation Test and Chris Bacon’s Score for Source Code as a Framework for Film Music Pedagogy Aaron Ziegel, Towson University he cinema, whether experienced at the neighborhood multiplex or streamed at home, is arguably the medium through which today’s col- lege-age Americans are most likely to encounter newly composed sym- Tphonic music. Given the ubiquity of the film-viewing experience, students are often eager to learn the tools and methodologies that can equip them to criti- cally assess and more fully comprehend the function of music in movies. The filmSource Code (2011), directed by Duncan Jones and scored by Chris Bacon, provides a particularly effective starting point through which this process can begin.1 This article will discuss the pedagogical potential found in the film’s main titles and the impact of applying a commutation test to this sequence. Although here I address one specific example, the methodology of the commu- tation test is easily adaptable to other circumstances, as the theoretical foun- dation will make clear. While variations on the commutation test are a regular occurrence in many film music classrooms, this essay aims to present an intro- ductory primer that may be of use to instructors interested in an entry point for incorporating film music studies into their teaching. With that in mind, the appendix presents one suggestion for how to create film clips for classroom use. The value of this classroom activity extends beyond providing students with an engaging and memorable learning experience. By situating this analysis I wish to express my gratitude to the many students at Towson University whose feedback and enthusiastic classroom participation, along with suggestions from the anonymous reviewers, helped me to refine the pedagogical approach described in this essay. -
Aid Trucks Enter Starving Syria Town Bahrain Hikes Price of Fuel As
NEWS TUESDAY, JANUARY 12, 2016 On Iran-Saudi rift, Gulf acts with caution Continued from Page 1 were already poor. Over the past four years, Bahrain Abdullah bin Zayed Al-Nahyan said in an interview on napped in December while on a hunting trip in south- has regularly accused Tehran of meddling in its inter- Sunday after an emergency Arab League meeting in ern Iraq. “The Saudis need to know who supports “The problem is, common ground between every- nal affairs by backing various Shiite opposition groups Cairo. them and who does not, because major, fateful bat- one in this region is shrinking.” since the start of the Arab Spring in 2011. tles have no grey areas,” wrote Jamal Khashoggi, a Some officials calculate that cutting ties with Elsewhere in the region, though, the calculus is less ‘No Grey Areas’ Saudi commentator, in an article published in a Qatari Tehran would complicate efforts to end Syria’s war, in straightforward. Oman stands apart from its Gulf Arab Navigating the rift between Iran and Saudi Arabia newspaper on Sunday that compared Riyadh’s conflict which Iran is providing military support to President neighbors in keeping a cordial, even collaborative, is particularly tricky for Qatar. The tiny, vastly wealthy with Iran to the European fight against fascism in the Bashar Al-Assad. It would also risk antagonizing an relationship with Iran: much to the chagrin of its GCC monarchy shares access to the world’s largest natural 1930s. Middle Eastern countries, Khashoggi wrote, emerging regional power that is set to benefit from an partners, it played the role of intermediary in opening gas field beneath the Gulf waters with Iran which, fol- faced a choice: “Submit to the Guardianship of Islamic easing of international sanctions after its landmark negotiations between the United States and Iran. -
The Picture of Nobody: Shakespeare's Anti-Authorship
The Picture of Nobody: Shakespeare’s anti-authorship RICHARD WILSON Contributor: Richard Wilson is the Sir Peter Hall Professor of Shakespeare Studies at Kingston University, London. His books include Will Power, Secret Shakespeare, and Shakespeare in French Theory. He is the author of numerous articles in academic journals, and is on the editorial board of the journal Shakespeare. 1. Bare life At the end, ‘his nose was as sharp as a pen’ as he ‘babbled of green fields’ (Henry V, 2,3,15). In September 1615, a few weeks before Shakespeare began to make his will and a little over six months before his death, Thomas Greene, town clerk of Stratford, wrote a memorandum of an exchange biographers treasure as the last of the precious few records of the dramatist’s spoken words: ‘W Shakespeares tellyng J Greene that I was not able to beare the enclosinge of Welcombe’.1 John Greene was the clerk’s brother, and Shakespeare, according to previous papers, was their ‘cousin’, who had lodged Thomas at New Place, his Stratford house. So the Greenes had appealed to their sharp-nosed kinsman for help in a battle that pitted the council against a consortium of speculators who were, in their own eyes, if ‘not the greatest… almost the greatest men of England’.2 The plan to enclose the fields of Welcombe north of the town was indeed promoted by the steward to the Lord Chancellor, no less. But the predicament for Shakespeare was that it was led by his friends the Combes, rich money-lenders from whom he had himself bought 107 acres adjacent to the scheme. -
Docket 119 Synthesis Iof Comments on the Review.Pdf
i ii Synthesis of Public Comment on the Forthcoming Review by the Federal Governments of Canada and the United States of the Great Lakes Water Quality Agreement A Report to the Governments of the United States and Canada January 2006 The views expressed in this synthesis are those of the individuals and organizations who participated in the public comment process. They are not the views of the International Joint Commission. INTERNATIONAL COMMISSION JOINT MIXTE COMMISSION INTERNATIONALE Canada and United States Canada et États-Unis INTERNATIONAL COMMISSION JOINT MIXTE COMMISSION INTERNATIONALE Canada and United States Canada et États-Unis Herb Gray Dennis Schornack Chair, Canadian Section Chair, United States Section Robert Gourd Irene Brooks Commissioner Commissioner Jack Blaney Allen Olson Commissioner Commissioner International Joint Commission Offices Canadian Section United States Section 234 Laurier Ave. West, 22nd Floor 1250 23rd Street, NW, Suite 100 Ottawa, ON K1P 6K6 Washington, D.C. 20440 Phone: (613) 995-2984 Phone: (202) 736-9000 Fax: (613) 993-5583 Fax: (202) 467-0746 Email: [email protected] Email: [email protected] Great Lakes Regional Office 100 Ouellette Avenue, 8th Floor Windsor, ON N9A 6T3 or P.O. Box 32869, Detroit, MI 48232 Phone: (519) 257-6700 or (313) 226-2170 Fax: (519) 257-6740 Email: [email protected] Acknowledgements The International Joint Commission thanks the people from the Great Lakes, the St. Lawrence River and beyond who took part in the public comment process and whose voices are echoed in this report. ISBN 1-894280-60-1 This report is available online at www.ijc.org. -
Rap in the Context of African-American Cultural Memory Levern G
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Empowerment and Enslavement: Rap in the Context of African-American Cultural Memory Levern G. Rollins-Haynes Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES EMPOWERMENT AND ENSLAVEMENT: RAP IN THE CONTEXT OF AFRICAN-AMERICAN CULTURAL MEMORY By LEVERN G. ROLLINS-HAYNES A Dissertation submitted to the Interdisciplinary Program in the Humanities (IPH) in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2006 The members of the Committee approve the Dissertation of Levern G. Rollins- Haynes defended on June 16, 2006 _____________________________________ Charles Brewer Professor Directing Dissertation _____________________________________ Xiuwen Liu Outside Committee Member _____________________________________ Maricarmen Martinez Committee Member _____________________________________ Frank Gunderson Committee Member Approved: __________________________________________ David Johnson, Chair, Humanities Department __________________________________________ Joseph Travis, Dean, College of Arts and Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii This dissertation is dedicated to my husband, Keith; my mother, Richardine; and my belated sister, Deloris. iii ACKNOWLEDGEMENTS Very special thanks and love to -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
'I Didn't Care About His Lovers As Long As They Realised I Was Queen'
Beside Bowie: The Mick Ronson Story Coverage date: 19 May 2017 Circulation: 450910 Page: 4,5 ‘I didn’t care about his lovers as long as they realised I was queen’ David Bowie’s first wife, Angie, tells Will Hodgkinson about the couple’s bisexuality, life after Bowie’s death and her estrangement from their son ot long into our interview, Angie Fair Hotel in central London, and it Bowie offers a doesn’t take long to see how she would frankly surprising have been instrumental in propelling perspective on Bowie to fame. She has a voice that how she helped can surely be heard back in her home to come up with in Georgia. Now 67, she exudes a N more feminine version of the brittle, David Bowie’s sexually confrontational image for peroxide-blond glamour with which the Ziggy Stardust era. She didn’t she first made an impact in the early want to get pregnant. 1970s. And she can switch from being “My father didn’t want me to do utterly charming to quite terrifying. anything to upset his apple cart in She’s not actually here to talk about Cyprus,” says Angie Bowie, who her slight, feminine former husband, grew up on the island where her but the muscular hunk who once American father, a mining engineer, played guitar stage left of him. was stationed. “But hormones will Mick Ronson was working as a run rampant, so what does that gardener in Hull when in 1970 he leave you with? The other 50 per received an invitation to form a band cent of the population. -
He's Been Fighting for His Career for Near Fifteen Years. Never Afraid of Change, He's Sticking and Moving and Going For
! Ü HE’S BEEN FIGHTING FOR HIS CAREER FOR NEAR FIFTEEN YEARS. NEVER AFRAID OF CHANGE, HE’S STICKING AND MOVING " AND GOING FOR HIS. BUT TIME WEARS HARD ON THE BOOGIE DOWN STREETS. HAS HAD HIS HITS, BUT HE’S TAKEN SOME, TOO. SALTER S JEFFERY // IMAGE GOLIANOPOULOS THOMAS WORDS Ü " ! XXL MAGAZINE 000 ! Ü " " t’s seven o’clock in the evening, album past 500,000 in sales, earning him his and recent audience-expanding cameos with and Fat Joe needs a designated first gold plaque. Three years later, in 2001, Jennifer Lopez, Paris Hilton and Ricky Martin, driver. The 36-year-old rapper isn’t when Murder Inc. was dominating hip-hop he J.O.S.E. remains his only platinum record. inebriated, but he drives like Ricky released “What’s Luv?” a frothy Irv Gotti pro- Joe is well aware of his SoundScan struggles. Bobby after one too many Miller duction that propelled Jealous Ones Still Envy “The strangest thing in the whole universe,” Lites. He breaks too suddenly, ac- to platinum status. Today, the South runs hip- he says, “is Fat Joe being a household name, celerates too carelessly and nearly hop, and, of course, Fat Joe has noticed. making the biggest hit records in the history of crashes too often. He’s also eas- “Joe’s good at reading the future,” says mankind, and not selling that many records. It ily distracted by the radio (Nelly Miami-based DJ Khaled, who’s known him for will be reevaluated years from now.” Furtado’s “Promiscuous” brings more than 10 years. -
Considering the Worthy Sacrifice Hip Hop Artists May Need to Make to Reclaim the Heart of Hip Hop, Its People
It’s Not Me, It’s You: Considering the Worthy Sacrifice Hip Hop Artists May Need to Make to Reclaim the Heart of Hip Hop, its People by Sharieka Shontae Botex April, 2019 Director of Thesis: Dr. Wendy Sharer Major Department: English The origins of Hip Hop evidence that the art form was intended to provide more than music to listen to, but instead offer art that delivers messages on behalf of people who were not always listened to. My thesis offers an analysis of Jay-Z and J. Cole’s lyrical content and adds to an ongoing discussion of the potential Hip Hop artists have to be effective leaders for the Black community, whose lyrical content can be used to make positive change in society, and how this ability at times can be compromised by creating content that doesn’t evidence this potential or undermines it. Along with this, my work highlights how some of Jay-Z and J. Cole’s lyrical content exhibits their use of some rhetorical strategies and techniques used in social movements and their use of some African American rhetorical practices and strategies. In addition to this, I acknowledge and discuss points in scholarship that connect with my discussion of their lyrical content, or that aided me in proposing what they could consider for future lyrical content. I analyzed six Jay-Z songs and six J. Cole songs, including one song from their earliest released studio album and one from their most recently released studio album. I examined their lyrical content to document responses to the following questions: What issues and topics are discussed in the lyrics; Is money referenced? If so, how; Is there a message of uplift or unity?; What does the artist speak out against?; What lifestyles and habits are promoted?; What guidance is provided?; What problems are mentioned? and What solutions are offered? In my thesis, I explored Jay-Z and J.