The Mick Ronson Memorial Concert 02

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Disc 2 01. Spiders From Mars - Angel No. 9 [I Want You Here Beside Me] 5:29 The Mick Ronson Memorial Concert 02. Spiders From Mars - Don’t Look Down 5:22 03. Spiders From Mars - Moonage Daydream 6:34 04. Spiders From Mars - White Light, White Heat 4:35 05. Spiders From Mars - Suffragette City 4:08 06. Steve Harley - Last Time I Saw You 6:03 07. Steve Harley & Friends - Come Up And See Me (Make Me Smile) 5:25 08. Roger Taylor & Friends - It’s A Kind Of Magic 6:57 09. Ian Hunter & Friends - Once Bitten Twice Shy 5:40 10. Ian Hunter & Friends - Resurection Mary 7:47 11. Roger Daltry & Friends - Baba O’Riley/My Generation 7:22 12. Ian Hunter & Friends - Michael Picasso 8:40 13. Ian Hunter & Everyone - All The Young Dudes 5:45 80 mins Thanks to Fergyuk for sharing the tracks at The Traders’ Den. Picture posted at mickronson.com. Hammersmith Apollo Lineage: BBC Radio 1 FM > Marantz ST320L tuner > Aiwa or Teac cassette deck > master cas- Hammersmith, London, UK sette > wave capture, track markers & burned to cdr > accuraterip to flac level 8. April 29, 1994 MP3 Version Disc 1 Ronson Memorial Concert 1994 Mick Various 01. The Rats - It Aint Easy 3:44 02. The Rats - I Feel Free 4:48 03. The Dana Gillespie Blues Band - Sting Me Now 5:44 04. The Dana Gillespie Blues Band - A Lotta What You Got 5:42 05. Glen Matlock and the Mavericks - My Man 4:28 06. Glen Matlock and the Mavericks - Take The Long Ride 3:52 07. Glen Matlock and the Mavericks - Burning Sounds 3:57 08. Big Audio Dynamite - Medicine Show 8:20 09. Big Audio Dynamite - Got To Get Myself Right Out Of Here 7:11 10. Gary Brooker - A Whiter Shade Of Pale 5:31 11. Willy and the Poor Boys - Mystery Train 5:45 12. Willy and the Poor Boys - High School Hop 5:31 13. Spiders From Mars - Width of a Circle 8:18 14. Spiders From Mars - Ziggy Stardust 3:54 77 mins Various Mick Ronson Memorial Concert 1994 Mick Various Naughty Dog Trade Freely. Not For Sale. Naughty Dog.

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Title: the Girl from Beckenham Storyteller: Suzi Ronson Episode: Leaving, Loving and Coming Home Originally Aired: January 31, 2017
Title: The Girl from Beckenham Storyteller: Suzi Ronson Episode: Leaving, Loving and Coming Home Originally Aired: January 31, 2017 A note about this transcript: The Moth is true stories told live. We provide transcripts to make all of our stories keyword searchable and accessible to the hearing impaired, but we highly recommend listening to the audio to hear the full breadth of the story. This transcript was computer-generated and subsequently corrected through The Moth's StoryScribe (visit storyscribe.themoth.org for more information). I was born a few years after World War II, and brought up in a nice house in a typical suburb of Southeast London, Bromley, in Kent. My parents both worked. My father was a long-distance lorry driver and my mother was a shop assistant. They got married shortly after the war simply because that's what everybody did. The government gave generous allowances, and my brother and I both had free milk at school; a third of a pint in a glass bottle with a silver top. I don't think my parents expected too much of me after school. I think they thought I would kind of grow up, you know, have a bit of fun, get married, and have some children. The swinging sixties kind of changed all of that. I mean, we had the best music in the world. It was a great time to be a teenager: fabulous fashion, and the pill. Twiggy was my fashion model of the day, and everybody wanted to look like her. She was a tall, skinny girl with a flat chest and flat hair, and I wanted to look like her, too, but no chance.
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practice makesperfection WANT A CAREER LIKE MIKE GARSON’S? N Playing piano for rock innovators Smashing Pumpkins, Nine Inch Nails, and David Bowie… collaborating with jazz O giants such as Freddie Hubbard and Stanley Clarke… composing hundreds of modern classical pieces? S R NOTHING TO IT , SAYS GARSON :"B ASICALLY ,I STUDIED CLASSICAL PIANO backrealtimeperformances."Theconceptisabitsimilartoa for tenyears,thenstudiedjazzforsixorsevenyears.Afterthat, playerpiano,butyouhaveinfinitelybettercontrolandtone A Ipracticedeighthoursadayforanothertenyears.IestimateI’ve becausetherecordingmethodandthepianoitselfareso putinbetween50,000and70,000hourspracticing." sophisticated,"notesGarson."TheDisklavierchangedmylife. Brooklyn-bornGarsonwasanintellectuallyinclinedjazz WhenIusedtowritewithpencilandpaper,myheadalways G musicianwhenBowiehiredhimfor1972’snow-legendary wenttoofastformyhand.ButinthelastfiveyearsI’veman - SpidersfromMarstour."Iwasjustajazzmusicianinshock!" agedtowrite900piecesontheDisklavier." chucklesGarson."Ionlyplayedaboutfourbarsattheaudition AthomeGarsonusesatop-of-the-line9’Disklavier,but beforeMickRonson,Bowie’sguitarist,said,‘You’vegotthe ontheroadwiththePumpkinsandothers,hereliesonacom - E gig!’"Garsonwentontolendhisfreeformpianoflourishesto pactGranTouchmodel."TheGranTouchisadigitalpiano," theclassicAladdinSaneandDiamondDogsalbums. hesays,"butithasarealpianoaction,andthe32mg K Garsonreturnedtojazzandclassicalpursuitsafterhis memorymakesitthebest-soundinginstrumentofitstypeI’ve I Bowieyears.Buthistoryrepeateditselfin1993whenthe
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