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Kevin Brunner Commercial: 310 656 5161 SAG-AFTRA ! AEA ! AGMA Manager: 310 571 8994 310 746 8995 ! [email protected] ! 6’1” ! 190 ! Suit: 42L ! Bass (high G) ! Passport TELEVISION BROOKLYN NINE-NINE Co-Star Director: Linda Mendoza THE CATCH Co-Star Director: Jann Turner CRIMINAL MINDS: SUSPECT BEHAVIOR Co-Star Director: Rob Spera GENERAL HOSPITAL Co-Star/Under 5 Director: Matt Diamond GUIDING LIGHT Recurring Director: numerous KTVO TELEVISION Anchorman Director: numerous FILM HOBART’S BARBERSHOP Lead Director: Joseph Mauceri HOPELESSLY IN JUNE Supporting Director: Vincent Brantley THROUGH THE AIR TO CALAIS Supporting Director: Joseph Mauceri WEBSERIES DIFFERENT HATS Creator/Writer/Director/Actor YouTube FUNNY IN LOVE Supporting Director: Tyler Gillet PUBLIC SERVICE ANNOUNCEMENT BILL OF RIGHTS FOR DUMBASSES Thomas Jefferson Director: Seth Gordon THEATER GIGI Vincent Off-Broadway Equity Library Theater New York, NY THE MERRY WIDOW Novakovich Off-Broadway Light Opera of Manhattan New York, NY H.M.S. PINAFORE Bob Becket Off-Broadway Equity Library Theater New York, NY SWEETHEARTS Chorus Off-Broadway Equity Library Theater New York, NY DESERT SONG Chorus Off-Broadway Equity Library Theater New York, NY ROSEMARIE Chorus Off-Broadway Equity Library Theater New York, NY VAGABOND KING Chorus Off-Broadway Equity Library Theater New York, NY NAUGHTY MARIETTA Chorus Off-Broadway Equity Library Theater New York, NY MUSIC MAN Olin Britt Regional New Theatre Overland Park, KS OPERA Numerous (sang in German/French/Italian) Chorister Lyric Opera of Kansas City Kansas City, MO TRAINING AMERICAN ACADEMY OF DRAMATIC ARTS Acting, Voice, Movement, Styles, Singing NORTHWEST MISSOURI STATE UNIVERSITY BS degree in Broadcasting/Journalism T. SCHREIBER STUDIOS (New York) Scene Study: Terry Schreiber MICHAEL SHURTLEFF (Author of Audition) (New York) Audition Technique and Scene Study ROUNDABOUT THEATRE (New York) Scene Study: Jimmy Bohr, Gene Fiest KALMENSON & KALMENSON (Los Angeles) Voiceover: Bill Ackerman STEPPENWOLF (Los Angeles) Scene Study: Jeff Perry, Tom Irwin, Shannon Cochran; Viewpoints: Alexandra Billings BERG STUDIOS (Los Angeles) Master Class: Gregory Berger-Sobeck DOUGLAS WARHIT (Los Angeles) On-Camera Study ANTHONY MEINDL (Los Angeles) Scene Study: Anthony Meindl GROUNDLINGS (Los Angeles) Improvisation GRAHAM SHIELS STUDIO (Los Angeles) Scene Study and On-Camera: Graham Shiels SPECIAL SKILLS PROFESSIONAL ARTIST (published internationally) Visit Website: www.brunnerkevin.com TRIVIA 6th 1x removed cousin to Judy Garland .

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2013 Princess Ida Playbill.Pdf
Th ank You! We are particularly grateful to the following for their valued assistance with this production of Princess Ida: KMFA 89.5 and Time Warner Cable’s Th e Gilbert & Sullivan Society of Houston YNN, our media sponsors for lending their broadswords H-E-B for their generous support of our gala Russell and Kay Gregoryy for providing reception lodging for our Artistic Director John Aielli and KUTX 98.9 FM Kendra Hiller and Genesis Presbyterian Armstrong Moving & Storage, an Agent Church for all their help in making the for United Van Lines rehearsals run smoothly Charles Antonie for coordinating Barb Jernigan of the Georgetown Palace concessions Th eatre for designing T-shirts for atxclassical.org and Marc van Bree Austin Creative Alliance Princess Ida AustinLiveTh eatre.com for publicity Brenda Ladd Photography Austin Lyric Opera for lending props Th e Reverend James Lee and Georgette Austin Symphony Orchestra Kleinpeter of New Covenant Pixie Avent, Monica Kurtz, and Adam Fellowship of Austin Gunderson for helping the light crew David Little and Michael Meigs for their Steven Bailey for help installing backdrop outstanding leadership and support in riggings and more our publicity eff orts Brentwood Christian School Music Cynthia Millerr for pipe and drape Department for lending music stands Lori Morin, Fine Arts Director, Brentwood and chairs for the orchestra Christian School, for the artwork used William J. Brooke for allowing use of his at Adamant University re-telling of the story of Princess Idaa for Th e New York Gilbert & Sullivan Players children (Albert Bergeret) for valued advice on Chris Buggé for lending a car and for dialogue making the tables and the easel Wyatt Burkhalter, Callie Stribling, Gary Travis Pollard for making preparations in Hernandez, Kevin Squires, Adam the theater Gunderson, and Bill Hatcherr for Mr.
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Central Opera Service Bulletin
CENTRAL OPERA SERVICE BULLETIN WINTER, 1972 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center Plaza • Metropolitan Opera • New York, N.Y. 10023 • 799-3467 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Canter Plaza • Metropolitan Opera • New York, NX 10023 • 799.3467 CENTRAL OPERA SERVICE COMMITTEE ROBERT L. B. TOBIN, National Chairman GEORGE HOWERTON, National Co-Chairman National Council Directors MRS. AUGUST BELMONT MRS. FRANK W. BOWMAN MRS. TIMOTHY FISKE E. H. CORRIGAN, JR. CARROLL G. HARPER MRS. NORRIS DARRELL ELIHU M. HYNDMAN Professional Committee JULIUS RUDEL, Chairman New York City Opera KURT HERBERT ADLER MRS. LOUDON MEI.LEN San Francisco Opera Opera Soc. of Wash., D.C. VICTOR ALESSANDRO ELEMER NAGY San Antonio Symphony Ham College of Music ROBERT G. ANDERSON MME. ROSE PALMAI-TENSER Tulsa Opera Mobile Opera Guild WILFRED C. BAIN RUSSELL D. PATTERSON Indiana University Kansas City Lyric Theater ROBERT BAUSTIAN MRS. JOHN DEWITT PELTZ Santa Fe Opera Metropolitan Opera MORITZ BOMHARD JAN POPPER Kentucky Opera University of California, L.A. STANLEY CHAPPLE GLYNN ROSS University of Washington Seattle Opera EUGENE CONLEY GEORGE SCHICK No. Texas State Univ. Manhattan School of Music WALTER DUCLOUX MARK SCHUBART University of Texas Lincoln Center PETER PAUL FUCHS MRS. L. S. STEMMONS Louisiana State University Dallas Civic Opera ROBERT GAY LEONARD TREASH Northwestern University Eastman School of Music BORIS GOLDOVSKY LUCAS UNDERWOOD Goldovsky Opera Theatre University of the Pacific WALTER HERBERT GIDEON WALDKOh Houston & San Diego Opera Juilliard School of Music RICHARD KARP MRS. J. P. WALLACE Pittsburgh Opera Shreveport Civic Opera GLADYS MATHEW LUDWIG ZIRNER Community Opera University of Illinois See COS INSIDE INFORMATION on page seventeen for new officers and members of the Professional Committee.
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The Gondoliers Program 2017
Light Opera of Portland presents THE GONDOLIERS OR The King of Barataria with music by Arthur Sullivan and libretto by W.S. Gilbert Dennis Britten, Director Linda Smith, Musical Director David Smith, Producer THANK YOU SPECIAL THANKS TO: The King’s Navy for the loan of the drum Home Depot for discounts on supplies for building the set Sarah Ominski for photography Kevin Lay for orchestration MKTX for marketing and promotion support Gallery Theater for lending costumes TVFR for use of Firestation 65 community room for rehearsals Set Design and Construction Joe Rosenthal, David Ridley, Ron Swingen, David Smith, Linda Smith, Jacob Mott, Dennis Freeze, Justin Rueff, Dennis Britten and Rob Patrick Costumes Lucy Tait, Marquerite Kendall, Phyllis Fort, Phyllis Brinkerhoff and Anne Kolibaba Larkin DONORS Dennis Britten Cathrine Huard Jillane and David Onasch David and Linda Smith Anonymous YOUR DONATION The Light Opera of Portland is a 501c3 organization. Please donate to help us continue providing excellent light opera. LOoP depends on the generous donations of our friends and patrons to support our ongoing efforts of providing high-quality, entertaining light opera productions. Whether you made the suggested donation upon entering or choose to add to your donation upon exiting, be assured your contribution is helping this young theatre company bring you more of the fun of treasured theatre works in the future. Please let us know particularly if you are able to help by donating space to store our sets, rehearsal space or performance space. Thank you for your help. THE GONDOLIERS OR The King of Barataria with music by Arthur Sullivan and libretto by W.S.
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Central Opera Service Bulletin • Vol
CENTRAL OPERA SERVICE COMMITTEE Founder MRS. AUGUST BELMONT Honorary National Chairman ROBERT L. B. TOBIN National Chairman ELIHU M. HYNDMAN National Co-Chairmen MRS. NORRIS DARRELL GEORGE HOWERTON Profntional Committee KURT HERBERT ADLER BORIS GOLDOVSKY San Francisco Opera Goldovsky Opera Theatre WILFRED C. BAIN DAVID LLOYD Indiana University Lake George Opera Festival GRANT BEGLARIAN LOTFI MANSOURI University of So. California Canadian Opera Company MORITZ BOMHARD GLADYS MATHEW Kentucky Opera Association Community Opera SARAH CALDWELL RUSSELL D. PATTERSON Opera Company of Boston Lyric Opera of Kansas City TITO CAPOBIANCO MRS. JOHN DEWITT PELTZ San Diego Opera Metropolitan Opera KENNETH CASWELL EDWARD PURRINGTON Memphis Opera Theatre Tulsa Opera ROBERT J. COLLINGE GLYNN ROSS Baltimore Opera Company Seattle Opera Association JOHN CROSBY JULIUS RUDEL Santa Fe Opera New York City Opera WALTER DUCLOUX MARK SCHUBART University of Texas Lincoln Center ROBERT GAY ROGER L. STEVENS Northwestern University John F. Kennedy Center DAVID GOCKLEY GIDEON WALDROP Houston Grand Opera The Juilliard School Central Opera Service Bulletin • Vol. 21, No. 4 • 1979/80 Editor, MARIA F. RICH Assistant Editor, JEANNE HANIFEE KEMP The COS Bulletin is published quarterly for its members by Central Opera Service. For membership information see back cover. Permission to quote is not necessary but kindly note source. Please send any news items suitable for mention in the COS Bulletin as well as performance information to The Editor, Central Opera Service Bulletin, Metropolitan Opera, Lincoln Center, New York, NY 10023. Copies this issue: $2.00 |$SN 0008-9508 NEW OPERAS AND PREMIERES Last season proved to be the most promising yet for new American NEW operas, their composers and librettists.
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The Student Prince Program 2018
Light Opera of Portland presents THE STUDENT PRINCE A Spectacular Light Opera Book and Lyrics by Dorothy Donnelly Music by Sigmund Romberg THANK YOU SPECIAL THANKS TO Home Depot for discounts on supplies for building the set MKTX for marketing and promotion support Dennis Freeze for photography Gallery Theater for lending costumes City of Beaverton for rehearsal space TVFR for use of Firestation 65 community room for rehearsals Brother’s Bookkeeping for setting up and managing our books Set Design and Construction Joe Rosenthal, David Ridley, Dennis Britten, Dennis Freeze, David Smith, Gabrielle Widman, Jacob Mott, Linda Smith, Pat Lach, Ron Swingen Costume Design and Construction Lucy Tait, Barbara Berger, Elaine Dinsel, Phyllis Fort, Cynthia Mintun, Marguerite Kendall, Sandra King Donors Dennis Britten, Paul Crable, Phyllis Fort, Helens Pacific Costumes, Catherine Huard, Jilane and David Onasch, Wanda Silverman, David & Linda Smith YOUR DONATION The Light Opera of Portland is a 501c3 organization. Please donate to help us continue providing excellent light opera. LOoP depends on the generous donations of our friends and patrons to support our ongoing efforts of providing high-quality, entertaining light opera productions. Whether you made the suggested donation upon entering or choose to add to your donation upon exiting, be assured your contribution is helping this young theatre company bring you more of the fun of treasured theatre works in the future. Please let us know particularly if you are able to help by donating space to store our sets, rehearsal space or performance space. Thank you for your help. Sponsored by Jilane and David Onasch THE STUDENT PRINCE A Spectacular Light Opera Book and Lyrics by Dorothy Donnelly Music by Sigmund Romberg Directed by Dennis Britten Music directed by Linda Smith Costumes by Lucy Tait Set by Joe Rosenthal Produced by David Smith March 16 7:30 PM | March 17 2:00 PM | March 18 6:30 PM March 23 7:30 PM | March 24 7:30 PM | March 25 2:00 PM Alpenrose Opera House 6149 Shattuck Rd.
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Central Opera Service Bulletin
CENTRAL OPERA SERVICE BULLETIN VOLUME 18, NUMBER 4 INDEX NEW OPERAS AND PREMIERES 1 MORE BICENTENNIAL OPERAS 1 POSTPONEMENTS AND CANCELLATIONS 3 AMERICAN PREMIERES 3 FOREIGN PREMIERES 4 NEW COMPANIES 6 OPERA ECONOMICS 7 OPERA COMPANIES: DEVELOPMENTS 9 NEW ARTS CENTERS 10 COS INSIDE INFORMATION 11 TRANSLATIONS 11 SETS AND COSTUMES FOR RENT 12 PERFORMANCE LISTING, 1975-76 conk 14 PERFORMANCE LISTING, Summer 1976 25 FIRST PERFORMANCE LISTING, 1976-77 33 ADDENDA TO 1976 DIRECTORY 45 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center • Metropolitan Opera • New York, N.Y. 10023 • (212) 799-3467 Sponsored by the Metropolitan Opera National Council Central Opera .Service • Lincoln Center • Metropolitan Opera • New York, N.Y, 10023 • (212) 799-3467 CENTRAL OPERA SERVICE COMMITTEE Founder MRS. AUGUST BELMONT Honorary National Chairman ROBERT L. B. TOBIN National Chairman EUHU M. HYNDMAN National Co-Chairmen MRS. NORRIS DARRELL GEORGE HOWERTON Professional Committee KURT HERBERT ADLER DAVID GOCKLEY San Francisco Opera Houston Grand Opera PETER HERMAN ADLER BORIS GOLDOVSKY American Opera Center Goldovsky Opera Theatre VICTOR ALESSANDRO RICHARD KARP San Antonio Symphony Pittsburgh Opera ROBERT G. ANDERSON JOHN M. LUDWIG Tulsa Opera Spring Opera, San Francisco WILFRED C. BAIN GLADYS MATHEW Community Opera Indiana University RUSSELL D. PATTERSON GRANT BEGLARIAN Kansas City Lyric Theater University of So. California MRS. JOHN DEWITT PELTZ MORITZ BOMHARD Metropolitan Opera Kentucky Opera Association JAN POPPER SARAH CALDWELL University of California, L. A. Opera Company of Boston GLYNN ROSS TITO CAPOBIANCO Seattle Opera Association San Diego Opera JULIUS RUDEL ROBERT J. COLLINGE New York City Opera Baltimore Opera Company GEORGE SCHICK JOHN CROSBY Manhattan School of Music Santa Fe Opera MARK SCHUBART WALTER DUCLOUX Lincoln Center University of Texas ROGER L.
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Central Opera Service Bulletin Volume 29, Number A
CENTRAL OPERA SERVICE BULLETIN VOLUME 29, NUMBER A CONTENTS NEW OPERAS AND PREMIERES 1 NEWS FMNQKRA COMPANIES 18 GOVERNMENT AND NATIONAL ORGANIZATIONS 24 27 ODNFERENOS H MEM AND REMWftTED THEATERS 29 FORECAST 31 ANNIVERSARIES 37 ARCHIVES AND EXHIBITIONS 39 ATTENTION C0MP0SH8. LIBRE11ISTS, FIAYWRHMTS 40 NUSIC PUBLISHERS 41 EDITIONS AND ADAPTATIONS 4t EOUCATION 44 AFPOINTMEMIS AND RESIGNATIONS 44 COS OPERA SURVEY USA 1988-89 OS INSIDE INFORMATION 57 COS SALUTES. O WINNERS (4 BOOK CORNER 66 OPERA HAS LOST. 73 PERFORMANCE LIST INC. 1969 90 SEASON (CONT.) 83 Sponsored by the Metropolitan Opera National Council CENTRAL OPERA SERVICE BULLETIN Volume 29, Number 4 Fall/Winter 1989-90 CONTENTS New Operas and Premieres 1 News from Opera Companies 18 Government and National Organizations 24 Copyright 27 Conferences 28 New and Renovated Theaters 29 Forecast 31 Anniversaries 37 Archives and Exhibitions 39 Attention Composers, Librettists, Playwrights 40 Music Publishers 41 Editions and Adaptations 42 Education 44 Appointments and Resignations 46 COS Opera Survey USA 1988-89 56 COS Inside Information 57 COS Salutes. 63 Winners 64 Book Corner 66 Opera Has Lost. 73 Performance Listing, 1989-90 Season (cont.) 83 CENTRAL OPERA SERVICE COMMITTEE Founder MRS. AUGUST BELMONT (1879-1979) Honorary National Chairman ROBERT L.B. TOBIN National Chairman MRS. MARGO H. BINDHARDT Please note page 56: COS Opera Survey USA 1988-89 Next issue: New Directions for the '90s The transcript of the COS National Conference In preparation: Directory of Contemporary Opera and Music Theater, 1980-89 (Including American Premieres) Central Opera Service Bulletin • Volume 29, Number 4 • Fall/Winter 1989-90 Editor: MARIA F.
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Cox and Box/Trial by Jury Program 2014
The Dairyville Players Under the direction of Dennis Britten and musical direction of Bernd R. Kuehn, conductor of the Oregon Chorale Present With 3 Performances August 22-24 at The Alpenrose Opera House 6149 SW Shattuck Road, Portland 97221 Friday, Saturday and Sunday at 7:30 PM And 1 Performance September 5 Multnomah Arts Center in Multnomah Village – Friday 7:30 Suggested donation from $8 – Tickets Available at the door of the Opera House on the day of performance only We Wish to Thank the Following for Their Help with This Production Our photographer was a big help to us And she is available through FaceBook: https://www.facebook.com/erica.grogg.3 YOUR DONATION Whether you made the suggested donation upon entering or choose to add to your donation upon exiting, be assured your contribution is helping this fledgling theatre company begin to bring you more of the fun of treasured theatre works in the future. Thank you for your help. Proudly Presents Cox and Box or, The Long-Lost Brothers, with a libretto by F. C. Burnand and music by Arthur Sullivan Directed by Dennis Britten a one-act comic opera based on the 1847 farce by John Maddison Morton Fifteen Minute Intermission & Trial by Jury with music by Arthur Sullivan and libretto by W. S. Gilbert Directed by Dennis Britten and Musical Direction by Bernd R. Kuehn a comic opera in one act first produced in 1875 Cast (In Order of Appearance) Cox and Box Mr. Cox…………………………………………………………Robert Patrick Sergeant Bouncer………………………………………...Steve Pitzel Mr. Box……………………………………………………..….Owen Hofmann-Smith
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Central Opera Service Bulletin Volume 27, Number 4
CENTRAL OPERA SERVICE BULLETIN VOLUME 27, NUMBER 4 CONTENTS NEK OPERAS AND PREMIERES 1 NEWS FROM OPERA COMPANIES 18 GOVERNMENT ft NATIONAL ORGANIZATIONS 28 CONFERENCES 30 TAX FACTS 31 NEtf AND RENOVATED THEATERS 32 FORECAST 33 ARCHIVES AND COLLECTIONS 38 ATTENTION COMPOSERS AND LIBRETTISTS 40 MUSIC PUBLISHERS 42 ATTENTION CONDUCTORS 43 EDITIONS AND ADAPTATIONS 44 EOUCATION 45 APPOINTMENTS AND RESIGNATIONS 48 COS INSIDE INFORMATION 53 COS NATIONAL CONFERENCE PROGRAM 54 COS SALUTES... 56 WINNERS 58 CAREER GUIDE SUPPLEMENT 60 BOOKS AND PERIODICALS 68 OPERA HAS LOST... 76 PERFORMANCE LISTING, 1986-87 SEASON CONT. 84 FIRST PERFORMANCE LISTING. 1987-88 SEASON 110 COS NATIONAL CONFERENCE REGISTRATION FORM 125 Sponsored by the Metropolitan Opera National Council !>i>'i'h I it •'••'i1'. • I [! I • ' !lIN., i j f r f, I ;H ,',iK',"! " ', :\\i 1 ." Mi!', ! . ''Iii " ii1 ]• il. ;, [. i .1; inil ' ii\ 1 {''i i I fj i i i11 ,• ; ' ; i ii •> i i«i ;i •: III ,''. •,•!*.', V " ,>{',. ,'| ',|i,\l , I i : I! if-11., I ! '.i ' t*M hlfi •'ir, S'1 , M"-'1'1" ' (.'M " ''! Wl • ' ;,, t Mr '«• I i !> ,n 'I',''!1*! ,1 : I •i . H)-i -Jin ' vt - j'i Hi I !<! :il --iiiAi hi CENTRAL OPERA SERVICE BULLETIN Volume 27, Number 4 Spring/Summer 1987 CONTENTS New Operas and Premieres 1 News from Opera Companies 18 Government & National Organizations 28 Conferences 30 Tax Facts 31 New and Renovated Theaters 32 Forecast 33 Archives and Collections 38 Attention Composers and Librettists 40 Music Publishers 42 Attention Conductors 43 Editions and Adaptations 44 Education 45 Appointments and Resignations 48 COS Inside Information 53 COS National Conference Program 54 COS Salutes..
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Mikado Program
Proudly Present A Condensed Version of Gilbert and Sullivan’s Comedy Classic Original set design of 1885 Directed by Dennis Britten In Two Friday night performances & Four Week-end Matinees 2013 A Note from the Director: What a joy a life in the theatre is! Years ago, I was corralled by a fellow worker in the sheet music department of San Francisco’s Sherman Clay Music Company to join the ensemble of a little theatre company that played in a converted book store in the city center. That company, The Lamplighter’s, performed only Gilbert & Sullivan and had only been in existence a short time, but they performed Friday, Saturday and Sunday year round. Shortly after that the company moved to their own abandoned vaudeville theatre with a thousand seats. That year, we ran The Mikado for nine months to keep the seats filled. Now, although they are in their sixtieth year of production, they, like so many other theaters, perform only three or four times a year but with a full orchestra. By the time I left the company for New York, I had worked my way up through the chorus to main roles. It was the best kind of training a young performer could have, for when I landed in N.Y., Nanki-Poo was one of the first roles I played there with the Light Opera of Manhattan. When I started my own theater company in Scottsdale, Arizona, one of the first shows we produced was this one. I was much older, of course, so I played The Mikado.
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The Mikado ...Or the Town Oftitipu 1885
Eric Kujawsky, Music Director EIGHTEENTH SEASON The Mikado ...or The Town ofTitipu 1885 Book by Music By W.S. Gilbert Arthur Sullivan 1836-1911 1842-1900 Act 1- Courtyard of Ko-Ko's Official Residence INTERMISSION Act II - Ko-Ko's Garden Conducted by Eric Kujawsky Directed by Ken Malucelli with Peninsula Cantare Janice Gunderson, Music Director Nanki-Poo Yum-Yum David Friburg Cheryl Blalock Ko-Ko Poo-Bah Ken Malucelli Paul Zawilski Pish-Tush Peep-Bo John Warner Gosia Hoot Pitti-Sing Katisha Elizabeth Finkler Catherine Sheldon The Mikado Todd Schurk Sponsored by the Redwood City Civic Cultural Commission Saturday, June 14,2003,8 P.M. San Mateo Performing Arts Center The Music Director Eric Kujawsky is the Music Director of Redwood Symphony, now in its eighteenth season. A native of LosAngeles, he began his conducting studies at age fourteen and made his debut with a youth orchestra at nineteen. After completing his BA in music education and M.FA in conducting at UCLA, Kujawsky accepted a fellowship to study conducting at Stanford. Dr. Kujawsky founded Redwood Symphony in 1985, immediately after he received his D.MA Dr. Kujawsky has performed at the Aspen Music Festival as a member of the Conducting Master Class; his teachers include Samuel Krachmalnick, Paul Vermel, and Andor Toth. He has guest conducted the Rose City Chamber Orchestra, the Mesa (Arizona) Symphony, the San Francisco Gay Men's Chorus, the South Valley and Diablo Symphonies, and the UCLA Dance Company. Stage credits include Gilbert and Sullivan's Ruddigore (the last time he worked with Mikado cast members Cheryl Blalock and Paul Zawilski, in 19841) and several musicals, including Sweeney Todd, Sunday in the Pork with George (for which Dr.
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Playbill Collection (1955 – 2009)
Playbill Collection (1955 – 2009) Finding Aid Creator: Drew University Special Collections Title: Playbill Collection Dates: 1955-2009 Abstract: Collection of Playbill pamphlets from various shows in the New York and New Jersey area, including Broadway shows. Bulk of material is from the 1960s to 1980s. The Playbills have been collected from numerous donors and organized together by the staff of the Drew University Library as an artificial collection. Extent: 20 boxes, 10 linear feet Language: English Repository: Drew University Library, Madison, NJ Scope and Content Note The Playbill Collection contains copies of Playbills and other theater pamphlets from plays performed in/around the New York City area during the years 1955- 2009. Collected from donations by multiple individuals, the collection is arranged alphabetically by name of location of theatre or theatre company. Within each theatre/company, the materials are organized chronologically by year. Arrangement The material is arranged in two Series based on donation information. Administrative Information Acquisition The Playbill Collection is available for research. Restrictions One photocopy may be made of each document for the purpose of research. Permission to publish must be obtained from the Drew University Library. Researcher is responsible for further copyright restrictions. Preferred Citation [Identification of item; Date; Box #]. Playbill Collection. Drew University Special Collections, Madison, New Jersey Processor Theodore Hart, 2017 and Liesl Eppes, 2018-2019 Container List Series I. Playbills donated in 2013 Box 1 • 5 West o [No Date]: Oedipus Rex • 46th Street Theatre o 1972: No, No, Nanette o c.1975: Private Lives o 1987: Fences • Aldwych Theatre o c.1974: The Bewitched • Alvin Theatre o c.1975: Shenandoah o 1977: Annie • American Airlines Theatre o 2003: Tartuffe • American Shakespeare Festival Theatre o 1970: Othello, All’s Well That Ends Well, The Devil’s Disciple • Anta Theatre o 1959: J.B.
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