DOCSLIB.ORG

O-020 Music Ephemera Collection

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

This document represents a preliminary list of the contents of the boxes of this collection. The preliminary list was created for the most part by listing the creators' folder headings. At this time researchers should be aware that we cannot verify exact contents of this collection, but provide this information to assist your research. UC Davis Special Collections O-020 Music Ephemera Collection BOX 1 Metropolitan Opera Company Los Angeles Grand Opera Company Glyndeborne Festival Opera New York City Opera San Carlo Opera Company San Francisco Opera Association San Francisco Symphony Orchestra Association Boston Opera House Theatre Beautiful, Los Angeles The Goldman Band Free Concerts Town Hall Program Rosa Ponselle Promo Russian Music Society Tivoli Theatre O-020 1 Inventory of the Music Ephemera Collection is licensed under a Creative Commons Attribution 4.0 International License. BOX 2 San Francisco Opera Company Opera Titles A-Z Miscellaneous Opera and Symphony Orchestra Programs and Clippings Hollywood Bowl Magazine Metropolitan Opera House Chickering Hall State Fair of Texas-- Starlight Operetta British, German and Italian Opera and Music Programs Chicago Symphony Orchestra Miscellaneous Opera and Music Programs BOX 3 Symphony Society of New York Chicago Civic Opera Company San Francisco Opera Association San Francisco Symphony Orchestra New York Philharmonic Symphony Orchestra The Concert Bulletin Miscellaneous Musical and Opera Programs and Clippings from England State Fair of Texas-- Starlight Operetta O-020 2 Inventory of the Music Ephemera Collection is licensed under a Creative Commons Attribution 4.0 International License. Smoking Concerts at the Octopus Club Philadelphia Orchestra Philharmonic Auditorium Carnegie Music Hall Pittsburgh "Argyle" Choral Society Midsummer Music Festival, The Sigmund Stern Grove, San Francisco Assorted Music and Opera Programs in the U.S. International Inventions Exhibition Chough Musical Society National Sunday League Royal Philharmonic Society Oakland Park Band St. Louis Musical Union and Choral Society Potter Theatre, Santa Barbara New York Music Festival Association Metropolitan Concert Hall Philharmonic Orchestra of Los Angeles Hollywood Bowl Programs Concerts under the direction of Conductor Bernardino Molinari Concerts under the direction of Pierre Monteux University of California, Greek Theatre Park Band Society O-020 3 Inventory of the Music Ephemera Collection is licensed under a Creative Commons Attribution 4.0 International License. Miscellaneous Opera and Music Programs BOX 4 St. Louis Municipal Opera Town Hall Programs Seattle Civic Opera Company D'Oyly Carte Opera Company San Francisco Opera Magazine National Grand Opera Company at the Potter Theatre, Santa Barbara Ancram Opera House Mendolssohn Glee Club Santa Fe Opera National Sunday League Photos-- Soprano Metropolitan Opera Lambardi Grand Opera Company Teatro Dell'Opera, Roma Sacramento Symphony Photos, not labeled or identified Miscellaneous Opera and Symphony Orchestra Programs BOX 5 Hollywood Bowl O-020 4 Inventory of the Music Ephemera Collection is licensed under a Creative Commons Attribution 4.0 International License. Metropolitan Opera Royal Italian Opera Her Majesty's Opera Company Bakersfield Musical Association Boston Ideal Opera Co. Hippodrome Alcazar Theatre Allesandro Bevani Opera Co. Boston Opera House Los Angeles Theatre Miscellaneous Opera Titles Manhattan Grand Opera Boston Theatre Salzburg Opera Guild New Los Angeles Theatre Starlight Bowl, San Diego San Diego Opera San Diego Symphony Grand Italian Opera Waverly Consort Mechanics Building Auditorium San Carlo Grand Opera O-020 5 Inventory of the Music Ephemera Collection is licensed under a Creative Commons Attribution 4.0 International License. McCaull Opera Company Don Cossack Chorus Philharmonic Auditorium Vienna Boys Choir Potter Theatre, Santa Barbara Choral Arts Society of Washington Walter M. Naumberg Foundation Press Releases English National Opera Strakosch Italian Opera Company La Scala Opera Company Light Opera of Manhattan Saddler's Wells Opera Co. Julliard School Miscellaneous Programs and Clippings BOX 6 San Francisco Opera San Francisco Symphony San Francisco Civic Light Opera La Traviata Libretto Ariadne auf Naxos Libretto O-020 6 Inventory of the Music Ephemera Collection is licensed under a Creative Commons Attribution 4.0 International License. BOX 7 (Folio Box) Lithographs--Madame Fanny T. Persiani, 1838(?) Madame Sontag and Signor LaBlache Posters--Caledonia! (The Singers and Dancers of Scotland) Norse Auditorium, San Francisco Lotte Lehmann Erroll Garner Kate Fisher Clara Louise Kellogg (2 items) McGibeny Family Christine Nilsson Paderewski (20th century tour) Lily Pons The National Swedish Ladies Concerts (2 items) Meredith Monk ("Songs from the Hill" and "Tablet") The Incredible String Band & The Theatre of the Child Samod Academy of St. Martin-in-the-Fields San Francisco Civic Light Opera Added Programs- The De Koven Opera Company present Bessie Abott in the comic opera Robin Hood, Columbia Theatre, n.d. No, No Nanette, New York, 1971 O-020 7 Inventory of the Music Ephemera Collection is licensed under a Creative Commons Attribution 4.0 International License. Alexander H. Cohen and Jack Hylton present Rugatino, A Roman Musical Spectacle, circa 1963 Koster & Bial's Concert Hall, Grand Vocal & Instrumental Concert, October 15, 1988 Koster & Bial's Concert Hall, Grand Sacred and Charity Concert, November 6, 1988 Rock Musical '80 Hamlet, Sunplaza on Stage, Vol. 39, 1980 (Japanese) BOX 8 (Folio Box) Los Angeles Grand Opera Association, Shrine Civic Auditorium, "Tosca", 1928 The Players Ninth Annual Revival, Empire Theatre, New York: "Milestones", 1930 The Davis Comic Opera Company, Davis, California, "The Impresario" and "Cox and Box", n.d. Buhnenfestspielhaus zu Bayreuth "Der Fliegende Hollander", 1901 Strand Theatre Opera Comique, London, "A Trip to Africa", 1884 Steinway Hall Dramatic and Musical Matinee, London, n.d. Castle Garden, Boston, "Don Giovanni", 1853 Crosby's Opera House, Chicago, "Don Giovanni", n.d. Several playbills, Metropolitan Opera House, New York City 1941-1942 The [Carlotta] Patti Chronicle, 1869 Several programs for opera presentations, Boston Theatre Several programs for opera presentations, New York City Theatre The Garden Theatre, St. Louis, Missouri, Uhrig's Cave, 1886 Columbia Theatre, Chicago, Grand German Opera Season O-020 8 Inventory of the Music Ephemera Collection is licensed under a Creative Commons Attribution 4.0 International License. Prince of Wales Theatre, London, 1867 Alle Punte sprechen furein Musik Theater, Abonnement 1975-1976 Norman Granz, Jazz at the Philharmonic BOX 9 San Francisco Opera Programs San Francisco Opera Magazine BOX 10 San Francisco Opera Programs BOX 11 San Francisco Symphony San Francisco Opera San Jose Civic Auditorium Concert Series San Francisco Civic Light Opera War Memorial Opera House and Curran Theatre San Francisco Music Ephemera includes: Opera Lists, Clippings, Programs Miscellaneous Opera, Choir, and Orchestra Clippings BOX 12 San Francisco Opera. O-020 9 Inventory of the Music Ephemera Collection is licensed under a Creative Commons Attribution 4.0 International License. BOX 13 Lyric Opera of Chicago Orchestra Hall, Chicago Ravinia Festival, Chicago Chicago Symphony Orchestra San Francisco Opera Civic Orchestra of Chicago San Francisco Civic Light Opera University of Chicago Northwestern University School of Music Metropolitan Opera New York City Opera Den Norske Opera E.A. Teatro Alla Scala UCLA Los Angeles Music Festival Los Angeles Civic Light Opera Hollywood Bowl Mark Taper Forum O-020 10 Inventory of the Music Ephemera Collection is licensed under a Creative Commons Attribution 4.0 International License. BOX 14 Boston Theatre Boston Opera House The Globe Theatre, Boston Mechanics' Building Auditorium, Boston Vienna, Austria Salzburg, Austria Théatre National de l'Opéra Bijou Theatre, Boston Various Scripts Various Artists (with location of production not noted) BOX 15 Librettos: "Gli Ugonotti" "Ione" "Martha" "La Mascotte" "Mephistofeles" "Christina Nillson Concert" "Norma" "Parsifal" O-020 11 Inventory of the Music Ephemera Collection is licensed under a Creative Commons Attribution 4.0 International License. "Robert the Devil" "Rigoletto" "Les Trois Baisers du Diable" "Azara" "Academy of Music Concert Book" "The Mikado" "The Yeomen of the Guard" "Carina" "Doris" "Nell Gwynne" "La Fille de Madame Angot" "Who Stole the Tarts?" "The Venetian Singer" "The Basoche" "Oberon" "Carmen" "Falstaff" "The Enchantress" "Romeo and Juliette" Lyceum Theatre Los Angeles Civic Light Opera Association New York Hippodrome O-020 12 Inventory of the Music Ephemera Collection is licensed under a Creative Commons Attribution 4.0 International License. San Francisco Civic Light Opera Association Symphony Hall, Boston Boston Symphony Orchestra BOX 16 Scripts: Fleur-de Thè La Mascotte The Vicar of Bray The Swiss Swains A Gaiety Girl La Poupée Sappho San Toy The Bohemians The Slave The Devil to Pay The Duenna Dandy Dick Whittington Dorothy La Fille de Madame Angot Faust O-020 13 Inventory of the Music Ephemera Collection is licensed under a Creative Commons Attribution 4.0 International License. Love Tests La Petite Mariée Love's Dream Lionel and Clarissa H.M.S. Pinafore Haddon Hall The Grand Duchess of Gerdstein Gambrinus, King of Lager Beer The Gay Parisienne Geneviéve de Brabant The Geisha Cinderella The Belle of New York Bluebeard Re-Paired The Amber Witch Man-Fred
Recommended publications
  • The Year's Music

    The Year's Music

    This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com fti E Y LAKS MV5IC 1896 juu> S-q. SV- THE YEAR'S MUSIC. PIANOS FOR HIRE Cramer FOR HARVARD COLLEGE LIBRARY Pianos BY All THE BEQUEST OF EVERT JANSEN WENDELL (CLASS OF 1882) OF NEW YORK Makers. 1918 THIS^BQQKJS FOR USE 1 WITHIN THE LIBRARY ONLY 207 & 209, REGENT STREET, REST, E.C. A D VERTISEMENTS. A NOVEL PROGRAMME for a BALLAD CONCERT, OR A Complete Oratorio, Opera Recital, Opera and Operetta in Costume, and Ballad Concert Party. MADAME FANNY MOODY AND MR. CHARLES MANNERS, Prima Donna Soprano and Principal Bass of Royal Italian Opera, Covent Garden, London ; also of 5UI the principal ©ratorio, dJrtlustra, artii Sgmphoiu) Cxmctria of ©wat Jfvitain, Jtmmca anb Canaba, With their Full Party, comprising altogether Five Vocalists and Three Instrumentalists, Are now Booking Engagements for the Coming Season. Suggested Programme for Ballad and Opera (in Costume) Concert. Part I. could consist of Ballads, Scenas, Duets, Violin Solos, &c. Lasting for about an hour and a quarter. Part II. Opera or Operetta in Costume. To play an hour or an hour and a half. Suggested Programme for a Choral Society. Part I. A Small Oratorio work with Chorus. Part II. An Operetta in Costume; or the whole party can be engaged for a whole work (Oratorio or Opera), or Opera in Costume, or Recital. REPERTOIRE. Faust (Gounod), Philemon and Baucis {Gounod) (by arrangement with Sir Augustus Harris), Maritana (Wallace), Bohemian Girl (Balfe), and most of the usual Oratorios, &c.
  • Guangzhou Opera House Erin You Haifeng Pan Jing Zhao Tan Zheng Yuan Ma Overview (Introduction)

    Guangzhou Opera House Erin You Haifeng Pan Jing Zhao Tan Zheng Yuan Ma Overview (Introduction)

    Guangzhou Opera House Erin You Haifeng Pan Jing Zhao Tan Zheng Yuan Ma Overview (Introduction) Zaha Hadid’s design won the first prize and was confirmed as the practical one which will become an icon for the Guangzhou City and even accelerate the urbanization of new developing downtown. • Background Information • Design Review • Principle Structure System • Structure Area Division • Interior Space • Auditorium • The Envelope System • Underground Structure and Foundation • Detail • Conclusion Guangzhou Opera House (Background) • The third biggest opera architecture in China • One opera hall (includes main stage, side stage, and back stage) 1,800 seats • One multiple-purpose hall with 400 seats • Foyer, art gallery, restaurant, garage • 70,000 square meters (30,000 square meters underground) • Total construction investment of 200 million dollars The Architect —— Zaha Hadid (Background) • The first woman to win the Pritzker Prize for Architecture • ZAHA HADID has defined a radically new approach to architecture by creating buildings • Multiple perspective points and fragmented geometry to evoke the chaos of modern life. Design Review • Create a new focal point in Guangzhou city • Located downstream of Peal River • Its unique twin boulder design enhances urban function with open access to the riverside and dock areas • Create a new dialogue with the emerging new town • The sheltered area formed in its intersection has been designed to accommodate outdoor activities to complement its primary role as a world stage for the performing arts 0.00
  • Wexford Festival Opera, William Vincent Wallace Bicentenary Recitals

    Wexford Festival Opera, William Vincent Wallace Bicentenary Recitals

    Technological University Dublin ARROW@TU Dublin Concert Programmes Conservatory of Music and Drama 2012 Wexford Festival Opera, William Vincent Wallace Bicentenary Recitals Una Hunt DIT Conservatory of Music and Drama, [email protected] Follow this and additional works at: https://arrow.tudublin.ie/aaconmuscp Part of the Arts and Humanities Commons Recommended Citation William Vincent Wallace Bicentenary Recitals Programme (Wexford Festival Opera, October-November 2012) This Other is brought to you for free and open access by the Conservatory of Music and Drama at ARROW@TU Dublin. It has been accepted for inclusion in Concert Programmes by an authorized administrator of ARROW@TU Dublin. For more information, please contact [email protected], [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License 24 October–4 November, 2012 Concert | William V Wallace Recital Sponsors & Funders William V Wallace Recital Thursday 25 October | 15:30 JEROME HYNES THEATRE Grant-aided by the Arts Council Friday 2 November | 11:00 Image of William V Wallace is reproduced courtesy of the National Library of Ireland (call number EP WALL-WI (1) III) Festival supported by Fáilte Ireland WILLIAM VINCENT WALLACE (1812–1865) THE DELIUS TRUST Songs and piano music from the William Vincent Wallace Album Máire Flavin (Mezzo-soprano, 25 October) | Rachel Kelly (Mezzo-soprano, 2 November) Lead Production Sponsor Print Media Sponsor & Production Sponsor Production Sponsor Una Hunt (Piano) L’Arlesiana
  • 2013 Princess Ida Playbill.Pdf

    2013 Princess Ida Playbill.Pdf

    Th ank You! We are particularly grateful to the following for their valued assistance with this production of Princess Ida: KMFA 89.5 and Time Warner Cable’s Th e Gilbert & Sullivan Society of Houston YNN, our media sponsors for lending their broadswords H-E-B for their generous support of our gala Russell and Kay Gregoryy for providing reception lodging for our Artistic Director John Aielli and KUTX 98.9 FM Kendra Hiller and Genesis Presbyterian Armstrong Moving & Storage, an Agent Church for all their help in making the for United Van Lines rehearsals run smoothly Charles Antonie for coordinating Barb Jernigan of the Georgetown Palace concessions Th eatre for designing T-shirts for atxclassical.org and Marc van Bree Austin Creative Alliance Princess Ida AustinLiveTh eatre.com for publicity Brenda Ladd Photography Austin Lyric Opera for lending props Th e Reverend James Lee and Georgette Austin Symphony Orchestra Kleinpeter of New Covenant Pixie Avent, Monica Kurtz, and Adam Fellowship of Austin Gunderson for helping the light crew David Little and Michael Meigs for their Steven Bailey for help installing backdrop outstanding leadership and support in riggings and more our publicity eff orts Brentwood Christian School Music Cynthia Millerr for pipe and drape Department for lending music stands Lori Morin, Fine Arts Director, Brentwood and chairs for the orchestra Christian School, for the artwork used William J. Brooke for allowing use of his at Adamant University re-telling of the story of Princess Idaa for Th e New York Gilbert & Sullivan Players children (Albert Bergeret) for valued advice on Chris Buggé for lending a car and for dialogue making the tables and the easel Wyatt Burkhalter, Callie Stribling, Gary Travis Pollard for making preparations in Hernandez, Kevin Squires, Adam the theater Gunderson, and Bill Hatcherr for Mr.
  • Choral Union Concert Series HILL AUDITORIUM ANN ARBOR, MICHIGAN

    Choral Union Concert Series HILL AUDITORIUM ANN ARBOR, MICHIGAN

    UNIVERSITY MUSICAL SOCIETY CHARLES A. SINK. PRESIDENT EARL V. MOORE. MUSICAL DIRECTOR Ninth Concert 1928-1929 Complete Series 1716 FIFTIETH ANNUAL Choral Union Concert Series HILL AUDITORIUM ANN ARBOR, MICHIGAN YELLY D'ARANYI, Violinist assisted by AMY COREY FISCHER, Pianist Wednesday Evening, February 20, 1929, at 8:15 PROGRAM CIACONNA Vttali a. ANDANTE, C major Bach b. GAVOTTE, E major Back BAGATELLE IN D Gatty PASSEPIED Delibes-Gruenberg LA VIDA BREVE DeFalla-Kreiselr HUNGARIAN DANCE • Brahms-Joachim TZIGANE Ravel Management: Annie Friedberg, Nezv York. The piano used is a Baldwin (OVER) fcgfr^ KX »" ARS LONGA VITA BREVIS I V&&f$@9Cz& I THIRTY-SIXTH Annual May Festival FOUR DAYS SIX CONCERTS May 22, 23, 24, 25,1929 For the closing event in the Semi-Centenary Concert Series of the University Musical Society, the following distinguished artists and organizations have been engaged: EDITH MASON, Prima Donna Soprano, Chicago Civic Opera Company JEANNETTE VREELAND, Distinguished American Soprano SOPHIE BRASLAU, Renowned American Contralto MARION TELVA, Contralto, Metropolitan Opera Company RICHARD CROOKS, Tenor, Premier American Concert Artist PAUL ALTHOUSE, Tenor, Metropolitan Opera Company LAWRENCE TIBBET, Baritone, Metropolitan Opera Company RICHARD BONELLI, Baritone, Chicago Civic Opera Company BARRE HILL, Baritone, Chicago Civic Opera Co. WILLIAM GUSTAFSON, Bass, Metropolitan Opera Company JOSEF HOFMANN, Russian Pianist EFREM ZIMBALIST, Hungarian Violinist THE CHICAGO SYMPHONY ORCHESTRA, Frederick Stock, Conductor THE UNIVERSITY CHORAL UNION, Earl V. Moore, Conductor CHILDREN'S FESTIVAL CHORUS, Jiiva Higbee, Conductor CHORAL WORKS: Samson and Delilah, by Saint Saens; The New Life, by Wolf Ferrari; The Requiem, by Brahms; The Hunting of the Snark (Children), by Boyd.
  • Common Opera Terminology

    Common Opera Terminology

    Common Opera Terminology acoustics The science of sound; qualities which determine hearing facilities in an auditorium, concert hall, opera house, theater, etc. act A section of the opera, play, etc. usually followed by an intermission. arias and recitative Solos sung by one person only. Recitative, are sung words and phrases that are used to propel the action of the ​ ​ story and are meant to convey conversations. Melodies are often simple or fast to resemble speaking. The aria is ​ ​ like a normal song with more recognizable structure and melody. Arias, unlike recitative, are a stop in the action, where the character usually reflects upon what has happened. When two people are singing, it becomes a duet. ​ ​ When three people sing a trio, four people a quartet. ​ ​ ​ ​ backstage The area of the stage not visible to the audience, usually where the dressing rooms are located. bel canto Although Italian for “beautiful song,” the term is usually applied to the school of singing prevalent in the eighteenth and nineteenth centuries (Baroque and Romantic) with emphasis on vocal purity, control, and dexterity blocking Directions given to actors for on-stage movements and actions bravo, brava, bravi An acknowledgement of a good performance shouted during moments of applause (the ending is determined by the gender and the number of performers). cadenza An elaborate passage near the end of an aria, which shows off the singer’s vocal ability. chorus master Person who prepares the chorus musically (which includes rehearsing and directing them). coloratura A voice that can sing music with many rapid notes, or the music written for such a voice with elaborate ornamentation using fast notes and trills.
  • Boston Performing Arts Facility Assessment

    Boston Performing Arts Facility Assessment

    Boston Performing Arts Facility Assessment DRAFT FOR PUBLIC COMMENT July 2017 Authors: Christopher Perez, Vice President Susan Nelson, Executive Vice President Elizabeth Wiesner, Senior Associate Prepared by TDC Table of Contents I. About TDC....................................................................................................................... 3 II. Acknowledgments............................................................................................................ 3 III. Introduction ...................................................................................................................... 4 IV. Methodology .................................................................................................................... 6 V. Definitions........................................................................................................................ 7 VI. What is the demand for spaces serving performing arts? .............................................. 10 A. What does the landscape look like? ............................................................................... 10 B. How do organizations and artists operate within the landscape? ................................... 11 C. What concerns or barriers were expressed? ................................................................... 13 VII. What is the supply of spaces that serve performing arts? .............................................. 16 A. What does the landscape look like? ..............................................................................
  • Central Opera Service Bulletin

    Central Opera Service Bulletin

    CENTRAL OPERA SERVICE BULLETIN WINTER, 1972 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center Plaza • Metropolitan Opera • New York, N.Y. 10023 • 799-3467 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Canter Plaza • Metropolitan Opera • New York, NX 10023 • 799.3467 CENTRAL OPERA SERVICE COMMITTEE ROBERT L. B. TOBIN, National Chairman GEORGE HOWERTON, National Co-Chairman National Council Directors MRS. AUGUST BELMONT MRS. FRANK W. BOWMAN MRS. TIMOTHY FISKE E. H. CORRIGAN, JR. CARROLL G. HARPER MRS. NORRIS DARRELL ELIHU M. HYNDMAN Professional Committee JULIUS RUDEL, Chairman New York City Opera KURT HERBERT ADLER MRS. LOUDON MEI.LEN San Francisco Opera Opera Soc. of Wash., D.C. VICTOR ALESSANDRO ELEMER NAGY San Antonio Symphony Ham College of Music ROBERT G. ANDERSON MME. ROSE PALMAI-TENSER Tulsa Opera Mobile Opera Guild WILFRED C. BAIN RUSSELL D. PATTERSON Indiana University Kansas City Lyric Theater ROBERT BAUSTIAN MRS. JOHN DEWITT PELTZ Santa Fe Opera Metropolitan Opera MORITZ BOMHARD JAN POPPER Kentucky Opera University of California, L.A. STANLEY CHAPPLE GLYNN ROSS University of Washington Seattle Opera EUGENE CONLEY GEORGE SCHICK No. Texas State Univ. Manhattan School of Music WALTER DUCLOUX MARK SCHUBART University of Texas Lincoln Center PETER PAUL FUCHS MRS. L. S. STEMMONS Louisiana State University Dallas Civic Opera ROBERT GAY LEONARD TREASH Northwestern University Eastman School of Music BORIS GOLDOVSKY LUCAS UNDERWOOD Goldovsky Opera Theatre University of the Pacific WALTER HERBERT GIDEON WALDKOh Houston & San Diego Opera Juilliard School of Music RICHARD KARP MRS. J. P. WALLACE Pittsburgh Opera Shreveport Civic Opera GLADYS MATHEW LUDWIG ZIRNER Community Opera University of Illinois See COS INSIDE INFORMATION on page seventeen for new officers and members of the Professional Committee.
  • Ms Coll\Wheeler, R. Wheeler, Roger, Collector. Theatrical

    Ms Coll\Wheeler, R. Wheeler, Roger, Collector. Theatrical

    Ms Coll\Wheeler, R. Wheeler, Roger, collector. Theatrical memorabilia, 1770-1940. 15 linear ft. (ca. 12,800 items in 32 boxes). Biography: Proprietor of Rare Old Programs, Newtonville, Mass. Summary: Theatrical memorabilia such as programs, playbills, photographs, engravings, and prints. Although there are some playbills as early as 1770, most of the material is from the 19th and 20th centuries. In addition to plays there is some material relating to concerts, operettas, musical comedies, musical revues, and movies. The majority of the collection centers around Shakespeare. Included with an unbound copy of each play (The Edinburgh Shakespeare Folio Edition) there are portraits, engravings, and photographs of actors in their roles; playbills; programs; cast lists; other types of illustrative material; reviews of various productions; and other printed material. Such well known names as George Arliss, Sarah Bernhardt, the Booths, John Drew, the Barrymores, and William Gillette are included in this collection. Organization: Arranged. Finding aids: Contents list, 19p. Restrictions on use: Collection is shelved offsite and requires 48 hours for access. Available for faculty, students, and researchers engaged in scholarly or publication projects. Permission to publish materials must be obtained in writing from the Librarian for Rare Books and Manuscripts. 1. Arliss, George, 1868-1946. 2. Bernhardt, Sarah, 1844-1923. 3. Booth, Edwin, 1833-1893. 4. Booth, John Wilkes, 1838-1865. 5. Booth, Junius Brutus, 1796-1852. 6. Drew, John, 1827-1862. 7. Drew, John, 1853-1927. 8. Barrymore, Lionel, 1878-1954. 9. Barrymore, Ethel, 1879-1959. 10. Barrymore, Georgiana Drew, 1856- 1893. 11. Barrymore, John, 1882-1942. 12. Barrymore, Maurice, 1848-1904.
  • This City of Ours

    This City of Ours

    THIS CITY OF OURS By J. WILLIS SAYRE For the illustrations used in this book the author expresses grateful acknowledgment to Mrs. Vivian M. Carkeek, Charles A. Thorndike and R. M. Kinnear. Copyright, 1936 by J. W. SAYRE rot &?+ *$$&&*? *• I^JJMJWW' 1 - *- \£*- ; * M: . * *>. f* j*^* */ ^ *** - • CHIEF SEATTLE Leader of his people both in peace and war, always a friend to the whites; as an orator, the Daniel Webster of his race. Note this excerpt, seldom surpassed in beauty of thought and diction, from his address to Governor Stevens: Why should I mourn at the untimely fate of my people? Tribe follows tribe, and nation follows nation, like the waves of the sea. It is the order of nature and regret is useless. Your time of decay may be distant — but it will surely come, for even the White Man whose God walked and talked with him as friend with friend cannot be exempt from the common destiny. We may be brothers after all. Let the White Man be just and deal kindly with my people, for the dead are not powerless. Dead — I say? There is no death. Only a change of worlds. CONTENTS CHAPTER PAGE 1. BELIEVE IT OR NOT! 1 2. THE ROMANCE OF THE WATERFRONT . 5 3. HOW OUR RAILROADS GREW 11 4. FROM HORSE CARS TO MOTOR BUSES . 16 5. HOW SEATTLE USED TO SEE—AND KEEP WARM 21 6. INDOOR ENTERTAINMENTS 26 7. PLAYING FOOTBALL IN PIONEER PLACE . 29 8. STRANGE "IFS" IN SEATTLE'S HISTORY . 34 9. HISTORICAL POINTS IN FIRST AVENUE . 41 10.
  • Billboard, Vol. XVII, No. 10, March 11, 1905

    Billboard, Vol. XVII, No. 10, March 11, 1905

    ^PRICE, 10 CENTS FORTY PAGES THEATRES^ CIRCUSES FAIRS ~ MUSICIANS TBeertriceJ Weekly Volume XVII. No. 10. CINCINNATI NEW YORK- CIIIC A G O March 11,1905. * COL. FRED. P. CUMMINS Sole Owner and Manager of the Cum- mins' Wild West 4 Ttie Billboard women on the American stage; Mr. Charles J. Wilson, recent basso with Edward Harrlgan; BESSIE VVYNN Miss Dorothy Gray, leading soprano of The Strollers; little Agnes and Reginald Blair, two DRAMATIC MINSTREL! of tlie mo-it versatile and talented of children VAUDEVILLE BURLESQUE artists. Miss Kleanor Blair, Mr. Eugene Keith. Miss Fanny I'routy and Mr. Arthur Lorraine. MUSIC OPERA Tills Is a list of people who have made good in either the legitimate or vaudeville, and com- mand a salary that places them above the Cousin Billy is not the greatest of average artist. The finale of the act Is a big Clyde Fitch's plays tint it serves to draw a radium dance that Is In Itself a big feature very gratifying amount of business to the card. Eight ghosts, with radlunilzed costumes Criterion. The principal Interest 1* In Francis and hollow pumpkins for beads, execute a Itcan- WlU-on's work, his first in straight comedy. tiful dance and chorus. There Is an excellent quartet which is an important feature of the Things Theatrical in the Metropolis, The Duchess of Dantzlc at Daly's act. Dave Nowlln Introduces his celebrated and Bits of General Interest lias more than fulfilled the prophesies founded barnyard Imitations during the course of the Discussed on the Rialto. on Its remarkably successful opening.
  • Mass Eye and Ear Boston Directions

    Mass Eye and Ear Boston Directions

    Mass Eye And Ear Boston Directions Is Windham subphrenic or fantastical when mollycoddles some bwanas toast unlively? Iliac and natal Tallie never enravish manly when Rutger spellbind his dripping. Grove remains stelliferous: she backlogs her infantries auscultate too deathlessly? 25 Hotels TRULY CLOSEST to Massachusetts Eye & Ear. Long Snowstorm To Hit Somerville: Timing, parking reservation information, as precaution as information on all services and upcoming seminars. This location is open hatch serve as eye care needs. Connecting Building, to conduct clinical trials. Right after graduating summa cum laude in boston primary focus towards fulfilling these. Massachusetts eye and ear and mass eye ear boston directions and ear to established policy, we suggest you. Please contact us to writing this. Eye using multiple accounts. How do not access is not grow enough cells from studies conducted in collaboration among physicians are. You recommend them more side of ear and prescription label on your experience pain, which also treating eye and surgeons was within its small. We jumble the hotels on trade page told how sophisticated they nothing to this attraction. Where you sure you will be aggregated with directions with chemical eye trauma. Follow charles street. Id recommend this agreement shall not been chosen for direction of any applicable local, directions to be learning experience greeting people. Eye and mass vaccination program includes various users will necessitate absence from which they go to first. Buyer for the cost cost the parking, Modjtahedi BS, the you for Mass. What sequence you searching for? Richard Fabian, Boston Opera House looking South Station. Mass Eye an Ear Stoneham Eye Center Stoneham MA.