The Mikado ...Or the Town Oftitipu 1885
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2013 Princess Ida Playbill.Pdf
Th ank You! We are particularly grateful to the following for their valued assistance with this production of Princess Ida: KMFA 89.5 and Time Warner Cable’s Th e Gilbert & Sullivan Society of Houston YNN, our media sponsors for lending their broadswords H-E-B for their generous support of our gala Russell and Kay Gregoryy for providing reception lodging for our Artistic Director John Aielli and KUTX 98.9 FM Kendra Hiller and Genesis Presbyterian Armstrong Moving & Storage, an Agent Church for all their help in making the for United Van Lines rehearsals run smoothly Charles Antonie for coordinating Barb Jernigan of the Georgetown Palace concessions Th eatre for designing T-shirts for atxclassical.org and Marc van Bree Austin Creative Alliance Princess Ida AustinLiveTh eatre.com for publicity Brenda Ladd Photography Austin Lyric Opera for lending props Th e Reverend James Lee and Georgette Austin Symphony Orchestra Kleinpeter of New Covenant Pixie Avent, Monica Kurtz, and Adam Fellowship of Austin Gunderson for helping the light crew David Little and Michael Meigs for their Steven Bailey for help installing backdrop outstanding leadership and support in riggings and more our publicity eff orts Brentwood Christian School Music Cynthia Millerr for pipe and drape Department for lending music stands Lori Morin, Fine Arts Director, Brentwood and chairs for the orchestra Christian School, for the artwork used William J. Brooke for allowing use of his at Adamant University re-telling of the story of Princess Idaa for Th e New York Gilbert & Sullivan Players children (Albert Bergeret) for valued advice on Chris Buggé for lending a car and for dialogue making the tables and the easel Wyatt Burkhalter, Callie Stribling, Gary Travis Pollard for making preparations in Hernandez, Kevin Squires, Adam the theater Gunderson, and Bill Hatcherr for Mr. -
ARSC Journal
LEONARD BERNSTEIN, A COMPOSER DISCOGRAPHY" Compiled by J. F. Weber Sonata for clarinet and piano (1941-42; first performed 4-21-42) David Oppenheim, Leonard Bernstein (recorded 1945) (78: Hargail set MW 501, 3ss.) Herbert Tichman, Ruth Budnevich (rec. c.1953} Concert Hall Limited Editions H 18 William Willett, James Staples (timing, 9:35) Mark MRS 32638 (released 12-70, Schwann) Stanley Drucker, Leonid Hambro (rec. 4-70) (10:54) Odyssey Y 30492 (rel. 5-71) (7) Anniversaries (for piano) (1942-43) (2,5,7) Leonard Bernstein (o.v.) (rec. 1945) (78: Hargail set MW 501, ls.) (1,2,3) Leonard Bernstein (rec. c.1949) (4:57) (78: RCA Victor 12 0683 in set DM 1278, ls.) Camden CAL 214 (rel. 5-55, del. 2-58) (4,5) Leonard Bernstein (rec. c.1949) (3:32) (78: RCA Victor 12 0228 in set DM 1209, ls.) (vinyl 78: RCA Victor 18 0114 in set DV 15, ls.) Camden CAL 214 (rel. 5-55, del. 2-58); CAL 351 (6,7) Leonard Bernstein (rec. c.1949) (2:18) Camden CAL 214 (rel. 5-55, del. 2-58); CAL 351 Jeremiah symphony (1941-44; f.p. 1-28-44) Nan Merriman, St. Louis SO--Leonard Bernstein (rec. 12-1-45) ( 23: 30) (78: RCA Victor 11 8971-3 in set DM 1026, 6ss.) Camden CAL 196 (rel. 2-55, del. 6-60) "Single songs from tpe Broadway shows and arrangements for band, piano, etc., are omitted. Thanks to Jane Friedmann, CBS; Peter Dellheim, RCA; Paul de Rueck, Amberson Productions; George Sponhaltz, Capitol; James Smart, Library of Congress; Richard Warren, Jr., Yael Historical Sound Recordings; Derek Lewis, BBC. -
Composition Catalog
1 LEONARD BERNSTEIN AT 100 New York Content & Review Boosey & Hawkes, Inc. Marie Carter Table of Contents 229 West 28th St, 11th Floor Trudy Chan New York, NY 10001 Patrick Gullo 2 A Welcoming USA Steven Lankenau +1 (212) 358-5300 4 Introduction (English) [email protected] Introduction 8 Introduction (Español) www.boosey.com Carol J. Oja 11 Introduction (Deutsch) The Leonard Bernstein Office, Inc. Translations 14 A Leonard Bernstein Timeline 121 West 27th St, Suite 1104 Straker Translations New York, NY 10001 Jens Luckwaldt 16 Orchestras Conducted by Bernstein USA Dr. Kerstin Schüssler-Bach 18 Abbreviations +1 (212) 315-0640 Sebastián Zubieta [email protected] 21 Works www.leonardbernstein.com Art Direction & Design 22 Stage Kristin Spix Design 36 Ballet London Iris A. Brown Design Boosey & Hawkes Music Publishers Limited 36 Full Orchestra Aldwych House Printing & Packaging 38 Solo Instrument(s) & Orchestra 71-91 Aldwych UNIMAC Graphics London, WC2B 4HN 40 Voice(s) & Orchestra UK Cover Photograph 42 Ensemble & Chamber without Voice(s) +44 (20) 7054 7200 Alfred Eisenstaedt [email protected] 43 Ensemble & Chamber with Voice(s) www.boosey.com Special thanks to The Leonard Bernstein 45 Chorus & Orchestra Office, The Craig Urquhart Office, and the Berlin Library of Congress 46 Piano(s) Boosey & Hawkes • Bote & Bock GmbH 46 Band Lützowufer 26 The “g-clef in letter B” logo is a trademark of 47 Songs in a Theatrical Style 10787 Berlin Amberson Holdings LLC. Deutschland 47 Songs Written for Shows +49 (30) 2500 13-0 2015 & © Boosey & Hawkes, Inc. 48 Vocal [email protected] www.boosey.de 48 Choral 49 Instrumental 50 Chronological List of Compositions 52 CD Track Listing LEONARD BERNSTEIN AT 100 2 3 LEONARD BERNSTEIN AT 100 A Welcoming Leonard Bernstein’s essential approach to music was one of celebration; it was about making the most of all that was beautiful in sound. -
Central Opera Service Bulletin
CENTRAL OPERA SERVICE BULLETIN WINTER, 1972 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center Plaza • Metropolitan Opera • New York, N.Y. 10023 • 799-3467 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Canter Plaza • Metropolitan Opera • New York, NX 10023 • 799.3467 CENTRAL OPERA SERVICE COMMITTEE ROBERT L. B. TOBIN, National Chairman GEORGE HOWERTON, National Co-Chairman National Council Directors MRS. AUGUST BELMONT MRS. FRANK W. BOWMAN MRS. TIMOTHY FISKE E. H. CORRIGAN, JR. CARROLL G. HARPER MRS. NORRIS DARRELL ELIHU M. HYNDMAN Professional Committee JULIUS RUDEL, Chairman New York City Opera KURT HERBERT ADLER MRS. LOUDON MEI.LEN San Francisco Opera Opera Soc. of Wash., D.C. VICTOR ALESSANDRO ELEMER NAGY San Antonio Symphony Ham College of Music ROBERT G. ANDERSON MME. ROSE PALMAI-TENSER Tulsa Opera Mobile Opera Guild WILFRED C. BAIN RUSSELL D. PATTERSON Indiana University Kansas City Lyric Theater ROBERT BAUSTIAN MRS. JOHN DEWITT PELTZ Santa Fe Opera Metropolitan Opera MORITZ BOMHARD JAN POPPER Kentucky Opera University of California, L.A. STANLEY CHAPPLE GLYNN ROSS University of Washington Seattle Opera EUGENE CONLEY GEORGE SCHICK No. Texas State Univ. Manhattan School of Music WALTER DUCLOUX MARK SCHUBART University of Texas Lincoln Center PETER PAUL FUCHS MRS. L. S. STEMMONS Louisiana State University Dallas Civic Opera ROBERT GAY LEONARD TREASH Northwestern University Eastman School of Music BORIS GOLDOVSKY LUCAS UNDERWOOD Goldovsky Opera Theatre University of the Pacific WALTER HERBERT GIDEON WALDKOh Houston & San Diego Opera Juilliard School of Music RICHARD KARP MRS. J. P. WALLACE Pittsburgh Opera Shreveport Civic Opera GLADYS MATHEW LUDWIG ZIRNER Community Opera University of Illinois See COS INSIDE INFORMATION on page seventeen for new officers and members of the Professional Committee. -
The Gondoliers Program 2017
Light Opera of Portland presents THE GONDOLIERS OR The King of Barataria with music by Arthur Sullivan and libretto by W.S. Gilbert Dennis Britten, Director Linda Smith, Musical Director David Smith, Producer THANK YOU SPECIAL THANKS TO: The King’s Navy for the loan of the drum Home Depot for discounts on supplies for building the set Sarah Ominski for photography Kevin Lay for orchestration MKTX for marketing and promotion support Gallery Theater for lending costumes TVFR for use of Firestation 65 community room for rehearsals Set Design and Construction Joe Rosenthal, David Ridley, Ron Swingen, David Smith, Linda Smith, Jacob Mott, Dennis Freeze, Justin Rueff, Dennis Britten and Rob Patrick Costumes Lucy Tait, Marquerite Kendall, Phyllis Fort, Phyllis Brinkerhoff and Anne Kolibaba Larkin DONORS Dennis Britten Cathrine Huard Jillane and David Onasch David and Linda Smith Anonymous YOUR DONATION The Light Opera of Portland is a 501c3 organization. Please donate to help us continue providing excellent light opera. LOoP depends on the generous donations of our friends and patrons to support our ongoing efforts of providing high-quality, entertaining light opera productions. Whether you made the suggested donation upon entering or choose to add to your donation upon exiting, be assured your contribution is helping this young theatre company bring you more of the fun of treasured theatre works in the future. Please let us know particularly if you are able to help by donating space to store our sets, rehearsal space or performance space. Thank you for your help. THE GONDOLIERS OR The King of Barataria with music by Arthur Sullivan and libretto by W.S. -
Central Opera Service Bulletin • Vol
CENTRAL OPERA SERVICE COMMITTEE Founder MRS. AUGUST BELMONT Honorary National Chairman ROBERT L. B. TOBIN National Chairman ELIHU M. HYNDMAN National Co-Chairmen MRS. NORRIS DARRELL GEORGE HOWERTON Profntional Committee KURT HERBERT ADLER BORIS GOLDOVSKY San Francisco Opera Goldovsky Opera Theatre WILFRED C. BAIN DAVID LLOYD Indiana University Lake George Opera Festival GRANT BEGLARIAN LOTFI MANSOURI University of So. California Canadian Opera Company MORITZ BOMHARD GLADYS MATHEW Kentucky Opera Association Community Opera SARAH CALDWELL RUSSELL D. PATTERSON Opera Company of Boston Lyric Opera of Kansas City TITO CAPOBIANCO MRS. JOHN DEWITT PELTZ San Diego Opera Metropolitan Opera KENNETH CASWELL EDWARD PURRINGTON Memphis Opera Theatre Tulsa Opera ROBERT J. COLLINGE GLYNN ROSS Baltimore Opera Company Seattle Opera Association JOHN CROSBY JULIUS RUDEL Santa Fe Opera New York City Opera WALTER DUCLOUX MARK SCHUBART University of Texas Lincoln Center ROBERT GAY ROGER L. STEVENS Northwestern University John F. Kennedy Center DAVID GOCKLEY GIDEON WALDROP Houston Grand Opera The Juilliard School Central Opera Service Bulletin • Vol. 21, No. 4 • 1979/80 Editor, MARIA F. RICH Assistant Editor, JEANNE HANIFEE KEMP The COS Bulletin is published quarterly for its members by Central Opera Service. For membership information see back cover. Permission to quote is not necessary but kindly note source. Please send any news items suitable for mention in the COS Bulletin as well as performance information to The Editor, Central Opera Service Bulletin, Metropolitan Opera, Lincoln Center, New York, NY 10023. Copies this issue: $2.00 |$SN 0008-9508 NEW OPERAS AND PREMIERES Last season proved to be the most promising yet for new American NEW operas, their composers and librettists. -
Berlioz Program Single Pages
Program Richard Strauss Also Sprach Zarathustra 1864–1948 Fanfare/Introduction 1896 Eric Kujawsky, Redwood Symphony Also know as “Sunrise” as heard in the movie 2001, A Space Odyssey. It was hard to resist the temptation to show off our four brass bands with this rousing musical gem. Felix Mendelssohn Hebrides Overture 1809–1847 1830 Eric Townell, Rochester Oratorio Society Also known as the Fingal’s Cave Overture, the work was inspired by a cavern known as Fingal’s Cave on Staffa, an island in the Hebrides archipelago located off the west coast of Scotland. On a “Grand Tour” of Europe, the 21-year-old composer was struck by its beauty and immediately jotted down a sketch reflecting his musical impression of the place. Hector Berlioz Shepherd’s Farewell 1803–1869 from L’Enfance du Christ 1850 Robert Gurney, San Francisco Lyric Chorus The Childhood of Christ is an oratorio based on the flight of the Holy Family into Egypt. This selection is a farewell and wish for safe passage sung to the Christ Child by the shepherds as the Holy Family is about to depart. Arrigo Boito Mefistofele 1894–1918 Final Chorus 1868 Adrian G. Horn, Finger Lakes Choral Festival As the aging Faust approaches the end of his life, he dreams of a tranquil and fruitful world, free of evil. Mephistopheles becomes alarmed and urges Faust to come away with him, but his temptations are thwarted as trumpets herald the appearance of a heavenly choir. Faust, enraptured by the celestial vision, begs for deliverance from evil and is granted redemption as his dying wish. -
EASTMAN NOTES JUNE 2005 Draft: Web Date: July 5, 2005 INSIDE
NOTES JUNE 2005 A MAGAZINE FOR ALUMNI OF THE EASTMAN SCHOOL OF MUSIC FROM THE EDITOR Loss, love, and legacies Dear Eastman Alumni: More than any time since I began editing Eastman Notes, the winter and spring of 2004¬2005 was marked by a sense of loss, with the deaths of two inimitable NOTES figures in Eastman’s history: Frederick Fennell and Ruth Watanabe, who died in Volume 23, Number 2 December 2004 and February 2005 respectively. June 2005 It’s representative of their importance, not just to the School but to the musical world in general, that everyone reading this magazine, no matter when they at- Editor tended, knows who Frederick Fennell and Ruth Watanabe are. Both are indelibly David Raymond associated with two monuments of the School—the Wind Ensemble and the Sib- Assistant editor ley Library. Fennell built a new model for wind band playing—and a repertory— Juliet Grabowski pretty much from scratch; while Ruth Watanabe didn’t found the Sibley Library, Contributing writers she certainly developed it to its present eminence over a 40-year career. (See Martial Bednar Christine Corrado pages 6 and 8 for more Susan Hawkshaw on their remarkable ca- Contributing photographers reers.) Both continued Richard Baker to be generous with Kurt Brownell their time and talent Bob Klein well after retirement— Gelfand-Piper Photography Amy Vetter Fennell visiting Eastman numerous times to con- Photography coordinators Nathan Martel duct, Watanabe as the Amy Vetter School’s historian. Design These two people were Steve Boerner Typography & Design definitely respected as professionals, but they Frederick Fennell Ruth Watanabe Published twice a year by the Office of were also loved as people— Communications, Eastman School of Music, 26 Gibbs Street, Rochester, NY, see the brief tributes to Fennell by his successors Don Hunsberger and Mark 14604, (585) 274-1050. -
REDWOOD SYMPHONY I /' /////B R Ie K.Ija«Sky
REDWOOD SYMPHONY i /' /////B r ie K.ija«sky. Mumc DbvCtOT (OUPlMfJlH SfASON I99e-J999 Gustov Mahler Symphony No. 8 |l86o-19n| (1906! 'Symphony of o Ihomand' Pari I - Hymn: "Veni, crealor spinlus INTERMISSION Pari II - Closing Scene from "Fausl' Emily Breedlove Wendy Loder uspiano jopiono Mognu PeccolriK Malof Glorioio Una Poondenhum Heidi Waterman Sally Mouzon alio alio Multer Somanlano Mono Aogypdoca Marc Lowensfein Ryan Taylor Gearge Hernandez hmof banlona QOfi Ootloi Mononus Pole' EcUolicus Pale 1 Prolundus College of Noire Dome Compuv-Community Chorus John Buih. Difoclof Skyline College Choir Peninsula Canlare Duoclor Palnoa Honmngj, Janice Guodefson, Musk Direcloi Peninsula Girls Chorus Ragazzi, The Peninsula Boys Chorus Colhcnno Woidok, Di(ecloi Joyce Kcil. Arliviic Directoi Sunday, April 11, 1999 3:00 P.M. : San Mafeo Performing Arts Confer San Mafeo, California Ptoo*- lemembef la diwjfm oil walches , phonos, and bcepeis pnor lo the conceit Parenii muM asiumo icsponvbtlity foe rho quiel and oHentivr behovio' ol 'heir childfen. 8 Iho Music Dirvclor Eric Kujawiky i* iho Mojic OtfoclcH o* Rudwood Symphony, now In ii» louileenlh n al Cortoda College m Redwood C ity A nohvo uf lo» Angeles, ho began ha conducting yudtei r al cuje louiioon and made his dabul with a youth Ofcha f tlia ol mnoleen Ahor completing hu 6 A in muwc education and I M f A m conducting at UCLA, Kujawiky accepted o fellow- IS ship lo study conducting al Slonlofd Dr Kujawsky founded Ii Kodwood Symphony in 1985, immediololy after he received )i hn D M A Ho is now the Chairman ol the Pedomiing A r ts Dopartmonl al Jamos lick High School in San Jose, as well as an instructor al Ca r tada Colloga Dr Ku|awsLy has performed at iho Aspen Musk festival us his teachers include a member of the Conducting Master Class, Samuel Krachmalnick, Paul Vermel, and Andor loth He has il guest conducted the Rose City Chamber Orchestra, the Mesa Symphony in Arizona, the San Fionosco Gay Men's Chorus. -
The Student Prince Program 2018
Light Opera of Portland presents THE STUDENT PRINCE A Spectacular Light Opera Book and Lyrics by Dorothy Donnelly Music by Sigmund Romberg THANK YOU SPECIAL THANKS TO Home Depot for discounts on supplies for building the set MKTX for marketing and promotion support Dennis Freeze for photography Gallery Theater for lending costumes City of Beaverton for rehearsal space TVFR for use of Firestation 65 community room for rehearsals Brother’s Bookkeeping for setting up and managing our books Set Design and Construction Joe Rosenthal, David Ridley, Dennis Britten, Dennis Freeze, David Smith, Gabrielle Widman, Jacob Mott, Linda Smith, Pat Lach, Ron Swingen Costume Design and Construction Lucy Tait, Barbara Berger, Elaine Dinsel, Phyllis Fort, Cynthia Mintun, Marguerite Kendall, Sandra King Donors Dennis Britten, Paul Crable, Phyllis Fort, Helens Pacific Costumes, Catherine Huard, Jilane and David Onasch, Wanda Silverman, David & Linda Smith YOUR DONATION The Light Opera of Portland is a 501c3 organization. Please donate to help us continue providing excellent light opera. LOoP depends on the generous donations of our friends and patrons to support our ongoing efforts of providing high-quality, entertaining light opera productions. Whether you made the suggested donation upon entering or choose to add to your donation upon exiting, be assured your contribution is helping this young theatre company bring you more of the fun of treasured theatre works in the future. Please let us know particularly if you are able to help by donating space to store our sets, rehearsal space or performance space. Thank you for your help. Sponsored by Jilane and David Onasch THE STUDENT PRINCE A Spectacular Light Opera Book and Lyrics by Dorothy Donnelly Music by Sigmund Romberg Directed by Dennis Britten Music directed by Linda Smith Costumes by Lucy Tait Set by Joe Rosenthal Produced by David Smith March 16 7:30 PM | March 17 2:00 PM | March 18 6:30 PM March 23 7:30 PM | March 24 7:30 PM | March 25 2:00 PM Alpenrose Opera House 6149 Shattuck Rd. -
Acting Resume
Kevin Brunner Commercial: 310 656 5161 SAG-AFTRA ! AEA ! AGMA Manager: 310 571 8994 310 746 8995 ! [email protected] ! 6’1” ! 190 ! Suit: 42L ! Bass (high G) ! Passport TELEVISION BROOKLYN NINE-NINE Co-Star Director: Linda Mendoza THE CATCH Co-Star Director: Jann Turner CRIMINAL MINDS: SUSPECT BEHAVIOR Co-Star Director: Rob Spera GENERAL HOSPITAL Co-Star/Under 5 Director: Matt Diamond GUIDING LIGHT Recurring Director: numerous KTVO TELEVISION Anchorman Director: numerous FILM HOBART’S BARBERSHOP Lead Director: Joseph Mauceri HOPELESSLY IN JUNE Supporting Director: Vincent Brantley THROUGH THE AIR TO CALAIS Supporting Director: Joseph Mauceri WEBSERIES DIFFERENT HATS Creator/Writer/Director/Actor YouTube FUNNY IN LOVE Supporting Director: Tyler Gillet PUBLIC SERVICE ANNOUNCEMENT BILL OF RIGHTS FOR DUMBASSES Thomas Jefferson Director: Seth Gordon THEATER GIGI Vincent Off-Broadway Equity Library Theater New York, NY THE MERRY WIDOW Novakovich Off-Broadway Light Opera of Manhattan New York, NY H.M.S. PINAFORE Bob Becket Off-Broadway Equity Library Theater New York, NY SWEETHEARTS Chorus Off-Broadway Equity Library Theater New York, NY DESERT SONG Chorus Off-Broadway Equity Library Theater New York, NY ROSEMARIE Chorus Off-Broadway Equity Library Theater New York, NY VAGABOND KING Chorus Off-Broadway Equity Library Theater New York, NY NAUGHTY MARIETTA Chorus Off-Broadway Equity Library Theater New York, NY MUSIC MAN Olin Britt Regional New Theatre Overland Park, KS OPERA Numerous (sang in German/French/Italian) Chorister Lyric Opera of Kansas City Kansas City, MO TRAINING AMERICAN ACADEMY OF DRAMATIC ARTS Acting, Voice, Movement, Styles, Singing NORTHWEST MISSOURI STATE UNIVERSITY BS degree in Broadcasting/Journalism T. -
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