Cox and Box/Trial by Jury Program 2014
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2013 Princess Ida Playbill.Pdf
Th ank You! We are particularly grateful to the following for their valued assistance with this production of Princess Ida: KMFA 89.5 and Time Warner Cable’s Th e Gilbert & Sullivan Society of Houston YNN, our media sponsors for lending their broadswords H-E-B for their generous support of our gala Russell and Kay Gregoryy for providing reception lodging for our Artistic Director John Aielli and KUTX 98.9 FM Kendra Hiller and Genesis Presbyterian Armstrong Moving & Storage, an Agent Church for all their help in making the for United Van Lines rehearsals run smoothly Charles Antonie for coordinating Barb Jernigan of the Georgetown Palace concessions Th eatre for designing T-shirts for atxclassical.org and Marc van Bree Austin Creative Alliance Princess Ida AustinLiveTh eatre.com for publicity Brenda Ladd Photography Austin Lyric Opera for lending props Th e Reverend James Lee and Georgette Austin Symphony Orchestra Kleinpeter of New Covenant Pixie Avent, Monica Kurtz, and Adam Fellowship of Austin Gunderson for helping the light crew David Little and Michael Meigs for their Steven Bailey for help installing backdrop outstanding leadership and support in riggings and more our publicity eff orts Brentwood Christian School Music Cynthia Millerr for pipe and drape Department for lending music stands Lori Morin, Fine Arts Director, Brentwood and chairs for the orchestra Christian School, for the artwork used William J. Brooke for allowing use of his at Adamant University re-telling of the story of Princess Idaa for Th e New York Gilbert & Sullivan Players children (Albert Bergeret) for valued advice on Chris Buggé for lending a car and for dialogue making the tables and the easel Wyatt Burkhalter, Callie Stribling, Gary Travis Pollard for making preparations in Hernandez, Kevin Squires, Adam the theater Gunderson, and Bill Hatcherr for Mr. -
THE CHORISTER April 2017
Issue 23 THE CHORISTER April 2017 TABLE OF CONTENTS Notes from the Chair, June Interns, Concert Survey Results ���������1 What does the Oregon Chorale Board do?, Matching Gift Opportunity, April Birthdays ���������������������������������2 Annual Meeting Slides ����������������������������������������������������������3 & 4 Notes from the Chair Interns for June in the Chorale, several topics were mentioned multiple Happy April, Concerts times: improved sound, meaningful repertoire, technique Please look at the slides in this The Oregon Chorale will host four improvement, Jason’s conducting, newsletter that were presented at interns for the June Concert series. and the concert experience. the annual meeting. Your board Avesta Mirashrafi comes to us desires to be as transparent as from Hillsboro High School and Items that members would possible as we move forward with will join the Tenor section. Isabel like the Board to look at for a five year, and beyond, vision. We Fisher attends Liberty High School improvement include making sure appreciate your support and input where she is a junior. Anna Culver, we end at 9:30, more musical as we continue to implement steps from Century High School, will sing variety, no talking or i-Phones towards achieving each of these in the Alto section, and Tristan during rehearsal, making sure goals and opportunities. Thank you Hoefer, from Glencoe High School, voicing decisions at rehearsal to each of you for all you do to will also sing Tenor with us. take into account placement at support the Oregon Chorale. Please welcome our new interns concerts, and considering a break during rehearsal, not just for – Silverna Scott, Board Chair at rehearsal! Thank you to Ralph Helzerman and Chris Massey for announcements. -
2005-2019 Grant List
Cultural Coalition of Washington County Grant Award Summary www.culturalcoalitionofwashingtoncounty.org Organization Amount Brief Description 2005 Grants Awarded Ballet Folklorico 'Lo Nuestro' $ 1,000 Costumes and accessories for student dance troupe Beaverton Arts & Communication Magnet Academy $ 1,000 "Then and Now" photographic exhibit of Beaverton, Washington Co Beaverton Arts Commission $ 1,000 Free concert in a park and musical experimentation station for children. Broadway Rose Theatre Company $ 1,000 Northwest Book Shelf (musical RE NW authors) for students of TTSD. Cedar Mill Community Library $ 1,000 Film Club for adults featuring award-winning independentfilms. DePriest Family Jazz $ 1,000 Website to better promote concerts for this prominent Jazz organization. Hillsboro Public Library $ 1,000 Present film & discussion series on "The Sixties". Hillsboro School District - McKinnley Elementary $ 1,000 Native American Artist-in-Residence, potlatch. Lenox Elementary Booster Club $ 1,000 Enhance Art Show, Art Literacy and Artist in residence activities. Oregon Chorale $ 1,000 Winter 2005 concert series called, "Choral Music from Eastern Europe.' Pacific University $ 1,000 Produce brochure of artwork included in the new library building. RASIKA $ 1,000 Support educational series highlighting the music and dance of India. Sherwood Historical Society $ 1,000 Summer History Camp for kids. Tualatin Historical Society $ 1,000 Historically appropriate sign for the Heritage Center. Westside Cultural Alliance $ 1,000 Produce "Westside Stories" -
MAGAZINE Summer 2020
Arts and Culture Activities of Hillsboro Parks & Recreation HillsboroARTS Autumn 2021 MAGAZINE 11 Ways to Celebrate Hillsboro Arts Month The Walters Performance Series is Back! Meet Our New Public Art Supervisor Fall Class Season Brings Dance, Music, & More Arts Education | Gallery Exhibits | Concerts | Featured Artists | Community Events | Public Art Weddings | Graduations | Anniversaries | Fundraisers | Luncheons “I always dreamed of having Let the timeless beauty of the Walters Cultural Arts Center infuse your my daughter’s wedding or special gathering with the spirit of creativity and culture. With its classic reception at Walters Cultural red-stone architecture, stained glass features, custom woodwork ceiling Arts Center. I was thrilled arches, concert-quality sound system, and fine art gallery, the Walters when my daughter and her is one of the west side’s most treasured sites for weddings, parties, fiancé chose it for both. The fundraisers, luncheons and other special events. unexpected bonus was the Located in the heart of Hillsboro’s historic downtown, this former church staff at WCAC. They went is a bustling nexus of cultural activity. Private rentals are available on above and beyond in helping Saturday and Sunday. The Walters is centrally located with easy access to me to execute the bride’s dream wedding.” Portland, Washington County wine country, and the Oregon Coast. Our experienced and friendly staff will be happy to answer your questions - Lisa Battrick and assist you through our rental process. WALTERS CULTURAL ARTS CENTER 527 East Main Street | Hillsboro, Oregon 97123 503.615.3485 | Hillsboro-Oregon.gov/WaltersRentals Photo credits: Jon Gottshall (top middle), MItchelldyer Photography (top right), and Stefani Studios Photography (bottom middle). -
The Mikado Program
GENEVA CONCERTS presents TheThe MikadoMikado Albert Bergeret, Artistic Director Saturday, September 24, 2011 • 7:30 p.m. Smith Opera House 1 GENEVA CONCERTS, INC. 2011-2012 SEASON Saturday, 24 September 2011, 7:30 p.m. New York Gilbert & Sullivan Players The Mikado Sunday, 11 December 2011, 3:00 p.m. Imani Winds A Christmas Concert This tour engagement of Imani Winds is funded through the Mid Atlantic Tours program of Mid Atlantic Arts Foundation with support from the National Endowment for the Arts. Friday, 2 March 2012, 7:30 p.m. Rochester Philharmonic Orchestra Christoph Campestrini, conductor Juliana Athayde, violin Music of Barber and Brahms Friday, 30 March 2012, 7:30 p.m. Brian Sanders’ JUNK Patio Plastico Plus Saturday, 28 April 2012, 7:30 p.m. Cantus On the Shoulders of Giants Performed at the Smith Opera House, 82 Seneca Street, Geneva, New York These concerts are made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, and a continuing subscription from Hobart and William Smith Colleges. 2 GENEVA CONCERTS, INC. Saturday, September 24, 2011 at 7:30 p.m. The Mikado or, The Town of Titipu Libretto by Sir William S. Gilbert Music by Sir Arthur Sullivan First Performed at the Savoy Theatre, London, England, March 14, 1885 Stage Direction: Albert Bergeret & David Auxier Music Director: Albert Bergeret; Asst. Music Director: Andrea Stryker-Rodda Conductor: Albert Bergeret Scenic Design: Albère Costume Design: Gail J. Wofford & Kayko Nakamura Lighting Design: Brian Presti Production Stage Manager: David Sigafoose* Assistant Stage Manager: Annette Dieli DRAMATIS PERSONAE The Mikado of Japan .....................................................................Quinto Ott* Nanki-Poo (His son, disguised as a wandering minstrel) . -
Central Opera Service Bulletin
CENTRAL OPERA SERVICE BULLETIN WINTER, 1972 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center Plaza • Metropolitan Opera • New York, N.Y. 10023 • 799-3467 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Canter Plaza • Metropolitan Opera • New York, NX 10023 • 799.3467 CENTRAL OPERA SERVICE COMMITTEE ROBERT L. B. TOBIN, National Chairman GEORGE HOWERTON, National Co-Chairman National Council Directors MRS. AUGUST BELMONT MRS. FRANK W. BOWMAN MRS. TIMOTHY FISKE E. H. CORRIGAN, JR. CARROLL G. HARPER MRS. NORRIS DARRELL ELIHU M. HYNDMAN Professional Committee JULIUS RUDEL, Chairman New York City Opera KURT HERBERT ADLER MRS. LOUDON MEI.LEN San Francisco Opera Opera Soc. of Wash., D.C. VICTOR ALESSANDRO ELEMER NAGY San Antonio Symphony Ham College of Music ROBERT G. ANDERSON MME. ROSE PALMAI-TENSER Tulsa Opera Mobile Opera Guild WILFRED C. BAIN RUSSELL D. PATTERSON Indiana University Kansas City Lyric Theater ROBERT BAUSTIAN MRS. JOHN DEWITT PELTZ Santa Fe Opera Metropolitan Opera MORITZ BOMHARD JAN POPPER Kentucky Opera University of California, L.A. STANLEY CHAPPLE GLYNN ROSS University of Washington Seattle Opera EUGENE CONLEY GEORGE SCHICK No. Texas State Univ. Manhattan School of Music WALTER DUCLOUX MARK SCHUBART University of Texas Lincoln Center PETER PAUL FUCHS MRS. L. S. STEMMONS Louisiana State University Dallas Civic Opera ROBERT GAY LEONARD TREASH Northwestern University Eastman School of Music BORIS GOLDOVSKY LUCAS UNDERWOOD Goldovsky Opera Theatre University of the Pacific WALTER HERBERT GIDEON WALDKOh Houston & San Diego Opera Juilliard School of Music RICHARD KARP MRS. J. P. WALLACE Pittsburgh Opera Shreveport Civic Opera GLADYS MATHEW LUDWIG ZIRNER Community Opera University of Illinois See COS INSIDE INFORMATION on page seventeen for new officers and members of the Professional Committee. -
The Gondoliers Program 2017
Light Opera of Portland presents THE GONDOLIERS OR The King of Barataria with music by Arthur Sullivan and libretto by W.S. Gilbert Dennis Britten, Director Linda Smith, Musical Director David Smith, Producer THANK YOU SPECIAL THANKS TO: The King’s Navy for the loan of the drum Home Depot for discounts on supplies for building the set Sarah Ominski for photography Kevin Lay for orchestration MKTX for marketing and promotion support Gallery Theater for lending costumes TVFR for use of Firestation 65 community room for rehearsals Set Design and Construction Joe Rosenthal, David Ridley, Ron Swingen, David Smith, Linda Smith, Jacob Mott, Dennis Freeze, Justin Rueff, Dennis Britten and Rob Patrick Costumes Lucy Tait, Marquerite Kendall, Phyllis Fort, Phyllis Brinkerhoff and Anne Kolibaba Larkin DONORS Dennis Britten Cathrine Huard Jillane and David Onasch David and Linda Smith Anonymous YOUR DONATION The Light Opera of Portland is a 501c3 organization. Please donate to help us continue providing excellent light opera. LOoP depends on the generous donations of our friends and patrons to support our ongoing efforts of providing high-quality, entertaining light opera productions. Whether you made the suggested donation upon entering or choose to add to your donation upon exiting, be assured your contribution is helping this young theatre company bring you more of the fun of treasured theatre works in the future. Please let us know particularly if you are able to help by donating space to store our sets, rehearsal space or performance space. Thank you for your help. THE GONDOLIERS OR The King of Barataria with music by Arthur Sullivan and libretto by W.S. -
December 2012 — February 2013 a Special Publication of Community Newspapers, Inc
WASHINGTON COUNTY WINTER 2012 Arts Guide • STAGE • MUSIC • VISUAL ARTS • SPOKEN WORD BODYVox – FeB. 15 – HILLSBORO SYMPHONY STORYTIMES – JAN. 9 – TUALATIN THE NUTCRAcker – DEC. 15 – HILLSBORO BRENDA BOylan – JAN. 16 – HILLSBORO December 2012 — February 2013 A SPECIAL PUBLICATION OF COMMUNITY NEWSPAPERS, INC. AND WORK FOR ART 2 WASHINGTON COUNTY ARTS GUIDE ❘ DECEMBER 2012 – FEBRUARY 2013 WAG12 It’s winter, and we’re quite content any artists not only lower temperatures, Encore! Pickin’ have equated but slower tempos. With the ■ The Washington early sunset comes the County Spring Arts and winter with chance to slow down, head Guide, which will M include events for melancholy, isolation indoors and savor the array grinnin’ March through May and even death. We of artistic offerings available 2013, will be The fun for the in Washington County. published at the end young, and young prefer John Steinbeck’s at heart, extends This winter brings more of February. take, offered in beyond the holiday evidence that culture blooms ■ If your season. Rick 3 “Travels with Charley.” organization or Meyers will mix year round in Washington business is interested historical County. From a sleigh load of in promoting your information, playful “What good is the warmth dialogue and plenty WA events or services, COUNTY ARTS GUIDE WASHINGTON holiday shows to the county of audience of summer,” he asks, please contact museum’s new exhibit space, participation in his COUNTY SHINGTON “without the cold of winter Michelle Thomas at “Old Time Music there is reason to celebrate 503-357-3181 or to give it sweetness.” Show” on Feb. -
Trial by Jury [Operetta, in One Act; Text by Gilbert. First Produced at The
Trial by Jury [Operetta, in one act; text by Gilbert. First produced at the Royalty Theatre, London, March 25, 1875.] PERSONAGES. Learned Judge. Plaintiff. Defendant. Counsel for the Plaintiff. Usher. Foreman of the Jury. Associate. First Bridesmaid. [Barristers, attorneys, journeymen, and bridesmaids.] The scene is laid in a London Court of Justice; time, the nineteenth century. The little operetta, "Trial by Jury," was the first result of the successful collaboration of Gilbert and Sullivan, though it gave little hint of the extraordinary excellence as well as popularity of the long list which followed it. "The words and music were written and all the rehearsals completed within three weeks, and all London went to see it," says Sullivan's biographer. It was produced March 25, 1875, and had quite a run, Frederick Sullivan, Sir Arthur's brother, appearing in the rôle of the judge and contributing much to its success. The story is a satire upon the English courts, the incident being a breach of promise case. Edwin is sued by Angelina. The usher impresses upon the jury its duty to divest itself of prejudice in one breath, and in the next seeks to prejudice it against the defendant by most violent denunciations of him. When Edwin enters he is at once requested by the jury to "dread our damages." He tells them how he became "the lovesick boy" first of one and then of another. The jurymen in chorus, while admitting that they were fickle when young, declare that they are now respectable and have no sympathy with him. The judge enters, and after informing the audience how he came to the bench, announces he is ready to try the breach of promise case. -
Krantz [email protected] Phi Mu Alpha Sinfonia + Delta Omicron = Sinfonicron G&S Works, with Date and Length of Original London Run • Thespis 1871 (63)
Sinfonicron Light Opera presents Ruddigore, or The Witch’s Curse January 23-26, 2020 Kimball Theatre Osher Lifelong Learning Institute November 15, 2019 Ken Krantz [email protected] Phi Mu Alpha Sinfonia + Delta Omicron = Sinfonicron G&S Works, with date and length of original London run • Thespis 1871 (63) • Trial by Jury 1875 (131) • The Sorcerer 1877 (178) • HMS Pinafore 1878 (571) • The Pirates of Penzance 1879 (363) • Patience 1881 (578) • Iolanthe 1882 (398) G&S Works, Continued • Princess Ida 1884 (246) • The Mikado 1885 (672) • Ruddigore 1887 (288) • The Yeomen of the Guard 1888 (423) • The Gondoliers 1889 (554) • Utopia, Limited 1893 (245) • The Grand Duke 1896 (123) Elements of Gilbert’s stagecraft • Topsy-Turvydom (a/k/a Gilbertian logic) • Firm directorial control • The typical issue: Who will marry the soprano? • The typical competition: tenor vs. patter baritone • The Lozenge Plot • Literal lozenge: Used in The Sorcerer and never again • Virtual Lozenge: Used almost constantly Ruddigore: A “problem” opera • The horror show plot • The original spelling of the title: “Ruddygore” • Whatever opera followed The Mikado was likely to suffer by comparison Ruddigore Time: Early 19th Century Place: Cornwall, England Act 1: The village of Rederring Act 2: The picture gallery of Ruddigore Castle, one week later Ruddigore Dramatis Personae Mortals: •Sir Ruthven Murgatroyd, Baronet, disguised as Robin Oakapple (Patter Baritone) •Richard Dauntless, his foster brother, a sailor (Tenor) •Sir Despard Murgatroyd, Sir Ruthven’s younger brother -
The Mikado the Articles in This Study Guide Are Not Meant to Mirror Or Interpret Any Productions at the Utah Shakespeare Festival
Insights A Study Guide to the Utah Shakespeare Festival The Mikado The articles in this study guide are not meant to mirror or interpret any productions at the Utah Shakespeare Festival. They are meant, instead, to be an educational jumping-off point to understanding and enjoying the plays (in any production at any theatre) a bit more thoroughly. Therefore the stories of the plays and the interpretative articles (and even characters, at times) may differ dramatically from what is ultimately produced on the Festival’s stages. Insights is published by the Utah Shakespeare Festival, 351 West Center Street; Cedar City, UT 84720. Bruce C. Lee, communications director and editor; Phil Hermansen, art director. Copyright © 2011, Utah Shakespeare Festival. Please feel free to download and print Insights, as long as you do not remove any identifying mark of the Utah Shakespeare Festival. For more information about Festival education programs: Utah Shakespeare Festival 351 West Center Street Cedar City, Utah 84720 435-586-7880 www.bard.org. Cover photo: Erin Annarella (top), Carol Johnson, and Sarah Dammann in The Mikado, 1996 Contents Information on the Play Synopsis 4 CharactersThe Mikado 5 About the Playwright 6 Scholarly Articles on the Play Mere Pish-Posh 8 Utah Shakespeare Festival 3 351 West Center Street • Cedar City, Utah 84720 • 435-586-7880 Synopsis: The Mikado Nanki-Poo, the son of the royal mikado, arrives in Titipu disguised as a peasant and looking for Yum- Yum. Without telling the truth about who he is, Nanki-Poo explains that several months earlier he had fallen in love with Yum-Yum; however she was already betrothed to Ko-Ko, a cheap tailor, and he saw that his suit was hopeless. -
Central Opera Service Bulletin • Vol
CENTRAL OPERA SERVICE COMMITTEE Founder MRS. AUGUST BELMONT Honorary National Chairman ROBERT L. B. TOBIN National Chairman ELIHU M. HYNDMAN National Co-Chairmen MRS. NORRIS DARRELL GEORGE HOWERTON Profntional Committee KURT HERBERT ADLER BORIS GOLDOVSKY San Francisco Opera Goldovsky Opera Theatre WILFRED C. BAIN DAVID LLOYD Indiana University Lake George Opera Festival GRANT BEGLARIAN LOTFI MANSOURI University of So. California Canadian Opera Company MORITZ BOMHARD GLADYS MATHEW Kentucky Opera Association Community Opera SARAH CALDWELL RUSSELL D. PATTERSON Opera Company of Boston Lyric Opera of Kansas City TITO CAPOBIANCO MRS. JOHN DEWITT PELTZ San Diego Opera Metropolitan Opera KENNETH CASWELL EDWARD PURRINGTON Memphis Opera Theatre Tulsa Opera ROBERT J. COLLINGE GLYNN ROSS Baltimore Opera Company Seattle Opera Association JOHN CROSBY JULIUS RUDEL Santa Fe Opera New York City Opera WALTER DUCLOUX MARK SCHUBART University of Texas Lincoln Center ROBERT GAY ROGER L. STEVENS Northwestern University John F. Kennedy Center DAVID GOCKLEY GIDEON WALDROP Houston Grand Opera The Juilliard School Central Opera Service Bulletin • Vol. 21, No. 4 • 1979/80 Editor, MARIA F. RICH Assistant Editor, JEANNE HANIFEE KEMP The COS Bulletin is published quarterly for its members by Central Opera Service. For membership information see back cover. Permission to quote is not necessary but kindly note source. Please send any news items suitable for mention in the COS Bulletin as well as performance information to The Editor, Central Opera Service Bulletin, Metropolitan Opera, Lincoln Center, New York, NY 10023. Copies this issue: $2.00 |$SN 0008-9508 NEW OPERAS AND PREMIERES Last season proved to be the most promising yet for new American NEW operas, their composers and librettists.