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2013 Princess Ida Playbill.Pdf
Th ank You! We are particularly grateful to the following for their valued assistance with this production of Princess Ida: KMFA 89.5 and Time Warner Cable’s Th e Gilbert & Sullivan Society of Houston YNN, our media sponsors for lending their broadswords H-E-B for their generous support of our gala Russell and Kay Gregoryy for providing reception lodging for our Artistic Director John Aielli and KUTX 98.9 FM Kendra Hiller and Genesis Presbyterian Armstrong Moving & Storage, an Agent Church for all their help in making the for United Van Lines rehearsals run smoothly Charles Antonie for coordinating Barb Jernigan of the Georgetown Palace concessions Th eatre for designing T-shirts for atxclassical.org and Marc van Bree Austin Creative Alliance Princess Ida AustinLiveTh eatre.com for publicity Brenda Ladd Photography Austin Lyric Opera for lending props Th e Reverend James Lee and Georgette Austin Symphony Orchestra Kleinpeter of New Covenant Pixie Avent, Monica Kurtz, and Adam Fellowship of Austin Gunderson for helping the light crew David Little and Michael Meigs for their Steven Bailey for help installing backdrop outstanding leadership and support in riggings and more our publicity eff orts Brentwood Christian School Music Cynthia Millerr for pipe and drape Department for lending music stands Lori Morin, Fine Arts Director, Brentwood and chairs for the orchestra Christian School, for the artwork used William J. Brooke for allowing use of his at Adamant University re-telling of the story of Princess Idaa for Th e New York Gilbert & Sullivan Players children (Albert Bergeret) for valued advice on Chris Buggé for lending a car and for dialogue making the tables and the easel Wyatt Burkhalter, Callie Stribling, Gary Travis Pollard for making preparations in Hernandez, Kevin Squires, Adam the theater Gunderson, and Bill Hatcherr for Mr. -
Central Opera Service Bulletin
CENTRAL OPERA SERVICE BULLETIN WINTER, 1972 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center Plaza • Metropolitan Opera • New York, N.Y. 10023 • 799-3467 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Canter Plaza • Metropolitan Opera • New York, NX 10023 • 799.3467 CENTRAL OPERA SERVICE COMMITTEE ROBERT L. B. TOBIN, National Chairman GEORGE HOWERTON, National Co-Chairman National Council Directors MRS. AUGUST BELMONT MRS. FRANK W. BOWMAN MRS. TIMOTHY FISKE E. H. CORRIGAN, JR. CARROLL G. HARPER MRS. NORRIS DARRELL ELIHU M. HYNDMAN Professional Committee JULIUS RUDEL, Chairman New York City Opera KURT HERBERT ADLER MRS. LOUDON MEI.LEN San Francisco Opera Opera Soc. of Wash., D.C. VICTOR ALESSANDRO ELEMER NAGY San Antonio Symphony Ham College of Music ROBERT G. ANDERSON MME. ROSE PALMAI-TENSER Tulsa Opera Mobile Opera Guild WILFRED C. BAIN RUSSELL D. PATTERSON Indiana University Kansas City Lyric Theater ROBERT BAUSTIAN MRS. JOHN DEWITT PELTZ Santa Fe Opera Metropolitan Opera MORITZ BOMHARD JAN POPPER Kentucky Opera University of California, L.A. STANLEY CHAPPLE GLYNN ROSS University of Washington Seattle Opera EUGENE CONLEY GEORGE SCHICK No. Texas State Univ. Manhattan School of Music WALTER DUCLOUX MARK SCHUBART University of Texas Lincoln Center PETER PAUL FUCHS MRS. L. S. STEMMONS Louisiana State University Dallas Civic Opera ROBERT GAY LEONARD TREASH Northwestern University Eastman School of Music BORIS GOLDOVSKY LUCAS UNDERWOOD Goldovsky Opera Theatre University of the Pacific WALTER HERBERT GIDEON WALDKOh Houston & San Diego Opera Juilliard School of Music RICHARD KARP MRS. J. P. WALLACE Pittsburgh Opera Shreveport Civic Opera GLADYS MATHEW LUDWIG ZIRNER Community Opera University of Illinois See COS INSIDE INFORMATION on page seventeen for new officers and members of the Professional Committee. -
The Gondoliers Program 2017
Light Opera of Portland presents THE GONDOLIERS OR The King of Barataria with music by Arthur Sullivan and libretto by W.S. Gilbert Dennis Britten, Director Linda Smith, Musical Director David Smith, Producer THANK YOU SPECIAL THANKS TO: The King’s Navy for the loan of the drum Home Depot for discounts on supplies for building the set Sarah Ominski for photography Kevin Lay for orchestration MKTX for marketing and promotion support Gallery Theater for lending costumes TVFR for use of Firestation 65 community room for rehearsals Set Design and Construction Joe Rosenthal, David Ridley, Ron Swingen, David Smith, Linda Smith, Jacob Mott, Dennis Freeze, Justin Rueff, Dennis Britten and Rob Patrick Costumes Lucy Tait, Marquerite Kendall, Phyllis Fort, Phyllis Brinkerhoff and Anne Kolibaba Larkin DONORS Dennis Britten Cathrine Huard Jillane and David Onasch David and Linda Smith Anonymous YOUR DONATION The Light Opera of Portland is a 501c3 organization. Please donate to help us continue providing excellent light opera. LOoP depends on the generous donations of our friends and patrons to support our ongoing efforts of providing high-quality, entertaining light opera productions. Whether you made the suggested donation upon entering or choose to add to your donation upon exiting, be assured your contribution is helping this young theatre company bring you more of the fun of treasured theatre works in the future. Please let us know particularly if you are able to help by donating space to store our sets, rehearsal space or performance space. Thank you for your help. THE GONDOLIERS OR The King of Barataria with music by Arthur Sullivan and libretto by W.S. -
Central Opera Service Bulletin • Vol
CENTRAL OPERA SERVICE COMMITTEE Founder MRS. AUGUST BELMONT Honorary National Chairman ROBERT L. B. TOBIN National Chairman ELIHU M. HYNDMAN National Co-Chairmen MRS. NORRIS DARRELL GEORGE HOWERTON Profntional Committee KURT HERBERT ADLER BORIS GOLDOVSKY San Francisco Opera Goldovsky Opera Theatre WILFRED C. BAIN DAVID LLOYD Indiana University Lake George Opera Festival GRANT BEGLARIAN LOTFI MANSOURI University of So. California Canadian Opera Company MORITZ BOMHARD GLADYS MATHEW Kentucky Opera Association Community Opera SARAH CALDWELL RUSSELL D. PATTERSON Opera Company of Boston Lyric Opera of Kansas City TITO CAPOBIANCO MRS. JOHN DEWITT PELTZ San Diego Opera Metropolitan Opera KENNETH CASWELL EDWARD PURRINGTON Memphis Opera Theatre Tulsa Opera ROBERT J. COLLINGE GLYNN ROSS Baltimore Opera Company Seattle Opera Association JOHN CROSBY JULIUS RUDEL Santa Fe Opera New York City Opera WALTER DUCLOUX MARK SCHUBART University of Texas Lincoln Center ROBERT GAY ROGER L. STEVENS Northwestern University John F. Kennedy Center DAVID GOCKLEY GIDEON WALDROP Houston Grand Opera The Juilliard School Central Opera Service Bulletin • Vol. 21, No. 4 • 1979/80 Editor, MARIA F. RICH Assistant Editor, JEANNE HANIFEE KEMP The COS Bulletin is published quarterly for its members by Central Opera Service. For membership information see back cover. Permission to quote is not necessary but kindly note source. Please send any news items suitable for mention in the COS Bulletin as well as performance information to The Editor, Central Opera Service Bulletin, Metropolitan Opera, Lincoln Center, New York, NY 10023. Copies this issue: $2.00 |$SN 0008-9508 NEW OPERAS AND PREMIERES Last season proved to be the most promising yet for new American NEW operas, their composers and librettists. -
The Student Prince Program 2018
Light Opera of Portland presents THE STUDENT PRINCE A Spectacular Light Opera Book and Lyrics by Dorothy Donnelly Music by Sigmund Romberg THANK YOU SPECIAL THANKS TO Home Depot for discounts on supplies for building the set MKTX for marketing and promotion support Dennis Freeze for photography Gallery Theater for lending costumes City of Beaverton for rehearsal space TVFR for use of Firestation 65 community room for rehearsals Brother’s Bookkeeping for setting up and managing our books Set Design and Construction Joe Rosenthal, David Ridley, Dennis Britten, Dennis Freeze, David Smith, Gabrielle Widman, Jacob Mott, Linda Smith, Pat Lach, Ron Swingen Costume Design and Construction Lucy Tait, Barbara Berger, Elaine Dinsel, Phyllis Fort, Cynthia Mintun, Marguerite Kendall, Sandra King Donors Dennis Britten, Paul Crable, Phyllis Fort, Helens Pacific Costumes, Catherine Huard, Jilane and David Onasch, Wanda Silverman, David & Linda Smith YOUR DONATION The Light Opera of Portland is a 501c3 organization. Please donate to help us continue providing excellent light opera. LOoP depends on the generous donations of our friends and patrons to support our ongoing efforts of providing high-quality, entertaining light opera productions. Whether you made the suggested donation upon entering or choose to add to your donation upon exiting, be assured your contribution is helping this young theatre company bring you more of the fun of treasured theatre works in the future. Please let us know particularly if you are able to help by donating space to store our sets, rehearsal space or performance space. Thank you for your help. Sponsored by Jilane and David Onasch THE STUDENT PRINCE A Spectacular Light Opera Book and Lyrics by Dorothy Donnelly Music by Sigmund Romberg Directed by Dennis Britten Music directed by Linda Smith Costumes by Lucy Tait Set by Joe Rosenthal Produced by David Smith March 16 7:30 PM | March 17 2:00 PM | March 18 6:30 PM March 23 7:30 PM | March 24 7:30 PM | March 25 2:00 PM Alpenrose Opera House 6149 Shattuck Rd. -
Acting Resume
Kevin Brunner Commercial: 310 656 5161 SAG-AFTRA ! AEA ! AGMA Manager: 310 571 8994 310 746 8995 ! [email protected] ! 6’1” ! 190 ! Suit: 42L ! Bass (high G) ! Passport TELEVISION BROOKLYN NINE-NINE Co-Star Director: Linda Mendoza THE CATCH Co-Star Director: Jann Turner CRIMINAL MINDS: SUSPECT BEHAVIOR Co-Star Director: Rob Spera GENERAL HOSPITAL Co-Star/Under 5 Director: Matt Diamond GUIDING LIGHT Recurring Director: numerous KTVO TELEVISION Anchorman Director: numerous FILM HOBART’S BARBERSHOP Lead Director: Joseph Mauceri HOPELESSLY IN JUNE Supporting Director: Vincent Brantley THROUGH THE AIR TO CALAIS Supporting Director: Joseph Mauceri WEBSERIES DIFFERENT HATS Creator/Writer/Director/Actor YouTube FUNNY IN LOVE Supporting Director: Tyler Gillet PUBLIC SERVICE ANNOUNCEMENT BILL OF RIGHTS FOR DUMBASSES Thomas Jefferson Director: Seth Gordon THEATER GIGI Vincent Off-Broadway Equity Library Theater New York, NY THE MERRY WIDOW Novakovich Off-Broadway Light Opera of Manhattan New York, NY H.M.S. PINAFORE Bob Becket Off-Broadway Equity Library Theater New York, NY SWEETHEARTS Chorus Off-Broadway Equity Library Theater New York, NY DESERT SONG Chorus Off-Broadway Equity Library Theater New York, NY ROSEMARIE Chorus Off-Broadway Equity Library Theater New York, NY VAGABOND KING Chorus Off-Broadway Equity Library Theater New York, NY NAUGHTY MARIETTA Chorus Off-Broadway Equity Library Theater New York, NY MUSIC MAN Olin Britt Regional New Theatre Overland Park, KS OPERA Numerous (sang in German/French/Italian) Chorister Lyric Opera of Kansas City Kansas City, MO TRAINING AMERICAN ACADEMY OF DRAMATIC ARTS Acting, Voice, Movement, Styles, Singing NORTHWEST MISSOURI STATE UNIVERSITY BS degree in Broadcasting/Journalism T. -
GILBERT and SULLIVAN: Part 1
GILBERT AND SULLIVAN: Part 1 GILBERT AND SULLIVAN Part 1: The Correspondence, Diaries, Literary Manuscripts and Prompt Copies of W. S. Gilbert (1836-1911) from the British Library, London Contents listing PUBLISHER'S NOTE CONTENTS OF REELS CHRONOLOGY 1836-1911 DETAILED LISTING GILBERT AND SULLIVAN: Part 1 Publisher's Note "The world will be a long while forgetting Gilbert and Sullivan. Every Spring their great works will be revived. … They made enormous contributions to the pleasure of the race. They left the world merrier than they found it. They were men whose lives were rich with honest striving and high achievement and useful service." H L Mencken Baltimore Evening Sun, 30 May 1911 If you want to understand Victorian culture and society, then the Gilbert and Sullivan operas are an obvious starting point. They simultaneously epitomised and lampooned the spirit of the age. Their productions were massively successful in their own day, filling theatres all over Britain. They were also a major Victorian cultural export. A new show in New York raised a frenzy at the box office and Harper's New Monthly Magazine (Feb 1886) stated that the "two men have the power of attracting thousands and thousands of people daily for months to be entertained”. H L Mencken's comments of 1911 have proved true. Gilbert & Sullivan societies thrive all over the world and new productions continue to spring up in the West End and on Broadway, in Buxton and Harrogate, in Cape Town and Sydney, in Tokyo and Hong Kong, in Ottawa and Philadelphia. Some of the topical references may now be lost, but the basis of the stories in universal myths and the attack of broad targets such as class, bureaucracy, the legal system, horror and the abuse of power are as relevant today as they ever were. -
Musicale 17-03-04-05 Cox and Box.Indd
Upcoming Events Gilbert & Sullivan Austin presents The Pirates of Penzance Preview Musicale Sunday, May 21, 3 pm Summer 2017 Grand Production cox and box Artistic & Stage Director: Ralph MacPhail, Jr. Music Director: Jeffrey Jones-Ragona 9 Performances Worley Barton Theater at Brentwood Christian School June 15–25 Austin, Texas For more information on these and other GSA activities, please visit www.gilbertsullivan.org March 4 and 5, 2017 ank You! e Cast We are particularly grateful to the following for their valued assistance with this production of Cox and Box: (Cox) (Box) Russell Barr and Crestview United Gary Hallock for helping to move and haul Andy is delighted to Methodist Church for providing Julius joined GSA in heavy objects return for his 14th season rehearsal space Bill Hatcher and Libby Weed for helping 2014 as the Bo’s’n in Ron Bell and the Church of Christ in with Gilbert and Sullivan to gather props H.M.S. Pinafore and Austin! After climbing Hyde Park for providing rehearsal Ralph MacPhail, Jr., for providing unique space played Dr. Daly the following year out of a pit as Æsculapius Carboy ( e props from his personal collection Amy Chidester for lending the antique hall in e Sorcerer. He was introduced Zoo), he was recently seen climbing R. B. Rudy for lending a car to our Artistic tree to G&S with the role of the Judge in back in to conduct a performance of e Director Diff erent Stages for lending chairs Southwestern University’s performance Gondoliers. Andy has performed roles Russell and Kay Gregory for providing e Vortex eatre for their support with of Trial by Jury. -
Central Opera Service Bulletin
CENTRAL OPERA SERVICE BULLETIN VOLUME 18, NUMBER 4 INDEX NEW OPERAS AND PREMIERES 1 MORE BICENTENNIAL OPERAS 1 POSTPONEMENTS AND CANCELLATIONS 3 AMERICAN PREMIERES 3 FOREIGN PREMIERES 4 NEW COMPANIES 6 OPERA ECONOMICS 7 OPERA COMPANIES: DEVELOPMENTS 9 NEW ARTS CENTERS 10 COS INSIDE INFORMATION 11 TRANSLATIONS 11 SETS AND COSTUMES FOR RENT 12 PERFORMANCE LISTING, 1975-76 conk 14 PERFORMANCE LISTING, Summer 1976 25 FIRST PERFORMANCE LISTING, 1976-77 33 ADDENDA TO 1976 DIRECTORY 45 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center • Metropolitan Opera • New York, N.Y. 10023 • (212) 799-3467 Sponsored by the Metropolitan Opera National Council Central Opera .Service • Lincoln Center • Metropolitan Opera • New York, N.Y, 10023 • (212) 799-3467 CENTRAL OPERA SERVICE COMMITTEE Founder MRS. AUGUST BELMONT Honorary National Chairman ROBERT L. B. TOBIN National Chairman EUHU M. HYNDMAN National Co-Chairmen MRS. NORRIS DARRELL GEORGE HOWERTON Professional Committee KURT HERBERT ADLER DAVID GOCKLEY San Francisco Opera Houston Grand Opera PETER HERMAN ADLER BORIS GOLDOVSKY American Opera Center Goldovsky Opera Theatre VICTOR ALESSANDRO RICHARD KARP San Antonio Symphony Pittsburgh Opera ROBERT G. ANDERSON JOHN M. LUDWIG Tulsa Opera Spring Opera, San Francisco WILFRED C. BAIN GLADYS MATHEW Community Opera Indiana University RUSSELL D. PATTERSON GRANT BEGLARIAN Kansas City Lyric Theater University of So. California MRS. JOHN DEWITT PELTZ MORITZ BOMHARD Metropolitan Opera Kentucky Opera Association JAN POPPER SARAH CALDWELL University of California, L. A. Opera Company of Boston GLYNN ROSS TITO CAPOBIANCO Seattle Opera Association San Diego Opera JULIUS RUDEL ROBERT J. COLLINGE New York City Opera Baltimore Opera Company GEORGE SCHICK JOHN CROSBY Manhattan School of Music Santa Fe Opera MARK SCHUBART WALTER DUCLOUX Lincoln Center University of Texas ROGER L. -
Social Studies: Timeline
Social Studies: Timeline Students Will Read Our Composer: Sir Arthur Seymour Sullivan. Read the information sheets containing historical facts included with the lesson. Select and combine information to create a timeline containing events from the composer’s life, the life of Queen Victoria, and events from U.S. History from the same century. Before the Lesson Print/provide copies for each student of the article Our Composer: Sir Arthur Seymour Sullivan and the information sheets included with the lesson. Decide what materials students will use to create their timeline. It is possible to use regular paper, sentence strips, butcher paper, or electronic media. Prepare internet access for additional research as needed. Gather pens, pencils, scissors, glue, tape, and timeline paper as needed for your group. Introduction Have your students read Our Composer: Sir Arthur Seymour Sullivan and the information sheets included with the lesson. Discuss how you would like students to build their timeline. They can be written onto selected paper or students may cut the information statements apart and glue or tape them to their project. Electronic timelines may also be an option for your classroom. Guided/Independent Practice Depending on your grade level, the ability of your students, and time constraints, you may choose to have students work as a whole class, in small groups, with a partner, or individually. Discuss your expectations for student products. Direct the students on how many items from each information list you expect them to include in their timeline. If students are working with a partner or in small groups, give them time to discuss their choices. -
Central Opera Service Bulletin Volume 29, Number A
CENTRAL OPERA SERVICE BULLETIN VOLUME 29, NUMBER A CONTENTS NEW OPERAS AND PREMIERES 1 NEWS FMNQKRA COMPANIES 18 GOVERNMENT AND NATIONAL ORGANIZATIONS 24 27 ODNFERENOS H MEM AND REMWftTED THEATERS 29 FORECAST 31 ANNIVERSARIES 37 ARCHIVES AND EXHIBITIONS 39 ATTENTION C0MP0SH8. LIBRE11ISTS, FIAYWRHMTS 40 NUSIC PUBLISHERS 41 EDITIONS AND ADAPTATIONS 4t EOUCATION 44 AFPOINTMEMIS AND RESIGNATIONS 44 COS OPERA SURVEY USA 1988-89 OS INSIDE INFORMATION 57 COS SALUTES. O WINNERS (4 BOOK CORNER 66 OPERA HAS LOST. 73 PERFORMANCE LIST INC. 1969 90 SEASON (CONT.) 83 Sponsored by the Metropolitan Opera National Council CENTRAL OPERA SERVICE BULLETIN Volume 29, Number 4 Fall/Winter 1989-90 CONTENTS New Operas and Premieres 1 News from Opera Companies 18 Government and National Organizations 24 Copyright 27 Conferences 28 New and Renovated Theaters 29 Forecast 31 Anniversaries 37 Archives and Exhibitions 39 Attention Composers, Librettists, Playwrights 40 Music Publishers 41 Editions and Adaptations 42 Education 44 Appointments and Resignations 46 COS Opera Survey USA 1988-89 56 COS Inside Information 57 COS Salutes. 63 Winners 64 Book Corner 66 Opera Has Lost. 73 Performance Listing, 1989-90 Season (cont.) 83 CENTRAL OPERA SERVICE COMMITTEE Founder MRS. AUGUST BELMONT (1879-1979) Honorary National Chairman ROBERT L.B. TOBIN National Chairman MRS. MARGO H. BINDHARDT Please note page 56: COS Opera Survey USA 1988-89 Next issue: New Directions for the '90s The transcript of the COS National Conference In preparation: Directory of Contemporary Opera and Music Theater, 1980-89 (Including American Premieres) Central Opera Service Bulletin • Volume 29, Number 4 • Fall/Winter 1989-90 Editor: MARIA F. -
Midwestern Gilbert and Sullivan Society
NEWSLETTER OF THE MIDWESTERN GILBERT AND SULLIVAN SOCIETY September 1990 -- Issue 27 But the night has been long, Ditto, Ditto my song, And thank goodness they're both of 'em over! It isn't so much that the night was long, but that the Summer was (or wasn't, as the case may be). This was not one of S/A Cole's better seasons: in June, her family moved to Central Illinois; in July, the computer had a head crash that took until August to fix, and in that month, she was tired and sick from all the summer excitement. But, tush, I am puling. Now that Autumn is nearly here, things are getting back to normal (such as that is). Since there was no summer Nonsense, there is all kinds of stuff in this issue, including the answers to the Big Quiz, an extended "Where Can it Be?/The G&S Shopper", reports on the Sullivan Festival and MGS Annual Outing, and an analysis of Thomas Stone's The Savoyards' Patience. Let's see what's new. First of all, we owe the Savoy-Aires an apology. Oh, Members, How Say You, S/A Cole had sincerely believed that an issue of the What is it You've Done? Nonsense would be out in time to promote their summer production of Yeomen. As we know now, Member David Michaels appeared as the "First no Nonsense came out, and the May one didn't even Yeomen" in the Savoy-Aires' recent production of mention their address. Well, we're going to start to The Yeomen of the Guard.