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CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H. -
Everything Essential
Everythi ng Essen tial HOW A SMALL CONSERVATORY BECAME AN INCUBATOR FOR GREAT AMERICAN QUARTET PLAYERS BY MATTHEW BARKER 10 OVer tONeS Fall 2014 “There’s something about the quartet form. albert einstein once Felix Galimir “had the best said, ‘everything should be as simple as possible, but not simpler.’ that’s the essence of the string quartet,” says arnold Steinhardt, longtime first violinist of the Guarneri Quartet. ears I’ve been around and “It has everything that is essential for great music.” the best way to get students From Haydn, Mozart, Beethoven, and Schubert through the romantics, the Second Viennese School, Debussy, ravel, Bartók, the avant-garde, and up to the present, the leading so immersed in the act of composers of each generation reserved their most intimate expression and genius for that basic ensemble of two violins, a viola, and a cello. music making,” says Steven Over the past century america’s great music schools have placed an increasing emphasis tenenbom. “He was old on the highly specialized and rigorous discipline of quartet playing. among them, Curtis holds a special place despite its small size. In the last several decades alone, among the world and new world.” majority of important touring quartets in america at least one chair—and in some cases four—has been filled by a Curtis-trained musician. (Mr. Steinhardt, also a longtime member of the Curtis faculty, is one.) looking back, the current golden age of string quartets can be traced to a mission statement issued almost 90 years ago by early Curtis director Josef Hofmann: “to hand down through contemporary masters the great traditions of the past; to teach students to build on this heritage for the future.” Mary louise Curtis Bok created a haven for both teachers and students to immerse themselves in music at the highest levels without financial burden. -
A Tribute to Hans-Karl Piltz Marina Thibeault Viola with David Gillham Violin Eric Wilson Cello Jasper Wood Violin
Wednesday Noon Hours UBC SCHOOL OF MUSIC A Tribute to Hans-Karl Piltz Marina Thibeault viola with David Gillham violin Eric Wilson cello Jasper Wood violin Duo in B-flat major for violin and viola, K. 424 W.A. Mozart i. Adagio-Allegro (1756-1791) ii. Andante cantabile iii. Tema con variazioni David Gillham violin Marina Thibeault viola Lullaby and Grotesque for viola and cello Rebecca Clarke i. Lullaby (1886-1979) ii. Grotesque Marina Thibeault viola Eric Wilson cello Three Madrigals Bohuslav Martinů i. Poco allegro - Poco vivo (1890-1959) ii. Poco andante - Andante moderato iii. Allegro - Moderato Jasper Wood violin Marina Thibeault viola Composed: Mozart (1783); Clarke (1916); Martinů (1947) # We acknowledge that the University of British Columbia is situated on the traditional, ancestral, and unceded territory of the Musqueam people. Hans-Karl Piltz (1923–2020) Professor Hans-Karl Piltz was a talented violist and teacher who helped shape the School of Music as it evolved from a small Bachelor of Arts program in the late 1950s to the large and thriving School it is today. He was 96 years old when he passed away this April. Prof. Piltz loved teaching, and in 1959 joined the UBC Department of Music — as the School of Music was then known. As Professor of Viola, he mentored several generations of strings musicians who have gone on to long and successful careers in orchestras and as soloists in North America, Europe, and all over the world. He founded and directed the UBC Symphony Orchestra from 1959–1970 and also helped found the Vancouver Society for Early Music — now known as Early Music Vancouver — in 1969. -
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MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
I.," American String Quartet
HOUSTON FRIENDS OF MUSIC THE SHEPHERD SCHOOL OF MUSIC present the AMERICAN STRING QUARTET PETER WINOGRAD, VIOLIN LAURIE CARNEY, VIOLIN DANIEL AVSHALOMOV, VIOLA MARGO TATGENHORST, CELLO THURSDAY OCTOBER 17, 2002 8:00P.M. STUDE CONCERT HALL ALICE PRATT BROWN HALL RICE UNIVERSITY I.," THIS PROJECT IS FUNDED IN PART BY TIIE CITY OF HOUSTON ~: AND THE TEXAS COMMISSION ON TIIE ARTS THROUGH TIIE CULTURAL ARTS COUNCIL OF IIOUSTON/lL-\RRJS COUNTY. AMERICAN STRING QUARTET -PROGRAM- WOLFGANG AMADEUS MOZART (1756-1791) • Quartet in E-flat Major, K. 42 8 Allegro non troppo Andante con moto Menuetto: Allegro Allegro vivace DMITRI SHOSTAKOVICH (1906-1975) Quartet No. 3 in F Major, Op. 73 (1946) Allegretto Moderato con moto Allegro non troppo Adagio Moderato - INTERMISSIO - MAURICE RAVEL (1875-1937) String Quartet in F Major Allegro moderato: Tres doux Assez vif: Tres rhythme Tres lent .,... Vif et agite WOLFGANG AMADEUS MOZART (1756-1791) Quartet in E-flat Major, K. 428 . t • Until the great quartets of Haydn and Mozart, eighteenth century · t r chamber music had been written primarily for the private use of ama - r teurs. As the century progressed, the dominance of complex, Baroque compositional methods had diminished and the style of writing had been simplified, making it easier for an amateur to master. Yet, at the same time in Vienna, the public performance of larger-scale, symphonic music came into vogue. And as this was written for professionals, the composer could explore greater complexity, even bringing back some of the intricate devices of baroque music such as fugues. Furthermore, in the last decades of the century, a full-time, professional quartet was maintained in Vienna by Count Razumovsky for performances at the great houses. -
American String Quartet
Tuesday, February 23, 2021 | 8 PM Livestreamed from Gordon K. and Harriet Greenfield Hall MSM ARTISTS IN RESIDENCE AMERICAN STRING QUARTET Peter Winograd and Laurie Carney, violin Daniel Avshalomov, viola Wolfram Koessel, cello PROGRAM JOSEPH BOLOGNE, String Quartet in G Major, No. 5 of Six quartetto concertans “Au goût du jour” CHEVALIER DE Allegro assai SAINT-GEORGES Gratioso (1745–1799) FRANZ JOSEPH HAYDN String Quartet in D Major, Op. 76, no. 5 (1732–1809) Allegretto Largo. Cantabile e mesto Menuetto. Allegro Finale. Presto ANTONÍN DVOŘÁK String Quartet in F Major, Op. 96 (“American”) (1841–1904) Allegro ma non troppo Lento Molto vivace Finale: vivace ma non troppo ABOUT THE ARTISTS American String Quartet Internationally recognized as one of the world’s foremost quartets, the American String Quartet marks its 46th season in 2020– 21. Critics and colleagues hold the Quartet in high esteem and many of today’s leading artists and composers seek out the Quartet for collaborations. The Quartet is also known for its performances of the complete quartets of Beethoven, Schubert, Schoenberg, Bartók, and Mozart. The Quartet’s recordings of the complete Mozart string quartets on a matched set of Stradivarius instruments are widely held to set the standard for this repertoire. To celebrate its 35th anniversary, the Quartet recorded an ambitious CD, Schubert’s Echo, released by NSS Music. The program invites the listener to appreciate the influence of Schubert on two masterworks of early 20th-century Vienna. In addition to quartets by European masters, the American naturally performs quartets by American composers. Their newest release, American Romantics (Apple Music, 2018), is a recording of Robert Sirota’s American Pilgrimage, Dvořák’s “American” quartet, and Barber’s Adagio for Strings.The American also champions contemporary music. -
For Immediate Release
For Immediate Release THE GUARNERI STRING QUARTET WILL CELEBRATE ITS 40TH ANNIVERSARY BY GIVING A GIFT TO THE PEOPLE OF NEW YORK CITY – A SERIES OF EVENTS AT LINCOLN CENTER, MONDAY AND TUESDAY, APRIL 11 AND 12, FREE AND OPEN TO THE PUBLIC PANEL DISCUSSION, MASTER CLASS AND OPEN REHEARSAL WILL CONTINUE THE GUARNERI’S 40TH ANNIVERSARY CELEBRATIONS The world-renowned Guarneri String Quartet, one of the most esteemed and beloved ensembles of our time, will continue its 40th anniversary celebration by giving a gift to the people of New York City: a series of three events on Monday and Tuesday, April 11 and 12, in the Daniel and Joanna S. Rose Rehearsal Studio of Lincoln Center, which will be free and open to the public. The events include a master class involving top young string quartets from The Juilliard School, the Curtis Institute of Music, and the Manhattan School of Music; an open rehearsal for the Guarneri String Quartet’s Alice Tully Hall concert on April 13 presented by The Chamber Music Society of Lincoln Center; and a panel discussion with the members of the Guarneri Quartet, veteran members of historic string quartets, and members of the newest quartet generation. All three events will be held in the Rose Studio of the Rose Building (165 West 65th Street, 10th Floor; 65th Street and Amsterdam Avenue) and are free and open to the public on a first-come, first-served basis. Members of the Guarneri String Quartet are Arnold Steinhardt and John Dalley, violins; Michael Tree, viola; and Peter Wiley, cello. -
Catalogo Per Autori Ed Esecutori
Abel, Carl Friedrich Quartetti, archi, Op. 8, No. 5, la maggiore The Salomon Quartet The Schein String Quartet Addy, Obo Wawshishijay Kronos Quartet Adorno, Theodor Wiesengrund Zwei Stucke fur Strechquartett op. 2 Buchberger Quartett Albert, Eugene : de Quartetti, archi, Op. 7, la minore Sarastro Quartett Quartetti, archi, Op. 11, mi bemolle maggiore Sarastro Quartett Alvarez, Javier Metro Chabacano Cuarteto Latinoamericano 1 Alwyn, William Quartetti, archi, n. 3 Quartet of London Rhapsody for String Quartet Arditti string quartet Andersson, Per Polska fran Hammarsvall, Delsbo The Follinger-Hedberg Quartet The Galli Quintet The Goteborg Quartet The Halsingborg Quartet The Kjellstrom Quartet The Skane Quartet Andriessen, Hendrik Il pensiero Raphael Quartet Aperghis, Georges Triangle Carre Trio Le Cercle Apostel, Hans Erich Quartetti, archi, Op. 7 LaSalle Quartet Arenskij, Anton Stepanovic Quartetti, archi, op. 35 Paul Rosenthal, Vl Matthias Maurer, Vla Godfried Hoogeveen, Vlc Nathaniel Rosen, Vlc Arriaga y Balzola, Juan Crisostomo Jacobo Antonio : de Quartetti, archi, No. 1, re minore Voces Streichquartette Quartet sine nomine Rasoumovsky Quartet Quartetti, archi, No. 2, la maggiore Voces Streichquartette Quartet sine nomine Rasoumovsky Quartet 2 Quartetti, archi, Nr. 3, mi bemolle maggiore Voces Streichquartette Quartet sine nomine Rasoumovsky Quartet Atterberg, Kurt Quartetti, archi, Op. 11 The Garaguly Quartet Aulin, Tor Vaggvisa The Follinger-Hedberg Quartet The Galli Quintet The Goteborg Quartet The Halsingborg Quartet The Kjellstrom -
THE LA SALLE QUARTET Plays HAYDN ∙ BRAHMS ∙ ZEMLINSKY
THE LA SALLE QUARTET plays HAYDN ∙ BRAHMS ∙ ZEMLINSKY JOSEPH HAYDN (1732 - 1809) Streichquartett D-Dur op. 71 Nr. 2 14:50 01 Adagio – Allegro 04:43 02 Adagio 04:50 03 Menuet. Allegretto – Trio 01:53 04 Finale. Allegretto 03:24 JOHANNES BRAHMS (1833 - 1897) Streichquartett Nr. 3 B-Dur op. 67 32:53 05 Vivace 09:30 06 Andante 06:52 07 Agitato (Allegretto non troppo) 08:08 08 Poco allegretto con variazioni 08:23 ALEXANDER ZEMLINSKY (1871 - 1942) Streichquartett Nr. 3 op. 19 20:41 09 Allegretto. Gemächlich, innig bewegt 06:48 10 Thema mit Variationen 04:51 11 Romanze. Sehr mäßige Achtel. Andante sostenuto 04:09 12 Burleske. Sehr lebhaft. Allegro moderato 04:53 TOTAL TIME 68:49 VON DER ERHITZUNG DER des Klavierquintetts von Dvořák mit Arthur unter anderem im Bereich markanter Auslo- mentalen Vorgehens lesen. Dieser Eindruck Rubinstein am Flügel festgehalten ist. tung dynamischer Grenzwerte bemerkbar. mag auch deshalb entstanden sein, weil die SACHLICHKEIT Und auch im Umfeld lieblicher, beschwich- von Walter Levin und seinen Mitspielern ge- Mit großer Entschiedenheit und ebenso gro- tigender und dann wieder dramatischer wählten Stücke allein schon eine extreme Es handelt sich um eine unvergleichliche ßer Überzeugungskraft widmete sich das Ausdruckselemente genieren sich die vier Konfrontation mit den Hörgewohnheiten der Lebens-, Schaffens- und Wirkungsgeschichte: LaSalle Quartet von Beginn an der Musik Herren nicht, Haydn sozusagen beim Wort Musikfreunde bedeuteten. Hinzu kommt, dass Die 42 Jahre währende künstlerische und insti- des ausgehenden -
Pragadigitals English 03-2018
catalogue Praga Digitals PRAGA DIGITALS CATALOGUE 03-2018 http://www.pragadigitals.com ISAAC ALBENIZ (1860-1909) CD1 : IBERIA, 12 “Impressions”, for piano (1905-1908) / Book I, dedicated to Madame Ernest Chausson (1906) /Book II, dedicated to Blanche Selva (1906) / Book III, dedicated to Marguerite Hasselmans (1907) / Book IV, dedicated to Madame Pierre Lalo (1908) PRD/DSD 350 075 CD2 : IBERIA Suite (transcriptions for orchestra by E.Fernández Arbós, 1909-1927) / CANTOS DE ESPAÑA, Op.232, for piano / ESPAÑA, “Souvenirs” for piano (1897) / MALLORCA, barcarola Op.202 (1891) / RECUERDOS DE VIAJE, Op.71 (1887) 3,149,028,025,927 SACD Alicia de LARROCHA, p (CD1) - Orchestre du Théâtre National de l’Opéra de Paris, Manuel ROSENTHAL - Jean-Joël BARBIER, p JOHANN SEBASTIAN BACH (1685-1750) PRD 250 103 SONATAS BWV 1020,1022,1027-1029, WRITTEN FOR HARPSICHORD & VIOLA 794,881,396,023 Zuzana Řů žicková (harpsichord), Josef Suk (viola) Mily BALAKIREV (1837-1910) Russian Symphonies (I) : PRD 250 363 SYMPHONY No.1 in C major (1866-99) SYMPHONY No.2 in D minor (1900-8) 3,149,028,102,024 Genuine Stereo The Philharmonia, London - Herbert von KARAJAN - Moscow Radio Symphony Gennadi ROZHDESTVENSKY BÉLA BARTÓK (1881-1945) PRD 250 135 VIOLIN SONATAS No 1 Sz.75 (1921) & No. 2 Sz.76 794,881,602,124 Peter Csaba (violin), Jean-François Heisser (piano) SONATAS FOR TWO PIANOS AND PERCUSSION Sz. 110. THE MIRACULOUS MANDARIN (written by Bartok for two pianos) . TWO PRD/DSD 250 184 PICTURES (written by Z.Kocsis for two pianos) 794,881,680,924 SACD Jean-François Heisser, Marie-Josèphe Jude (pianos), Florent Jodelet, Michel Cerutti (percussions) RHAPSODY Nos 1, 2 FOR VIOLIN and PIANO Sz.86 & Sz 89 (first release of the original Friss ), HUNGARIAN FOLK SONGS (26) (from PRD/DSD 250 190 FOR THE CHILDREN), RUMANIAN FOLK DANCES, SONATINA Sz 56 794,881,681,525 SACD Peter Csaba (violin), Peter Frankl (piano) STRING QUARTET No 1 SZ 40 PRD/DSD 250 235 STRING QUARTET No 2 SZ 67 794,881,822,423 SACD Parkanyi Quartet Page 1 de 58 catalogue Praga Digitals STRING QUARTET No. -
Philadelphia Chamber Music Society
PHILADELPHIA CHAMBER MUSIC SOCIETY Subscribe now to enjoy outstanding chamber music and recital artists, and great repertoire from all musical periods, at affordable prices. 1528 Walnut Street, Suite 301 Philadelphia, PA 19102 215. 569. 8080 pcmsconcerts.org FOUNDED BY ANTHONY Philadelphia Chamber Music Society CHECCHIA 2016/17 Season IN 1986 Intimate, Affordable, World-Class Music 215.569.8080 • pcmsconcerts.org 7 Important Reminders 1 Subscriber Renewal Deadline: June 1, 2016 (Sorry, but we cannot guarantee subscribers’ seats after June 1st.) 2 Individual Tickets On Sale: August 1 (online-only) At the Box Office:September 6 (after Labor Day) 3 Returned Tickets can be exchanged or acknowledged as tax-deductible gifts. Sorry, but refunds are not possible. “The Philadelphia Chamber Music Society has taken the lead as the city’s constant reminder that Why Subscribe? it’s all about artists and repertoire. In fact, without We’re fortunate to have a strong base of subscribers. Last season more a single concession, the scale and quality of the than half of our concerts sold out or were near capacity! A subscription series is unlike anything else in the country.” is the best way to ensure that you will have tickets to your favorite events while securing: THE PHILADELPHIA INQUIRER The Lowest Pricing Priority Seating Flexible Exchanges GROUP SALES Does your college alumni group host special events? Is your class studying a composer or musical period? Are you organizing a night out for your company? Please contact Erik Petersons ([email protected]) to learn more about special pricing, backstage tours, and more. Welcome to Our 2016/17 PCMS Season Dear Friends, It’s all here! The world’s finest chamber groups. -
Beethoven's 250Th Anniversary Concert
BEETHOVEN’S 250TH ANNIVERSARY CONCERT Featuring faculty members of Messiah University, Penn State University, Gettysburg College, as well as Stuart Malina and members of the Harrisburg Symphony Wednesday, March 31, 2021, 4 p.m. Calvin and Janet High Center for Worship and Performing Arts, Parmer Hall Sponsored by the School of the Arts Performing Arts Series DEPARTMENT OF MUSIC “CELEBRATING “Celebrating Beethoven’s TH 250th Anniversary” BEETHOVEN’S 250 This program celebrates Beethoven’s 250th anniversary by exploring three of ANNIVERSARY” his most lighthearted works. The “Gassenhauer” Trio, Woodwind Quintet and Septet offer a unique window into the mind of a young genius on a journey from absorbing classical style of Haydn and Mozart to transcending its Poetry Reading Matt Roth boundaries. The inventive brilliance, youthful energy and humor of these works were met with enthusiastic admiration of Viennese public. They also laid the foundation for Beethoven’s immortal later masterpieces that changed the course Trio in B-flat Major, Op. 11 Ludwig van Beethoven (1770-1827) of music history. I. Allegro con brio II. Adagio III. Tema con variazioni – Peter Sirotin Ya-Ting Chang, piano Nuno Antunes, clarinet Ai-Lin Hsieh, cello Poetry Reading Christine Perrin Piano Quintet for Piano and Winds in E-flat Major, Op. 16 I. Grave – Allegro ma non troppo II. Andante cantabile III. Rondo: allegro ma non troppo Stuart Malina, piano Andreas Oeste, oboe Nuno Antunes, clarinet Joseph Grimmer, bassoon Geoffrey Pilkington, horn Poetry Reading Samuel Smith Septet in E-flat Major, Op. 20 I. Adagio – Allegro con brio II. Adagio cantabile III. Tempo di menuetto – Trio IV.