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Jeremy Denk and Stefan Jackiw Play Ives
Jeremy Denk and Stefan Jackiw play Ives WHEN: VENUE: Sunday, Bing January 28, 2018 ConCert Hall 2:30 PM Program Artists Charles Ives (1874–1954) Violin Sonata No. 4 “Children’s Day at the Camp Meeting” Jeremy denk, artistic director and piano Allegro Stefan Jackiw, violin Largo Allegro tenors and Basses of the Stanford Chamber Chorale Stites / Sweney “Beulah Land” Lowry / Hawks “I Need Thee Every Hour” Tenor no pause tobin Bell Minseung Choi Ives Violin Sonata No. 3 Cooper d’agostino Adagio; Andante; Allegretto; Adagio Jeremy raven Allegro Joss Saltzman Adagio cantabile Christopher Swenson —INTERMISSION— Bass Barthélemon / Robinson “Autumn” (“Mighty God, While Angels Bless Thee”) darren Baker daniel Borup no pause luke Halberstadt Ives Violin Sonata No. 2 eric lebel Autumn James Mayclin In the Barn alexis rochat The Revival elekos Praxis Root / Nelson “Shining Shore” (“My Days Are Gliding Swiftly By”) Root “Tramp! Tramp! Tramp! The Boys Are Marching” Management for Mr. denk and Mr Jackiw: Kiallmark / Woodworth “The Old Oaken Bucket” opus 3 artists, 470 Park avenue S, 9 th Fl n., Mason / Coghill “Work Song” (“Work for the Night is Coming”) new york, ny 10016 no pause Ives Violin Sonata No. 1 The hymn and song verses heard in this Andante program were edited and arranged by Largo cantabile Wilbur Pauley. Allegro Steinway Piano PROGRAM SUBJECT TO CHANGE . Please be considerate of others and turn off all phones, pagers, and watch alarms. Photography and recording of any kind are not This program is generously supported by Trine Sorensen and Michael Jacobson. permitted. thank you. 2 Program Notes Why Ives ? also, these four Sonatas create a portrait of luckily, we still recognize many of the tunes the composer—in four different states. -
Cds by Composer/Performer
CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H. -
Everything Essential
Everythi ng Essen tial HOW A SMALL CONSERVATORY BECAME AN INCUBATOR FOR GREAT AMERICAN QUARTET PLAYERS BY MATTHEW BARKER 10 OVer tONeS Fall 2014 “There’s something about the quartet form. albert einstein once Felix Galimir “had the best said, ‘everything should be as simple as possible, but not simpler.’ that’s the essence of the string quartet,” says arnold Steinhardt, longtime first violinist of the Guarneri Quartet. ears I’ve been around and “It has everything that is essential for great music.” the best way to get students From Haydn, Mozart, Beethoven, and Schubert through the romantics, the Second Viennese School, Debussy, ravel, Bartók, the avant-garde, and up to the present, the leading so immersed in the act of composers of each generation reserved their most intimate expression and genius for that basic ensemble of two violins, a viola, and a cello. music making,” says Steven Over the past century america’s great music schools have placed an increasing emphasis tenenbom. “He was old on the highly specialized and rigorous discipline of quartet playing. among them, Curtis holds a special place despite its small size. In the last several decades alone, among the world and new world.” majority of important touring quartets in america at least one chair—and in some cases four—has been filled by a Curtis-trained musician. (Mr. Steinhardt, also a longtime member of the Curtis faculty, is one.) looking back, the current golden age of string quartets can be traced to a mission statement issued almost 90 years ago by early Curtis director Josef Hofmann: “to hand down through contemporary masters the great traditions of the past; to teach students to build on this heritage for the future.” Mary louise Curtis Bok created a haven for both teachers and students to immerse themselves in music at the highest levels without financial burden. -
A Tribute to Hans-Karl Piltz Marina Thibeault Viola with David Gillham Violin Eric Wilson Cello Jasper Wood Violin
Wednesday Noon Hours UBC SCHOOL OF MUSIC A Tribute to Hans-Karl Piltz Marina Thibeault viola with David Gillham violin Eric Wilson cello Jasper Wood violin Duo in B-flat major for violin and viola, K. 424 W.A. Mozart i. Adagio-Allegro (1756-1791) ii. Andante cantabile iii. Tema con variazioni David Gillham violin Marina Thibeault viola Lullaby and Grotesque for viola and cello Rebecca Clarke i. Lullaby (1886-1979) ii. Grotesque Marina Thibeault viola Eric Wilson cello Three Madrigals Bohuslav Martinů i. Poco allegro - Poco vivo (1890-1959) ii. Poco andante - Andante moderato iii. Allegro - Moderato Jasper Wood violin Marina Thibeault viola Composed: Mozart (1783); Clarke (1916); Martinů (1947) # We acknowledge that the University of British Columbia is situated on the traditional, ancestral, and unceded territory of the Musqueam people. Hans-Karl Piltz (1923–2020) Professor Hans-Karl Piltz was a talented violist and teacher who helped shape the School of Music as it evolved from a small Bachelor of Arts program in the late 1950s to the large and thriving School it is today. He was 96 years old when he passed away this April. Prof. Piltz loved teaching, and in 1959 joined the UBC Department of Music — as the School of Music was then known. As Professor of Viola, he mentored several generations of strings musicians who have gone on to long and successful careers in orchestras and as soloists in North America, Europe, and all over the world. He founded and directed the UBC Symphony Orchestra from 1959–1970 and also helped found the Vancouver Society for Early Music — now known as Early Music Vancouver — in 1969. -
The Modigliani Quartet Amaury Coeytaux, Violin Loïc Rio, Violin Laurent Marfaing, Viola François Kieffer, Cello
64th Concert Series 2017-2018 The Modigliani Quartet Amaury Coeytaux, violin Loïc Rio, violin Laurent Marfaing, viola François Kieffer, cello Saturday, November 18, 2017 Ossining High School, Ossining, New York President: Board of Directors: Betsy Shaw Weiner, Croton Klaus Brunnemann, Briarcliff Manor Vice President: Howard Cohen, Cortlandt Manor William Altman, Croton Adam Glenn, Sleepy Hollow Secretary: Raymond Kaplan, Yorktown Susan Harris, Ossining David Kraft, Briarcliff Manor Treasurer: Tom Post, Mt. Kisco Marc Auslander, Millwood Rosella Ranno, Briarcliff Manor Board Associates: Keith Austin, Briarcliff Manor George Drapeau, Armonk Nyla Isele, Croton Who We Are Friends of Music Concerts, Inc. is an award-winning, non-profit, volunteer organization that brings to Westchester audiences world-renowned ensembles and distinguished younger musicians chosen from among the finest artists in today’s diverse world of chamber music. Through our Partnership in Education program in public schools, and free admission to our six-concert season for those 18 years of age and under, we give young people throughout the county enhanced exposure to and appreciation of classical music, building audiences of the future. We need additional helping hands to carry out our mission. Do consider joining the volunteers listed above. Call us at 914-861-5080 or contact us on our website (see below); we can discuss several specific areas in which assistance is needed. Acknowledgements Our concerts are made possible, in part, by an ArtsWestchester Program Support grant made with funds received from Westchester County Government. Additional support is received from many friends of Friends of Music who include subscribers and other ticket holders listed in this program* who give over and above the cost of their attendance, and from the matching grants programs of IBM, Citibank, McKinsey & Co., and others. -
01.20.15 7:30 Pm
7:30 PM 01.20.15 JEREMY DENK / PIANIST One of America’s most thought-provoking, multi-faceted, and compelling artists, pianist Jeremy Denk is the winner of a 2013 MacArthur “Genius” Fellowship, the 2014 Avery Fisher Prize, and Musical America’s 2014 Instrumentalist of the Year award. He has appeared as soloist with the Los Angeles Philharmonic, the Philadelphia Orchestra, and the symphony orchestras of Boston, Chicago, San Francisco, and London, and regularly gives recitals in New York, Washington, Boston, Philadelphia, and throughout the United States. In 2014–15, he launches a four-season tenure as an Artistic Partner of the Saint Paul Chamber Orchestra; makes debuts with the Cleveland Orchestra under Susanna Mälkki and the New York Philharmonic led by Esa-Pekka Salonen; appears as a soloist with the Los Angeles Philharmonic and San Francisco Symphony; and performs Bach concertos with Academy of St. Martin-in-the-Fields in London and on tour throughout the US. Future engagements also include his appearances at the BBC Proms, London’s Wigmore Hall, and his recital debut at the Concertgebouw in Amsterdam. In 2014, Denk served as Music Director of the Ojai Music Festival, for which, besides performing and curating, he wrote the libretto for a comic opera. The opera will be presented by Carnegie Hall in the 2014–15 season. To coincide with the release of his second Nonesuch Records album, Bach: Goldberg Variations, Denk opened the 2013–14 season with performances of the “Goldbergs” in Boston, Chicago, and Washington, and went on to perform them as part of the Barbican’s season in London. -
Ojai North Music Festival
CAL PERFORMANCES PRESENTS Thursday–Saturday, June 19–21, 2014 Hertz Hall Ojai North Music Festival Jeremy Denk Music Director, 2014 Ojai Music Festival Thomas W. Morris Artistic Director, Ojai Music Festival Matías Tarnopolsky Executive and Artistic Director, Cal Performances Robert Spano, conductor Storm Large, vocalist Timo Andres, piano Aubrey Allicock, bass-baritone Kim Josephson, baritone Dominic Armstrong, tenor Ashraf Sewailam, bass-baritone Rachel Calloway, mezzo-soprano Peabody Southwell, mezzo-soprano Keith Jameson, tenor Jennifer Zetlan, soprano The Knights Eric Jacobsen, conductor Brooklyn Rider Uri Caine Ensemble Hudson Shad Ojai Festival Singers Kevin Fox, conductor Ojai North is a co-production of the Ojai Music Festival and Cal Performances. Ojai North is made possible, in part, by Patron Sponsors Liz and Greg Lutz. Cal Performances’ – season is sponsored by Wells Fargo. CAL PERFORMANCES 13 FESTIVAL SCHEDULE Thursday–Saturday, June 19–21, 2014 Hertz Hall Ojai North Music Festival FESTIVAL SCHEDULE Thursday, June <D, =;<?, Cpm Welcome : Cal Performances Executive and Artistic Director Matías Tarnopolsky Concert: Bay Area première of The Classical Style: An Opera (of Sorts) plus Brooklyn Rider plays Haydn Brooklyn Rider Johnny Gandelsman, violin Colin Jacobsen, violin Nicholas Cords, viola Eric Jacobsen, cello The Knights Aubrey Allicock, bass-baritone Dominic Armstrong, tenor Rachel Calloway, mezzo-soprano Keith Jameson, tenor Kim Josephson, baritone Ashraf Sewailam, bass-baritone Peabody Southwell, mezzo-soprano Jennifer Zetlan, soprano Mary Birnbaum, director Robert Spano, conductor Friday, June =;, =;<?, A:>;pm Talk: The creative team of The Classical Style: An Opera (of Sorts) —Jeremy Denk, Steven Stucky, and Mary Birnbaum—in a conversation moderated by Matías Tarnopolsky PLAYBILL FESTIVAL SCHEDULE Cpm Concert: Second Bay Area performance of The Classical Style: An Opera (of Sorts) plus Brooklyn Rider plays Haydn Same performers as on Thursday evening. -
Joyce Yang Piano Blessed With
Joyce Yang Piano Blessed with “poetic and sensitive pianism” (Washington Post) and a “wondrous sense of color” (San Francisco Classical Voice), pianist Joyce Yang captivates audiences with her virtuosity, lyricism, and interpretive sensitivity. As a Van Cliburn International Piano Competition silver medalist and Avery Fisher Career Grant recipient, Yang showcases her colorful musical personality in solo recitals and collaborations with the world’s top orchestras and chamber musicians. Yang came to international attention in 2005 when she won the silver medal at the 12th Van Cliburn International Piano Competition. The youngest contestant at 19 years old, she took home two additional awards: the Steven De Groote Memorial Award for Best Performance of Chamber Music (with the Takàcs Quartet) and the Beverley Taylor Smith Award for Best Performance of a New Work. Since her spectacular debut, she has blossomed into an “astonishing artist” (Neue Zürcher Zeitung). She has performed as soloist with the New York Philharmonic, Chicago Symphony, Los Angeles Philharmonic, Philadelphia Orchestra, the Baltimore, Detroit, Houston, Milwaukee, San Francisco, Sydney, and Toronto symphony orchestras, Deutsches Symphonie-Orchester Berlin, and the BBC Philharmonic (among many others), working with such distinguished conductors as Edo de Waart, Lorin Maazel, James Conlon, Leonard Slatkin, David Robertson, Bramwell Tovey, Peter Oundjian, and Jaap van Zweden. In recital, Yang has taken the stage at New York’s Lincoln Center and Metropolitan Museum; the Kennedy Center in Washington, DC; Chicago’s Symphony Hall; and Zurich’s Tonhalle. Yang kicks off the 2015/16 season with a tour of eight summer festivals (Aspen, Bridgehampton, Grand Tetons, La Jolla, Ravinia, Seattle, Southeastern Piano Festival, and Bravo! Vail) before commencing a steady stream of debuts, return engagements, and notable chamber music concerts. -
View PDF Online
MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
I.," American String Quartet
HOUSTON FRIENDS OF MUSIC THE SHEPHERD SCHOOL OF MUSIC present the AMERICAN STRING QUARTET PETER WINOGRAD, VIOLIN LAURIE CARNEY, VIOLIN DANIEL AVSHALOMOV, VIOLA MARGO TATGENHORST, CELLO THURSDAY OCTOBER 17, 2002 8:00P.M. STUDE CONCERT HALL ALICE PRATT BROWN HALL RICE UNIVERSITY I.," THIS PROJECT IS FUNDED IN PART BY TIIE CITY OF HOUSTON ~: AND THE TEXAS COMMISSION ON TIIE ARTS THROUGH TIIE CULTURAL ARTS COUNCIL OF IIOUSTON/lL-\RRJS COUNTY. AMERICAN STRING QUARTET -PROGRAM- WOLFGANG AMADEUS MOZART (1756-1791) • Quartet in E-flat Major, K. 42 8 Allegro non troppo Andante con moto Menuetto: Allegro Allegro vivace DMITRI SHOSTAKOVICH (1906-1975) Quartet No. 3 in F Major, Op. 73 (1946) Allegretto Moderato con moto Allegro non troppo Adagio Moderato - INTERMISSIO - MAURICE RAVEL (1875-1937) String Quartet in F Major Allegro moderato: Tres doux Assez vif: Tres rhythme Tres lent .,... Vif et agite WOLFGANG AMADEUS MOZART (1756-1791) Quartet in E-flat Major, K. 428 . t • Until the great quartets of Haydn and Mozart, eighteenth century · t r chamber music had been written primarily for the private use of ama - r teurs. As the century progressed, the dominance of complex, Baroque compositional methods had diminished and the style of writing had been simplified, making it easier for an amateur to master. Yet, at the same time in Vienna, the public performance of larger-scale, symphonic music came into vogue. And as this was written for professionals, the composer could explore greater complexity, even bringing back some of the intricate devices of baroque music such as fugues. Furthermore, in the last decades of the century, a full-time, professional quartet was maintained in Vienna by Count Razumovsky for performances at the great houses. -
Mch Kaufmanconnectsbell 050
Kaufman Music Center presents A Virtual Concert and Cocktail Tasting Kaufman Connects Streamed Monday, May 3, 2021 at 6:30 pm ET with Joshua Bell, violin and Peter Dugan, piano Kevin Peterson, mixologist Program Welcome and Introduction KATE SHEERAN, Executive Director SHAHRIAR RAFIMAYERI, President, Board of Trustees JUSTIN BERRIE, Trustee SAMUEL COLERIDGE-TAYLOR La Tarantelle Frétillante BIANNA BELL, violin Special Music School,10th Grade Student of Nurit Pacht Tasting: Cocktail Experience #1 KEVIN PETERSON, mixologist LUDWIG VAN BEETHOVEN Violin Sonata No. 5 in F Major, Op. 24 “Spring” Allegro JOSHUA BELL and PETER DUGAN Tasting: Cocktail Experience #2 KEVIN PETERSON, mixologist KaufmanMusicCenter.org|866-222-6330 FRÉDÉRIC CHOPIN Nocturne in E-flat Major, Op. 9, No. 2 arr: Bell/Wallace HENRYK WIENIAWSKI Polonaise brillante in D Major, Op. 4 JOSHUA BELL and PETER DUGAN Tasting: Cocktail Experience #3 KEVIN PETERSON, mixologist Event Sponsors and Hosts Justin Berrie Shahriar Rafimayeri Castalia at Sfumato Maker’s Mark Winfield Flynn Wine & Spirits Kaufman Connects Benefactors Bethany and Robert B. Millard Cathy White O’Rourke Joy and Graham Wyatt All 2020-21 Kaufman Music Center performances are online, filmed in safe, socially distanced locations observing health and safety protocols, and enjoyed from the safety of your home. Steinway is the official piano of Merkin Hall KaufmanMusicCenter.org|866-222-6330 About the Artists Joshua Bell With a career spanning almost four decades, Joshua Bell is one of the most celebrated violinists of his era. Having performed with virtually every major orchestra in the world, Bell continues to maintain engagements as a soloist, recitalist, chamber musician, conductor, and Music Director of the Academy of St. -
American String Quartet
Tuesday, February 23, 2021 | 8 PM Livestreamed from Gordon K. and Harriet Greenfield Hall MSM ARTISTS IN RESIDENCE AMERICAN STRING QUARTET Peter Winograd and Laurie Carney, violin Daniel Avshalomov, viola Wolfram Koessel, cello PROGRAM JOSEPH BOLOGNE, String Quartet in G Major, No. 5 of Six quartetto concertans “Au goût du jour” CHEVALIER DE Allegro assai SAINT-GEORGES Gratioso (1745–1799) FRANZ JOSEPH HAYDN String Quartet in D Major, Op. 76, no. 5 (1732–1809) Allegretto Largo. Cantabile e mesto Menuetto. Allegro Finale. Presto ANTONÍN DVOŘÁK String Quartet in F Major, Op. 96 (“American”) (1841–1904) Allegro ma non troppo Lento Molto vivace Finale: vivace ma non troppo ABOUT THE ARTISTS American String Quartet Internationally recognized as one of the world’s foremost quartets, the American String Quartet marks its 46th season in 2020– 21. Critics and colleagues hold the Quartet in high esteem and many of today’s leading artists and composers seek out the Quartet for collaborations. The Quartet is also known for its performances of the complete quartets of Beethoven, Schubert, Schoenberg, Bartók, and Mozart. The Quartet’s recordings of the complete Mozart string quartets on a matched set of Stradivarius instruments are widely held to set the standard for this repertoire. To celebrate its 35th anniversary, the Quartet recorded an ambitious CD, Schubert’s Echo, released by NSS Music. The program invites the listener to appreciate the influence of Schubert on two masterworks of early 20th-century Vienna. In addition to quartets by European masters, the American naturally performs quartets by American composers. Their newest release, American Romantics (Apple Music, 2018), is a recording of Robert Sirota’s American Pilgrimage, Dvořák’s “American” quartet, and Barber’s Adagio for Strings.The American also champions contemporary music.