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Conference Programme Guernsey 28-30 June 2019 Organised by the Victor Hugo in Guernsey Society
IN GUERNSEY CONFERENCE 2019 Conference Programme Guernsey 28-30 June 2019 Organised by The Victor Hugo in Guernsey Society Supported by the Guernsey Arts André Gill illustration for L’Eclipse, 25 April 1869, from the Gérard Pouchain collection. from the Gérard Pouchain April 1869, 25 L’Eclipse, André Gill illustration for Commission About The Victor Hugo In Guernsey Society Welcome from The Victor Hugo In Guernsey Society Victor Hugo wrote many of his greatest works on The Victor Hugo in Guernsey Society welcomes you to its 3rd In~ a letter to his publisher, Lacroix, in December the island of Guernsey, a small British dependency Victor Hugo in Guernsey conference. This weekend in the 1868, after he had announced the publication of 20 miles off the coast of France. Hugo was in exile, but island of Hugo’s exile will focus on the novel Hugo published a new work by Hugo which he characterised as a Roman despite his grief for his family and his homeland he was 150 years ago in 1869, L’Homme qui rit, (The Man who Laughs), historique, the famous novelist wrote: inspired by the beauty of the rocky landscape and seas written on Guernsey and set in England. Our sister island of “When I paint history I make my historical characters that surrounded him to produce magnificent novels – Alderney plays a pivotal part in the narrative, and even our old do only what they have done or could do, their characters including Les Misérables, and Les Travailleurs de la mer – Norman law finds its way into the text. -
Download Thesis
MASTERARBEIT ANALYSING THE POTENTIAL OF NETWORK KERNEL DENSITY ESTIMATION FOR THE STUDY OF TOURISM BASED ON GEOSOCIAL MEDIA DATA Ausgeführt am Department für Geodäsie und Geoinformation der Technischen Universität Wien unter der Anleitung von Francisco Porras Bernárdez, M.Sc., TU Wien und Prof. Dr. Nico Van de Weghe, Universität Gent (Belgien) Univ.Prof. Mag.rer.nat. Dr.rer.nat. Georg Gartner, TU Wien durch Marko Tošić Laaer-Berg-Straße 47B/1028B, 1100 Wien 10.09.2019 Unterschrift (Student) MASTER’S THESIS ANALYSING THE POTENTIAL OF NETWORK KERNEL DENSITY ESTIMATION FOR THE STUDY OF TOURISM BASED ON GEOSOCIAL MEDIA DATA Conducted at the Department of Geodesy and Geoinformation Vienna University of Technology Under the supervision of Francisco Porras Bernárdez, M.Sc., TU Wien and Prof. Dr. Nico Van de Weghe, Ghent University (Belgium) Univ.Prof. Mag.rer.nat. Dr.rer.nat. Georg Gartner, TU Wien by Marko Tošić Laaer-Berg-Straße 47B/1028B, 1100 Vienna 10.09.2019 Signature (Student) ACKNOWLEDGMENTS If someone told me two years ago that I will sit now in a computer room of the Cartography Research Group at TU Wien, writing Acknowledgments of my finished master’s thesis, I would say “I don’t believe you!” This whole experience is something that I will always carry with me. Different cities, universities, people, cultures, learning and becoming proficient in a completely new field; these two years were a rollercoaster. First and foremost, I would like to thank my supervisor Francisco Porras Bernárdez, muchas gracias por tu paciencia, motivación y apoyo, por compartir tu conocimiento conmigo. Esta tesis fue posibile gracias a ti. -
A Day in Brussels"
"A Day in Brussels" Created by: Cityseeker 9 Locations Bookmarked Museum of Modern Art "Museum of Modern Art" Located on Place Royale, with no less than eight floors underground, the Museum of Modern Art was constructed around a light shaft that allows daylight to filter down. As part of the Belgian Royal Museum of Fine Arts, it houses a selection of works by Belgian modernists such as Marcel Broodthaers, Rik Wouters and 28 pieces by René Magritte. It also includes by Michel wal foreign artists such as Andy Warhol and Marc Chagall. There is a gift shop and cafeteria. The Museum of Modern Art is closed for renovation works until 2012. Please check the website regarding the museum's reopening. +32 2 508 3211 www.fine-arts- [email protected] rue de la Régénce 3, museum.be/ Brussels Place du Grand Sablon "Upscale & Elegant Square" This location is home to many upscale antiques stores, along with Emporio Armani, the world-renowned pastry boutique Wittamer, and much more. The square is distinguished by a statue of Minerva, given to the city as a gift in 1751. Here you'll also find Our Lady Church and the Sablon Church. On Saturday from 9a-6p and on Sunday from 9a-2p an by Edison McCullen antique market is in full swing. Just across the square you'll find Place du Petit Sablon, a quaint garden filled with statues. +32 2 513 8940 visit.brussels/en/place/Place-du- Place du Grand Sablon, Brussels Grand-Sablon Town Hall "Brussels Begins at Town Hall" Brussels Town Hall is an intricate Gothic marvel that forms the focal point of Brussels' iconic Grand Place and is easily one of the city's most lavish civic buildings. -
Plan Gestion 2016-2021
The Grande-Place in Brussels, Unesco heritage Management plan – 2016-2021 Brussels Grand-Place, UNESCO heritage Management Plan - 2016-2022 MANAGEMENT PLAN FOR THE SITE OF THE GRAND PLACE IN BRUSSELS 2016-2021 1 Brussels Grand Place, UNESCO heritage Management Plan - 2016-2022 2 Brussels Grand-Place, UNESCO heritage Management Plan - 2016-2022 TABLE OF CONTENTS 1. INTRODUCTION 5 2. METHODOLOGY 7 3. DESCRIPTION AND IMPORTANCE OF THE SITE 9 3.1. The Grand Place - historical context 9 3.2. The buffer zone - styles, architectural typologies and plots 11 3.3. The buffer zone - roads and dead-ends 13 3.4. Protection measures 15 3.5. Legal situation: the protection of architectural heritage 17 4. OUTSTANDING UNIVERSAL VALUE 19 5. KNOWLEDGE OF THE SITE - BUILDING STUDIES 22 5.1 The architectural and historical study of the houses of the Grand Place in Brussels 22 5.2 Study of the evolution of the buildings in the “Ilot Sacré” 25 6. MANAGEMENT PLAN 2016-2021, OBJECTIVES AND ACTION PLANS: DETAILED DESCRIPTION - SHEETS 27 7. STRATEGIC OBJECTIVE 1 - GOVERNANCE OF SITE MANAGEMENT 29 8. STRATEGIC OBJECTIVE 2: CONSERVATION OF HERITAGE BY ENSURING ITS INTEGRITY AND AUTHENTICITY 79 9. STRATEGIC OBJECTIVE 3: DEVELOPMENT OF A FUNCTIONAL BLEND, SHOPS AND HOUSING IN PARTICULAR 127 10. STRATEGIC OBJECTIVE 4: IMPROVEMENT OF THE LIVING ENVIRONMENT 179 11. STRATEGIC OBJECTIVE 5: AWARENESS-RAISING, PROMOTION, PARTNERSHIPS AND TOURISM DEVELOPMENT 215 12. REFERENCES 243 13. COLOPHON 245 3 Brussels Grand Place, UNESCO heritage Management Plan - 2016-2022 4 Brussels Grand-Place, UNESCO heritage Management Plan - 2016-2022 1. INTRODUCTION The Grand Place in Brussels, a prestigious setting in the centre of community life, was declared a UNESCO World Heritage Site in December 1998 and the surrounding area, commonly known as the “Ilot Sacré”, was designated as a buffer zone at the same time. -
CYBER17 General Information Packet
General Information Packet 17th Annual CyberPsychology and CyberTherapy Conference September 25-28, 2012 European Commission | Brussels, Belgium 17th Annual CyberPsychology, CyberTherapy & Social Networking Conference | http://www.interactivemediainstitute.com/CYBER17 1. Introduction This year the Interactive Media Institute, in collaboration with the Virtual Reality Medical Institute, is organizing the International Association of CyberPsychology, Training, & Rehabilitation’s (iACToR) 17th Annual CyberPsychology & CyberTherapy Conference (CYBER17), scheduled for September 25-28, 2012 in Brussels, Belgium. This package contains information to assist you with the planning of your visit. For your convenience the package is organized as follows: 1. Introduction 2. Useful Information 3. Meeting Site 4. Accommodation and Travel Information 5. Meals and Refreshments 6. Social Activities 7. City and County Information 8. Currency 9. Miscellaneous 2. Useful Information Conference Organizers Prof. Brenda K. Wiederhold, Ph.D., MBA, BCIA Interactive Media Institute E-mail: [email protected] Global Host Coordinator Mr. James Cullen Interactive Media Institute E-mail: [email protected] 17th Annual CyberPsychology, CyberTherapy & Social Networking Conference | http://www.interactivemediainstitute.com/CYBER17 3. Meeting Site The 17th Annual CyberPsychology and CyberTherapy Conference will be held at: European Commission (DG Connect) Avenue de Beaulieu (Building Number 25) B – 1160 Brussels, Belgium 3. Registration for Conference Registration was completed online at interactivemediainstitute.com/CYBER17. Additionally, onsite registration will be available to those wishing to register on the day of the conference. Below details the costs and associated prices: Registration Fees: Registration Type Early Registration Late Registration Professionals $475 $595 Students $250 $325 Exhibitors $1200 $1200 17th Annual CyberPsychology, CyberTherapy & Social Networking Conference | http://www.interactivemediainstitute.com/CYBER17 4. -
Lundi 1 Avril 2019 : *Victor Hugo Est Un Des Personnages Illustres Qui
Lundi 1er avril 2019 : *Victor Hugo est un des personnages illustres qui ont fait l’objet de pochoirs disséminés dans le 5e arrondissement de Paris et réalisés par Christian Guémy alias C215, artiste urbain. Leur localisation est indiquée sur un plan disponible à l’entrée du Panthéon ou à la Mairie du 5e. Ces portraits sont exposés depuis le 10 juillet et jusqu’à juin 2019. Celui de Hugo se trouve, Carine Fréard l’a repéré, en venant du boulevard St-Michel, rue Soufflot, 100 m environ après avoir croisé la rue Saint-Jacques, sur le trottoir de gauche. *10h à 12h 30 et 14h à 17h 30 : L’Invisible au Visible mêlé, exposition inédite de dessins de Hugo à la Maison Vacquerie-Musée Victor Hugo, Rives-en-Seine (Villequier), Du 9 mars au 26 mai, tous les jours sauf le mardi et le dimanche matin ; 14h à 17h 30 le dimanche. *10h 30 à 17h 30 : Exposition « La Poésie sans mots » (du 15 mars au 15 avril) à la Bibliothèque du 1er étage et Exposition permanente, Maison natale de Victor Hugo, 140 Grande Rue, sauf le mardi : Rez-de chaussée - « Hugo bisontin ? » (hommages des Bisontins à l’auteur et liens tissés par lui avec sa ville natale) -; 1er étage - « L’homme engagé » (exposition permanente) ; quatre thématiques et leurs prolongements aujourd’hui : la liberté d’expression (partenaire : Reporters sans frontières); misère- égalité-justice (partenaire : ATD Quart Monde pour la lutte contre la misère) ; l’enfance et l’éducation, dans la chambre natale (partenaire : Unicef pour les droits de l’enfant) ; liberté des peuples, dans le salon de la rue de Clichy, où Hugo a reçu quantité d’invités de 1874 à 1878, donné par Alice et Edouard Lockroy à la ville de Besançon (partenaire : Amnesty International) ; cave voûtée - salle Gavroche, espace pour l’action culturelle – projections, conférences, expositions temporaires, lectures, petites mises en scène théâtrales ou musicales – capable d’accueillir 65 personnes . -
THE MAN WHO LAUGHS / 1927 (O Homem Que Ri)
CINEMATECA PORTUGUESA-MUSEU DO CINEMA REVISITAR OS GRANDES GÉNEROS - A COMÉDIA (PARTE III): O RISO 2 de dezembro de 2020 THE MAN WHO LAUGHS / 1927 (O Homem Que Ri) um filme de Paul Leni Realização: Paul Leni / Argumento: J. Grubb Alexander, segundo o romance “L’ Homme Qui Rit” de Victor Hugo, adaptado por Bela Sekely / Fotografia: Gilbert Warrenton / Direcção Artística: Charles D. Hall, Joseph Wright, Thomas F. O’Neill / Figurinos: David Cox, Vera West / Montagem: Maurice Pivar, Edward Cahn / Conselheiro Técnico: Professor R.H. Newlands / Intérpretes: Conrad Veidt (Gwynplaine), Mary Philbin (Dea), Olga Baclanova (Duquesa Josiana), Josephine Crowell (Rainha Anne), George Siegmann (Dr. Hardquannnone), Brandon Hurst (Barkilphedro, o bobo), Sam De Grasse (Rei James), Stuart Holmes (Lord Dirry-Noir), Cesare Gravina (Ursus), Nick De Ruiz (Wapentake), Edgar Norton (Lord Alto Conselheiro), Torben Meyer (“Comprachicos”), Julius Molnar Jr. (Gwynplaine, em criança), Charles Puffy, Frank Puglia, Jack Goodrich, Carmen Costello, Zimbo (Homo, o cão-lobo) Produção: Carl Laemmle (Universal) / Cópia: 35mm, preto e branco, mudo com intertítulos em inglês, legendado eletronicamente em português, 132 minutos, a 22 imagens por segundo / Estreia Mundial: Cinema Central, Nova Iorque, em 27 de Abril de 1928 / Estreia em Portugal: Condes, em 21 de Janeiro de 1930. Acompanhamento ao piano por João Paulo Esteves da Silva _____________________________ Se Paul Leni não tivesse sido um grande realizador, bastaria o trabalho como “cenógrafo” para lhe reservar um lugar na história do cinema, à semelhança de um Mitchell Leisen, um William Cameron Menzies, um Lazare Meerson, num estilo de trabalho cuja tradição ainda hoje se encontra num Dean Tavoularis, por exemplo. -
DOSSIER DE PRESSE Carl Laemmle Présente SYNOPSIS
DOSSIER DE PRESSE Carl Laemmle présente SYNOPSIS En Angleterre, à la fin du XVIIe siècle, le roi Jacques se débarrasse de son ennemi, Conrad Veidt dans le Lord Clancharlie, et vend son jeune fils, Gwynplaine, aux trafiquants d’enfants qui le défigurent. Le garçon s’enfuit et sauve du froid un bébé aveugle, Dea. Tous les deux sont recueillis par Ursus, un forain. Gwynplaine, baptisé « L’Homme qui rit », devient un célèbre comédien ambulant. Le bouffon Barkilphedro découvre L’HOMME son ascendance noble et la dévoile à la reine Anne, qui a succédé au roi Jacques. QUI RIT The Man Who Laughs un film de Paul Leni États-Unis – 1928 – 116 min – visa n°106196 AU CINÉMA LE 9 OCTOBRE à l’occasion du 150ème anniversaire du roman de Victor Hugo EN RESTAURATION 4K Nouvelle orchestration musicale : The Berklee Silent Film Orchestra DISTRIBUTION : PRESSE : MARY-X DISTRIBUTION SF EVENTS cnc n°4438 Tél. : 07 60 29 18 10 308 rue de Charenton 75012 Paris [email protected] Tel. : 01 71 24 23 04 / 06 84 86 40 70 [email protected] NOTES DE PRODUCTION Au début des années 20, le Studio Universal sous la direction de Carl Laemmle Sr connaît deux gros succès avec des films historiques à costumes, Notre-Dame-de- Paris de Wallace Worsley (1923), déjà adapté de Victor Hugo et Le Fantôme de l’Opéra de Rupert Julian (1925) d’après Gaston Leroux. Les deux films avaient pour star Lon Chaney. Universal décide de continuer le filon avec L’Homme qui rit. La pré-production commence en mai 1927. -
COMÉDIE CLASSIQUE, DRAME ROMANTIQUE : LA BD MODE D’EMPLOI Marie-José Fourtanier
Document généré le 25 sept. 2021 17:54 Revue de recherches en littératie médiatique multimodale COMÉDIE CLASSIQUE, DRAME ROMANTIQUE : LA BD MODE D’EMPLOI Marie-José Fourtanier Vers une didactique de la multilecture et de la multiécriture littéraire Résumé de l'article Volume 1, janvier 2015 Cette communication se propose de présenter diverses modalités de lecture de deux pièces canoniques du répertoire théâtral, mais aussi des programmes URI : https://id.erudit.org/iderudit/1047805ar scolaires français, L’Avare de Molière (souvent étudié au collège) et Ruy Blas de DOI : https://doi.org/10.7202/1047805ar Victor Hugo (plutôt au lycée) par le truchement de deux adaptations du plasticien J.-P. Lihou en bande dessinée. Aller au sommaire du numéro Au-delà de l’étude conjointe de ces oeuvres littéraires et de leur transposition en bande dessinée permettant de comparer les modes d’expression respectifs de ces deux formes artistiques et les spécificités de chaque système narratif, je me demanderai si la bande dessinée à elle seule ne constitue pas une oeuvre Éditeur(s) « spectaculaire » à part entière, texte et représentation étant doublement Groupe de recherche en littératie médiatique multimodale assumés par le dessin et la mise en page. ISSN 2368-9242 (numérique) Découvrir la revue Citer cet article Fourtanier, M.-J. (2015). COMÉDIE CLASSIQUE, DRAME ROMANTIQUE : LA BD MODE D’EMPLOI. Revue de recherches en littératie médiatique multimodale, 1. https://doi.org/10.7202/1047805ar Tous droits réservés © Revue de recherches en littératie médiatique Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des multimodale, 2015 services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. -
WODCON XX 3-7 June 2013
SECOND ANNOUCEMENT REGIStration BROCHURE WODCON XX World Dredging Congress and Exhibition THE ART OF DREDGING ORGANISED BY CEDA ON BEHALF OF WODA, WHICH INCORPorateS 3-7 JUNE 2013 WEDA Western Dredging Square-Brussels Meeting Center Association Brussels, Belgium CEDA Central Dredging Association EADA Eastern Dredging WITH THE SUPPORT Association OF THE GOVERNMENT OF FLANDERS WWW.WODCON.ORG WODCON XX CONGRESS AND EXHIBITION PROGRAMME at A GLANCE Registration MONDAY 3 JUNE information 19:00 – 21:00 Ice Breaker Cocktail – The Square, Exhibition area TUESDAY 4 JUNE REGIStration FEES 09:15 – 10:45 Official Opening and Keynote Speakers BY 15 MARCH 2013 AFTER 15 MARCH 2013 CEDA/WEDA/ 10:45 – 11:00 Official Opening of the Exhibition 950 EUR 1050 EUR EADA Member 10:45 – 11:30 Coffee Break - Exhibition area Non-member 1300 EUR 1400 EUR 11:30 – 13:10 Technical Sessions PHD 665 EUR 735 EUR Accompanying 13:10 – 14:45 Lunch - Exhibition area 145 EUR 145 EUR person 14:35 – 15:55 Technical Sessions Student registration per day 50 EUR 50 EUR 15:55 – 16:25 Coffee Break - Exhibition area The above fees are exclusive VAT. Please note that the 16:25 – 16:45 Technical Sessions registration fees are subject to 21% Belgian VAT charge. 09:00 – 17:00 Visit to Bruges (accompanying persons’ tour) WAY TO REGISTER 19:30 – 21:00 Welcome Reception, Brussels Town Hall 21:00 Young CEDA Drink – place to be confirmed Registrations for the WODCON XX Congress and Exhibition must be made online at: WEDNESDAY 5 JUNE www.wodcon.org 09:00 – 18:00 Exhibition Payment can be made by credit card or bank transfer. -
Form Vision Hans Theys
Form Vision Hans Theys Form Vision Artists on Art Tornado Editions 2019 To Tamara Van San In 1983, a fellow student handed me this Banda copy, suggesting it might be interesting for me – as an aficionado of art and literature – to study the writings of Kafka without interpreting them. The origin of the book you are holding now lies within this generous gesture. Thirty years later, when I accidently rediscovered it, I realised that the text quotes a book by Susan Sontag, translated and typewritten by an unknown hand. Everyone has a sort of individual form vision. In all the greatest artists the seeds of this form vision has been present even in their early work, and to some extent their work has been a gradual unfolding of this rhythm throughout. (…) It’s something the artist can’t control – it’s his make up. (…) The less conscious you are of your own individual form rhythm, the more likely it is, I think, to get richer and fuller and develop. Henry Moore, 1941 What is important now is to recover our senses. We must learn to see more, to hear more, to feel more. Our task is not to find the maximum amount of content in a work of art, much less to squeeze more content out of the work than is already there. Our task is to cut back content so that we can see the thing at all. (…) The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means. -
Victor Hugo's the Man Who Laughs
Come to a Weekend Conference in Beautiful Guernsey: Victor Hugo’s The Man who Laughs The Victor Hugo In Guernsey Society Victor Hugo in Guernsey Conference 28th to 30th June 2019 Join leading international Victor Hugo experts for a weekend about Victor Hugo’s life and work, particularly while in exile in Guernsey. The Conference will be themed to celebrate the 150th Anniversary of the publication of Hugo’s L’Homme qui rit - The Man who Laughs. th Victor Hugo Saturday 29 June In Guernsey 9:00 CONFERENCE registration in the Harry Bound Room at Les Côtils Centre. 2019 9:30 BEAUTIFUL INSIDE & OUT, by GÉRARD AUDINET ‘Beautiful inside and out.’ Does the soul have a face? We are all familiar A with the concept of ‘inner beauty,’ but how do artists approach the problem of Conference with L’Homme Qui Rit depicting it? This illustrated talk will reflect on the representations of ugliness Supported by the Guernsey 28th to 30th June and beauty in later arts and media of Victor Hugo’s ‘The Man who Laughs.’ Arts The Victor Hugo In Guernsey Society Commission 10:30 Break for discussion, Coffee or tea. The Victor Hugo In Guernsey Society 11:00 JUSTICE IN THE MAN WHO LAUGHS, by MYRIAM ROMAN Victor Hugo in Guernsey 2019 Conference The representation of justice in ‘The Man who Laughs’ passes through a series of 28th to 30th June 2019 images and myths. The singularity of this novel seems to be to ask the last question of a possible divine injustice through a series of metaphors that project, on the PROGRAMME cosmos, terrifying images of the process and the punishment.