Plan Gestion 2016-2021

Total Page:16

File Type:pdf, Size:1020Kb

Plan Gestion 2016-2021 The Grande-Place in Brussels, Unesco heritage Management plan – 2016-2021 Brussels Grand-Place, UNESCO heritage Management Plan - 2016-2022 MANAGEMENT PLAN FOR THE SITE OF THE GRAND PLACE IN BRUSSELS 2016-2021 1 Brussels Grand Place, UNESCO heritage Management Plan - 2016-2022 2 Brussels Grand-Place, UNESCO heritage Management Plan - 2016-2022 TABLE OF CONTENTS 1. INTRODUCTION 5 2. METHODOLOGY 7 3. DESCRIPTION AND IMPORTANCE OF THE SITE 9 3.1. The Grand Place - historical context 9 3.2. The buffer zone - styles, architectural typologies and plots 11 3.3. The buffer zone - roads and dead-ends 13 3.4. Protection measures 15 3.5. Legal situation: the protection of architectural heritage 17 4. OUTSTANDING UNIVERSAL VALUE 19 5. KNOWLEDGE OF THE SITE - BUILDING STUDIES 22 5.1 The architectural and historical study of the houses of the Grand Place in Brussels 22 5.2 Study of the evolution of the buildings in the “Ilot Sacré” 25 6. MANAGEMENT PLAN 2016-2021, OBJECTIVES AND ACTION PLANS: DETAILED DESCRIPTION - SHEETS 27 7. STRATEGIC OBJECTIVE 1 - GOVERNANCE OF SITE MANAGEMENT 29 8. STRATEGIC OBJECTIVE 2: CONSERVATION OF HERITAGE BY ENSURING ITS INTEGRITY AND AUTHENTICITY 79 9. STRATEGIC OBJECTIVE 3: DEVELOPMENT OF A FUNCTIONAL BLEND, SHOPS AND HOUSING IN PARTICULAR 127 10. STRATEGIC OBJECTIVE 4: IMPROVEMENT OF THE LIVING ENVIRONMENT 179 11. STRATEGIC OBJECTIVE 5: AWARENESS-RAISING, PROMOTION, PARTNERSHIPS AND TOURISM DEVELOPMENT 215 12. REFERENCES 243 13. COLOPHON 245 3 Brussels Grand Place, UNESCO heritage Management Plan - 2016-2022 4 Brussels Grand-Place, UNESCO heritage Management Plan - 2016-2022 1. INTRODUCTION The Grand Place in Brussels, a prestigious setting in the centre of community life, was declared a UNESCO World Heritage Site in December 1998 and the surrounding area, commonly known as the “Ilot Sacré”, was designated as a buffer zone at the same time. This international recognition was an opportunity for the City of Brussels to draw up a series of action plans and launch various projects while laying the foundations for a comprehensive reflection aimed at restoring this major heritage to its former glory. This inscription at the global level implies a specific management of the heritage in question, and its buffer zone, in the light of the requirements of the World Heritage Convention. This requires the implementation of management plans which make it possible, based on a precise situational analysis and by identifying the problems affecting the heritage, to plan actions and interventions, to set future priorities, to set budgets accordingly in order to guarantee the effective conservation and preservation of the monuments, respect for their authenticity and integrity as well as the values for which they have been recognised by the World Heritage Committee. The UNESCO guidelines specify that the main objective of a management plan is to ensure the sustainability of World Heritage sites: Each site nominated for inscription on the World Heritage List must have a relevant management plan, which specifies the measures aimed at protecting the outstanding universal value of the site. The main purpose of the management plan is to ensure the effective protection of the designated site, so that it can be passed on to future generations. To be effective, a management plan must be designed according to the type, characteristics and needs of the proposed site, as well as its cultural and natural context. It can also integrate traditional practices, existing urban or regional planning instruments1. In 1998, when the Grand Place in Brussels was inscribed on the World Heritage List, the requirement to have a management plan was not yet in force. In 2012, to comply with World Heritage guidelines, the City of Brussels took the initiative to introduce such a management plan, together with the Directorate of Monuments and Sites of the Brussels Capital Region. Its development has put into perspective all the actions and projects developed over the past ten years by both the City of Brussels and the Brussels Capital Region, the two institutions which safeguard the values that have allowed these sites to receive worldwide recognition. This document has made it possible to plan the management of the site as well as possible, it establishes a transversal working relationship between the various stakeholders, and it constitutes guidelines for the strategies yet to be developed. 1"Operational Guidelines for the Implementation of the World Heritage Convention", United Nations Educational, Scientific and Cultural Organisation, Intergovernmental Committee for the Protection of the World Cultural and Natural Heritage, UNESCO 5 Brussels Grand Place, UNESCO heritage Management Plan - 2016-2022 6 Brussels Grand-Place, UNESCO heritage Management Plan - 2016-2022 2. METHODOLOGY The development of the management plan for the Grand Place and its buffer zone was made possible by having detailed knowledge of the site. Historical and architectural studies, as well as situational analyses, were carried out on all the buildings in the Grand Place from 1999 onwards. At the same time as these specifically heritage-related projects, urban planning studies for the district centred around the Grand Place and referred to as the “Ilot Sacré" were launched. This corresponds to the buffer zone and includes 25 blocks (area of 15 ha 68 a). This management document, which up until now has been non-existent within our administrations, has made it possible to implement an innovative working methodology, based above all on transversality between the various departments. Grouping all the ongoing actions and projects has made it possible to structure the management plan around five strategic objectives. These objectives stem from a political will developed in recent years, and more directly from the City of Brussels' general policy programme for the 2006-2012 mandate: 1. governance of the site; 2. conservation of the heritage by ensuring its integrity and authenticity; 3. development of a functional mix, in particular, retailing and housing; 4. improvement of the living environment; 5. awareness raising, promotion, exchanges and tourism development. These strategic objectives are divided into specific objectives, which are themselves broken down into action plans. These have been set out in collaboration with the various municipal departments and partners involved. They include actions already currently underway, as well as future actions. The first management plan was drawn up for a period of three years (2012-2015) and its content was endorsed in 4 stages: 1. At the City level, the implementation of administrative and technical structures that have followed the concept of the management plan, and which will ensure the future management of the site. The Historical Heritage Unit of the City of Brussels was tasked with coordination. It has brought together the various involved departments of the City of Brussels on several occasions. This has allowed the ongoing actions to be coordinated and new proposals to be put forward. The action plans are the drivers of the management strategy. Each department has been involved in the drafting of the management plan. 2. At the level of the Brussels Capital Region, coordination meetings with the City of Brussels on all the ongoing actions and new proposals for listed buildings. The regional services have also been involved in drafting the management plan. 3. First approval by the College of Mayor and Aldermen of the City of Brussels, before consultation with the various institutions and organisations active in the area: the Royal Commission for Monuments and Sites, Icomos Belgium, Neighbourhood Committees, Atrium Brussels centre, etc. 4. Approval of the final document by the College of Mayor and Aldermen of the City of Brussels. This has been revised and completed for a period of 6 years (2016-2021). 7 Brussels Grand Place, UNESCO heritage Management Plan - 2016-2022 8 Brussels Grand-Place, UNESCO heritage Management Plan - 2016-2022 3. DESCRIPTION AND IMPORTANCE OF THE SITE The Grand Place in Brussels is an outstanding example of a successful fusion of the architectural and artistic styles which are typical of the culture and society of this region. Due to the nature and quality of its architecture, and its value as an open public space, it is an exceptional illustration of the evolution and vicissitudes of an affluent northern European commercial city at the height of its prosperity.2 Panoramic view of the Grand Place 3.1. The Grand Place - historical context Since the Middle Ages, the Grand Place has been the economic and political heart of Brussels. Initially limited to an esplanade intended for the organisation of markets, this vast space was gradually lined with houses, shops and public buildings: a bread, cloth and meat hall, rebuilt several times and finally replaced in the 15th century by a building intended for the offices and courts of the ducal power and an imposing municipal hotel, built in several phases in the first half of the 15th century. Directly involved in the exercise of power, various professional representations - the corporations - built houses in the Grand Place or in the surrounding streets. Constructed in successive waves, the Grand Place nonetheless shows wonderful stylistic uniformity. This set of buildings was destroyed in August 1695, during the bombardment of the city by the troops of King Louis XIV, under the command of Marshal de Villeroi. Only a few façades held out, including those of the Town Hall and the King's House. Northwest side of the Grand Place after the bombardment of 1695. Drawing by Augustin Coppens. 2Proposal for the inscription of the Grand Place in Brussels on the World Heritage List, Brussels Capital Region, Directorate of Monuments and Sites, May 1997. 9 Brussels Grand Place, UNESCO heritage Management Plan - 2016-2022 Reconstruction was rapid but strictly controlled by the authorities: a regulation was enacted in 1697 to allow the Magistrate to control the aesthetic quality of the planned façades.
Recommended publications
  • Download Thesis
    MASTERARBEIT ANALYSING THE POTENTIAL OF NETWORK KERNEL DENSITY ESTIMATION FOR THE STUDY OF TOURISM BASED ON GEOSOCIAL MEDIA DATA Ausgeführt am Department für Geodäsie und Geoinformation der Technischen Universität Wien unter der Anleitung von Francisco Porras Bernárdez, M.Sc., TU Wien und Prof. Dr. Nico Van de Weghe, Universität Gent (Belgien) Univ.Prof. Mag.rer.nat. Dr.rer.nat. Georg Gartner, TU Wien durch Marko Tošić Laaer-Berg-Straße 47B/1028B, 1100 Wien 10.09.2019 Unterschrift (Student) MASTER’S THESIS ANALYSING THE POTENTIAL OF NETWORK KERNEL DENSITY ESTIMATION FOR THE STUDY OF TOURISM BASED ON GEOSOCIAL MEDIA DATA Conducted at the Department of Geodesy and Geoinformation Vienna University of Technology Under the supervision of Francisco Porras Bernárdez, M.Sc., TU Wien and Prof. Dr. Nico Van de Weghe, Ghent University (Belgium) Univ.Prof. Mag.rer.nat. Dr.rer.nat. Georg Gartner, TU Wien by Marko Tošić Laaer-Berg-Straße 47B/1028B, 1100 Vienna 10.09.2019 Signature (Student) ACKNOWLEDGMENTS If someone told me two years ago that I will sit now in a computer room of the Cartography Research Group at TU Wien, writing Acknowledgments of my finished master’s thesis, I would say “I don’t believe you!” This whole experience is something that I will always carry with me. Different cities, universities, people, cultures, learning and becoming proficient in a completely new field; these two years were a rollercoaster. First and foremost, I would like to thank my supervisor Francisco Porras Bernárdez, muchas gracias por tu paciencia, motivación y apoyo, por compartir tu conocimiento conmigo. Esta tesis fue posibile gracias a ti.
    [Show full text]
  • A Day in Brussels"
    "A Day in Brussels" Created by: Cityseeker 9 Locations Bookmarked Museum of Modern Art "Museum of Modern Art" Located on Place Royale, with no less than eight floors underground, the Museum of Modern Art was constructed around a light shaft that allows daylight to filter down. As part of the Belgian Royal Museum of Fine Arts, it houses a selection of works by Belgian modernists such as Marcel Broodthaers, Rik Wouters and 28 pieces by René Magritte. It also includes by Michel wal foreign artists such as Andy Warhol and Marc Chagall. There is a gift shop and cafeteria. The Museum of Modern Art is closed for renovation works until 2012. Please check the website regarding the museum's reopening. +32 2 508 3211 www.fine-arts- [email protected] rue de la Régénce 3, museum.be/ Brussels Place du Grand Sablon "Upscale & Elegant Square" This location is home to many upscale antiques stores, along with Emporio Armani, the world-renowned pastry boutique Wittamer, and much more. The square is distinguished by a statue of Minerva, given to the city as a gift in 1751. Here you'll also find Our Lady Church and the Sablon Church. On Saturday from 9a-6p and on Sunday from 9a-2p an by Edison McCullen antique market is in full swing. Just across the square you'll find Place du Petit Sablon, a quaint garden filled with statues. +32 2 513 8940 visit.brussels/en/place/Place-du- Place du Grand Sablon, Brussels Grand-Sablon Town Hall "Brussels Begins at Town Hall" Brussels Town Hall is an intricate Gothic marvel that forms the focal point of Brussels' iconic Grand Place and is easily one of the city's most lavish civic buildings.
    [Show full text]
  • CYBER17 General Information Packet
    General Information Packet 17th Annual CyberPsychology and CyberTherapy Conference September 25-28, 2012 European Commission | Brussels, Belgium 17th Annual CyberPsychology, CyberTherapy & Social Networking Conference | http://www.interactivemediainstitute.com/CYBER17 1. Introduction This year the Interactive Media Institute, in collaboration with the Virtual Reality Medical Institute, is organizing the International Association of CyberPsychology, Training, & Rehabilitation’s (iACToR) 17th Annual CyberPsychology & CyberTherapy Conference (CYBER17), scheduled for September 25-28, 2012 in Brussels, Belgium. This package contains information to assist you with the planning of your visit. For your convenience the package is organized as follows: 1. Introduction 2. Useful Information 3. Meeting Site 4. Accommodation and Travel Information 5. Meals and Refreshments 6. Social Activities 7. City and County Information 8. Currency 9. Miscellaneous 2. Useful Information Conference Organizers Prof. Brenda K. Wiederhold, Ph.D., MBA, BCIA Interactive Media Institute E-mail: [email protected] Global Host Coordinator Mr. James Cullen Interactive Media Institute E-mail: [email protected] 17th Annual CyberPsychology, CyberTherapy & Social Networking Conference | http://www.interactivemediainstitute.com/CYBER17 3. Meeting Site The 17th Annual CyberPsychology and CyberTherapy Conference will be held at: European Commission (DG Connect) Avenue de Beaulieu (Building Number 25) B – 1160 Brussels, Belgium 3. Registration for Conference Registration was completed online at interactivemediainstitute.com/CYBER17. Additionally, onsite registration will be available to those wishing to register on the day of the conference. Below details the costs and associated prices: Registration Fees: Registration Type Early Registration Late Registration Professionals $475 $595 Students $250 $325 Exhibitors $1200 $1200 17th Annual CyberPsychology, CyberTherapy & Social Networking Conference | http://www.interactivemediainstitute.com/CYBER17 4.
    [Show full text]
  • By Victor Hugo P
    BRUSSELS COMMEMORATES 150 YEARS of ‘LES MISÉRABLES’ SIZED FOR VICTOR HUGO PRESS KIT CONTENTS Brussels commemorates 150 years of ‘Les Misérables’ by Victor Hugo p. 3 On the programme p. 4 Speech by the Ambassador of France in Belgium p. 5 I. Les Misérables, Victor Hugo and Brussels: a strong connection p. 6 II. Walk : in the footsteps of Victor Hugo p. 8 III. Book : In the footsteps of Victor Hugo between Brussels and Paris p. 12 IV. Brusselicious, gastronomic banquet : les Misérables p. 13 V. Events «Les Misérables : 150th anniversary» • Gastronomy p. 15 • Exhibitions p. 15 • Conferences p. 17 • Film p. 19 • Theater p. 20 • Guided tours p. 21 Contacts p. 23 Attachment P. 24 BRUsseLS COMMEMORAtes 150 YEARS Of ‘Les MisÉRABLes’ BY ViCTOR HUGO LES MISÉRABLES IS ONE OF THE GREATEST CLASSICS OF WORLD LITERATURE. THE MASTERPIECE BY VICTOR HUGO ALSO REMAINS VERY POPULAR THANKS TO THE MUSICAL VERSION AND THE MANY MOVIES. Over thirty films have been made of ‘Les Miserables’ and Tom Hooper (The King’s Speech) is currently shooting a new version with a top cast. In March, it is exactly 150 years since ‘Les Misérables’ by Victor Hugo was published. Not in Paris as is often assumed, but in Brussels. The first theatrical performance of ‘Les Misérables’, an adaptation of the book by his son Charles, also took place in Brussels. In addition to these two premieres of ‘Les Misérables’, Brussels played a crucial role in Victor Hugo’s life and his career as a writer and thinker. Closely related to Hugo’s connection with Brussels is also his call for a United States of Europe.
    [Show full text]
  • WODCON XX 3-7 June 2013
    SECOND ANNOUCEMENT REGIStration BROCHURE WODCON XX World Dredging Congress and Exhibition THE ART OF DREDGING ORGANISED BY CEDA ON BEHALF OF WODA, WHICH INCORPorateS 3-7 JUNE 2013 WEDA Western Dredging Square-Brussels Meeting Center Association Brussels, Belgium CEDA Central Dredging Association EADA Eastern Dredging WITH THE SUPPORT Association OF THE GOVERNMENT OF FLANDERS WWW.WODCON.ORG WODCON XX CONGRESS AND EXHIBITION PROGRAMME at A GLANCE Registration MONDAY 3 JUNE information 19:00 – 21:00 Ice Breaker Cocktail – The Square, Exhibition area TUESDAY 4 JUNE REGIStration FEES 09:15 – 10:45 Official Opening and Keynote Speakers BY 15 MARCH 2013 AFTER 15 MARCH 2013 CEDA/WEDA/ 10:45 – 11:00 Official Opening of the Exhibition 950 EUR 1050 EUR EADA Member 10:45 – 11:30 Coffee Break - Exhibition area Non-member 1300 EUR 1400 EUR 11:30 – 13:10 Technical Sessions PHD 665 EUR 735 EUR Accompanying 13:10 – 14:45 Lunch - Exhibition area 145 EUR 145 EUR person 14:35 – 15:55 Technical Sessions Student registration per day 50 EUR 50 EUR 15:55 – 16:25 Coffee Break - Exhibition area The above fees are exclusive VAT. Please note that the 16:25 – 16:45 Technical Sessions registration fees are subject to 21% Belgian VAT charge. 09:00 – 17:00 Visit to Bruges (accompanying persons’ tour) WAY TO REGISTER 19:30 – 21:00 Welcome Reception, Brussels Town Hall 21:00 Young CEDA Drink – place to be confirmed Registrations for the WODCON XX Congress and Exhibition must be made online at: WEDNESDAY 5 JUNE www.wodcon.org 09:00 – 18:00 Exhibition Payment can be made by credit card or bank transfer.
    [Show full text]
  • Form Vision Hans Theys
    Form Vision Hans Theys Form Vision Artists on Art Tornado Editions 2019 To Tamara Van San In 1983, a fellow student handed me this Banda copy, suggesting it might be interesting for me – as an aficionado of art and literature – to study the writings of Kafka without interpreting them. The origin of the book you are holding now lies within this generous gesture. Thirty years later, when I accidently rediscovered it, I realised that the text quotes a book by Susan Sontag, translated and typewritten by an unknown hand. Everyone has a sort of individual form vision. In all the greatest artists the seeds of this form vision has been present even in their early work, and to some extent their work has been a gradual unfolding of this rhythm throughout. (…) It’s something the artist can’t control – it’s his make up. (…) The less conscious you are of your own individual form rhythm, the more likely it is, I think, to get richer and fuller and develop. Henry Moore, 1941 What is important now is to recover our senses. We must learn to see more, to hear more, to feel more. Our task is not to find the maximum amount of content in a work of art, much less to squeeze more content out of the work than is already there. Our task is to cut back content so that we can see the thing at all. (…) The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means.
    [Show full text]
  • Annual Magazine 2016 Gihe Annual Magazine 2016
    ANNUAL MAGAZINE 2016 GIHE ANNUAL MAGAZINE 2016 CHIEF PATRONS EDITORIAL BOARD LOGISTIC SUPPORT PHOTOGRAPHS Mr. Rajesh Khadka Mr. Anil Chandra Rai Mr. Lawang Bhutia Mr. Science Shrestha Founder Chairman Mr. Govinda Raj Sharma Mr. Neeran Dhaubhadel Mr. Manjit Dhoj Khadka Ms. Uma Khadka Mr. Chiranjibi Niroula Ms. Anju Ghosh Mr. Pratyush Shrestha Co-Founder Mr. Mabindra Regmi Ms. Sejal Shrestha Mr. Purna Singh Karki TECHNICAL SUPPORT Mr. Umedh Shakya PATRONS Dr. Prem Chaulagain Mr. Dhruva Rai Ms. Shreeya Singh Dr. Pujan Khadka Mr. Chudamani Rijal Executive Director Ms. Samantha Moktan Lama Mr. Barun Khadka Executive Director MESSAGE FROM THE FOUNDER DIRECTOR I am immensely delighted that the next edition of the annual students’ active involvement are some of the prominent college magazine is being printed soon. I am sure it is a features, which have all contributed to make GIHE a unique genuine kaleidoscope of events organized within and beyond learning centre. the college through the year. It is anticipated that this year’s GIHE, which has been imparting an education comparable magazine as in the past has provided a platform for the to international standards, has been a centre of academic literary creations of the young writers in the various genres excellence. The fact that scores of our graduates have been of literature. While flipping through the pages of this booklet, enrolled in renowned universities in most sought-after you will certainly get a feel of the strengths and vibrancy of disciplines with partial or full scholarships bear testimony our college community. to our relentless efforts in offering a high quality education.
    [Show full text]
  • Volume 21#78 March 1999 BELGIAN LACES ISSN 1046-0462
    Belgian Laces Luc Luycx, The Creator of the Euro Coins The look of the side where the value of the coin is stamped was won by the Belgian artist: Luc Luycx. His engraving will be the one all Europeans will carry in their pockets! Luc Luycx was born in Aalst (Alost), Belgium and lives in Dendermonde (Termonde), Belgiun. He received training as a computer programmer and works for "Monnaie Royale de Belgique" (Royal Money of Belgium), where he designs coins on the computer. He charges up to 24,000 Ecus (how much is that again?) http://www.wbcc-online.com/2002euro/2002euro.html http://www.euro.fgov.be/practical/coins/coins-national/coins-nat 01f.htm Volume 21#78 March 1999 BELGIAN LACES ISSN 1046-0462 Official Quarterly Bulletin of THE BELGIAN RESEARCHERS Belgian American Heritage Association Founded in 1976 Our principal objective is: Keep the Belgian Heritage alive in our hearts and in the hearts of our posterity President Pierre Inghels Vice-President Micheline Gaudette Assistant VP Leen Inghels Newsletter editor Régine Brindle Treasurer Marlena Bellavia Secretary Patty Robinson Deadline for submission of Articles to Belgian Laces: January 10 - April 10 - July 10 - October 10 Send payments to this office: Send articles submissions to: THE BELGIAN RESEARCHERS Régine Brindle 1008 NE Marion Place 495 East 5th Street Bend OR 97701-3727 Peru IN 46970 Tel. 541-389-3678 Tel:765-473-5667 Fax.541-330-3900 e-mail [email protected] e-mail: [email protected] *All subscriptions are for the calendar year.* *New subscribers receive the four issues of the current year, regardless when paid.* TABLE OF CONTENTS 1.
    [Show full text]
  • Heritage Days 14 & 15 Sept
    HERITAGE DAYS 14 & 15 SEPT. 2019 A PLACE FOR ART 2 ⁄ HERITAGE DAYS Info Featured pictograms Organisation of Heritage Days in Brussels-Capital Region: Urban.brussels (Regional Public Service Brussels Urbanism and Heritage) Clock Opening hours and Department of Cultural Heritage dates Arcadia – Mont des Arts/Kunstberg 10-13 – 1000 Brussels Telephone helpline open on 14 and 15 September from 10h00 to 17h00: Map-marker-alt Place of activity 02/432.85.13 – www.heritagedays.brussels – [email protected] or starting point #jdpomd – Bruxelles Patrimoines – Erfgoed Brussel The times given for buildings are opening and closing times. The organisers M Metro lines and stops reserve the right to close doors earlier in case of large crowds in order to finish at the planned time. Specific measures may be taken by those in charge of the sites. T Trams Smoking is prohibited during tours and the managers of certain sites may also prohibit the taking of photographs. To facilitate entry, you are asked to not B Busses bring rucksacks or large bags. “Listed” at the end of notices indicates the date on which the property described info-circle Important was listed or registered on the list of protected buildings or sites. information The coordinates indicated in bold beside addresses refer to a map of the Region. A free copy of this map can be requested by writing to the Department sign-language Guided tours in sign of Cultural Heritage. language Please note that advance bookings are essential for certain tours (mention indicated below the notice). This measure has been implemented for the sole Projects “Heritage purpose of accommodating the public under the best possible conditions and that’s us!” ensuring that there are sufficient guides available.
    [Show full text]
  • Heritage Days Recycling of Styles 17 & 18 Sept
    HERITAGE DAYS RECYCLING OF STYLES 17 & 18 SEPT. 2016 Info Featured pictograms Organisation of Heritage Days in Brussels-Capital Region: Regional Public Service of Brussels/Brussels Urban Development Opening hours and dates Department of Monuments and Sites a CCN – Rue du Progrès/Vooruitgangsstraat 80 – 1035 Brussels M Metro lines and stops Telephone helpline open on 17 and 18 September from 10h00 to 17h00: 02/204.17.69 – Fax: 02/204.15.22 – www.heritagedaysbrussels.be T Trams [email protected] – #jdpomd – Bruxelles Patrimoines – Erfgoed Brussel The times given for buildings are opening and closing times. The organisers B Bus reserve the right to close doors earlier in case of large crowds in order to finish at the planned time. Specific measures may be taken by those in charge of the sites. g Walking Tour/Activity Smoking is prohibited during tours and the managers of certain sites may also prohibit the taking of photographs. To facilitate entry, you are asked to not Exhibition/Conference bring rucksacks or large bags. h “Listed” at the end of notices indicates the date on which the property described Bicycle Tour was listed or registered on the list of protected buildings. b The coordinates indicated in bold beside addresses refer to a map of the Region. Bus Tour A free copy of this map can be requested by writing to the Department of f Monuments and Sites. Guided tour only or Please note that advance bookings are essential for certain tours (reservation i bookings are essential number indicated below the notice). This measure has been implemented for the sole purpose of accommodating the public under the best possible conditions and ensuring that there are sufficient guides available.
    [Show full text]
  • Dr HD CHAMBERLAIN, ANTIQUE ARCHITECTURAL PRINTS
    Dr H. D. CHAMBERLAIN, ANTIQUE ARCHITECTURAL PRINTS COLLECTION Architecture Museum, University of South Australia Dr H. DAVID CHAMBERLAIN, ANTIQUE ARCHITECTURAL PRINTS SERIES 260 HISTORY Dr H. David Chamberlain was born in Adelaide in 1942 and was educated at Highgate Primary and Unley High Schools. He studied medicine at the University of Adelaide and began practising medicine in Kurralta Park in 1969. On his first trip to Europe in 1975 he became fascinated by its architecture and history, and discovered the world of architectural prints and purchase these and architectural books on subsequent trips. The Architecture Museum at the University of South Australia has been pleased to accept many of these. In 1975 Dr Chamberlain purchased and restored a historic home in the Mt Lofty Ranges above Adelaide. COLLECTION DESCRIPTION Over several years Dr H.D. Chamberlain has made a very generous series of donations of prints and books containing prints to the Architecture Museum. The total holding of this collection is over 4000 prints and over 100 books. So far, a preliminary cataloguing has been done for three-quarters of the prints. While the focus of this collection is architecture, it is diverse, and it is also significant as a resource of British and European history and art of the 18th and 19th (and to a lesser extent 17th and 20th) centuries. The main counties of origin are Britain, France, Italy, Germany, Flanders and Holland. The historical aspects of the collection are obvious, but are even more pertinent because a large proportion of the prints show human activity as well as buildings.
    [Show full text]
  • The Ultimate Guide to the More Than Five Famous Belgians a Journey
    The ultimate guide to the more than five famous Belgians A journey across Brussels & the South of Belgium – Episode 1 Rue St André, Brussels © Jeanmart.eu/belgiumtheplaceto.be When a Belgian arrives in the UK for the delighted to complete in the near future first time, he or she does not necessarily (hence Episode I in the title). We Belgians expect the usual reaction of the British when are a colourful, slightly surreal people. they realise they are dealing with a Belgian: We invented a literary genre (the Belgian “You’re Belgian? Really?... Ha! Can you name strip cartoon) whose heroes are brilliant more than five famous Belgians?.” When we ambassadors of our vivid imaginations and then start enthusiastically listing some of of who we really are. So, with this Episode 1 our favourite national icons, we are again of Did you say Famous Belgians!? and, by surprised by the disbelieving looks on the presenting our national icons in the context faces of our new British friends.... and we of the places they are from, or that better usually end up being invited to the next illustrate their achievements, we hope to game of Trivial Pursuit they play with their arouse your curiosity about one of Belgium’s friends and relatives! greatest assets – apart, of course, from our beautiful unspoilt countryside and towns, We have decided to develop from what riveting lifestyle, great events, delicious food appears to be a very British joke a means and drink, and world-famous chocolate and of introducing you to our lovely homeland. beer - : our people! We hope that the booklet Belgium can boast not only really fascinating will help you to become the ultimate well- famous characters, but also genius inventors informed visitor, since..
    [Show full text]