DOCSLIB.ORG

Syapnony Orcncstrh ")>

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Syapnony Orcncstrh " /> BOSTON SYAPnONY ORCnCSTRH ")> PRoGRSnAE 124:^ The DURABILITY of PIANOS and the permanence of their tone quality surpass anything that has ever before been obtained, or is possible under any other conditions. This is due to the Mason & Hamlin system of manufacture, which not only carries substantial and enduring construction to its limit in every detail, but adds a new and vital principle of construc- tion—The Mason & Hamlin Tension Resonator Catalogue Mailed on Jtpplication Old Pianos Taken in Exchange MASON & HAMLIN COMPANY Established i854 Opp. Institute of Technologfy 492 Boylston Street SYMPHONY HALL, BOSTON HUNTINGTON 6-MASSACHUSETTS AVENUES , - Ticket Office, 1492 , „ Telephones^ i [^Back Bay j Administration Offices. 3200 ( TWENTY-NINTH SEASON, 1909-1910 MAX FIEDLER, Conductor Programme af tijp Twenty-fourth Rehearsal and Concert WITH HISTORICAL AND DESCRIP- TIVE NOTES BY PHILIP HALE FRIDAY AFTERNOON, APRIL 29 AT 2.30 O'CLOCK SATURDAY EVENING, APRIL 30 AT 8.00 O'CLOCK C/ COPYRIGHT, 1909, BY C. A. ELLIS PUBLISHED BY C. A.ELLIS, MANAGER 1797 Mme. TERESA CARRENO On her tour this season will use exclusively ^^ Piano. THE JOHN CHURCH CO. NEW YORK CINCINNATI CHICAGO REPRESENTED BY G. L SCHIRMER & CO., 338 Boyiston Street, Boston, Mass. 1798 Boston S3rmphony Orchestra PERSONNEL \^ pw iw iw iw iw iw im w» w» #m wi »w r« #m,w»^»m^iv« n^.^^ ikam ^A^nnnz^l H Perfection m Piano Making THE Quarter Grand Style V, in figured Makogany, price $650 It is tut FIVE FEET LONG and in Tonal Proportions a Masterpiece or piano Duilamg. It IS Cnickering & Sons most recent triumph, tke exponent of EIGHTY-SEVEN YEARS experience m artistic piano builamg', ana tne lieir to all tne qualities that tne name oi its makers implies. CHICKERING & SONS pianoforte makers E-tabHshed 1623 791 TREMONT STREET. Corner Northampton Street, near Mass. Ave. BOSTON ^ wy^ tfwtfw ¥wwv¥v ^w¥Vmi tntf vw mum¥V irwv M^¥^ tf^ wv iAi ff 1800 TVENTY- NINTH SEASON^ NINETEEN HUNDRED NINE AND TEN Twenty- fourth Rehearsal and Concert FRIDAY AFTERNOON, APRIL 29, at 2.30 o'clock SATURDAY EVENING, APRIL 30, at 8 o'clock PROGRAMME Beethoven .... Symphony No. i, in C major, Op. 21 I. Adagio molto ; Allegro con brio. II. Andante cantabile con moto. III. Menuetto: Allegro molto e vivace; Trio. IV. Finale: Adagio; Allegro molto e vivace. Beethoven . Symphony No. g, with Final Chorus on Schiller's "Ode to Joy," Op. 125 I. Allegro, ma non troppo, un poco maestoso. II. Molto vivace: Presto. III. Adagio molto e cantabile. IV. Presto. Allegro assai. ^ Presto. Baritone Recitative. Quartet and Chorus : Allegro assai. Tenor Solo and Chorus: Allegro assai vivace, alia marcia' Chorus: Allegro assai. Chorus: Andante maestoso. Adagio, ma non troppo, ma divoto. Allegro energico, sempre ben marcato. Quartet and Chorus: Allegro ma non tanto: Prestissimo. SOLOISTS Mrs. MARY HISSEM DE MOSS, Soprano Miss MARGARET KEYES, Contralto Mr. BERRICK VON NORDEN, Tenor Mr. FREDERICK WELD, Bass And the CHORUS OF THE CEQLIA SOCIETY There will be an intermissioa of ten minutes before the Ninth symphony The doors of the hall will he closed during tJie performance of each number on the programtne. Those who wish to leave before the end of the concert are requested to do so in an interval be- tween the nu7nbers. City of Boston, Revised Re((ulatlan of Auiiust 5, 1898.— Chapter 3. relatinii to the coverinii of the head In places of public amusement. Every licensee shall not, in his place of amusement, allow any person to wear upon the head a covering which obstructs the view of the exhibition or performance in such place of any person seated in any seat therein provided for spectators, it baing understood that a low head covering without projection, which does not •bitruct such view, may be worn. Attest! J. M. GALVIN, City CUrk. 1801 GRAND"upright*' Style V Size 4 feet 6 inches MAHOGANY CASE- BEAUTIFULLY VENEERED ^550 THE WORLD'S BEST PIANO is the one piano not only abreast of the times, but today, more than ever, is solely and purely representative of faultless con- struction, exceptional durability and that tonal sublimity that cannot be successfully imitated or equalled. C C HARVEY CO. 144 BOYLSTON STREET BOSTON 1802 — Symphony No. i, in C major, Op. 21 Ludwig van Beethoven (Born al Bonn, December 16 (?), 1770; died at Vienna, March 26, 1827.) Beethoven had composed two works for orchestra before the completion and performance of his first season,—the Concerto for pianoforte and orchestra, Op. 15 (1796); the Concerto for pianoforte and orchestra, Op. 19 (1794-95). It is probable that Beethoven meditated a symphony in C minor. There are sketches for the first movement. Nottebohm, studying them, came to the conclusion that Beethoven worked on this symphony in 1794 or early in 1795. He then abandoned it and composed the one in C major. Whether he used material designed for the abandoned one in C minor, or invented fresh material, this is certain: that the concert at which the Symphony in C major was played for the first time was announced in the Wiener Zeitung, March 26, 1800. It should be observed, however, that one of the phrases in the sketches for the earlier symphony bears a close resemblance to the opening phrase of the allegro molto in the Finale of the one in C major. It is thought that Beethoven composed a few symphonies in Bonn, and one of these supposed symphonies was found and played in Ger- many last season. The first performance was at a concert given by Beethoven at the National Court Theatre, "next the Burg," Vienna, of April 2, 1800. The program was a formidable one: 1. Grand symphony by the late Chapelmaster Mozart. 2. Aria from Haydn's "Creation," sung by Miss Saal.* 3. A grand concerto for pianoforte, played and composed by Beethoven. * Miss Saal was the daughter of a bass, Ignaz Saal, a Bavarian, who was a favorite operatic singer at Vienna. She was the first to sing the soprano parts in Haydn's "Creation" and "Seasons." In 1801 she was engaged as a member of the National Opera Company, with a salary of fifteen hundred florins. She married in 1805, and left the stage. The picture of her made early in the nineteenth century is said to be unflattering to the verge of caricature. TO TEACHERS AND SCHOOLS. Educational Music in All its Branches. The Most Representative Music Publishing House in America. Sole Agents for ENOCH & SONS, London. ENOCH & CO., Paris. ELKIN & CO., London. G. RICORDI & CO., Milan. E. DOTESIO & CO., Spain. 4 BOOSEY & COMPANY, 9 East Seventeenth Street, NEW YORK CITY. 1803 L P. Hollander & Co. PARASOLS Exclusive Novelties from London and Paris in Coaching Shades Parasolettes Especially Adapted for Motoring Parasols made to order from a large assortment of exclusive silks and imported handles which we have recently received. Parasols re-covered Furs Stored and Insured BOYLSTON STREET EVERY BUSINESS MAN has some receptacle for valuable papers — an office safe or a vault in his office building. Yet safes are not proof against burglary, and fire will destroy a building, vault and all. A safe-deposit box affords the only absolute pro- tection against fire or flood, burglary, and acci- dental loss. It is easily accessible to the owner, and to him alone. We ofi"er you absolutely modern safe-deposit vaults at our Court Street and Temple Place buildings One of these is sure to be conveniently accessible, and we cordially invite your inspec*"ion of the facilities provided. Old Colony Trust Company Resources over $70,000,000 COURT STREET TEMPLE PLACE 1804 4- A septet for four strings and three wind instruments, composed by Beethoven and dedicated to her Majesty the Empress, and played by Messrs. Schitppanzigh, Schreiber, Schindlecker, Bar, Nickel, Matauschek, and Dietzel. 5. A duet from Haydn's "Creation," sung by Mr. and Miss Saal. 6. Improvisation by Beethoven on Haydn's "Emperor's Hymn." 7. A new grand symphony for full orchestra by Beethoven. The concert began at 6.30 p.m. The prices of admission were not raised. It was the first concert given in Vienna by Beethoven for his own benefit. A correspondent of the Allgemeine Musikalische Zeitung (October 15, 1800) gave curious information concerning the perform- ance. It is not known which concerto Beethoven played; but the cor- respondent said it contained many beauties, "especially in the first two movements." The septet, he added, was written "with much taste "and sentiment." Beethoven improvised in masterly fashion. "At the end a symphony composed by him was performed. It contains much art, and the ideas are abundant and original, but the wind instruments are used far too much; so that the music is more for a band of wind instruments than an orchestra." The performance suffered on account of the conductor, Paul Wranitzky.* The orchestra men disliked him, and took no pains under his direction. Furthermore, they thought Beethoven's music too difficult. "In accompaniment they did not take the trouble to pay attention to the solo player; and there was not a trace of delicacy or of yielding to his emotional desires. In the second movement of the symphony they took the matter so easily that there was no spirit, in spite of the conductor, especially in the performance of the wind instruments. What marked effect, then, can even the most excellent compositions make?" The septet gained * Paul Wranitzky (or Wraniczky), violinist, composer, conductor, was born at Neureisch, in Moravia, in 1756; and he died September 28, 1808, as conductor of the German Opera and Court Theatre at Vienna. He was a fertile composer of operas, symphonies, chamber music.
Load more

Recommended publications
  • The Art of Music :A Comprehensive Ilbrar
    1wmm H?mi BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND THE GIFT or Hetirg W, Sage 1891 A36:66^a, ' ?>/m7^7 9306 Cornell University Library ML 100.M39 V.9 The art of music :a comprehensive ilbrar 3 1924 022 385 342 Cornell University Library The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924022385342 THE ART OF MUSIC The Art of Music A Comprehensive Library of Information for Music Lovers and Musicians Editor-in-Chief DANIEL GREGORY MASON Columbia UniveTsity Associate Editors EDWARD B. HILL LELAND HALL Harvard University Past Professor, Univ. of Wisconsin Managing Editor CESAR SAERCHINGER Modem Music Society of New Yoric In Fourteen Volumes Profusely Illustrated NEW YORK THE NATIONAL SOCIETY OF MUSIC Lillian Nordica as Briinnhilde After a pholo from life THE ART OF MUSIC: VOLUME NINE The Opera Department Editor: CESAR SAERCHINGER Secretary Modern Music Society of New York Author, 'The Opera Since Wagner,' etc. Introduction by ALFRED HERTZ Conductor San Francisco Symphony Orchestra Formerly Conductor Metropolitan Opera House, New York NEW YORK THE NASTIONAL SOCIETY OF MUSIC i\.3(ft(fliji Copyright, 1918. by THE NATIONAL SOCIETY OF MUSIC, Inc. [All Bights Reserved] THE OPERA INTRODUCTION The opera is a problem—a problem to the composer • and to the audience. The composer's problem has been in the course of solution for over three centuries and the problem of the audience is fresh with every per- formance.
    [Show full text]
  • Let Evening Come: American Songs Old &
    Let Evening Come: American Songs Old & New Emily Martin, soprano | Ariana Wyatt, soprano | Richard Masters, piano Acknowledgments Recorded March 7-9, 2019 in Rooke Recital Hall, Bucknell University Recording Engineer: Paul Smith Editing and Mastering Engineer: Denver Nuckolls Producer: Ariana Wyatt Acknowledgments: Bucknell University Cover Art: Kathryn Simpson WWW.ALBANYRECORDS.COM TROY1806 ALBANY RECORDS U.S. 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. BOX 137, KENDAL, CUMBRIA LA8 0XD TEL: 01539 824008 © 2020 ALBANY RECORDS MADE IN THE USA DDD WORKS BY ROBERT SPILLMAN | FRANK LA FORGE | LORI LAITMAN WARNING: COPYRIGHT SUBSISTS IN ALL RECORDINGS ISSUED UNDER THIS LABEL. Martin_1806_book.indd 1-2 12/18/19 3:42 PM The Composers The Performers Robert Spillman (b. 1936) was chair of the piano faculty and music director of the opera program at the American soprano Emily Martin has regularly received acclaim for her “enchanting University of Colorado at Boulder until his retirement in 2004. Prior to joining the faculty at CU Boulder, he iridescence,” and has been called “dramatically energetic and skillful” for her per- taught piano and accompanying at the Eastman School of Music. Mr. Spillman worked throughout the United forming in opera houses across the US including The Santa Fe Opera, Palm Beach States as accompanist for artists such as Jan DeGaetani, Sylvia Rosenberg, Yehuda Hanani, Paul Sperry, and Opera, Nevada Opera and the Chautauqua Opera. Emily has graced numerous Lucy Shelton, and performed as a soloist with numerous orchestras. His recordings appear on the Bridge, Vox, concert stages around the United States, and has presented solo recitals across Pro Arte, Musical Heritage and Mercury labels.
    [Show full text]
  • Ywwwww Boston • Chicago • Dallas • Los Angeles '
    V S5685 O LORD MOST HOLY <Bread of Holy Heaven; (Panis AngelicusJ from "Messe Solennelle" High in Ab Franck-Scott .50 MUSIC SONGS WITH PIANO ACCOMPANIMENT FAURE, JEAN B. The Palms (Les Rameaux). High voice in C (S4858). Medium voice in Bb (S4859). Low voice _n Ab (S4860) (English and French text) . @ .40 FRANCK, CESAR O Lord Most Holy (Bread of Holy Heaven) (Panis An- gelicus) from "Messe Solennelle." High voice in Ab (_5<W) Medium voice in F (S5686). Low voice in Db (S5687) (English and Latin text). Piano or Organ accom­ paniment @ .50 GOUNOD, CHARLES Ave Maria (adapted to the First Prelude of J. S. Bach). High voice in G (S5681). Medium voice in F (S5682). Low voice in Eb (S5683) (English and Latin text) @ .35 There is a Green Hill Far Away (Le Calvaire). High voice in Fm (S5413) (English and French text) 40 GRANIER, JULES Hosanna (Easter Song). High voice in Db (S5415). Low voice in A (S5416) (English and French Text) @ .40 JAFFA, SIEGMUND Protection. High voice in Ab (V838). Low voice in F (V839) ^ @ .50 MOZART, W. A. Alleluja (from the Motet "Exsultate, Jubilate"). High voice in F (S5721). Medium voice in Eb (S5726). Low voice in C (.5727)....-.' ® .40 VAN DYKE, MAY Consider the Lilies. High voice in Eb (V1039). Low voice in C (V1040) » -50 KINGSLEY, RUTHERFORD Immortality. Medium Voice in E (V}15): fe .50 CARL FISCHER, INC. COOPER SQUARE, NEW YORK 3 ywwwww Boston • Chicago • Dallas • Los Angeles ' S 5685 O Lord Most Holy Pan is Angelicus from "Messe Solennelle" Solo for general use High Voice Alternate text for communion i¥^£ CESAE FEANCK Arranged by Charles P.
    [Show full text]
  • Phd April 2019 Pp
    The University of Adelaide Elder Conservatorium of Music Faculty of Arts Revisiting George Enescu’s 1921 Bucharest Recital Series: a performance-based investigation with recordings and exegesis. by Elizabeth Layton submitted in fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) Adelaide, April 2019 Table of Contents Abstract 5 Declaration 6 Acknowledgements 7 List of Musical Examples 8 List of Tables 11 Introduction 12 PART A: Sound recordings 22 A.1 CD 1 Tracks 1-4 Pierre de Bréville, Sonata no. 1 in C # minor 39:17 Tracks 5-8 Gabriel Fauré, Sonata no. 1 in A major, Op. 13 26:14 A.2 CD 2 Tracks 1-4 André Gédalge, Sonata no. 1 in G major, Op. 12 23:39 Tracks 5-7 Claude Debussy, Sonata in G minor (performance 1) 13:44 Tracks 8-10 Claude Debussy, Sonata in G minor (performance 2) 13:36 A.3 CD 3 Tracks 1-3 Ferruccio Busoni, Sonata no. 2 in E minor, Op. 36a 34:25 Tracks 4-7 Zygmunt Stojowski, Sonata no. 2 in E minor, Op. 37 29:30 A.4 CD 4 Tracks 1-4 Louis Vierne, Sonata in G minor, Op. 23 32:44 Tracks 5-7 Stan Golestan, Sonata in E flat major 26:56 Tracks 8-10 George Enescu, Sonata in F minor, Op. 6 22:34 PART B: Exegesis Chapter 1 George Enescu: Musician, and his path to the 1921 Bucharest Recital Series 27 1.1 Understanding the context and motivation behind the series 35 2 Chapter 2 The 1921 Bucharest Recital Series 38 2.1 Recital 1: Haydn, d’Indy, Bertelin 38 2.2 Recital 2: Mozart, Busoni, Vierne 39 2.3 Recital 3: Sjögren, Schubert, Lauweryns 41 2.4 Recital 4: Weingartner, Stojowski, Beethoven 42 2.5 Recital 5: Bargiel, Haydn, Golestan 42 2.6 Recital 6: Le Boucher, Mozart, Saint-Saëns 43 2.7 Recital 7: Gédalge, Dvorák, Debussy, Schumann 44 2.8 Recital 8: Huré, Bach, Lekeu 45 2.9 Recital 9: Beethoven, Fauré, Franck 46 2.10 Recital 10: Gallon, de Bréville, Beethoven 48 2.11 Recital 11: Magnard, Le Flem, Brahms 49 2.12 Recital 12: Franck, Enescu, Beethoven 49 Chapter 3 Performance notes on nine sonatas selected from the 1921 Bucharest Recital Series 3.1 Pierre de Bréville, Sonata no.
    [Show full text]
  • July 1934) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 7-1-1934 Volume 52, Number 07 (July 1934) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 52, Number 07 (July 1934)." , (1934). https://digitalcommons.gardner-webb.edu/etude/824 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. THE ETUDE * <Music *%Cagazine PADEREWSKI July 1934 Price 25 Cents n WHERE SHALL I GO Information for Etude Readers & Advertisers TO STUDY? THE ETUDE MUSIC MAGAZINE THE ETUDE Founded by Theodore Presser, 1883 The Etude Music Magazine “Music for Everybody” tJXCusic <^J)(Cagazine Private Teachers THEODORE PRESSER (Eastern) Philadelphia, Pa. Copyright, ISS4. by Theodore Presser Co. for U. S. A. and Oreca Britain Entered as second-class matter January lfi 1 II // WILLIAM C. CARL, Dir. 1884, at the P. 0. at Phila., Pa f^n- ’ A MONTHLY JOURNAL FOR THE MUSICIAN, THE MUSIC STUDENT AND ALL MUSIC LOVERS der the Act of March 3, 1879. Copy- Guilmant Organ School 51 FIFTH AVENUE, NEW YORK VOLUME LII.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 28,1908-1909, Trip
    MECHANICS HALL . WORCESTER Twenty-eighth Season, I908-J909 Ionian ^ptpfjmuj GDrdf^fra MAX FIEDLER, Conductor ffrogramm? of a?* Third and Last Concert WITH HISTORICAL AND DESCRIP- TIVE NOTES BY PHILIP HALE TUESDAY EVENING, APRIL 20 AT 8. J 5 PRECISELY COPYRIGHT, 1908, BY C. A. ELLIS MANAGER PUBLISHED BY C. A. ELLIS, Mme. CECILE CHAMINADE The World's Greatest Woman Composer Mme. TERESA CARRENO The World's Greatest Woman Pianist Mme. LILLIAN NORDICA The World's Greatest Woman Singer USE ^^ Piano. THE JOHN CHURCH CO., 37 West 3*d Street New York City REPRESENTED BY THE JOHN CHURCH CO., 37 West 32d Street, New York City Boston Symphony Orchestra PERSONNEL TWENTY-EIOHTH SEASON, 1908-1909 MAX 1FIEDLER, Conductor First Violins. Hess, Willy Roth, O. Hoffmann, J, Krafft, W. Concert-master. Kuntz, D. Fiedler, E. Theodorowicz, J. Noach, S. Mahn, F. Eichheim, H, Bak, A. Mullaly, J. Strube, G. Rissland, K. Ribarsch, A. Traupe, W. Second Violins. Barleben, K. Akeroyd, J. Fiedler, B. Berger, H. Fiumara, P. Currier, F. Marble, E. Eichler, J. Tischer-Zeitz, H. Kuntz, A, Goldstein, H. Goldstein, S. Kurth, R. Werner, H. Violas. Fenr, E. Heindl, H. Zahn, F. Kolster, A. Krauss, H. Scheurer, K. Hoyer, H. Kluge, M. Sauer, G. Gietzen, A. Violoncellos. Warnke, H. Nagel, R. Barth, C. Loeffler, K Warnke, J. Keller, J. Kautzenbach, A. Nast, L. Hadley, A. Smalley, R. Basses. Keller, K. Agnesy, K. Seydel, T. Ludwig, O. Gerhardt, G. Kunze, M. Huber, E. Schurig, R. Flutes. Oboes. Clarinets. Bassoons. Maquarre, A. Longy, G. Grisez, G. Sadony, P. Brooke, A. Lenom, C.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 27,1907-1908, Trip
    THE LYRIC .... BALTIMORE Twenty-seventh Season, J907-J908 DR. KARL MUCK, Conductor JJrogramm? of % Fifth and Last Concert WITH HISTORICAL AND DESCRIP- TIVE NOTES BY PHILIP HALE WEDNESDAY EVENING, MARCH 18, AT 8.15 PRECISELY PUBLISHED BY C. A. ELLIS, MANAGER : Used and indorsed by Reisenauer, Neitzel, Burmeister, Gabrilowitsch, Nordica, Campanari, Bispham, and many other noted artists, will be used bv TERESA CARRENO during her tour of the United States this season. The Everett piano has been played recently under the baton of the following famous conductors Theodore Thomas Franz Kneisel Dr. Karl Muck Fritz Scheel Walter Damrosch Frank Damrosch Frederick Stock F. Van Der Stucken Wassily Safonoff Emil OberhofTer Wilhelm Gericke Emil Paur Felix Weingartner Represented in Baltimore by THE KRAN2 SMITH PIANO GO. 100 North Charles Street Boston Symphony Orchestra PERSONNEL TWENTY-SEVENTH SEASON, 1907-1908 Dr. KARL MUCK, Conductor First Violins. Wendling, Carl, Roth, O. Hoffmann, J. Krafft, W. Concert-master. Kuntz, D. Fiedler, E. Theodorowicz, J. Czerwonky, R. Mann, F. Eichheim, H Bak, A. Mullaly, J. Strube, G. Rissland, K. Ribarsch, A. Traupe, W. Second Violins. Barleben, K. Akeroyd, J. Fiedler, B. Berger, H. Fiumara, P. Currier, F. Rennert, B. » Eichler, J. Tischer-Zeitz, H Kuntz, A, Swornsbourne, W. Goldstein, S. Kurth, R. Goldstein, H. Violas. Ferir, E. Heindl, H. Zahn, F. Kolster, A. Krauss, H. Scheurer, K. Hoyer, H. Kluge, M. Sauer, G. Gietzen, A. Violoncellos. Warnke, H. Nagel, R. Barth, C. Loeffler, E. Heberlein, H. Keller, J. Kautzenbach, A. Nast, L. Hadley, A. Smalley, R. Basses. Keller, K. Agnesy, K. Seydel, T. Elkind, S.
    [Show full text]
  • César Franck'ın "Prelüd, Koral Ve Füg" Eserinin Incelenmesi
    Hacettepe Üniversitesi Güzel Sanatlar Enstitüsü Piyano Anasanat Dalı CÉSAR FRANCK’IN “PRELÜD, KORAL VE FÜG” ESERİNİN İNCELENMESİ Begümhan Gençgönül Yüksek Lisans Sanat Çalışması Raporu Ankara, 2015 CÉSAR FRANCK’IN “PRELÜD, KORAL VE FÜG” ESERİNİN İNCELENMESİ Begümhan Gencgönül Hacettepe Üniversitesi Güzel Sanatlar Enstitüsü Piyano Anasanat Dalı Yüksek Lisans Sanat Çalışması Raporu Ankara, 2015 iii TEŞEKKÜR Bu çalışmamı hazırlarken engin deneyim ve bilgisiyle bana yol gösteren Sn.Prof. Güherdal ÇAKIRSOY’a, Konservatuvar’a girdiğim günden itibaren her an yanımda olup beni destekleyen hocam ve danışmanım Sn.Yrd.Doç. İrem BOZKURT’a, son olarak da bu süreçte hiçbir yardımdan kaçınmayan sevgili ailem ve arkadaşlarıma teşekkürlerimi sunmayı borç bilirim. iv ÖZET GENÇGÖNÜL, Begümhan. César Franck’ın Prelüd, Koral ve Füg eserinin incelenmesi, Yüksek Lisans Sanat Çalışması Raporu, Ankara, 2015. 19. yüzyılın ikinci yarısında Fransız Müziği’nin önde gelen isimlerinden ve usta orgcularından biri olan César Franck, piyanoda benimsediği org anlayışı ile döneminin en ilgi çekici bestecilerindendir. Piyano enstrümanıyla org etkisi yarattığı eserleri ile Debussy ve Ravel gibi diğer öncü bestecileri etkiler. Eserlerinde, enstrümantal fikirleri polifonik anlayış ile birleştirerek yoğun bir atmosfer oluşturur. “Prelüd, Koral ve Füg”, zengin armonik yapısı, piyanonun her türlü imkanının sonuna kadar kullanılması, Franck’ın duyumsal ve dindar kişiliğinden gelen mistik öğeleri sağlam bir form anlayışıyla dengelemesi nedeniyle piyano literatürünün anlaşılması en zor ve değerli eserlerinden biridir. Bu çalışmada, bestecinin hayatı, eserleri ve içinde bulunduğu kültürel ortamla ilgili bilgi verilmiş, esere adını veren üç form ve tekrarlı biçim ayrıntılı olarak açıklanmıştır. Son bölümde de eserin form analizi yapılmıştır. Anahtar Sözcükler Franck, Prelüd, Koral, Füg, Tekrarlı Biçim. v ABSTRACT GENÇGÖNÜL, Begümhan. The Examination of the piece 'Prelude, Chorale and Fugue' by César Franck Master's Thesis, Ankara, 2015.
    [Show full text]
  • "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 Piano Solo | Twelfth 12Th Street Rag 1914 Euday L
    Box Title Year Lyricist if known Composer if known Creator3 Notes # "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 piano solo | Twelfth 12th Street Rag 1914 Euday L. Bowman Street Rag 1 3rd Man Theme, The (The Harry Lime piano solo | The Theme) 1949 Anton Karas Third Man 1 A, E, I, O, U: The Dance Step Language Song 1937 Louis Vecchio 1 Aba Daba Honeymoon, The 1914 Arthur Fields Walter Donovan 1 Abide With Me 1901 John Wiegand 1 Abilene 1963 John D. Loudermilk Lester Brown 1 About a Quarter to Nine 1935 Al Dubin Harry Warren 1 About Face 1948 Sam Lerner Gerald Marks 1 Abraham 1931 Bob MacGimsey 1 Abraham 1942 Irving Berlin 1 Abraham, Martin and John 1968 Dick Holler 1 Absence Makes the Heart Grow Fonder (For Somebody Else) 1929 Lewis Harry Warren Young 1 Absent 1927 John W. Metcalf 1 Acabaste! (Bolero-Son) 1944 Al Stewart Anselmo Sacasas Castro Valencia Jose Pafumy 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Accidents Will Happen 1950 Johnny Burke James Van Huesen 1 According to the Moonlight 1935 Jack Yellen Joseph Meyer Herb Magidson 1 Ace In the Hole, The 1909 James Dempsey George Mitchell 1 Acquaint Now Thyself With Him 1960 Michael Head 1 Acres of Diamonds 1959 Arthur Smith 1 Across the Alley From the Alamo 1947 Joe Greene 1 Across the Blue Aegean Sea 1935 Anna Moody Gena Branscombe 1 Across the Bridge of Dreams 1927 Gus Kahn Joe Burke 1 Across the Wide Missouri (A-Roll A-Roll A-Ree) 1951 Ervin Drake Jimmy Shirl 1 Adele 1913 Paul Herve Jean Briquet Edward Paulton Adolph Philipp 1 Adeste Fideles (Portuguese Hymn) 1901 Jas.
    [Show full text]
  • The Seven Last Words of Christ
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 The seven last words of Christ : a comparison of three French romantic musical settings by Gounod, Franck, and Dubois Vaughn Roste Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Roste, Vaughn, "The es ven last words of Christ : a comparison of three French romantic musical settings by Gounod, Franck, and Dubois" (2013). LSU Doctoral Dissertations. 3987. https://digitalcommons.lsu.edu/gradschool_dissertations/3987 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE SEVEN LAST WORDS OF CHRIST: A COMPARISON OF THREE FRENCH ROMANTIC MUSICAL SETTINGS BY GOUNOD, FRANCK, AND DUBOIS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Vaughn Roste B.A., Augustana University College, 1997 B.B.A, Canadian Lutheran Bible Institute, 1997 M.Mus., University of Alberta, 2003 May 2013 ii DEDICATION Writing a dissertation is a project not completed by one person but by several. I need to thank my family—Mom, Dad, Erica, Ben, Finn, and Anders—for their love and undying support through this convoluted and seemingly never-ending process.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 33,1913-1914, Trip
    ACADEMY OF MUSIC, PHILADELPHIA Twenty-ninth Season in Philadelphia Dr. KARL MUCK, Conductor IP 8 m me WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE MONDAY EVENING, FEBRUARY 16 AT 8.15 COPYRIGHT, 1914, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER ICl1 ww% The Talking Machine You Want is to be found at Heppe's Whether it be an ordinary Victor or a superB Victrola, every artistic possibility of the Talking Machine is assured when it comes from Heppe's. Experts adjust every machine that leaves our establishment and our service is best because we are both wholesale and retail distributors. LOWEST FACTORY PRICES GUARANTEED, WHETHER YOU BUY FOR CASH OR ON TIME Victors, $ 10 to $ 60 Victrolas, $15 to $200 D)IO 1117-1119 Chestnut Street, 6th and Thompson Streets Wholesale and Retail, Victor and Edison fp/fQ fl" • v ©stoa -' i. mesiom Thirty-third Season, 1913-1914 Dr. KARL MUCK, Conductor PERSONNEL Violins. Witek, A. Roth, O. Hoffmann, J. Mahn, F. Concert-master. Kuntz, D. Tak, E. Theodorowicz, J. Noack, S. Koessler, M. Bak, A. Traupe, W. Goldstein, H. Rissland, K. Ribarsch, A. Baraniecki, A. Siilzen, H. Habenicht, W. Fiedler, B. Berger, H. Tischer-Zeitz, H. Fiumara, P. Spoor, S. Hayne, E. Goldstein, S. Griinberg, M. Kurth, R. Gerardi, A. Ringwall, R. Pinfield, C. E. Gewirtz, J. Violas. Ferir, E. Werner, H. Wittmann, F. Pauer, O. H. Van Wynbergen, C. Gietzen, A. Schwerley, P. Berliner, W. Forster, E. Bljumenau, W. Violoncellos. Warnke, H. Keller, J. Barth, C. Belinski, M. Warnke, J. Urack, 0. Nagel, R.
    [Show full text]
  • C K’NAY C (To Her) C (Poem by A
    K ney C k’NAY C (To Her) C (poem by A. Belïy [(A.) BAY-lee] set to music by Sergei Rachmaninoff [sehr-GAYEE rahk-MAH-nyih-nuff]) Kaan C JindÍich z Albestç Kàan C YINND-rshihk z’AHL-bess-too KAHAHN C (known also as Heinrich Kàan-Albest [H¦N-rihh KAHAHN-AHL-besst]) Kabaivanska C Raina Kabaivanska C rah-EE-nah kah-bahih-WAHN-skuh C (known also as Raina Yakimova [yah-KEE-muh-vuh] Kabaivanska) Kabalevsky C Dmitri Kabalevsky C d’MEE-tree kah-bah-LYEFF-skee C (known also as Dmitri Borisovich Kabalevsky [d’MEE-tree bah-REE-suh-vihch kah-bah-LYEFF-skee]) C (the first name is also transliterated as Dmitry) Kabasta C Oswald Kabasta C AWSS-vahlt kah-BAHSS-tah Kabelac C Miloslav Kabelá C MIH-law-slahf KAH-beh-lahahsh Kabos C Ilona Kabós C IH-law-nuh KAH-bohohsh Kacinskas C Jerome Ka inskas C juh-ROHM kah-CHINN-skuss C (known also as Jeronimas Ka inskas [yeh-raw-NEE-mahss kah-CHEEN-skahss]) Kaddish for terezin C Kaddish for Terezin C kahd-DIHSH (for) TEH-reh-zinn C (a Holocaust Requiem [{REH-kôôee-umm} REH-kôôih-emm] by Ronald Senator [RAH-nulld SEH-nuh-tur]) C (Kaddish is a Jewish mourner’s prayer, and Terezin is a Czechoslovakian town converted to a concentration camp by the Nazis during World War II, where more than 15,000 Jewish children perished) Kade C Otto Kade C AWT-toh KAH-duh Kadesh urchatz C Kadesh Ur'chatz C kah-DEHSH o-HAHTSS C (Bless and Wash — a prayer song) Kadosa C Pál Kadosa C PAHAHL KAH-daw-shah Kadosh sanctus C Kadosh, Sanctus C kah-DAWSH, SAHNGK-tawss C (section of the Holocaust Reqiem — Kaddish for Terezin [kahd-DIHSH (for) TEH-reh-zinn]
    [Show full text]