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Recital Programs 1930-1931

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:'n ^i^)^ <' > ^ t>. List of Concerts and Operas Faculty Recitals First Miss Harriet van Emden, Soprano. .November 17, 1930 _ , (Miss Lucile Lawrence) becond. J >Harpists November 24, 1930 IMr. Carlos Salzedo / Third Mr. Mieczyslaw Munz, Pianist December 9, 1930 Fourth . .Madame Lea Luboshutz, Violinist December 16, 1930 Fifth Mr. Abram Chasins, Pianist January 8, 1931 Sixth Mr. Horatio Connell, Baritone January 12, 1931 Seventh . .Mr. Felix Salmond, Violoncellist January 19, 1931 Eighth Mr. Efrem Zimbalist, Violinist March 2, 1931 (Madame Isabelle Vengerova, Pianist) Ninth . .\ Madame Lea Luboshutz, Violinist, . /April 30, 1931 (^Mr. Felix Salmond, Violoncellist 1 Tenth Mr. Josef Hofmann, Pianist May 12, 1931 Special Concert The Musical Art Quartet March 11, 1931 1 1 Students' Concerts ("These programs, while listed alphabeticallji according to Instructor's name, are bound according to date.) pecember 10, 1930 Students of Mr. Bachmann <; (April 13, 1931 Chamber Music. April 14, 1931 I Students of Dr. Bailly in j ^.^j^ ^^^ ^g^ ^^3^ Students of Mr. Connell May 4, 1931 Students of Mr. de Gogorza April 27, 1931 ("January 14, 1931 Students of Mr. Hofmann < (Apnl 28, 1931 (November 12, 1930 Students of Madame Luboshutz <( (May 20, 1931 Students of Mr. Meiff March 30, 1931 Students of Mr. Salmond April 23, 1931 (March 25, 1931 Students of Mr. Salzedo < .. (April 1, 1931 Students of Mr. Saperton April 24, 193 Students of Madame Sembrich May 1, 1931 Students of Mr. Tabuteau May 5, 1931 Students of Mr. Torello April 16, 1931 Students of Miss van Emden May 15, 1931 (April 22, 1931 „ , r., w Students of Madame Vengerova < (May 19, 1931 Students of Mr. von Wymetal in Operatic Acting May 11, 13, 14, 1931 o J r ^. r, (January 20, 1931 Students of Mr. Zimbalist < (March 18, 1931 Students of Mr. Hofmann. Madame ) Luboshutz, and Madame Vengerova > March 4, 10, 17, 1931 (Beethoven Sonata Recitals) ) (January 28, 1931 Curtis Symphony Orchestra ) The February 8, 9, 23, 193 iMay 9, 16, 1931 Chamber Music 'November 9, 1930 |December 14, 1930 The Pennsylvania Museum of Art (February 1, 1931 [March 8, 1931 ^ April 19, 1931 Concert Course ' Octave Club, Norristown, Pennsylvania < (April 15, 1931 Western Maryland College, Westminster, ('November 14, 1930 Maryland (April 10, 1931 State Teachers' College, West Chester, ^November 18, 1930 Pennsylvania (February 4, 1931 The Wednesday Club, Harrisburg, Pennsylvania< ' (March 10, 1931 {November 20, 1930 February 19, 1931 April 16, 1931 The Woman's Club, Moorestown, New Jersey. .December 1, 1930 New Jersey College for Women, New Brunswick, New Jersey December 5, 1930 (December • 13, 1930 o c u 1 r> c I, 1 D 1 Lreorge bchool, George School, Pennsylvania. .< (March 7, 1931 ' Marywood College, Scranton, Pennsylvania . .< (April 28, 1931 High School, Point Pleasant Beach, New Jersey January 16, 1931 The Contemporary and College Clubs, Trenton, New Jersey February 3, 1931 The Public Schools, Lakewood, New Jersey March 21, 1931 Salon Music Club, Lambertville, New Jersey. .April 17, 1931 Westtown School, Westtown, Pennsylvania April 24, 1931 Cape May County Art League, Cape May, New Jersey May 1, 1931 Haddon Fortnightly Club, Haddonfield, New Jersey May 1, 1931 1 Performances of Philadelphia Grand Opera Company in Affiliation with The Curtis Institute of Music First Aida October 16, 1930 Second Le Jongleur de Notre Dame. October 23, 1930 Third Gianni Schicchi and Pagliacci October 30, 1930 Fourth Lucia di Lammermoor November 6, 1930 Fifth Boris Godounov November 13, 1930 Sixth Tosca November 27, 1930 Seventh La Traviata December 4, 1930 Eighth Thais December 11, 1930 Ninth Hansel und Gretel and Die Puppenfee December 20, 1930 Tenth Lohengrin January 15, 1931 Eleventh Rigoletto February 5, 1931 Twelfth Madama Butterfly February 26, 1931 Thirteenth. .Faust March 5, 193 Fourteenth . .L'Heure Espagnole and Cavalleria Rusticana .. .March 12, 1931 Fifteenth Wozzeck March 19, 1931 Sixteenth Les Pecheurs de Perles March 26, 1931 Seventeenth . .Carmen April 9, 1931 Eighteenth Tannhauser April 16, 1931 The Curtis Institute of Music CASIMIR HALL Seventh Season— 1930-1931 First Faculty Recital Mr. Harry Kaufman &i Ae Piano tAonday Evening, l^ovember 17, 1930 at 8:30 o'cloc\ The Steinway is the Official Piano of The Curtis Institute of Music Programme I. Arias: "Ah, lo so" from "II Flauto ^ Magico" y Wolfgang Amadeus Mozart "Non so piu cosa son" from•om {( "Le Nosze di Figaro", II. Die Mutter Erde > Franz Schubert Auflosung Lied der Braut, I. and II ) ^ . r .. > Robert Schumann Auftrage j "Am Sonntag Morgen" ) Vorschneller Schwur > Johannes Brahms Botschaft ) III. Lieder nach Verlaine Rudolf Mengelberg (dedicated to Miss van Emden) Im Gefangnis-k (pirst performance Herbstgesang J in America) Regenlied Winter IV. L ombre des arbres Claude Debussy L oiseau bleu Camille Decreus yes oros O [.^ .^ Russian) SeRGEI RaCHMANINOV O dolgo buda yaj Dutch Serenade (Sung in Dutch) Samuel De Lange "Thou art Mine" Abram Chasins (The Compoier at the Piano) V. Aria: "Ah, non credea mirarti" from "La Sonnambula," Vincenzo Bellini i il i ii i i ii ii ili , nliiiil llii[ilillilliniiij,iili,jlill| lli llllllllllllllll ll ll l llli gli i i n iii [| imiii n Mi n :ni || ||| || |MllllllinM lll l lll l lllllllllll ngg Aria: "Ah, lo so" from (Translation) "II flauto magico" Aria from "The Magic Flute' Ah! lo so, piii non m'avanza Ah, I feel how all hath vanish'd Che lagnarmi ognor cosi, Born of love to life and light; Ho perduta la speranza, Toy hath fled, as day flies banish'd Di tornar felice un di. Drooping, dying, dark with night. Ah! per te se invan degg'io Lo, Tamino, now this mine anguish Pianger sempre, e sospirar, Pours full off'ring t'ward thy shrine PiQ pietosa al pianto mio, Learn a love no pow'r can vanquish; Tronchi morte il mio penar. Save the closing tomb's confine! Aria: "Non so piu cosa son" from (Translation) "Le Nozse di Figaro" Aria from "The Marriage of Figaro" Non so piO cosa son' cosa faccio. I don't know what I'm saying or doing. Or di foco, ora sono di ghiaccio, First I'm freezing and then I'm glowing, Ogni donna cangiar di colore, Ev'ry woman can set me aflutter, Ogni donna mi fa palpitar. Ev'ry woman can set me afire! Solo ai nomi d'amor, di diletto, If the sweet name of love be but spoken. Mi si turba, mi s'altera il petto, Ah ! my heart-beats grow troubled and broken; E a parlare mi sforza d'amore And loving phrases I'm driven to utter, Un desio ch'io non posso spiegar. By the impulse of some unknown desire. Parlo d'amor vegliando, Whether asleep or waking, Parlo d'amor sognando, Ever of love I'm talking. A I'acqua, a I'ombra, ai monti, To forests, lakes and mountains. Ai fiori, a I'erbe, ai fonti, To flow'rs and grass and fountains. A I'eco, a I'aria, ai venti, The echoes where I tarry, Che il suon de' vani accenti And winds and breezes carry Portano via con se. My empty words away. E se non ho chi m'oda, If no one else be near me, Parlo d'amor con me. Yet I myself can hear me, When loving words I say. (Translation) Die Mutter Erde Mother Earth Des Lebens Tag ist schwer und schwiil, The day of life is dark and hot, Des Todes Atem leicht und kiihl, The breath of death is light and cool, Er wehet freundlich uns hinab, Friendly it wafts us down below. Wie welkes Laub in's stille Grab. As withered leaves into our graves. Es scheint der Mond, es fiillt der Tau The moonlight shines, the dewdrops fall, Auf's Grab, wie auf die Blumenau, Upon the graves and meadows, too, Doch fallt der Freunde Tr.-in' hinein, But if a friendly tear flows down, Erhellt von sanfter Hoffnung Schein. A ray of hope lights up the gloom. Uns sammelt alle, Klein und Gross, We all are gathered, large and small. Die Mutter Erd' in ihren Schoss, By Mother Earth into her lap, O sab'n wir ihr in's Angesicht, Oh, could we only see her face. Wir scheuten ihren Busen nicht. We should not fear to rest with her. —Stolherg. (Translation) Auflosung Dissolution Verbirg dich, Sonne, Hide yourself. Sun, Denn die Gluten der Wonne For the fires of joy Versengen mein Gebein. Are scorching my bones. Verstummet, Tone, Be silent, sounds, Friihlingsschone, Beauty of springtime. Fliichte dich und lass mich allein. Disappear, leave me alone. Quellen doch aus alien Falten Still well from out the folds Meiner Seele liebliche Gewalten, Of my soul, precious powers. Die mich umschlingen, Which embrace me. Himmlisch singen. Singing of Heaven. Geh' unter. Welt, und store Perish, World, and never Nimmer die sussen atberischen Ch6re. Disturb the sweet unearthly chorus. —Mayrhofer. ! : (Translation) Lied der Braut, I The Bride's Song, I Mutter, Mutter, glaube nicht, Mother, mother, do not think. Weil ich ihn lieb' allsosehr, Though I love him more and more. Dass nun Liebe mir gebricht, That my love for thee will sink. Dich zu lieben wie vorher. Will be weaker than before. Mutter, Mutter, seit ich ihn Mother, mother, do not fear. Liebe, lieb' ich erst dich sehr. More than ever I love thee, Lass mich an mein Herz dich zieh'n Let me clasp thee, mother dear. Und dich ktissen wie mich Erl Kiss thee, love, as he does me I Seit ich ihn liebe Mother, mother, do not fear, Lieb' ich erst dich ganz. More than ever I love thee Dass du mir das Sein verlieh'n. Who existence gav'st me here.
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  • Ywwwww Boston • Chicago • Dallas • Los Angeles '

    Ywwwww Boston • Chicago • Dallas • Los Angeles '

    V S5685 O LORD MOST HOLY <Bread of Holy Heaven; (Panis AngelicusJ from "Messe Solennelle" High in Ab Franck-Scott .50 MUSIC SONGS WITH PIANO ACCOMPANIMENT FAURE, JEAN B. The Palms (Les Rameaux). High voice in C (S4858). Medium voice in Bb (S4859). Low voice _n Ab (S4860) (English and French text) . @ .40 FRANCK, CESAR O Lord Most Holy (Bread of Holy Heaven) (Panis An- gelicus) from "Messe Solennelle." High voice in Ab (_5<W) Medium voice in F (S5686). Low voice in Db (S5687) (English and Latin text). Piano or Organ accom­ paniment @ .50 GOUNOD, CHARLES Ave Maria (adapted to the First Prelude of J. S. Bach). High voice in G (S5681). Medium voice in F (S5682). Low voice in Eb (S5683) (English and Latin text) @ .35 There is a Green Hill Far Away (Le Calvaire). High voice in Fm (S5413) (English and French text) 40 GRANIER, JULES Hosanna (Easter Song). High voice in Db (S5415). Low voice in A (S5416) (English and French Text) @ .40 JAFFA, SIEGMUND Protection. High voice in Ab (V838). Low voice in F (V839) ^ @ .50 MOZART, W. A. Alleluja (from the Motet "Exsultate, Jubilate"). High voice in F (S5721). Medium voice in Eb (S5726). Low voice in C (.5727)....-.' ® .40 VAN DYKE, MAY Consider the Lilies. High voice in Eb (V1039). Low voice in C (V1040) » -50 KINGSLEY, RUTHERFORD Immortality. Medium Voice in E (V}15): fe .50 CARL FISCHER, INC. COOPER SQUARE, NEW YORK 3 ywwwww Boston • Chicago • Dallas • Los Angeles ' S 5685 O Lord Most Holy Pan is Angelicus from "Messe Solennelle" Solo for general use High Voice Alternate text for communion i¥^£ CESAE FEANCK Arranged by Charles P.
  • Godowsky6 30/06/2003 11:53 Page 8

    Godowsky6 30/06/2003 11:53 Page 8

    225187 bk Godowsky6 30/06/2003 11:53 Page 8 Claudius zugeschriebenen Gedichts. Litanei, Robert Braun gewidmet, nach der DDD In Wohin?, dessen Widmungsträger Sergej Vertonung eines Gedichts von Johann Georg Jacobi, ist Rachmaninow ist, bearbeitet Godowsky das zweite Lied ein Gebet für den Seelenfrieden der Verstorbenen. Das Leopold 8.225187 der Schönen Müllerin, in dem der junge Müllersbursche Originallied und die Transkription sind von einer den Bach hört, dessen sanftes Rauschen, in der Stimmung inneren Friedens durchzogen. Klavierfassung eingefangen, ihn aufzufordern scheint, Godowskys Schubert-Transkriptionen enden mit GODOWSKY seine Reise fortzusetzen, doch wohin? einem Konzertarrangement der Ballettmusik zu Die junge Nonne, David Saperton gewidmet, Rosamunde aus dem Jahr 1923 und der Bearbeitung des basiert auf der Vertonung eines Gedichts von Jacob dritten Moment musical op. 94 von 1922. Schubert Transcriptions Nicolaus Craigher. Die junge Nonne kontrastiert den in der Natur brausenden Sturm mit dem Frieden und Keith Anderson Wohin? • Wiegenlied • Die Forelle • Das Wandern • Passacaglia ewigen Lohn des religiösen Lebens. Deutsche Fassung: Bernd Delfs Konstantin Scherbakov, Piano 8.225187 8 225187 bk Godowsky6 30/06/2003 11:53 Page 2 Leopold Godowsky (1870-1938) für 44 Variationen in der traditionellen barocken Form, Godowsky jede Strophe des Original-Lieds. Piano Music Volume 6: Schubert Transcriptions zu denen u.a. auch eine gelungene Anspielung auf den Das Wandern ist das erste Lied des Zyklus Die Erlkönig zählt. Die Variationen, in denen das Thema in schöne Müllerin, in dem der junge Müllersbursche seine The great Polish-American pianist Leopold Godowsky of Saint-Saëns, Godowsky transcribed for piano his unterschiedlichen Gestalten und Registern zurückkehrt, Wanderung beginnt.