July 1934) James Francis Cooke
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April 1923) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 4-1-1923 Volume 41, Number 04 (April 1923) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 41, Number 04 (April 1923)." , (1923). https://digitalcommons.gardner-webb.edu/etude/700 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. >< T? <1 Theodore Presser Co., Publishers, Philadelphia, Pa. for Child Pianists Teachers Little Albums of Children .ptaliW P“e‘h Send for our interesting Pearls of Instruction in L “Catalogue of Juvenile •ollections makes them children and the Musical Publications This catalogue ha. many helpful The very appearance of these charming wotk8d«Cirfed._Thck.ndertgc9tK nd the covers are just as delightful. little musical gems beh ■ niiMc MOW HELPFUL WITH JUVEN1LES_ TEACHERS WILL FIND THESE / The World of Music Old Rhymes with New Tunes Birthday Jewels THE ETUDE APRIL 1923 Page 219 THE ETUDE AN UP-TO-THE-MINUTE LIST OF 1922-1923 New Music Etude Prize Contest Piano Solos and Duets, Vocal Solos, Sacred and Secular, PIANO SOLOS-VOCAL SOLOS Vocal Duets, Violin and Piano Numbers, ANTHEMS — PART SCfNGS $1,250.00 in Prizes PIANO SOLOS UTE TAKE pipleasure in making the following offer our Etude Prize Contest, being WsKSf of the real value of a contest of this der interest in composition and of of composers. -
Franz Liszt's Piano Transcriptions of "Sonetto 104 Del Petrarca". Nam Yeung Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1997 Franz Liszt's Piano Transcriptions of "Sonetto 104 Del Petrarca". Nam Yeung Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Yeung, Nam, "Franz Liszt's Piano Transcriptions of "Sonetto 104 Del Petrarca"." (1997). LSU Historical Dissertations and Theses. 6648. https://digitalcommons.lsu.edu/gradschool_disstheses/6648 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
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557439bk Bax US 2/07/2004 11:02am Page 5 in mind some sort of water nymph of Greek vignette In a Vodka Shop, dated 22nd January 1915. It Ashley Wass mythological times.’ In a newspaper interview Bax illustrates, however, Bax’s problem trying to keep his himself described it as ‘nothing but tone colour – rival lady piano-champions happy, for Myra Hess gave The young British pianist, Ashley Wass, is recognised as one of the rising stars BAX changing effects of tone’. the first performance at London’s Grafton Galleries on of his generation. Only the second British pianist in twenty years to reach the In January 1915, at a tea party at the Corders, the 29th April 1915, and as a consequence the printed finals of the Leeds Piano Competition (in 2000), he was the first British pianist nineteen-year-old Harriet Cohen appeared wearing as a score bears a dedication to her. ever to win the top prize at the World Piano Competition in 1997. He appeared Piano Sonatas Nos. 1 and 2 decoration a single daffodil, and Bax wrote almost in the ‘Rising Stars’ series at the 2001 Ravinia Festival and his promise has overnight the piano piece To a Maiden with a Daffodil; been further acknowledged by the BBC, who selected him to be a New he was smitten! Over the next week two more pieces Generations Artist over two seasons. Ashley Wass studied at Chethams Music Dream in Exile • Nereid for her followed, the last being the pastiche Russian Lewis Foreman © 2004 School and won a scholarship to the Royal Academy of Music to study with Christopher Elton and Hamish Milne. -
June 1911) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 6-1-1911 Volume 29, Number 06 (June 1911) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 29, Number 06 (June 1911)." , (1911). https://digitalcommons.gardner-webb.edu/etude/570 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. 361 THE ETUDE -4 m UP-TO-DATE PREMIUMS _OF STANDARD QUALITY__ K MONTHLY JOURNAL FOR THE MUSICIAN, THE MUSIC STUDENT, AND ALL MUSIC LOVERS. Edited by JAMES FRANCIS COOKE », Alaska, Cuba, Porto Kieo, 50 WEBSTER’S NEW STANDARD 4 DICTIONARY Illustrated. NEW U. S. CENSUS In Combination with THE ETUDE money orders, bank check letter. United States postage ips^are always received for cash. Money sent gerous, and iponsible for its safe T&ke Your THE LAST WORD IN DICTIONARIES Contains DISCONTINUANCE isli the journal Choice o! the THE NEW WORDS Explicit directions Books: as well as ime of expiration, RENEWAL.—No is sent for renewals. The $2.50 Simplified Spelling, „„ ...c next issue sent you will lie printed tile date on wliicli your Webster’s Synonyms and Antonyms, subscription is paid up, which serves as a New Standard receipt for your subscription. -
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557592 bk Bax UK/US 8/03/2005 02:22pm Page 5 Ashley Wass Also available: The young British pianist, Ashley Wass, is recognised as one of the rising stars of his generation. Only the second British pianist in twenty years to reach the finals of the Leeds Piano Competition (in 2000), he was the first British BAX pianist ever to win the top prize at the World Piano Competition in 1997. He appeared in the ‘Rising Stars’ series at the 2001 Ravinia Festival and his promise has been further acknowledged by the BBC, who selected him to be a New Generations Artist over two seasons. Ashley Wass studied at Chethams Music School and won a scholarship to the Royal Academy of Music to study with Christopher Elton and Hamish Milne. He was made an Associate of the Piano Sonatas Nos. 3 and 4 Royal Academy in 2002. In 2000/1 he was a participant at the Marlboro Music Festival, playing chamber music with musicians such as Mitsuko Uchida, Richard Goode and David Soyer. He has given recitals at most of the major British concert halls including the Wigmore Hall, Queen Elizabeth Hall, Purcell Room, Bridgewater Hall and St Water Music • Winter Waters David’s Hall. His concerto performances have included Beethoven and Brahms with the Philharmonia, Mendelssohn with the Orchestre National de Lille and Mozart with the Vienna Chamber Orchestra at the Vienna Konzerthaus and the Brucknerhaus in Linz. He has also worked with Sir Simon Rattle and the City of Birmingham Symphony Orchestra, the London Mozart Players, the BBC Scottish Symphony Orchestra and the BBC Ashley Wass Philharmonic. -
Let Evening Come: American Songs Old &
Let Evening Come: American Songs Old & New Emily Martin, soprano | Ariana Wyatt, soprano | Richard Masters, piano Acknowledgments Recorded March 7-9, 2019 in Rooke Recital Hall, Bucknell University Recording Engineer: Paul Smith Editing and Mastering Engineer: Denver Nuckolls Producer: Ariana Wyatt Acknowledgments: Bucknell University Cover Art: Kathryn Simpson WWW.ALBANYRECORDS.COM TROY1806 ALBANY RECORDS U.S. 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. BOX 137, KENDAL, CUMBRIA LA8 0XD TEL: 01539 824008 © 2020 ALBANY RECORDS MADE IN THE USA DDD WORKS BY ROBERT SPILLMAN | FRANK LA FORGE | LORI LAITMAN WARNING: COPYRIGHT SUBSISTS IN ALL RECORDINGS ISSUED UNDER THIS LABEL. Martin_1806_book.indd 1-2 12/18/19 3:42 PM The Composers The Performers Robert Spillman (b. 1936) was chair of the piano faculty and music director of the opera program at the American soprano Emily Martin has regularly received acclaim for her “enchanting University of Colorado at Boulder until his retirement in 2004. Prior to joining the faculty at CU Boulder, he iridescence,” and has been called “dramatically energetic and skillful” for her per- taught piano and accompanying at the Eastman School of Music. Mr. Spillman worked throughout the United forming in opera houses across the US including The Santa Fe Opera, Palm Beach States as accompanist for artists such as Jan DeGaetani, Sylvia Rosenberg, Yehuda Hanani, Paul Sperry, and Opera, Nevada Opera and the Chautauqua Opera. Emily has graced numerous Lucy Shelton, and performed as a soloist with numerous orchestras. His recordings appear on the Bridge, Vox, concert stages around the United States, and has presented solo recitals across Pro Arte, Musical Heritage and Mercury labels. -
August 1909) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 8-1-1909 Volume 27, Number 08 (August 1909) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 27, Number 08 (August 1909)." , (1909). https://digitalcommons.gardner-webb.edu/etude/550 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. AUGUST 1QCQ ETVDE Forau Price 15cents\\ i nVF.BS nf//3>1.50 Per Year lore Presser, Publisher Philadelphia. Pennsylvania THE EDITOR’S COLUMN A PRIMER OF FACTS ABOUT MUSIC 10 OUR READERS Questions and Answers on the Elements THE SCOPE OF “THE ETUDE.” New Publications ot Music By M. G. EVANS s that a Thackeray makes Warrington say to Pen- 1 than a primer; dennis, in describing a great London news¬ _____ _ encyclopaedia. A MONTHLY JOURNAL FOR THE MUSICIAN, THE THREE MONTH SUMMER SUBSCRIP¬ paper: “There she is—the great engine—she Church and Home Four-Hand MisceUany Chronology of Musical History the subject matter being presented not alpha¬ Price, 25 Cent, betically but progressively, beginning with MUSIC STUDENT, AND ALL MUSIC LOVERS. -
Ywwwww Boston • Chicago • Dallas • Los Angeles '
V S5685 O LORD MOST HOLY <Bread of Holy Heaven; (Panis AngelicusJ from "Messe Solennelle" High in Ab Franck-Scott .50 MUSIC SONGS WITH PIANO ACCOMPANIMENT FAURE, JEAN B. The Palms (Les Rameaux). High voice in C (S4858). Medium voice in Bb (S4859). Low voice _n Ab (S4860) (English and French text) . @ .40 FRANCK, CESAR O Lord Most Holy (Bread of Holy Heaven) (Panis An- gelicus) from "Messe Solennelle." High voice in Ab (_5<W) Medium voice in F (S5686). Low voice in Db (S5687) (English and Latin text). Piano or Organ accom paniment @ .50 GOUNOD, CHARLES Ave Maria (adapted to the First Prelude of J. S. Bach). High voice in G (S5681). Medium voice in F (S5682). Low voice in Eb (S5683) (English and Latin text) @ .35 There is a Green Hill Far Away (Le Calvaire). High voice in Fm (S5413) (English and French text) 40 GRANIER, JULES Hosanna (Easter Song). High voice in Db (S5415). Low voice in A (S5416) (English and French Text) @ .40 JAFFA, SIEGMUND Protection. High voice in Ab (V838). Low voice in F (V839) ^ @ .50 MOZART, W. A. Alleluja (from the Motet "Exsultate, Jubilate"). High voice in F (S5721). Medium voice in Eb (S5726). Low voice in C (.5727)....-.' ® .40 VAN DYKE, MAY Consider the Lilies. High voice in Eb (V1039). Low voice in C (V1040) » -50 KINGSLEY, RUTHERFORD Immortality. Medium Voice in E (V}15): fe .50 CARL FISCHER, INC. COOPER SQUARE, NEW YORK 3 ywwwww Boston • Chicago • Dallas • Los Angeles ' S 5685 O Lord Most Holy Pan is Angelicus from "Messe Solennelle" Solo for general use High Voice Alternate text for communion i¥^£ CESAE FEANCK Arranged by Charles P. -
Proquest Dissertations
The use of the glissando in piano solo and concerto compositions from Domenico Scarlatti to George Crumb Item Type text; Dissertation-Reproduction (electronic) Authors Lin, Shuennchin Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 08:04:22 Link to Item http://hdl.handle.net/10150/288715 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI fihns the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter fice, whfle others may be from any type of computer primer. The qaality^ of this rqirodnctioii is dependent upon the quality of the copy sabmitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and hnproper alignmem can adverse^ affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., nu^s, drawings, charts) are reproduced by sectioning the original, b^inning at the upper left-hand comer and continuing fi'om left to right m equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. -
Market Basket
Our Gal Sunday page 23 A 5c Magazine, to Increase Your Listening Pleasure, Made Available for Only lc by Your Friendly MARKETBASKET PAGE 2 .RADIO LIFE JANUARY 26, 1941 he mentioned thatt was his belief that Locate Your Stations Here the "koff" in the last name indicated that K TRKFI KECA it meant the family of Micha.Then he KHJ KFVD KFSGKGFJ KFOX KGB KERN KVOE KGP1. KESITKIAPC said, "Some of the Russian members of KIEVIKEWITKNX KOKO' 7FAIKCERJ KDB KPMC the orchestra do not agree with me on that.But while 1, myself, am not a Rus- -11.111 111171 111111hIltalia1 IFill1111111.111151 sian, I am a DAMroschan." 600 700 800 600 1000 1100 1200 1300 14 00 1500 1700 I am not sure whether the above meets with your approval, but if it does, may I have three tickets for the Sunday Chase THE EAR INSPIRES THE PEN- and Sanborn program. N..tes This department is open to Ed. Note: You wintickets, Miss readers to air their opinions on any that I have been a steady and consistent Sylvia G. Vega. - hope the busbies, subject Inspired in radio listening, In reader of Radio Life, since last summer. office will send Chase and Sanborn generalto give the radiolistening Since the Metropolitandailies gotinto ours. public an outlet for expression. The their scrap with the broadcasters, we of editor reserves the right to editall Paul Specht, letters. The Writer's name will be the listening public, have had to go with- withheld onrequest,butallletters 1585 Broadway, New York City. must be signed. -
Das Welte-Mignon Als Spiegelbild Der Romantischen Interpretationskunst
André Scheurer DAS WELTE-MIGNON ALS SPIEGELBILD DER ROMANTISCHEN INTERPRETATIONSKUNST Der Rollenkatalog der Firma Welte liest sich wie grammmusik standen die Liebhaber der reinen ein «Who’s who» von Pianisten, Komponisten und Tonkunst gegenüber, die Oper beanspruchte eine Dirigenten des ausgehenden 19. Jahrhunderts. Zwi- Vormachtstellung, es gab die Brahmsianer, die schen 1904 und 1932 nahm Welte eine Generation Wagnerianer und die von nationalem Kolorit ge- Dieser Artikel von damals bedeutenden Künstlern auf, deren Wur- prägten Schulen. Eine viel diskutierte Entwicklung beleuchtet die pianistischen zeln im Virtuosentum der romantischen Epoche jener Zeit betrifft das Virtuosentum, welches im Strömungen, gründen. Viele Namen, die im Katalog stehen, sind frühen 19. Jahrhundert mit Künstlern wie Liszt die sich im 19. Jahrhundert in Vergessenheit geraten, einige findet man hie und und Paganini einen Höhepunkt erreichte. entwickelten da als Fussnote der Musikgeschichte wieder, andere Das Virtuosentum polarisierte stark: Clara Schu- und in jener gelten noch heute als Koryphäen jener Epoche. mann nannte es «Eine selbstdarstellerische Geistlo- Generation von Künstlern Wer waren all diese Künstler, die für Welte-Mignon- sigkeit der Interpreten». Dagegen verteidigte es gipfelten, die Rollen aufgenommen haben und welche Traditio- Camille Saint-Saëns in seinen Reminiszenzen: «Wie für das Welte-Mignon- nen vermitteln sie mit ihrem Spiel? ist doch über die Virtuosität hergezogen worden, Aufnahmen Dieser Artikel beleuchtet die pianistischen Strö- wie sehr hat man sie bekämpft. An erster Stelle muss machten. mungen, die sich im 19. Jahrhundert entwickelten mal laut und deutlich gesagt werden: Die besiegte und in jener Generation von Künstlern gipfelten, Schwierigkeit in der Kunst wird zur Schönheit. Die die für das Welte-Mignon-Aufnahmen machten. -
Recording Artist Recording Title Price 2Pac Thug Life
Recording Artist Recording Title Price 2pac Thug Life - Vol 1 12" 25th Anniverary 20.99 2pac Me Against The World 12" - 2020 Reissue 24.99 3108 3108 12" 9.99 65daysofstatic Replicr 2019 12" 20.99 A Tribe Called Quest We Got It From Here Thank You 4 Your Service 12" 20.99 A Tribe Called Quest People's Instinctive Travels And The Paths Of Rhythm 12" Reissue 26.99 Abba Live At Wembley Arena 12" - Half Speed Master 3 Lp 32.99 Abba Gold 12" 22.99 Abba Abba - The Album 12" 12.99 AC/DC Highway To Hell 12" 20.99 Ace Frehley Spaceman - 12" 29.99 Acid Mothers Temple Minstrel In The Galaxy 12" 21.99 Adele 25 12" 16.99 Adele 21 12" 16.99 Adele 19- 12" 16.99 Agnes Obel Myopia 12" 21.99 Ags Connolly How About Now 12" 9.99 Air Moon Safari 12" 15.99 Alan Marks Erik Satie - Vexations 12" 19.99 Aldous Harding Party 12" 16.99 Alec Cheer Night Kaleidoscope Ost 12" 14.99 Alex Banks Beneath The Surface 12" 19.99 Alex Lahey The Best Of Luck Club 12" White Vinyl 19.99 Algiers There Is No Year 12" Dinked Edition 26.99 Ali Farka Toure With Ry Cooder Talking Timbuktu 12" 24.99 Alice Coltrane The Ecstatic Music Of... 12" 28.99 Alice Cooper Greatest Hits 12" 16.99 Allah Las Lahs 12" Dinked Edition 19.99 Allah Las Lahs 12" 18.99 Alloy Orchestra Man With A Movie Camera- Live At Third Man Records 12" 12.99 Alt-j An Awesome Wave 12" 16.99 Amazones D'afrique Amazones Power 12" 24.99 American Aquarium Lamentations 12" Colour Vinyl 16.99 Amy Winehouse Frank 12" 19.99 Amy Winehouse Back To Black - 12" 12.99 Anchorsong Cohesion 12" 12.99 Anderson Paak Malibu 12" 21.99 Andrew Bird My Finest Work 12" 22.99 Andrew Combs Worried Man 12" White Vinyl 16.99 Andrew Combs Ideal Man 12" Colour Vinyl 16.99 Andrew W.k I Get Wet 12" 38.99 Angel Olsen All Mirrors 12" Clear Vinyl 22.99 Angelo Badalamenti Twin Peaks - Ost 12" - Ltd Green 20.99 Ann Peebles Greatest Hits 12" 15.99 Anna Calvi Hunted 12" - Ltd Red 24.99 Anna St.