Yellow Jackets Dimensions Sheet
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MI Amplification
MI Amplification Owner’s Manual 1 1. Welcome ....................................................................................................................................... 4 2. Precautions................................................................................................................................... 5 3. Amp Overview .............................................................................................................................. 6 3.1. Preamp.............................................................................................................................................. 6 3.2. Power Amp ....................................................................................................................................... 6 3.3. FX Loops .......................................................................................................................................... 7 3.4. Operating Modes ............................................................................................................................. 7 4. Getting Started ............................................................................................................................. 8 5. The Channels ............................................................................................................................... 9 5.1. Introduction ..................................................................................................................................... 9 5.2. Channel 1 ......................................................................................................................................... -
Valve Biasing
VALVE AMP BIASING Biased information How have valve amps survived over 30 years of change? Derek Rocco explains why they are still a vital ingredient in music making, and talks you through the mysteries of biasing N THE LAST DECADE WE HAVE a signal to the grid it causes a water as an electrical current, you alter the negative grid voltage by seen huge advances in current to flow from the cathode to will never be confused again. When replacing the resistor I technology which have the plate. The grid is also known as your tap is turned off you get no to gain the current draw required. profoundly changed the way we the control grid, as by varying the water flowing through. With your Cathode bias amplifiers have work. Despite the rise in voltage on the grid you can control amp if you have too much negative become very sought after. They solid-state and digital modelling how much current is passed from voltage on the grid you will stop have a sweet organic sound that technology, virtually every high- the cathode to the plate. This is the electrical current from flowing. has a rich harmonic sustain and profile guitarist and even recording known as the grid bias of your amp This is known as they produce a powerful studios still rely on good ol’ – the correct bias level is vital to the ’over-biased’ soundstage. Examples of these fashioned valves. operation and tone of the amplifier. and the amp are most of the original 1950’s By varying the negative grid will produce Fender tweed amps such as the What is a valve? bias the technician can correctly an unbearable Deluxe and, of course, the Hopefully, a brief explanation will set up your amp for maximum distortion at all legendary Vox AC30. -
The EL34 Power Tube HI-'I
The EL34 Power Tube HI-'I .... o.l"r A lp Musical Evaluations of a Classic Design .... A_I . 4.551 Single. Ended EL·84 Stereo Amp ~ _ .... ,���\� . -""" ".. - ...-., p.,.��",-, �. 1""""' -�,�.. � . oPf' ' ".".. ._ '" "'� .,_ "'�•• '" "'� ...- ' ,t\1".' ,w ' � "'\)U'�..,. ,\ 1\ ' ��-;---""\.\. ",.-" " ".,... "", ""�_ " tt"�" ,....-" ...........,...1"'" '�" ""t\1 _,.,.""" ....'" 'r·\ �'� . � ......,. �,,,. � ,..' ",...., \PJOl8'i .... �,�oPf',.,....;:.. O\ �,cl\ ., .... " , � ...,,.. AA �r- . · :::- ,,<,<, ,. ..""'"':k ...0'\1. � ':;: "",;: .. .._ " r ,...,.. _ "" " .-;.,,...""".... ",.... ......,.,.,,, -;;. ,... :;..,� _ """;.... -� . 0 """ " . ,,..,. ,t" ,,'" <""" , .-_,.;.;.''' � .. '''''''-o<f' _ ....;;; .,;::; , -- '" " ,.,...,.. "" .'" ::, ,t"� ��. ...,.,..,.;.;."1"" ''/'''' � _.� "" f"'� . � ' M'''" ' "- """",,; ,.of .,.,..� .. ...,. ' "' 1" '". '_1"""' . .. " ,,,,,,,,,,,,,,,_ f"""";""';..::: .,... " '�,;;.;:' ' ......,,..,..,. _-:: -__':1oPf' ::;;'", --''''"", ""","" ", ' �':::', � ' ""r; """"-"' .''''''''�}.. ,t\1 \ �·, � ot ,;: "" � ,.,. ---� , _.at" � t\JV" �� � 'i"'f'- " .::... .. .... �. , ,�,....,.' .....;. _ ...-:> ".... JC8'I\\ -, \�..- WOl\ """,.""''1"'"- �""'" � '-,�� 6<1\"""- ' ""'..,... � ...... � 6U'." �. - ,t\1 , . _ , "'" 1J>b\"� ��, oPf''' .,..-._ " "" .0. " ..... ���_���\t"�'".. ' ....... "" "",",. N ��:L [\l\'J � ��i y< • D T 0 • , 5 P A G • A N D N D u 5 T • y N • w 5 Beware of FakeNOS Tubes! CE Distribution US Distributor for Electronic Tubes VTV Issue # 1 6 JJ Over the last year or so, we have JJ Electronic, -
VACUUM TUBE VALLEY Fall 1995 Price $6.50
Pub/ish«lQuarterly Celebrating the History and QlIOlity of Vocllum Tube Te<lmology luue 2 Vo/LlI7U! I VACUUM TUBE VALLEY Fall 1995 Price $6.50 Magnum SE Amplifier Da\-c Wolze rec.:nrlydesigned and built an SE amp with power and punch. Page 17 ...... Tube Review: EL·34 In one of existence since 1953 and th(Omost popular audio tubes of all time, rhe EL-34 has many variarions and performance characteristics. Page 8 Heath W-6M Heathkit: Early Tube Hi-Fi years. In This Issue .. manufacturer of Heathkit was the largest d�c Ironic kits in the US, alone time, selling over ntbe bldustry News 350 different types of kts. Learn more aboUl Check OUt the latest happen gs i in in the the early days of Heath Hi-Fi. Page 3 world of vacuum tubes. Learn the results of a recent survey of tuhe dislfih mors and sellers conducted by VIV. MU/UlrdEL-34s Harbouroudines the latest Ilem and Eric Early Cinema Sound Views. Page 15 vrv examines an early \xre�ternElectric [heater sound system. Page 24 Guitar Amplifiers Learn about how to get the best guitar tone. Chaclie Kittleson interviews Terry Buddingh, Tube Amp Expert from GuiTdrPi4yer Magazine. Page 20 Heatb w-4AM Tube Matching: Get the best soutuisfrom your amp. Matched tubes arc essential for opti mum performance from push-pull amps. n John Atwood explai s tube matching techniques for the layman. Page 22 Vacuum Tube Valleyis published quarterly for electronic enthusiasts interested in the See (Jur newfiatures in this months colorfv1 past, present and fvture af yocuum tube electronics. -
Push - Pull Audiophile - Output (1608-1650 "A" Series)
Push - Pull Audiophile - Output (1608-1650 "A" Series) PUSH - PULL "EASY HOOK-UP" "CLASSIC" TUBE TYPE - ULTRA-LINEAR OUTPUT TRANSFORMERS • NEW & Improved version of our 1608-1650 series output transformers (re-designed secondaries for easy hook- up of secondary loads) • Designed for push-pull tube output circuits. o • Enclosed (shielded), 4 slot, above chassis Type "X" mounting. • Frequency response 30 Hz. to 30 Khz. at full rated power (+/- 1 db max. - ref. 1 Khz) minimum. Except the Audi 1650E (70 Hz. to 30 Khz. +/- 1 db max. - ref. 1 Khz.) be • Insulated flexible leads 8" min. • All units (except the 1650G) include 40% screen taps for Ultra-Linear operation (if desired). Tu • Typical applications - Push-Pull: triode, Ultra-Linear pentode, and tetrode connected audio output. The 1650G does NOT have primary screen taps and will not support "Ultra-Linear" applications. Audio Dimensions (Inches) Part Primary Max. DC Secondary Wt. Watts E G Number Impedance Per Side Impedance A B C D Lbs. (RMS) +/- 1/16” Slot 1608A 10 8,000 C.T. 100 ma. 4-8-16 2.50 2.75 3.06 2.00 1.69 .203 x .38 2.5 1609A 10 10,000 C.T. 100 ma. 4-8-16 2.50 2.75 3.06 2.00 1.69 .203 x .38 2.5 1615A 15 5,000 C.T. 100 ma. 4-8-16 2.50 3.25 3.06 2.00 2.19 .203 x .38 3.25 1650E 15 8,000 C.T. 100 ma. 4-8-16 2.50 3.25 3.06 2.00 2.50 .203 x .38 3.5 1620A 20 6,600 C.T. -
Využití Elektronek V Současné Době
Jihočeská univerzita v Českých Budějovicích Pedagogická fakulta Katedra aplikované fyziky a techniky Diplomová práce Využití elektronek v současné době Vedoucí práce: Ing. Michal Šerý, Ph.D. Autor práce: Bc. Josef Čepička Studijní obor: Učitelství fyziky a výpočetní techniky s elektronikou pro 2. stupeň ZŠ, kombinované studium České Budějovice 2013 Anotace Cílem této diplomové práce je zkonstruování ukázkového modelu elektronkového zesilovače s možností měření procházejícího signálu ve více bodech a možností náhledu do zapojení a konstrukce zesilovače. Na začátku práce je popsáno několik zásadních témat týkajících se elektronek a zapojení s nimi, jako například princip zesílení signálu pomocí elektronek, třídy nízkofrekvenčních zesilovačů a popis několika typů nežádoucích zkreslení. Další část práce pojednává o samotném návrhu zkonstruovaného zesilovače, popisu vzniku a osazení desek plošných spojů a použitých elektronkách a transformátorech. Následující část práce je věnována měření základních vlastností zesilovače a měření vlastností elektronek pomocí přístroje TESLA BM215A. V závěrečné kapitole jsou uvedeny technické parametry zesilovače a fotodokumentace. Abstract Aim of this thesis is to construct a demonstration model of a vacuum tube amplifier with a possibility of measurement of signal on more places and a possibility to see the wiring and construction of the amplifier. The first part of the work treats some important themes concerning vacuum tubes and wiring with them, for example a principle of signal intensification by vacuum tubes, categories of low-frequency amplifiers and description of several types of undesirable distortions. Next part deals with the design of the constructed amplifier, the description of the construction itself and placement of the components on the printed circuit boards and used vacuum tubes and transformers. -
Tube Pinouts
bustedgear.com VACUUM TUBE PINOUT SHEETS INDEX Tube Page Tube Page Tube Page Tube Page 5AR4 5 6FQ7 30 12DW7 22 7025 22 5AU4 6 6FV8A 28 12FX5 12 7027A 18 5BR8 28 6J7 13 12SL7 16 7189 25 5BS8 23 6K11 35 12SN7 16 7189A 25 5FV8 28 6L6 10 7199 29 5U4 6 6N7 15 18GD6A 11 7591A 19 5V3 6 6Q11 35 35Z5 7 76 3 5Y3 6 6SC7 21 36AM3 4 7868 33 5Z3 2 6SJ7 20 50BM8 27 6SL7 16 50L6 10 ECC81 22 6AU6 11 6SN7 16 5751 22 ECC82 22 6BM8 27 6V4 32 5881 10 ECC83 22 6BQ5 25 6V6 10 6072A 22 ECC832 22 6BR8A 28 60FX5 12 ECC88 23 6C4 8 12AT7 22 6201 22 ECL82 27 6C6 9 12AU6 11 6550 14 EL34 17 6C10 34 12AU7 22 6679 22 EL84 25 6CA4 32 12AX7 22 6680 22 EZ80 32 6CA7 17 12AY7 22 6681 22 EZ81 32 6CG7 30 12BH7 22 6922 23 GZ34 5 6CX8 26 12BV7 24 KT66 10 6DJ8 23 12BY7A 24 KT88 17 6EU7 31 12DQ7 24 UCL82 27 5Z3 PIN DIAGRAM: 4C Page 2 WIRING SIDE OF SOCKET IS SHOWN INDEX AMPLIFIER MAKE: MODEL: FULL-WAVE RECTIFIER SERIAL NO: VOLTAGE READINGS PIN ELECTRODE a: b: c: d: e: f: 1 Filament 2 d2 - Plate 3 d1 - Plate 4 Filament TERMINAL ABBREVIATIONS: H = Heater End (Unpolarized). HM = Heater Tap. IC = Do Not Use (Internal Connection). IS = Internal Shield (Electrostatic). K = Cathode. NC = No Internal Connection. S = Metal Shell. SUBSCRIPTS FOR MULTI-UNIT TUBES: b = Beam Power Unit. -
The Williamson Amplifier of 1947, by P.R. Stinson
1 THE WILLIAMSON AMPLIFIER OF 1947. An account of D.T.N. Williamson's quality audio amplifier design as published in 1947: Background, development, and fortunes. by P. R. Stinson. Author’s revised edition - September 2020. 2 Advertisement Australasian Radio World March 1948 Swales & Swann were prominent Melbourne makers of P.A. & audio equipment. 1951. Advertisement from the W.W. ‘Williamson Amplifier’ booklet.Vortexion Ltd were pre-eminent U.K. makers of very high quality audio compoments. 3 THE WILLIAMSON AMPLIFIER OF 1947. An account of D.T.N. Williamson's quality audio amplifier design as published in 1947: Background, development, and fortunes. by P. R. Stinson. ************************************************************** 1. INTRODUCTION. 2. AMPLIFIER TECHNOLOGY. 1908-1939. 3. D.T.N. WILLIAMSON. 4. THE QUALITY AMPLIFIER. 1944-5. 5. THE POSTWAR AUDIO SCENE. 1945-7. 6. EARLY REACTION TO THE QUALITY AMPLIFIER. 1947-8. 7. THE PROGRESS OF THE WILLIAMSON. 1948-51. 8. THE WILLIAMSON IN AMERICA. 1948-51. 9. THE ULTRALINEAR ERA. 1951. 10. CONCLUSIONS. Postscripts & Appendices. ************************************************************* Author's Preface. I recognise that this paper is a very selective ramble through the history of audio, and an incomplete account of the contribution of D.T.N. Williamson, but I discovered that trying to describe the ‘Williamson’ amplifier out of context was quite difficult, and I suspect, somewhat less interesting than the story which resulted. The quest for high fidelity sound reproduction is a good story and perhaps this paper will encourage more interest in the subject. I hope it will also encourage the rescue and restoration of the surviving Williamson amplifiers. P.R.S. -
The 18 Watt Amp Builder's Guide
The 18 Watt Amp Builder's Guide April 2018, Version 3.0 For the sole personal use of Trinity Amps Customers. Parts © Trinity Amps 2005 - 2017 www.trinityamps.com Trinity Amps 18 Watt Builder’s Guide. Version 3.0 Page - 2 Table of Contents Table of Contents .................................................................................................................................................. 3 Thank You! ............................................................................................................................................................ 5 Introduction .......................................................................................................................................................... 7 Acknowledgements ............................................................................................................................................... 7 WARNING............................................................................................................................................................ 8 Version Control ..................................................................................................................................................... 9 Fender and Marshall Tone controls ..................................................................................................................................................... 13 VOX Tone controls ............................................................................................................................................................................... -
Easy Wire Secondary 1608A-1650A Series Push-Pull - HI-FI
9/6/2021 Tube Output (10 - 280 Watts) Easy Wire Secondary (1608A-1650A Series) - Hammond Mfg. Quality Products. Service Excellence. Tube Output (10 - 280 Watts) Easy Wire Secondary 1608A-1650A Series Push-Pull - HI-FI Features NEW & improved version of our 1608-1650 Series multiple secondary output transformers (re-designed secondaries for easy hook-up of secondary loads). Designed for push-pull tube output circuits. Units are designed to provide ample "headroom" at bass frequencies (note the weight of each transformer). All models have a secondary tapped for 4, 8 or 16 ohm outputs. Enclosed (shielded), 4 slot, above chassis Type "X" mounting. Manufactured with plastic coil forms for coil support and insulation. Frequency response 30 Hz. to 30 Khz. at full rated power (+/- 1 db max. - ref. 1 Khz) minimum. Insulated flexible leads 8" min. All units (except the 1650G) include 40% screen taps for Ultra-Linear operation (if desired). Typical applications - Push-Pull: triode, Ultra-Linear pentode, pentode and tetrode connected audio output. The 1650G does NOT have primary screen taps and will not support "Ultra-Linear" applications. Gallery Audio Primary Maximum Secondary Dimensions Watts Impedance DC Impedance E G Weight Part No. (RMS) (Ohms) Per Side (Ohms) A B C D +/- 1/16" Slot (lbs.) 1608A 10 8,000 ct 100 ma. 4-8-16 2.50 2.75 3.06 2.00 1.69 0.20 x 0.38 2.5 1609A 10 10,000 ct 100 ma. 4-8-16 2.50 2.75 3.06 2.00 1.69 0.20 x 0.38 2.5 1615A 15 5,000 ct 100 ma. -
Next NMRCC Meeting February 11Th Theme: Pre-1930 Radios
Grigsby-Grunow Majestic 1933 # 02 Vol-23 2018 extension speaker for 66 GGM car radio Underside of a EH Scott Allwave 27 with new Chinese capacitors installed. 1954 McIntosh MC60 with Gold Lion KT88 at 2A3 69 Watts out Next NMRCC Meeting February 11th Theme: Pre-1930 radios Anyone have any idea what a ballpark fair market value would be for a Sherwood S3000 Mark IV Stereo version in excellent cosmetic condition restored by RadioX a few years ago is worth...thanks SHERWOOD Model S-3000 IV FM/MX (Circa 1962) by David Wilson I have been working over the years to recre- a child growing up in the late ate my father’s original hi-fi system that he As 1950s and ‘60s, we remember se- started to build in the mid 1950s and his lective things. The four things about my later 1960s hi-fi stereo father that I remember are music (which I system. equate to his 1950s Hi-Fi equipment and his later 1960s stereo equipment), Beethoven, The Sherwood 3000 IV high-end movie and photography equip- FM tuner I acquired a ment, and Chrysler Imperials with Hemi few months ago is the engines. He subscribed to Stereo Review exact tuner my and Consumer Reports, and read everything father acquired in 1962, about something before he went out and when I was five years bought his hi-fis, cameras, or cars. old. These tuners were considered great stereo In the winter of 1962, my father came home tuners for the time. In with a new component to his hi-fi system. -
LM-88IA Integrated Tube Amplifier – Push Pull KT88 – 2X42w
LM-88IA Integrated tube amplifier – Push Pull KT88 – 2x42W Line Magnetic Audio is a brand of High end products founded in 2005. Now it has HIGHTLIGHTS become well known with its series reproduction of music and regarded as a SPECIFICATIONS forerunner in presenting innovative products with cutting edge technology and P Point-to-point wiring lasting intrinsic value. Tube electronics, CD players, Classic horns, Classis field coil Class A amplifier P Triode/ultra-linear modes speakers, DACs, a lot of different series of products we are working on not only 2x42W RMS Triode mode P High quality components Classis electronics but also new technology on dacs and CD players. 2x30W RMS Ultra-linear mode Forty-two watts per channel, Class AB Integrated Stereo Amplifier with KT88 Tubes: 2x 6CL7, 2x 12BH7, (JJ Electronic) output power tubes, 6CL8A (Mullard) and 12BH7 (Electro Harmonix) 4x KT88 input tubes. Ultra-linear or triode mode LM-88IA Amplifier can operate in two different ways Auto-biased or Fixed bias. You THD : 1% (1kHz) can select the one you prefer. Power output for Auto-bias mode is 45 watts while for Signal/Noise ratio: fixed bias it is 30 watts per channel. 87dB (Weighted A) Frequency response: Specially designed Toroid transformers made of Z11 Core fort power supply and two 10 to 50.000 Hz (-1.5 dB) Japanese Audio grade EI types of output transformers with wide bandwidth are Sensitivity: applied. All transformers and chokes are encapsulated and installed separately on 180mV (Fixed Bias) the amplifier to avoid and lower the disturbance between each other.