Why Is It Worth Choosing a Vacuum Tube Amplifier?
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MI Amplification
MI Amplification Owner’s Manual 1 1. Welcome ....................................................................................................................................... 4 2. Precautions................................................................................................................................... 5 3. Amp Overview .............................................................................................................................. 6 3.1. Preamp.............................................................................................................................................. 6 3.2. Power Amp ....................................................................................................................................... 6 3.3. FX Loops .......................................................................................................................................... 7 3.4. Operating Modes ............................................................................................................................. 7 4. Getting Started ............................................................................................................................. 8 5. The Channels ............................................................................................................................... 9 5.1. Introduction ..................................................................................................................................... 9 5.2. Channel 1 ......................................................................................................................................... -
Valve Biasing
VALVE AMP BIASING Biased information How have valve amps survived over 30 years of change? Derek Rocco explains why they are still a vital ingredient in music making, and talks you through the mysteries of biasing N THE LAST DECADE WE HAVE a signal to the grid it causes a water as an electrical current, you alter the negative grid voltage by seen huge advances in current to flow from the cathode to will never be confused again. When replacing the resistor I technology which have the plate. The grid is also known as your tap is turned off you get no to gain the current draw required. profoundly changed the way we the control grid, as by varying the water flowing through. With your Cathode bias amplifiers have work. Despite the rise in voltage on the grid you can control amp if you have too much negative become very sought after. They solid-state and digital modelling how much current is passed from voltage on the grid you will stop have a sweet organic sound that technology, virtually every high- the cathode to the plate. This is the electrical current from flowing. has a rich harmonic sustain and profile guitarist and even recording known as the grid bias of your amp This is known as they produce a powerful studios still rely on good ol’ – the correct bias level is vital to the ’over-biased’ soundstage. Examples of these fashioned valves. operation and tone of the amplifier. and the amp are most of the original 1950’s By varying the negative grid will produce Fender tweed amps such as the What is a valve? bias the technician can correctly an unbearable Deluxe and, of course, the Hopefully, a brief explanation will set up your amp for maximum distortion at all legendary Vox AC30. -
Vacuum Tube Theory, a Basics Tutorial – Page 1
Vacuum Tube Theory, a Basics Tutorial – Page 1 Vacuum Tubes or Thermionic Valves come in many forms including the Diode, Triode, Tetrode, Pentode, Heptode and many more. These tubes have been manufactured by the millions in years gone by and even today the basic technology finds applications in today's electronics scene. It was the vacuum tube that first opened the way to what we know as electronics today, enabling first rectifiers and then active devices to be made and used. Although Vacuum Tube technology may appear to be dated in the highly semiconductor orientated electronics industry, many Vacuum Tubes are still used today in applications ranging from vintage wireless sets to high power radio transmitters. Until recently the most widely used thermionic device was the Cathode Ray Tube that was still manufactured by the million for use in television sets, computer monitors, oscilloscopes and a variety of other electronic equipment. Concept of thermionic emission Thermionic basics The simplest form of vacuum tube is the Diode. It is ideal to use this as the first building block for explanations of the technology. It consists of two electrodes - a Cathode and an Anode held within an evacuated glass bulb, connections being made to them through the glass envelope. If a Cathode is heated, it is found that electrons from the Cathode become increasingly active and as the temperature increases they can actually leave the Cathode and enter the surrounding space. When an electron leaves the Cathode it leaves behind a positive charge, equal but opposite to that of the electron. In fact there are many millions of electrons leaving the Cathode. -
The 88-50—A Low-Distortion 50-Watt Amplifier
Fig. 1. External view of amplifier and preamplifier described by the author. This installment covers only the 50-watt power am p lifie r. The 88-50—a Low-Distortion 50-Watt Amplifier With harmonic distortion of less than 0.5 per cent throughout most of the audio spectrum, this 50-watt amplifier is comparatively simple in construction and requires only ordinary care in wiring. W. I. HEATH" and C. R. WOODVILLE* or audio amplifiers of medium from a pair of KTSS’s is slightly over the biggest gremlins of high-fi apparatus power, the KT66 output tube be 50 watts with a supply voltage of 500 a rumble filler using an attractively F came well known with the Williamson volts. This article describes the design simple circuit is incorporated in the pre amplifier, and its reputation for reliabil and construction of such an amplifier; amplifier. ity has made it much sought after in a second article will give similar details “off-the-shelf” high-fidelity amplifiers, as of a matching preamplifier. They are The Power Amplifier well as in home-built kits. shown together in Fig. 1. From the same stable there now fol The complete amplifier, the “88-50,” The circuit of the power amplifier is lows a new tube, the KTS8, a pentode has been designed to give a high per shown in Fig. 2. A pair of KTSS’s is with a higher platc-plus-screeu dissipa formance and a complete range of input connected in an ultralinear output stage. tion of 40 watts, and a higher mutual and control facilities without compli- They are driven by a push-pull double lows' a new tube," tne' JVi'so, a pentode has been designed to give a high per knwdri TU7'fknr:'ox -j.ixoo‘A is with a higher plate-plus-scrceu dissipa formance and a complete range of input connected in an ultralinear output stage. -
The EL34 Power Tube HI-'I
The EL34 Power Tube HI-'I .... o.l"r A lp Musical Evaluations of a Classic Design .... A_I . 4.551 Single. Ended EL·84 Stereo Amp ~ _ .... ,���\� . -""" ".. - ...-., p.,.��",-, �. 1""""' -�,�.. � . oPf' ' ".".. ._ '" "'� .,_ "'�•• '" "'� ...- ' ,t\1".' ,w ' � "'\)U'�..,. ,\ 1\ ' ��-;---""\.\. ",.-" " ".,... "", ""�_ " tt"�" ,....-" ...........,...1"'" '�" ""t\1 _,.,.""" ....'" 'r·\ �'� . � ......,. �,,,. � ,..' ",...., \PJOl8'i .... �,�oPf',.,....;:.. O\ �,cl\ ., .... " , � ...,,.. AA �r- . · :::- ,,<,<, ,. ..""'"':k ...0'\1. � ':;: "",;: .. .._ " r ,...,.. _ "" " .-;.,,...""".... ",.... ......,.,.,,, -;;. ,... :;..,� _ """;.... -� . 0 """ " . ,,..,. ,t" ,,'" <""" , .-_,.;.;.''' � .. '''''''-o<f' _ ....;;; .,;::; , -- '" " ,.,...,.. "" .'" ::, ,t"� ��. ...,.,..,.;.;."1"" ''/'''' � _.� "" f"'� . � ' M'''" ' "- """",,; ,.of .,.,..� .. ...,. ' "' 1" '". '_1"""' . .. " ,,,,,,,,,,,,,,,_ f"""";""';..::: .,... " '�,;;.;:' ' ......,,..,..,. _-:: -__':1oPf' ::;;'", --''''"", ""","" ", ' �':::', � ' ""r; """"-"' .''''''''�}.. ,t\1 \ �·, � ot ,;: "" � ,.,. ---� , _.at" � t\JV" �� � 'i"'f'- " .::... .. .... �. , ,�,....,.' .....;. _ ...-:> ".... JC8'I\\ -, \�..- WOl\ """,.""''1"'"- �""'" � '-,�� 6<1\"""- ' ""'..,... � ...... � 6U'." �. - ,t\1 , . _ , "'" 1J>b\"� ��, oPf''' .,..-._ " "" .0. " ..... ���_���\t"�'".. ' ....... "" "",",. N ��:L [\l\'J � ��i y< • D T 0 • , 5 P A G • A N D N D u 5 T • y N • w 5 Beware of FakeNOS Tubes! CE Distribution US Distributor for Electronic Tubes VTV Issue # 1 6 JJ Over the last year or so, we have JJ Electronic, -
VACUUM TUBE VALLEY Fall 1995 Price $6.50
Pub/ish«lQuarterly Celebrating the History and QlIOlity of Vocllum Tube Te<lmology luue 2 Vo/LlI7U! I VACUUM TUBE VALLEY Fall 1995 Price $6.50 Magnum SE Amplifier Da\-c Wolze rec.:nrlydesigned and built an SE amp with power and punch. Page 17 ...... Tube Review: EL·34 In one of existence since 1953 and th(Omost popular audio tubes of all time, rhe EL-34 has many variarions and performance characteristics. Page 8 Heath W-6M Heathkit: Early Tube Hi-Fi years. In This Issue .. manufacturer of Heathkit was the largest d�c Ironic kits in the US, alone time, selling over ntbe bldustry News 350 different types of kts. Learn more aboUl Check OUt the latest happen gs i in in the the early days of Heath Hi-Fi. Page 3 world of vacuum tubes. Learn the results of a recent survey of tuhe dislfih mors and sellers conducted by VIV. MU/UlrdEL-34s Harbouroudines the latest Ilem and Eric Early Cinema Sound Views. Page 15 vrv examines an early \xre�ternElectric [heater sound system. Page 24 Guitar Amplifiers Learn about how to get the best guitar tone. Chaclie Kittleson interviews Terry Buddingh, Tube Amp Expert from GuiTdrPi4yer Magazine. Page 20 Heatb w-4AM Tube Matching: Get the best soutuisfrom your amp. Matched tubes arc essential for opti mum performance from push-pull amps. n John Atwood explai s tube matching techniques for the layman. Page 22 Vacuum Tube Valleyis published quarterly for electronic enthusiasts interested in the See (Jur newfiatures in this months colorfv1 past, present and fvture af yocuum tube electronics. -
INDUSTRIAL STRENGTH by MICHAEL RIORDAN
THE INDUSTRIAL STRENGTH by MICHAEL RIORDAN ORE THAN A DECADE before J. J. Thomson discovered the elec- tron, Thomas Edison stumbled across a curious effect, patented Mit, and quickly forgot about it. Testing various carbon filaments for electric light bulbs in 1883, he noticed a tiny current trickling in a single di- rection across a partially evacuated tube into which he had inserted a metal plate. Two decades later, British entrepreneur John Ambrose Fleming applied this effect to invent the “oscillation valve,” or vacuum diode—a two-termi- nal device that converts alternating current into direct. In the early 1900s such rectifiers served as critical elements in radio receivers, converting radio waves into the direct current signals needed to drive earphones. In 1906 the American inventor Lee de Forest happened to insert another elec- trode into one of these valves. To his delight, he discovered he could influ- ence the current flowing through this contraption by changing the voltage on this third electrode. The first vacuum-tube amplifier, it served initially as an improved rectifier. De Forest promptly dubbed his triode the audion and ap- plied for a patent. Much of the rest of his life would be spent in forming a se- ries of shaky companies to exploit this invention—and in an endless series of legal disputes over the rights to its use. These pioneers of electronics understood only vaguely—if at all—that individual subatomic particles were streaming through their devices. For them, electricity was still the fluid (or fluids) that the classical electrodynamicists of the nineteenth century thought to be related to stresses and disturbances in the luminiferous æther. -
Mixed Classes Amplifiers
<< Prev TUBE CAD JOURNAL Next >> Mixed-Class & Mixed-Topology Amplifiers If only we could save our cake and eat it at the same time. The aim of a mixed class amplifier is to provide the high quality sound of Class-A Class-B Class-A operation with the greater efficiency and power output of Class-B operation. An additional aim might be to further the listener’s ability to tune the amplifier’s sound by means of a single potentiometer...but let’s not get to far ahead of ourselves. Just as push-pull operation doubled the single- At first, all new amplifier topologies are hard ended solo output tube, mixed class operation to understand. Imagine when all amplifiers were doubles push-pull’s double output tubes; thus at single-ended how difficult it must have been to least four output tubes are needed. One pair runs explain push-pull operation. What is “phase” in Class-A push-pull and the second pair runs in and why does it need to be split? If the output Class-AB or Class-B (or even Class-C) push- transformer isn’t partially magnetized and pull. Thus, the first pair are always conducting, doesn't have an air gap, how can it work? These while the second pair can be completely turned and other questions would require careful off (or run at a much lower current) at idle. answering, as push-pull operation also brought As the signal level increases, the second pair the possibility and the complication of Class-AB is activated, unburdening the first pair and and Class-B operation of the output tubes, which greatly increasing the output power. -
Push - Pull Audiophile - Output (1608-1650 "A" Series)
Push - Pull Audiophile - Output (1608-1650 "A" Series) PUSH - PULL "EASY HOOK-UP" "CLASSIC" TUBE TYPE - ULTRA-LINEAR OUTPUT TRANSFORMERS • NEW & Improved version of our 1608-1650 series output transformers (re-designed secondaries for easy hook- up of secondary loads) • Designed for push-pull tube output circuits. o • Enclosed (shielded), 4 slot, above chassis Type "X" mounting. • Frequency response 30 Hz. to 30 Khz. at full rated power (+/- 1 db max. - ref. 1 Khz) minimum. Except the Audi 1650E (70 Hz. to 30 Khz. +/- 1 db max. - ref. 1 Khz.) be • Insulated flexible leads 8" min. • All units (except the 1650G) include 40% screen taps for Ultra-Linear operation (if desired). Tu • Typical applications - Push-Pull: triode, Ultra-Linear pentode, and tetrode connected audio output. The 1650G does NOT have primary screen taps and will not support "Ultra-Linear" applications. Audio Dimensions (Inches) Part Primary Max. DC Secondary Wt. Watts E G Number Impedance Per Side Impedance A B C D Lbs. (RMS) +/- 1/16” Slot 1608A 10 8,000 C.T. 100 ma. 4-8-16 2.50 2.75 3.06 2.00 1.69 .203 x .38 2.5 1609A 10 10,000 C.T. 100 ma. 4-8-16 2.50 2.75 3.06 2.00 1.69 .203 x .38 2.5 1615A 15 5,000 C.T. 100 ma. 4-8-16 2.50 3.25 3.06 2.00 2.19 .203 x .38 3.25 1650E 15 8,000 C.T. 100 ma. 4-8-16 2.50 3.25 3.06 2.00 2.50 .203 x .38 3.5 1620A 20 6,600 C.T. -
Lee De Forest Claimet\He Got the Idea for His Triode ''Audion" From
Lee de Forest claimet\he got the idea for his triode h ''audion" from wntching a gas flame bum. John Ambrose Flen#ng thought that story ·~just so much hot air. lreJess telegraphy held excit m WIng promise at the beginning of the twentieth century. Peo ~With Imagination could seethe po.. tentlal thot 'the rematkoble new technology offered forworlct1Nk:le com munfcotion. However, no one could hove predicted the impact that the soon-to-be-developed "osdllotlon volve" ond "oudlon" Wireless-telegra phy detector& wauid have on elec tronics technology. Backpouncl. Shortly before 1900, · Guglielmo Morconl had formed his own company to develop wireless telegraphy technology. He demon strated that wireless set-ups on ships eot~ld~messageswlth nearby stations on other ships or on land. t The Marconi Company hOd also j transmitted messages across the EhQ Jish Channel. By the end of 1901. Mar coni extended the range of his equipmenttospantheAtlan1tcOcean. It was obvlgus. 1hot ~raph ~MeS with subrhatlrie cables and ihelr lnber ent flmltations woUld soon disappear, Ships· at sea would no longer be iso la1ed. No locatlon on Eorth would. be too remote to send and receive mes sages. Clear1y; the opportunity existed tor enormous tiOOnciql gain once Jelio ble equlprrient was avoltable. To that end, 1Uned electrical circuits were developed to reduce the band width of the signals produced by ,the spark transrnlf'tirs. The resonont clfcults were also used in a receiver to select one signal from omong several trans missions. Slm~deslgn principles for resonont ontennas were also being explored and applied, However, the senstflvlty and reUabltlty of the devices used to ctetectthe Wireless signals were still hln cterlng the development of commer () cial wireless-telegraph nefWorks. -
Optomized Electron Stream Web Pages
Web: http://www.pearl-hifi.com 86008, 2106 33 Ave. SW, Calgary, AB; CAN T2T 1Z6 E-mail: [email protected] Ph: +.1.403.244.4434 Fx: +.1.403.244.7134 Precision Electro-Acoustic Research Laboratory ❦ Hand-Builders of Fine Music-Reproduction Equipment Please note that the links in the PEARL logotype above are “live” and can be used to direct your web browser to our site or to open an e-mail message window addressed to ourselves. To view our item listings on eBay, click here. To see the feedback we have left for our customers, click here. This document has been prepared as a public service . Any and all trademarks and logotypes used herein are the property of their owners. It is our intent to provide this document in accordance with the stipulations with respect to “fair use” as delineated in Copyrights - Chapter 1: Subject Matter and Scope of Copyright; Sec. 107. Limitations on exclusive rights: Fair Use. Public access to copy of this document is provided on the website of Cornell Law School ( http://www4.law.cornell.edu/uscode/17/107.html ) and is here reproduced below:: Sec. 107. - Limitations on exclusive rights: Fair Use Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, includ- ing such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for class- room use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include: 1 - the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes; 2 - the nature of the copyrighted work; 3 - the amount and substantiality of the portion used in relation to the copy righted work as a whole; and 4 - the effect of the use upon the potential market for or value of the copy- righted work. -
Tube Pinouts
bustedgear.com VACUUM TUBE PINOUT SHEETS INDEX Tube Page Tube Page Tube Page Tube Page 5AR4 5 6FQ7 30 12DW7 22 7025 22 5AU4 6 6FV8A 28 12FX5 12 7027A 18 5BR8 28 6J7 13 12SL7 16 7189 25 5BS8 23 6K11 35 12SN7 16 7189A 25 5FV8 28 6L6 10 7199 29 5U4 6 6N7 15 18GD6A 11 7591A 19 5V3 6 6Q11 35 35Z5 7 76 3 5Y3 6 6SC7 21 36AM3 4 7868 33 5Z3 2 6SJ7 20 50BM8 27 6SL7 16 50L6 10 ECC81 22 6AU6 11 6SN7 16 5751 22 ECC82 22 6BM8 27 6V4 32 5881 10 ECC83 22 6BQ5 25 6V6 10 6072A 22 ECC832 22 6BR8A 28 60FX5 12 ECC88 23 6C4 8 12AT7 22 6201 22 ECL82 27 6C6 9 12AU6 11 6550 14 EL34 17 6C10 34 12AU7 22 6679 22 EL84 25 6CA4 32 12AX7 22 6680 22 EZ80 32 6CA7 17 12AY7 22 6681 22 EZ81 32 6CG7 30 12BH7 22 6922 23 GZ34 5 6CX8 26 12BV7 24 KT66 10 6DJ8 23 12BY7A 24 KT88 17 6EU7 31 12DQ7 24 UCL82 27 5Z3 PIN DIAGRAM: 4C Page 2 WIRING SIDE OF SOCKET IS SHOWN INDEX AMPLIFIER MAKE: MODEL: FULL-WAVE RECTIFIER SERIAL NO: VOLTAGE READINGS PIN ELECTRODE a: b: c: d: e: f: 1 Filament 2 d2 - Plate 3 d1 - Plate 4 Filament TERMINAL ABBREVIATIONS: H = Heater End (Unpolarized). HM = Heater Tap. IC = Do Not Use (Internal Connection). IS = Internal Shield (Electrostatic). K = Cathode. NC = No Internal Connection. S = Metal Shell. SUBSCRIPTS FOR MULTI-UNIT TUBES: b = Beam Power Unit.