Technology, Language and Thought: Extensions of Meaning in the English Lexicon

Total Page:16

File Type:pdf, Size:1020Kb

Technology, Language and Thought: Extensions of Meaning in the English Lexicon 2005:31 DOCTORAL T H E SI S Technology, Language and Thought: Extensions of Meaning in the English Lexicon Marlene Johansson Falck L L I M S Linguistics in the Midnight Sun Luleå University of Technology Department of Languages and Culture 2005:31|: 102-1544|: - -- 05⁄31 -- Marlene Johansson Falck Technology, Language, and Thought - Extensions of Meaning in the English Lexicon I Johansson Falck, Marlene (2005) Technology, Language and Thought – Extensions of Meaning in the English Lexicon. Doctoral dissertation no 2005:31. Department of Languages and Culture, Luleå University of Technology. Abstract In this thesis, the relationship between technological innovation and the development of language and thought is analysed. For this purpose, three different fields of technology are investigated: 1) the steam engine, 2) electricity, and 3) motor vehicles, roads and ways. They have all either played an extremely important part in people’s lives, or they are still essential to us. The overall aim is to find out in what ways these inventions and discoveries have helped people to develop abstract thinking and given speakers of English new possibilities to express themselves. Questions being asked are a) if the correlations in experience between the inventions and other domains have motivated new conceptual mappings? b) if the experiences that they provide people with may be used to re-experience certain conceptual mappings, and hence make them more deeply entrenched in people’s minds? and c) if the uses of them as cognitive tools have resulted in meaning extension in the English lexicon? The study is based on metaphoric and metonymic phrases collected from a number of different dictionaries. In the material a large number of metaphorical and metonymic expressions including terms connected to the inventions and discoveries that are part of this thesis are found. As is clear from the expressions, the steam engine, electricity, motor vehicles, roads and ways have all provided us with ample tools for structuring our thoughts, and for conveying our thoughts to others. Primarily, it seems to be the different functions of the discoveries and inventions, or the effects that they have on other objects that have motivated the mappings. In addition to analysing the cognitive role of the inventions that are part of this thesis, some general conclusions concerning the relationship between language, thought and world are suggested. Keywords: cognitive linguistics, cognitive tools, language, English, sense development, meaning extension, thought, metaphors, metonymies, scaffoldings, entrenchment, technology, electricity, steam engines, motor vehicles, roads, ways II Marlene Johansson Falck Technology, Language and Thought – Extensions of Meaning in the English Lexicon To Markus, Arvin, Hilda and Hanna III The printing of this volume has been funded by the Faculty of Arts and Social Sciences. Luleå University of Technology. Copyright © the author Cover Illustration: The logo of the research program Linguistics in the Midnight Sun at the Department of Languages and Culture. Editing and computer typesetting: Ulf Magnusson Printed in Sweden by the Printing Office of Luleå University of Technology IV TABLE OF CONTENTS Acknowledgements IX CHAPTER 1. INTRODUCTION 1 1.1. Technology, language and thought 1 1.2. Why technological metaphors? 3 1.3. Aims 5 7 1.4. Method and material 9 1.5. Influential works 10 1.6. Orthographic conventions 11 CHAPTER 2. THEORETICAL BACKGROUND 11 2.1. Metaphor 11 2.1.1. Introductory 2.1.2. The traditional view of literal and metaphorical 12 meaning 2.1.3. The interaction theory 13 2.1.4. The conceptual theory 15 2.1.5. Discussion 19 2.1.5.1. The locus of metaphor 19 2.1.5.2. Language and thought 21 2.1.5.3. Similar processes 22 2.1.5.4. Literal and metaphorical language 22 2.1.5.5. Metaphor processing 24 2.2. The cognitive context of metaphors. 30 2.2.1. The nature of language, metonymy and meaning 31 2.2.2. Mental spaces and cognitive domains 35 2.2.3. Conceptual blending 36 2.3. Summary and conclusion 40 V CHAPTER 3. HISTORY OF TECHNOLOGY 41 3.1. Introductory 41 3.2. The industrial revolution 42 3.2.1. Factors behind the revolution 42 3.2.1.1. Political changes and industrial investments 42 3.2.1.2. Attitudes 43 3.2.1.3. Agricultural improvements and mobile labour 44 3.2.2. The textile industry 45 3.2.2.1.The emergence of the factory system 45 3.2.2.2. Cotton - the spear head of the revolution 46 3.2.2.3. Interaction with other industries 47 3.2.3. Deforestation and an increase in the use of coal 47 3.2.4. The development of the iron industry 48 3.2.5. The steam engine 49 3.2.5.1. The first generation of steam engines 50 3.2.5.2. High pressure engines th 52 3.3. The 19 century 52 3.3.1. Progress, technology and people 52 3.3.2. Transportation 54 3.3.3. Telegraphy 55 3.3.4. The textile industry and the Jacquard loom 56 3.3.5. The development of machine tools 57 3.3.6. Prerequisites for mass production 58 3.3.7. Electricity 58 3.3.7.1. From knowledge to application 58 3.3.7.2. The electrical industry 60 3.3.8. The development of automobiles th 61 3.4. The 20 century 62 3.4.1. The turn of the century 62 3.4.2. Technology and science 63 3.4.3. Transportation 64 3.4.3.1. Motor vehicles, roads and ways 64 3.4.3.2. Rail and water transport 65 3.4.3.3. Aviation 66 3.4.4. Electronic communications 68 3.4.5. Energy sources 68 3.4.5.1. Lighting, heating and conventional sources 68 3.4.5.2. Nuclear power 70 3.4.6. Agricultural developments 71 3.4.7. The computer 72 3.5. Summary and conclusion 73 VI CHAPTER 4. THE STEAM ENGINE 75 4.1. Introductory 75 4.2. Concepts within the domain of the steam engine as conceptualised by means of other domains 77 4.3. The form steam 79 4.3.1. The emission of a substance 80 80 4.3.1.1. Literal uses 83 4.3.1.2. Figurative uses 84 4.3.2. The substance that steams 84 4.3.2.1. Figurative uses before the steam engine 86 4.3.2.2. Animate substances that steam 4.3.3. Metonymic and metaphorical mappings and the development 89 of the form steam 4.3.3.1. The noun steam 89 4.3.3.2. The intransitive verb steam 98 4.3.3.3. The transitive verb steam 99 4.3.4. The relationship between the sense development of steam and the invention of the steam engine 102 4.4. The cognitive function of the steam engine 105 4.4.1. ANGER and other PENT-UP EMOTIONS 106 4.4.2. The steam engine as a source of energy 111 4.4.3. Sex and intoxication 114 4.4.4. Miscellaneous 115 4.5. Summary and conclusion 116 CHAPTER 5. ELECTRICITY 118 5.1. Introductory 118 5.2. Concepts within the domain of electricity as conceptualised by means of other domains 120 5.3. Electricity – a source domain 127 5.3.1. Words and expressions designating human action and human emotion – Introductory 128 5.3.2. Group 1. The state of being electrified 131 5.3.3. Group 2. When the current goes into the body or when it is broken 134 5.3.4. Group 3. The electrification of other people 147 5.3.5. Group 4. People operating machines 151 5.4. The cognitive function of electricity 152 5.5. Summary and conclusion 161 VII CHAPTER 6. MOTOR VEHICLES, ROADS AND WAYS 163 6.1. Introductory 163 6.2. Concepts within the domain of motor vehicles as conceptualised by means of other domains 164 6.2.1. The vehicles 164 6.2.2. Movement by means of a motor vehicle 169 6.2.3. The different parts of a motor car 173 6.2.4. Different traffic systems and the ways on which motorised vehicles are driven 178 6.3. The cognitive function of motor vehicles, parts of vehicles, movement by means of vehicles, and roads and ways. 184 6.3.1. (Motor) vehicles 184 6.3.2. Parts of vehicles 187 6.3.3. An act connected with the movement of a vehicle 189 6.3.4. Roads and ways 190 6.3.4.1. Roads and ways in general 196 6.3.4.2. Today’s roads and ways 217 6.4. Summary and conclusion 220 CHAPTER 7. SUMMARY AND CONCLUSION 222 Works cited and referred to 233 Appendix 1. Metaphorical and/or metonymic expressions including either of the terms 238 road and way VIII Acknowledgements If A PURPOSEFUL ACTIVITY IS A JOURNEY, WRITING A THESIS IS SAILING AROUND THE WORLD IN A RATHER SMALL BOAT. To me, the sailor, the journey has been fascinating, demanding and time-consuming at the same time. To the people around me, however, it has primarily been something that has occupied my time or something that I have needed assistance with. I gratefully acknowledge the help and encouragement of a large number of people, who have all, in one way or another, contributed to the fulfilment of this thesis. First of all, a wealth of gratitude to my parents Gunilla and Jan-Olov, who gave me the best childhood a person can possibly have, taught me always to do my best, and made me feel safe and strong throughout my life.
Recommended publications
  • The Divine Alchemy of J. R. R. Tolkien's the Silmarillion David C
    The Divine Alchemy of J. R. R. Tolkien’s The Silmarillion David C. Priester, Jr. Gray, GA B.A., English and Philosophy, Vanderbilt University, 2017 A Thesis presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Master of Arts Department of English University of Virginia May, 2020 Abstract J. R. R. Tolkien’s Silmarillion demonstrates a philosophy of creative imagination that is expressed in argumentative form in Tolkien’s essay “On Fairy Stories.” Fully appreciating the imaginative architecture of Tolkien’s fantastic cosmos requires considering his creative work in literary and theological dimensions simultaneously. Creative writing becomes a kind of spiritual activity through which the mind participates in a spiritual or theological order of reality. Through archetypal patterns Tolkien’s fantasy expresses particular ways of encountering divine presence in the world. The imagination serves as a faculty of spiritual perception. Tolkien’s creative ethic resonates with the theological aesthetics of Hans Urs von Balthasar, a consideration of which helps to illuminate the relationship of theology and imaginative literature in The Silmarillion. Creative endeavors may be seen as analogous to the works of alchemists pursuing the philosopher’s stone through the transfiguration of matter. The Silmarils symbolize the ideal fruits of creative activity and are analogous to the philosopher’s stone. Priester 1 The Divine Alchemy of J. R. R. Tolkien’s The Silmarillion Where shall we begin our study of J. R. R. Tolkien’s Silmarillion? The beginning seems like a very good place to start: “There was Eru, the One, who in Arda is called Ilúvatar; and he made first the Ainur, the Holy Ones, that were the offspring of his thought” (3).
    [Show full text]
  • San José Studies, Fall 1993
    San Jose State University SJSU ScholarWorks San José Studies, 1990s San José Studies Fall 10-1-1993 San José Studies, Fall 1993 San José State University Foundation Follow this and additional works at: https://scholarworks.sjsu.edu/sanjosestudies_90s Part of the American Literature Commons, and the Poetry Commons Recommended Citation San José State University Foundation, "San José Studies, Fall 1993" (1993). San José Studies, 1990s. 12. https://scholarworks.sjsu.edu/sanjosestudies_90s/12 This Journal is brought to you for free and open access by the San José Studies at SJSU ScholarWorks. It has been accepted for inclusion in San José Studies, 1990s by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. Sa~e p64i Ste«tie4 Volume XIX, Number 3 Fall, 1993 EDITORS John Engell, English, San Jose State University D. Mesher, English, San Jose State University EMERITUS EDITOR Fauneil J. Rinn, Political Science, San Jose State University ASSOCIATE EDITORS Susan Shillinglaw, English, San Jose State University William Wiegand, Emeritus, Creative Writing, San Francisco State Kirby Wilson, Creative Writing, Cabrillo College EDITORIAL BOARD Garland E. Allen, Biology, Washington University Judith P. Breen, English, San Francisco State University Hobart W. Bums, Philosophy, San Jose State University Robert Casillo, English, ·university ofMiami, Coral Gables Richard Flanagan, Creative Writing, Babson College Barbara Charlesworth Gelpi, English, Stanford University Robert C. Gordon, English and Humanities, San Jose State University Richard E. Keady, Religious Studies, San Jose State University Jack Kurzweil, Electrical Engineering, San Jose State University Hank Lazer, English, University ofAlabama Lela A. Llorens, Occupational Therapy, San Jose State University Lois Palken Rudnik, American Studies, University ofMassachusetts, Boston Richard A.
    [Show full text]
  • THE ART of CARLOS KLEIBER Carolyn Watson Thesis Submitted In
    GESTURE AS COMMUNICATION: THE ART OF CARLOS KLEIBER Carolyn Watson Thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Conservatorium of Music University of Sydney May 2012 Statement of Originality I declare that the research presented here is my own original work and has not been submitted to any other institution for the award of a degree. Signed: Carolyn Watson Date: ii Abstract This thesis focuses on the art of orchestral conducting and in particular, the gestural language used by conductors. Aspects such as body posture and movement, eye contact, facial expressions and manual conducting gestures will be considered. These nonverbal forms of expression are the means a conductor uses to communicate with players. Manual conducting gestures are used to show fundamental technical information relating to tempo, dynamics and cues, as well as demonstrating to a degree, musical expression and conveying an interpretation of the musical work. Body posture can communicate authority, leadership, confidence and inspiration. Furthermore, physical gestures such as facial expressions can express a conductor’s mood and demeanour, as well as the emotional content of the music. Orchestral conducting is thus a complex and multifarious art, at the core of which is gesture. These physical facets of conducting will be examined by way of a case study. The conductor chosen as the centrepiece of this study is Austrian conductor, Carlos Kleiber (1930-2004). Hailed by many as the greatest conductor of all time1, Kleiber was a perfectionist with unscrupulously high standards who enjoyed a career with some of the world’s finest orchestras and opera companies including the Vienna Philharmonic, La Scala, Covent Garden, the Met and the Chicago Symphony.
    [Show full text]
  • Information to Users
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning a t the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMÏ Bell & Howell Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 NOTE TO USERS This reproduction Is the best copy available UMI UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE FRANZ LISZT’S SOLO PIANO MUSIC FROM HIS ROMAN PERIOD, 1862-1868 A Document SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree of Doctor of Musical Arts By DALE JOHN WHEELER Norman, Oklahoma 1999 UMI Number: 9941855 Copyright 1999 by Wheeler, Dale John All rights reserved.
    [Show full text]
  • Pseudo-Macarius of Egypt, Fifty Spiritual Homilies
    TRANSLATIONS OF CHRISTIAN LITERATURE FIFTY SPIRITUAL HOMILIES OF ST. MACARIUS THE EGYPTIAN A. J. MASON, D.D. TRANSLATIONS OF CHRISTIAN LITERATURE GENERAL EDITORS: W. J. SPARROW-SIMPSON, D.D., W. K. LOWTHER CLARKE, B.D. SERIES I GREEK TEXTS FIFTY SPIRITUAL HOMILIES OF ST. MACARIUS THE EGYPTIAN Constituenda est ergo nobis dominici schola seruitii. in qua institutione nihil asperum nihil graue nos constituturos speramus. sed et si quid paululum restrictius. .. propter emendationem uitiorum uel conseruationem caritatis processerit, non ilico pauore perterritus refugias uiam saluti?, quae non est nisi angusto initio incipienda processu uero conuersationis et fidei dilatato corde inenarrabili dilectionis dulcedine curritur uia mandatorum dei. BENEDICTVS. Fifty Spiritual Homilies of St. Macarius the Egyptian BY A. J. MASON, D.D. LONDON SOCIETY FOR PROMOTING CHRISTIAN KNOWLEDGE NORTHUMBERLAND AVENUE, W.C. NEW YORK: THE MACMILLAN COMPANY 1921 1HC INSTITUTE OF MEDIAEVAL S7UM& 10 ELMSLEY PLACE TORONTO 6, CANADA, OCT 1921 I should wish to connect this volume containing thoughts better than my own with the name of Vincent Henry Stanton, Regius Professor of Divinity at Cambridge whom for fifty years I have had the privilege of counting my closest friend in a life rich in friendships [Reformatted by Mako A. Nagasawa, March 2018. Not all Greek letters had been properly translated, in which I preserved the garbled English letters. Page numbers in the table of contents have been updated. I have moved the Scripture references and footnotes into the body of the text. In some cases, I have expanded on the Scripture annotations. I was not able to reproduce the Index of Scripture References at the end.
    [Show full text]
  • The Awakening Kate Chopin
    The Awakening and Selected Short Stories by Kate Chopin A PENN STATE ELECTRONIC CLASSICS SERIES PUBLICATION The Awakening and Selected Short Stories by Kate Chopin is a publication of the Pennsylvania State University. This Portable Document File is furnished free and without any charge of any kind. Any person using this document file, for any purpose, and in any way does so at his or her own risk. Neither the Pennsylvania State University nor Jim Manis, Faculty Editor, nor anyone associated with the Pennsylvania State University as- sumes any responsibility for the material contained within the document or for the file as an electronic transmission, in any way. The Awakening and Selected Short Stories by Kate Chopin, the Pennsylvania State University, Electronic Classics Series, Jim Manis, Faculty Editor, Hazleton, PA 18202- 1291 is a Portable Document File produced as part of an ongoing student publication project to bring classical works of literature, in English, to free and easy access of those wishing to make use of them. Cover Design: Jim Manis Copyright © 2008 The Pennsylvania State University The Pennsylvania State University is an equal opportunity university. Kate Chopin (born Katherine O'Flaherty on February 8, 1850 – August 22, 1904) was an American author of short stories and novels, mostly of a Louisiana Creole background. She is now considered to have been a forerunner of feminist authors of the 20th century. —Courtesy Wikipedia.org Contents THE AWAKENING ............................... 5 Beyond the Bayou ................................ 122 Ma’ame Pelagie .................................... 128 Desiree’s Baby ...................................... 136 A Respectable Woman ......................... 141 The Kiss............................................... 145 A Pair of Silk Stockings .......................
    [Show full text]
  • CLE PROGRAM Colonial Hall
    11:15 A.M. CLE PROGRAM SPONSOR BREAK Colonial Hall 11:40 A.M. April 12, 2021 COLLEGE SPORTS: COMPLIANCE, CULTURE and COVID (1.0 CLE) Roscoe C. Howard, Jr. — Roscoe Howard is the managing partner of the D.C. law office of Barnes & Thornburg and is a former U.S. Attorney for the District of Columbia. Roscoe 8:30 A.M. practices in the areas of corporate compliance, white collar criminal REGISTRATION AND SPONSOR DISPLAY matters and criminal and civil litigation. 8:45 A.M. 12:30 P.M. WELCOME LUNCH and SPONSOR BREAK Greenbrier boxed lunch provided. During lunch, you are invited to earn 9:00 A.M. an additional 1.0 CLE credit through a Power Act presentation by Magistrate FEMALE JURISTS IN AN EVOLVING PROESSION (1.5 CLE) Judges Michael Aloi and Cheryl Eifert of the United States District Courts for the Northern and Southern Districts of West Virginia — “Pro Bono Work to Empower and Represent.” 1:30 P.M. PANELIST PANELIST PANELIST PANELIST MODERATOR CIVIL RIGHTS and QUALIFIED IMMUNITY (1.5 CLE) Judge Judge Irene Justice Beth Judge Monica Nassif Mark Geragos — An international trial lawyer, Mark Geragos Stephanie M. Keeley — Walker — Jennifer P. Haddad, Esq. has obtained some of the largest verdicts/settlements against pharmaceutical and insurance giants. Geragos is the only lawyer D. Thacker U.S. District Supreme Dent — — President, besides Johnnie Cochran ever named “Lawyer of the Year” in both — Fourth Court for Court of Eleventh West Virginia Criminal and Civil arenas. Circuit Court the Northern Appeals of Judicial State Bar of Appeals District of W.Va.
    [Show full text]
  • Ax************************************************ Reproductions Supplied Ty EDRS Are the Best That Canbe Made from the Original Document
    DOCUMENT RESUME ED 336 178 PS 019 536 TITLE Environmental Toxins and Children: Exploringthe Risks, Part II. Hearing held inWashington, DC before the Select Committee on Children, Youth,and Families. House of Representatives, OneHundred First Congress, Second Session. INSTITUTION Congress of the U.S., Washington,DC. House Select Committee on Children, Youth, and Families. PUB DATE 13 Sep 90 NOTE 217p.; For part I, hearing held in Oakland, California, see PS 019 535. Portionscontain small print. AVAILABLE FROM Superintendent of Documents, CongressionalSales Office, U.S. Government Printing Office,7ashington, DC 20402 (Stock No. 052-070-06722-5,$6.50). PUB TYPE Legal/Legislative/Regulatory Materials (090) EDRS PRICE MFOI/PC09 Plus Postage. DESCRIPTORS Cancer; *Child Health; Child Labor;=Children; Child Welfare; Congenital Impairments;Developmental Disabilities; *Environmental Influences; Environmental Standards; *Lead Poisoning;Migrant Workers; *Pesticides; *Poisons; PublicHealth IDENTIFIERS Child Safety; *Risk Assessment ABSTRACT This report contains the proceedingsof the second of two hearings that explored therisks of environmental toxins to children. Testimony was heard concerning:(1) the special vulnerability of chilaren to toxic substances;(2) exposure to lead and lead poisoning; and (3) the exposureof working children to toxins. A fact sheet gives an overviewof the dangers to children of various toxins. Seven statements weredelivered in person and 13 prepared statements or materials supplementalto verbal testimony were collected. Copies of variousrelevant documents are appended. These include: a meta-analysis of studies onlow-level lead exposure and its effect on the IQ of children; astudy of the prevalence and hazards of child labor; a statemert onmigrant farmworkers' childrens, exposure to pesticides by theFarmworker Justice Fund; a statement on environmental hazards during pregnancyby the March of Dimes; and a review of pertinentliterature by the National Network To Prevent Birth Defects.
    [Show full text]
  • Eric Nemeyer's
    Eric Nemeyer’s WWW.JAZZINSIDEMAGAZINE.COM MAY-JUNE 2017 Interviews Kahil El’Zabar Barry Harris Dizzy’s Club, June 16 Dion Parson Dizzy’s Club, June 9-11 LouisLouis Sonny Fortune 4 Generations of Miles Birdland, May 23-26 Comprehensive DirectoryDirectory HayesHayes of NY Club, Concert & Event Listings 80th80th BirthdayBirthday Celebration:Celebration: SerenadeSerenade forfor HoraceHorace SilverSilver Dizzy’sDizzy’s Club,Club, JazzJazz AtAt LinconLincon Center,Center, MayMay 2929--3131 Spectacular Jazz Gifts - Go To www.JazzMusicDeals.com Fabulous CDs, Box Sets & The Jazz Lovers Lifetime Collection 20 PRINTED VOLUMES, OVER 6000 PAGES + 20 CDS = 40 POUNDS OF JAZZ To Advertise CALL: 215-887-8880 May-June 2017 Jazz Inside Magazine www.JazzInsideMagazine.com 1 Jazz Inside Magazine ISSN: 2150-3419 (print) • ISSN 2150-3427 (online) May-June 2017 – Volume 8, Number 5 Cover Photo (and photo at right) of Louis Hayes by Eric Nemeyer Publisher: Eric Nemeyer Editor: John R. Barrett, Jr. Marketing Director: Cheryl Powers Advertising Sales & Marketing: Eric Nemeyer Circulation: Susan Brodsky Photo Editor: Joe Patitucci Layout and Design: Gail Gentry Contributing Artists: Shelly Rhodes Contributing Photographers: Eric Nemeyer, Ken Weiss Contributing Writers: John Alexander, John R. Barrett, Curtis Daven- port; Alex Henderson; Joe Patitucci; Ken Weiss. ADVERTISING SALES 215-887-8880 Eric Nemeyer – [email protected] ADVERTISING in Jazz Inside™ Magazine (print and online) Jazz Inside™ Magazine provides its advertisers with a unique opportunity to reach a highly specialized and committed jazz readership. Call our Advertising Sales Depart- ment at 215-887-8880 for media kit, rates and information. SUBSCRIPTION INFORMATION SUBMITTING PRODUCTS FOR REVIEW Jazz Inside™ (published monthly).
    [Show full text]
  • Medical History
    VOLUME II NUMBER 1 AN N ALS OF MEDICAL HISTORY ml Entered as second class matter June 2, 1917, at the post office at New York, N. Y ., under the Act of March 3, 1879. Yearly Subscription $6.00. Single numbers $2.00 Hi . ANNALS OF MEDICAL HISTORY V o l u m e i i S p r i n g i q i q - N u m b e r i 4 f ANATOMISTS IN SEARCH OF THE SOUL B y GEORGE W. CORNER, M.D. University of California BERKELEY, CAL. EA V EN lay about us pendently of the flesh, and oftentimes in the infancy of our must be confined by bonds of linen to race. When the mind’s prevent its imminent escape through the eye of the tribesman gash of a desperate wound, or be held first opened upon a down with weights of iron upon the head. world of mystery, to But even here, as into the jungle, the him the h au n ts o f explorer came, and began an unending good and evil spirits search for an ever-receding goal, a search than the jungle just which like that other led at first through beyond his hut. The jungle explored, the regions nearest home; for two thousand river followed to its head, mountain sum­ years the pious hands of anatomists sought mits still remained untrodden, and here for the springs of life in the tissues of animals, a while dwelt the gods. Olympus at last and even attempted to find in the bodies ascended and found to be a vacant peak, of the dead the organic seat of man’s the mountain-climber came down, his immortality.
    [Show full text]
  • Paul Valéry and the Poetics of Attention by Daniel Richard
    Paul Valéry and the Poetics of Attention By Daniel Richard Hoffmann A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in French in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Suzanne Guerlac, Chair Professor Debarati Sanyal Professor Harsha Ram Spring 2016 Abstract Paul Valéry and the Poetics of Attention by Daniel Richard Hoffmann Doctor of Philosophy in French University of California, Berkeley Professor Suzanne Guerlac, Chair This dissertation is about how we pay attention to poetry. Paul Valéry’s work in particular is famous for asking us as readers to attend to a kind of language that isn’t always resolvable into any one idea, any one meaning. His poems speak, though that speaking doesn’t always give way to a something-said. In this project, I ask— if poetry falls shy of what it stands to say, what does it mean to hear it? What is this listening that falls so beautifully shy of what we stand to hear, and meaningfully so? Over four central chapters, I explore what it looks like to attend to what we cannot resolve: be it the purely possible, the liminal, or the ever-emergent. Attention, I argue, takes many shapes: waiting, listening, weariness, even sleep. I show that these forms of attention constitute the experiential flipside of Valéry’s purely formal poetic language. Indeed by entering his poetics from the standpoint of embodied experience, we realize that the unresolvedness of his work is not synonymous with the difficulty of its less- than-representational language.
    [Show full text]
  • The Poetry of Robert Duncan
    The University of North Carolina at Greensboro JACKSON LIBRARY UNIVERSITY ARCHIVES JONES, STEVEN JEFFREY. The Poetry of Robert Duncan. (1976) Directed by: Dr. Robert Watson. Pp. Hi 8 The poetry of Robert Duncan is basically derivative in character: that is, composed in accord with certain tenets selected from the tradition he uniquely forms and recognizes. Yet the changing aspect of that tradition, and the poet's imaginative re-interpretation of both stylistic and visionary concepts derived from Blake, Whitman, Pound and Charles Olson, among others, has made his work often seem at once innovative, erudite and, perhaps, deceptively complex. His interests in manifestation of the creative will, mythography and occult knowledge remain almost constant; but the face of his work changes from a meditative, highly rhetorical style to a more fragmented style that purportedly records the process of intuition and psychic perception. In his later poetry there is a fundamental interdependence between the organic principles of form he adepts and the metaphysical range of his vision. THE POETRY OF ROBERT DUNCAN by Steven Jeffrey Jones A Thesis Submitted to The Faculty of the Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Master of Arts Greensboro 1976 Approved by Thesis Adviser APPROVAL PAGE This thesis has been approved by the following committee of the Faculty of the Graduate School at the University of North Carolina at Greensboro. Thesis Advise r luU- ' W^fsff-y Committee Members jUl CZ.,M/I 14, o. yx^jwk to *% MIC Date of Acceptance by Committee ii ACKNOWLEDGEMENTS I would like to thank Dr.
    [Show full text]