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Information to Users INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning a t the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMÏ Bell & Howell Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 NOTE TO USERS This reproduction Is the best copy available UMI UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE FRANZ LISZT’S SOLO PIANO MUSIC FROM HIS ROMAN PERIOD, 1862-1868 A Document SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree of Doctor of Musical Arts By DALE JOHN WHEELER Norman, Oklahoma 1999 UMI Number: 9941855 Copyright 1999 by Wheeler, Dale John All rights reserved. UMI Microform 9941855 Copyright 1999, by UMI Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. UMI 300 North Zeeb Road Ann Arbor, Ml 48103 Copyright by DALE JOHN WHEELER 1999 All Rights Reserved. FRANZ LISZT’S SOLO PIANO MUSIC FROM HIS ROMAN PERIOD, 1862-1868 A Document APPROVED FOR THE SCHOOL OF MUSIC BY Edward Gates, Co-major professor JaneMagrathXo-majo%pr^ C l^ K e lly Kenneth Stephenson Alfred Stnz ACKNOWLEDGMENTS This paper is dedicated to the memory of my parents, John and Ellen Wheeler, who recently passed on to a better life. Their financial sacrifice, constant encouragement, and unswerving affirmation have undergirded the entirety of my musical career. In many respects, this document represents the culmination of their own dreams and aspirations. To my dear wife, Karen: a simple “thanks” cannot adequately express my love and appreciation. You have stood by me throughout these past five years of study, and during the times of extended separation, and the countless hours when this document consumed my attention, your long-suffering and love were boundless. I widi also to express gratitude and sincere appreciation to several individuals and organizations who have facilitated the completion of this document My co-major professors at the University of Oklahoma, Edward Gates and Jane Magrath, afforded me the luxury of a perfect balance between constructive guidance and creative fi%edom. E. L. Lancaster, who served as a co-major professor and program advisor during the early stages of my doctoral studies, helped focus my thoughts in the area of topic choice and provided valuable research insights. My communications with Alan Walker, although brief, were instrumental in solidifying the direction and parameters of this paper. I am indebted to Jan Hoare, Kenneth Souter, and Leslie Howard of the Liszt Society (England) for their information regarding scores and sources, and for generously supplying copies of out-of-print music. Several libraries have gone the extra mile in tracking down elusive resources and facilitating interlibrary loan requests. In particular I would like to recognize the staff of the Ted S. Rendall library of Prairie Bible College, Three Hills, Alberta, and the Baron- IV Fomess Library of the University of Pennsylvania (Edinboro). Your diligence, compassion, and professionalism will not be forgotten. I am also a^qneciative of the siq)port demonstrated by my colleagues and superiors at Prairie Bible College. Their camaraderie has been a tower of strength and the institutional financial assistance over the course of my studies has been significant. In particular I wish to acknowledge Dean Peter Doell and his predecessor, Ken Peimer. Finally, the following publishers and representatives have been gracious in giving their kind permission to quote musical excerpts: J. S. Bach, Organ Worics, Vol. 5 Edited by Dietrich Kilian © 1979 Bârenreiter Used by permission of Bârenreiter Music Corporation Ludwig van Beethoven, Symphony No. 6, Op. 68 © (?) Ernst Eulenburg Ltd., London Used by kind permission of Ernst Eulenburg Ltd., London Ludwig van Beethoven, arr. Otto Singer, Symphonies Nos. 6-9 © 1900? C. F. Peters Corporation Used by permission of C. F. Peters Corporation Hector Beriioz, arr. Franz Liszt, Marche au Supplice de la Symphonie fantastique © 1858? J. Rieter-Biedermann, Leipzig & Winterthour Used by permission of C. F. Peters Corporation Hector Berlioz, Symphonie fantastique and Harold in Italy in Full Score Edited by Charles Malherbe and Felix Weingartner © 1984 Dover Music Publications, Inc. Used by permission of Dover Publications, Inc. Charles Griffes, The Fountain o f the Acqua Paola from Roman Sketches, Op. 7 © 1917 G. Schirmer, Inc. Used with permission of G. Schirmer, Inc. Eosze Lâszlô, 119 Rômai Liszt Dokumentum 1863 addition to Au bord d ’un source, p. 18 Budapest: Zenemükaidô Vallalat, 1980 Used by permission of Boosey & Hawkes, Inc. U.S. Agent Franz Liszt, The Complete Works for Organ, Vol. III ed. Martin Haselbôck © 1986 Universal Edition A.G., Vienna All Rights Reserved Used by Permission of European American Music Distributors Corporation, sole U.S. and Canadian agent for Universal Edition AG., Vienna Franz Liszt, Berceuse (first version) © 1978 Editio Musica, Budapest Used by permission of Boosey & Hawkes, Inc. U.S. Agent Franz Liszt, Complete Transcriptionsfrom W a fer’s Operas © 1981 Dover Music Publications Used by permission of Dover Publications, Inc. Franz Liszt, Coronation Mass © 1968 Ernst Eulenburg Ltd. London All Rights Reserved Used by permission of European American Music Distributors Corporation, sole U.S. and Canadian agent for Emst Eulenburg Ltd., London Franz Liszt, Finale de Don Carlos: Coro di Festa—Marche Funebre © (?) B. Schott’s Sôhnen, Mainz Used by kind permission of Schott Musik International Franz Liszt, Les Préludes Kalmus Miniature Scores No. 29 © (?) Belwin Mills Used by permission of Warner Bros. Publications Franz Liszt, Mazurka. Composée par un amateur de St. Pétersbourg, paraphrasée par F.L © (?) Ries & Erler, Berlin Used by permission of Ries & Erler, Berlin Franz Liszt, Neue Ausgabe samtlicher Werke/New Edition o f the Complete Works Series I, Vols. 2 (1971), 3 (1972), 7 (1974), 8 (1975), 10 (1980), 11 (1979), 12 (1978), 15 (1982), 16 (1982), 17 (1983), 18 (1985) Series II, Vols. 12 (1993), 16 (1996), 17 (1992), 18 (1991), 19 (1993), 22 (1997), 23 (1996), 24 (1998) © Editio Musica, Budapest Used by permission of Boosey & Hawkes, Inc. U.S. Agent VI Franz Liszt, Piano Piece in A-flat Major, S189 © 1988 The Liszt Society Excerpts from Piano Piece in A-flat Major, S189, reproduced by kind permission of Bardic Edition Franz Liszt, arr. K. Kiauser and F. Liszt, Les Préludes © 1904 ? Breitkopf & Hârtel, Leipzig Used by kind permission of Breitkopf & Hârtel, Wiesbaden-Leipzig Franz Liszt, Technical Studies (three volumes) © 1983 Editio Musica, Budapest Used by permission o f Boosey & Hawkes, Inc. U.S. Agent Franz Liszt, Totentanz © 1979 Emst Eulenburg Ltd., London All Rights Reserved Used by permission o f European American Music Distributors Corporation, sole U.S. and Canadian agent for Emst Eulenburg Ltd., London Arnold Schoenberg, No. 2 of Sechs kleine Klavierstûcke, Op. 19 © 1940 Belmont Music Publishers Used by permission o f Belmont Music Publishers, Pacific Palisades, California Richard Wagner, Tannhàuser G. Schirmer Opera Score Editions, 0337170 © (?) G. Schirmer, Inc. Used with permission of G. Schirmer, Inc. Richard Wagner, Tannhàuser, in Full Score © 1973 Dover Music Publications, Inc. Used by permission o f Dover Publications, Inc. vu CONTENTS ACKNOWLEDGMENTS ................................................................................ iv LIST OF MUSICAL EXAM PLES .................................................................... xi LIST OF TABLES ...................................................................................................xvii ABSTRACT ..........................................................................................................xviii Chapter 1. INTRODUCTION Overview ............................................................................................ 1 Purpose of the Study ........................................................................ 4 Need for the Study ............................................................................ 5 Related L iterature ................................................................................ 11 Procedures and Limitations of the Study .................................................... 19 2. HISTORICAL PERSPECTIVE; LISZT’S
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