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In Bob Marley's Jamaica

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National Library of Jamaica

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arley's

(NOTE: seemed
Two

T

hursday ago

except was
Bob few Museum
'Mꢀleyꢁs rastafarians birthday though

toꢃ noꢂd and

t?

remember

...

aand

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�

or

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  • jockeys

.

T

  • he
  • Marley

on

  • Road
  • was

  • a
  • b

ilace

�

y

ll,

  • with
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young

  • pe
  • ople

  • who
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  • ld
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  • even

h

:

�

nwh

�

ich

  • wn
  • arley

following their parents

buses into that the had Kꢉꢊ appeꢀed
Museum, brough

st

  • outside
  • of

  • were
  • dozens

of

ꢀ

and

t

lꢅl
Mꢆl lovers

  • and
  • tour

groups

.

T

  • he
  • Jamaica

ꢇeꢈae

on under

  • ill
  • draws

intere

:

overseas

.

One of

l

  • the
  • latest

pieces

  • h
  • im

  • in
  • the

"Miami
-Herald

Bob
's

  • "
  • T

rave
Section

,T

April

23

,

the to headline Jamaica
"In

ꢁ

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  • f

Jamaica

.

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  • EVE

COHEN came and

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e

ar

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  • for

the

, Jamaica

"Miami
Herald
")

Nꢂ
MILES

ꢀ:

  • Bob
  • Marley,

the

today,
Inteꢁationaꢂ
ꢃꢄꢅae

  • staꢃ
  • , died

  • of
  • ca

world,

n

ce

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  • fn

Ma

198

1

  • at
  • the

  • age
  • of

3

6,

yet

ꢎn

Jamaica,

an

  • d
  • the

  • rest
  • of
  • the

  • rley's
  • music

aꢆd

A

fa

ꢇꢈ

e

  • continue
  • to

  • grow
  • beyo
  • nd

histoꢉ,

provide

  • Into
  • legend.

Vi

alte

  • sit
  • to

  • Marley
  • 's
  • Jama

ic

a

can

  • a
  • stimulating

insights

national

cultuꢃal adjunct

  • or
  • rn

  • ative
  • to
  • reso

  • rt
  • Jamaica,

  • as
  • well
  • as

Into

  • the
  • man
  • his

'

music

  • and
  • his
  • cou

nt

  • ry,
  • which

consideꢃ

s

him

  • a
  • hero

.

The

  • best
  • place
  • to

  • sta
  • rt
  • looking

fo

r

  • ꢊb
  • Marleyꢐs

Jamaica

  • Is
  • at
  • Tuff

Gong, his the
Kingston

  • home
  • and

reco In rding

st

udio at

56

Hope

  • Rd
  • .,
  • rech
  • ris-

  • tened
  • Bob

  • Ma
  • rley
  • Museum

May

1986.

ꢋnteꢁationaꢂ

  • Visitors
  • wande

r

  • th
  • rough
  • the

landscaped

gr

  • ounds
  • whe
  • re

  • Ma
  • rle

y

played Walls

  • soccer.
  • Inside

the In house

  • Ma
  • rleyꢐs
  • music

with
Is

pl

  • ayed
  • contin

-

uously.

  • are
  • papered

news

Framed kitchen cli

pp

  • in
  • gs

  • banner
  • headli

nes trumpeting
Marleyꢗs

bedroom triumphs.

  • gold
  • records

  • fill
  • Ma
  • rleyꢗs

small upstai

shirts rs

  • and
  • ad
  • jacent

.

  • Records,
  • tapes

  • and
  • reꢅae

T

_

are

  • sold
  • downstai
  • rs.

  • Paul
  • Kelly,

  • who
  • manages

  • the
  • museum

  • for
  • Ma
  • rley
  • 's
  • wꢎdow,

  • Rita
  • , talked

  • In the garden about the Influence of Bob Marley and the
  • of ꢌeꢅae In

Jamꢍꢎcan culture. Foreign music has always been popular In Jamaica and tꢏayꢐs "dancehallw music, similar to Ameꢃican disco, reflect the chasm between the "rootsw reꢅae of Marley and the "pop" styles.

"People go crazy over reꢅae aꢃtists abroad." said Kelly, nodding toward an arriVIng bus full of Japanese touꢑsts "and the love of It brings them here. The reꢅae music break� down all barꢃieꢃs, all cultural barriers. aꢂl racial barriers and It is spreading a message.

"The real struꢅle Is freedꢒꢓ for all. They (the Jamaicans) are not slaves physically still. but mentally and materially weꢐre still living in

·

poverty, so we still donꢐt have much freedom."

Reꢅae was started ꢔ poor people, partly to express the fꢕstration of slavery to poverty and repression, and came out of the ghetto, Kelly said, not out of a music studio.

"ꢊb Marley, heꢐs just a ghetto man, a Trench Town man who sings aꢖut the life that they live. And sings about the frꢄꢄdom for his people; Kelly said.

"The heaꢃtbeat, they say (reꢅaeꢗsꢘ the heartbeat of a type of people:

Thanks to Bob Marley, most people have now most certainly hꢙ about the heartbeat of Jamaica.

"Bob Marley was Rastaman. Bob Marley was a philosopher. ꢊb Marley was a prophet. And he was a musician. ꢊb Marleyꢐs music is more popular every day. Canꢗt stop playing Bob Marley music," Kelly said.

LeaVIng Tuff Gong, passing through Kingston's Caꢃibbean palette of

  • urban poverty and excess, you tour
  • a
  • modern Third World capital

displaying sophistication and squalor, sometimes in the same instant, as you move from the cultural heart of Jamaica to its spiritual centre In the

de.

rysi count

ꢋnto the forested Interior of Bob Marleyꢗꢚ Jamaica, It is easy to see why
St. Ann, where the musician was born, is called the garden parish. Narꢃow roads bear little traffic as they wind over limestone ꢑdges cloaked In dense greenery.The landscape of rolling hills with rock outcrops looks like green dreadlocks. "Locks" are the tight long curls of uncut hair favoured by "dreads," the Rastafarian sꢄct of ꢛlieversꢜ

The hills also look like buds of the Rastafarians' holy herb "ganja," or maꢃijuana, which they consumꢝ in laꢃge quantities as a sacrament. The ꢃoad drops Into a gravel. Goats scrambling thꢃough ruts make a car watt in a cloud of red dust.

In Marley's hometown of Nine Miles a birthday party Is held each year outside the tiny chapel where he Is entombed. Candles flickering Inside a highlight stained glass windows of lion of Judah, a rasta symbol, and "three little birds upon my doorstep," from a particularly bright Marley song. Cigar-size "spliffs" roHed out of the St. Ann hills bounty of maꢞꢟuana, which Is an important, although Illegal, cash crop In Jamaica, send a· smoky haze over the gathering crowd of Jamaican and Inteꢁational vis!to

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