DOCSLIB.ORG

Chanting up Zion: Reggae As Productive Mechanism for Repatriated Rastafari In

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Chanting up Zion: Reggae As Productive Mechanism for Repatriated Rastafari In Chanting up Zion: Reggae as Productive Mechanism for Repatriated Rastafari in Ethiopia David Aarons A dissertation submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy University of Washington 2017 Reading Committee: Shannon Dudley, Chair Giulia Bonacci Katell Morand Christina Sunardi Program Authorized to Offer Degree: Music i @Copyright 2017 David Aarons ii University of Washington Abstract Chanting up Zion: Reggae as Productive Mechanism for Repatriated Rastafari in Ethiopia David Aarons Chair of the Supervisory Committee: Shannon Dudley Ethnomusicology Since the 1960s, Rastafari from Jamaica and other countries have been “returning” to Ethiopia in the belief that it is their Promised Land, Zion. Based on extensive ethnographic research in Ethiopia between 2015 and 2017, this project examines the ways in which repatriated Rastafari use music to transform their Promised Land into a reality amidst various challenges. Since they are denied legal citizenship, Rastafari deploy reggae in creative and strategic ways to gain cultural citizenship and recognition in Ethiopia. This research examines how reggae music operates as a productive mechanism, that is, how human actors use music to produce social and tangible phenomena in the world. Combining theories on music’s productive capabilities with Rastafari ideologies on word-sound, this research further seeks to provide deeper insight into the ways Rastafari effect change through performative arts. I examine how Rastafari mobilize particular discourses that both challenge and reproduce hegemonic systems, creating space for themselves in Ethiopia through music. Rastafari use reggae in strategic ways to insert themselves into the contested national narratives of Ethiopia, and participate in the practice of space-making in Addis Ababa and Shashemene through sound projects. I argue that music activities form the basis of social interaction for the repatriated iii Rastafari community and in turn produce and reproduce this community. I also discuss the work of Ethiopian reggae musicians who engage in reggae production for different reasons, but whose actions shape the returnees’ realities as well. Reggae in Ethiopia therefore serves as a productive mechanism by facilitating the creation of social relationships, spaces that lead to visibility, ideologies that connect Rastafari with Ethiopia, income for returnees, and opportunities for development—important factors that make the Promised Land habitable. iv Acknowledgements There are many people and institutions without whom I would not have been able to complete this dissertation. I would like to thank the organizations at the University of Washington (UW) that provided funding for my research in Ethiopia. These include the Fritz and Boeing International Dissertation Research Fellowship and the Ottenberg Winnans Fellowship for Research in Africa. The UW School of Music also for provided funding through course work and the writing process. Thanks to the Institute for Ethiopian Studies at Addis Ababa University and the Centre français des études éthiopiennes for assisting with my Ethiopian visa. Many thanks to my reading committee who provided unwavering support and helpful feedback: Shannon Dudley, Giulia Bonacci, Katell Morand, and Christina Sunardi. To my graduate cohort at the UW School of Music who pushed me to think more critically and provided freshly-baked cookies in times of need, I thank you. I spent much time reasoning with Rastafari, musicians, and scholars whose thoughts significantly impacted my ideas and to whom I am most grateful. Some of these include Kofi Ababio, Kenneth Bilby, Patricia Campbell, Louis Chude-Sokei, Ray Hitchins, Jahnoch, Mark Joseph, Barbara Lalla, Morgan Luker, Erin Macleod, Girum Mezmur, Mette Petersen, and Mathew Tembo. I also would like to acknowledge Christine Smith-Stone for hosting me in Addis Ababa upon my arrival and Tariqwa for making sure I was comfortable in Shashemene. “Give thanks” to the Rastafari and non-Rastafari musicians in Ethiopia with whom I performed. Nuff respek to all ah yuh for welcoming me into your music spaces and allowing me to perform with and learn from you—especially Sydney Salmon and the Imperial Majestic Band and Ras Kawintseb and the Aetiofrika Band. Finally, thanks to Elsie and John Aarons for decades of support and encouragement. v Table of Contents Introduction ................................................................................................................................... 1 Rastafari ...................................................................................................................................... 3 Return to Ethiopia ....................................................................................................................... 5 The Power and Practice of Rastafari Word-Sound: Framing the Study ..................................... 14 Rastafari Music .......................................................................................................................... 20 Methods ..................................................................................................................................... 27 Interpreting Data ....................................................................................................................... 28 Returnee Bands with whom I performed ................................................................................... 29 Positionality ............................................................................................................................... 31 Chapter Outline ......................................................................................................................... 32 Chapter 1 ..................................................................................................................................... 34 Songs about Zion: Reggae as Discourse and Discourses on Reggae ...................................... 34 Black Nationalism, Pan-Africanism, and Music ........................................................................ 36 Reggae Music as Discourse on Africa/Ethiopia, and Repatriation .............................................. 39 Desires for Elsewhere ................................................................................................................. 41 Repertoire Analysis .................................................................................................................... 43 Discourse on the Songs ............................................................................................................... 63 Conclusion ................................................................................................................................. 68 Chapter 2 ..................................................................................................................................... 70 Adapting to and Shaping New Realities: Repatriated Musicians and Sonic Strategies of Belonging ..................................................................................................................................... 70 Strictly Roots! Whose Roots? ..................................................................................................... 74 New Songs in Zion and Sonic Essences of Ethiopianness ............................................................ 79 Ethiopianness ........................................................................................................................... 80 Amharic .................................................................................................................................. 82 Scales ...................................................................................................................................... 83 Singing New Songs ..................................................................................................................... 87 Promoting the Teachings of Haile Selassie ................................................................................. 89 The Everyday: Living in the Promised Land, Life in the Promised Land ...................................... 93 Senses of Belonging/ Narratives of Inclusion ............................................................................. 95 Conclusion ................................................................................................................................. 99 Chapter 3 ................................................................................................................................... 101 Musical Sites of Contact and Inscription in Shashemene and Addis Ababa ...................... 101 Placing Rastafari and Reggae in Ethiopia ................................................................................ 103 Shashemene Soundscapes: Creating Spaces and Senses of Place in Shashemene ...................... 107 Reggae Spaces in Addis Ababa ................................................................................................. 116 Creating Reggae and Rastafari Spaces in Addis Ababa ............................................................. 123 vi One-Time Spaces ................................................................................................................... 128 Virtual Spaces .......................................................................................................................... 130 Conclusion ..............................................................................................................................
Load more

Recommended publications
  • Dancing to the Beat of the Diaspora: Musical Exchanges Between Africa and Its Diasporas
    African and Black Diaspora: An International Journal ISSN: 1752-8631 (Print) 1752-864X (Online) Journal homepage: http://www.tandfonline.com/loi/rabd20 Dancing to the beat of the diaspora: musical exchanges between Africa and its diasporas Paul Tiyambe Zeleza To cite this article: Paul Tiyambe Zeleza (2010) Dancing to the beat of the diaspora: musical exchanges between Africa and its diasporas, African and Black Diaspora: An International Journal, 3:2, 211-236, DOI: 10.1080/17528631.2010.481976 To link to this article: http://dx.doi.org/10.1080/17528631.2010.481976 Published online: 23 Jun 2010. Submit your article to this journal Article views: 398 View related articles Citing articles: 1 View citing articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rabd20 Download by: [US International University - Africa] Date: 01 November 2016, At: 01:09 African and Black Diaspora: An International Journal Vol. 3, No. 2, July 2010, 211Á236 Dancing to the beat of the diaspora: musical exchanges between Africa and its diasporas Paul Tiyambe Zeleza* Loyola Marymount University of Los Angeles, Los Angeles, California, USA This essay examines the complex ebbs and flows of musical exchanges between Africa and its diasporas. Specifically, it focuses on musical engagements between, on the one hand, the Caribbean and West Africa and, on the other, the United States and Southern Africa. It argues that the influence of diasporan music on modern African music, especially popular music, has been immense. These influences and exchanges have created a complex tapestry of musical Afro- internationalism and Afro-modernism and music has been a critical site, a soundscape, in the construction of new diasporan and African identities.
    [Show full text]
  • The Dub Issue 15 August2017
    AIRWAVES DUB GREEN FUTURES FESTIVAL RADIO + TuneIn Radio Thurs - 9-late - Cornerstone feat.Baps www.greenfuturesfestivals.org.uk/www.kingstongreenradi o.org.uk DESTINY RADIO 105.1FM www.destinyradio.uk FIRST WEDNESDAY of each month – 8-10pm – RIDDIM SHOW feat. Leo B. Strictly roots. Sat – 10-1am – Cornerstone feat.Baps Sun – 4-6pm – Sir Sambo Sound feat. King Lloyd, DJ Elvis and Jeni Dami Sun – 10-1am – DestaNation feat. Ras Hugo and Jah Sticks. Strictly roots. Wed – 10-midnight – Sir Sambo Sound NATURAL VIBEZ RADIO.COM Daddy Mark sessions Mon – 10-midnight Sun – 9-midday. Strictly roots. LOVERS ROCK RADIO.COM Mon - 10-midnight – Angela Grant aka Empress Vibez. Roots Reggae as well as lo Editorial Dub Dear Reader First comments, especially of gratitude, must go to Danny B of Soundworks and Nick Lokko of DAT Sound. First salute must go to them. When you read inside, you'll see why. May their days overflow with blessings. This will be the first issue available only online. But for those that want hard copies, contact Parchment Printers: £1 a copy! We've done well to have issued fourteen in hard copy, when you think that Fire! (of the Harlem Renaissance), Legitime Defense and Pan African were one issue publications - and Revue du Monde Noir was issued six times. We're lucky to have what they didn't have – the online link. So I salute again the support we have from Sista Mariana at Rastaites and Marco Fregnan of Reggaediscography. Another salute also to Ali Zion, for taking The Dub to Aylesbury (five venues) - and here, there and everywhere she goes.
    [Show full text]
  • Nutrition Surveys 1999
    NUTRITION SURVEYS 1999 – 2000 Region/Zone woreda Date of Agency Sample size Methodology Nutrition Indicatorsi survey Tigre throughout August SCF-UK 937 30 cluster Mean WHL <80%WFL W/H<-2 Z score W/H <-3 Z score 1999 92.8% 5.5% 7.7 % 1.0% Tigre Feb 2000 WVI W/H <-2 Z score W/H <-3 Z score Eastern May 2000 Feb 2000 May 2000 Feb 2000 May 2000 Asti Wenberta 685 13.1% 10.9% NA 2.6% Saesi Tsaedaemba 1412 22.3% 20.1% 3.7% 4.4% Amhara: May-June SCF-UK + 2900 58 clusters in Mean WFL < 80% WFL N.Wello Bugna 1999 worst drought 88.8% 4% Wadla affected woredas. 89,4% 7% Gidan 87.8% 3% Delanta Dawnt 89.4% 7% Gubalafto 90.0% 7% S. Wello Dessie Zuria 89.8% 7% Tenta 90.5% 3% Legambo 90.8% 5% Ambassel 90.7% 6% Mekdella 91.2% 4% Wag Hamra Dehana 88.2% 4% Oromyia Chefa 92.8% 2% Amhara Aug - Oct SCF-UK + 2500 50 clusters in Mean WFL < 80% WFL 1999 worst drought Aug Sept Oct Aug Sept Oct N.Wello Bugna affected woredas. 91.2% 88.7% 89.7% 6.6% 10.6% 7.0% Wadla 91.1% 90.7% 90.6% 7.3% 5.5% 5.7% Gidan 88.4% 88.2% 88.4% 8.9% 8.2% 9.6% S. Wello Delanta Dawnt 87.5% 87.6% 87.5% 11.0% 8.0% 7.6% Dessie Zuria 91.9% 90.9% 90.1% 4.0% 6.2% 5.2% Tenta 89.2% 89.1% 88.4% 10.0% 8.3% 11.7% Legambo 89.1% 89.7% 89.6% 8.4% 6.0% 6.4% Wag Hamra Dehana 89.7% 89.5% 90.5% 8.3% 8.2% 6.4% Amhara March- May SCF-UK + 2500 50 clusters in Mean WFL < 80% WFL N.Wello 2000 worst drought March 2000 May 2000 March 2000 May 2000 Bugna affected woredas 90.1% 90.6% Wadla 90.5% 91.1% S.
    [Show full text]
  • A Political Companion to Henry David Thoreau
    University of Kentucky UKnowledge Literature in English, North America English Language and Literature 6-11-2009 A Political Companion to Henry David Thoreau Jack Turner University of Washington Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Turner, Jack, "A Political Companion to Henry David Thoreau" (2009). Literature in English, North America. 70. https://uknowledge.uky.edu/upk_english_language_and_literature_north_america/70 A Political Companion to Henr y David Thoreau POLITIcaL COMpaNIONS TO GREat AMERIcaN AUthORS Series Editor: Patrick J. Deneen, Georgetown University The Political Companions to Great American Authors series illuminates the complex political thought of the nation’s most celebrated writers from the founding era to the present. The goals of the series are to demonstrate how American political thought is understood and represented by great Ameri- can writers and to describe how our polity’s understanding of fundamental principles such as democracy, equality, freedom, toleration, and fraternity has been influenced by these canonical authors. The series features a broad spectrum of political theorists, philoso- phers, and literary critics and scholars whose work examines classic authors and seeks to explain their continuing influence on American political, social, intellectual, and cultural life. This series reappraises esteemed American authors and evaluates their writings as lasting works of art that continue to inform and guide the American democratic experiment.
    [Show full text]
  • British Geological Survey PLANNING
    British Geological Survey TECHNICAL REPORT WC/00/13 Overseas Geology Series PLANNING FOR GROUNDWATER DROUGHT IN AFRICA: TOWARDS A SYSTEMATIC APPROACH FOR ASSESSING WATER SECURITY IN ETHIOPIA Project report on visit to Ethiopia, November-December 1999 British Geological Survey, Wallingford British Geological Survey TECHNICAL REPORT WC/00/13 Overseas Geology Series PLANNING FOR GROUNDWATER DROUGHT IN AFRICA: TOWARDS A SYSTEMATIC APPROACH FOR ASSESSING WATER SECURITY IN ETHIOPIA Project report on visit to Ethiopia, November-December 1999 R C Calow1, A M MacDonald1 and A L Nicol2 1British Geological Survey 2Overseas Development Institute This document is an output from a project funded by the Department for International Development (DFID) for the benefit of developing countries. The views expressed are not necessarily those of the DFID. DFID classification: Subsector: Water and Sanitation Theme: W4 – Raise the well-being of the rural and urban poor through cost-effective improved water supply and sanitation Project Title: Groundwater drought early warning for vulnerable areas Project reference: R7125 Bibliographic reference: Calow, R C, MacDonald, A M and Nicol, A L 2000. Planning for Groundwater Drought in Africa. Towards a Systematic Approach for Assessing Water Security in Ethiopia. Project report on visit to Ethiopia, November – December 1999 BGS Technical Report WC/00/13 Keywords:Ethiopia, groundwater, drought, monitoring Front cover illustration: Looking down onto the River Mille from Abbot Village, Ambassel Woreda. © NERC 2000 Keyworth, Nottingham, British Geological Survey, 2000 Contents Executive Summary iv 1. INTRODUCTION 1 1.1 Visit Objectives 1 1.2 Visit Background 1 1.3 Project Aims and Outputs 3 2. THE STUDY AREA: SOUTH WOLLO 4 2.1 Selection Criteria 4 2.2 Physical Background 5 2.3 Socio-economic Background 5 2.4 Institutions 6 3.
    [Show full text]
  • Read Or Download
    afrique.q 7/15/02 12:36 PM Page 2 The tree of life that is reggae music in all its forms is deeply spreading its roots back into Afri- ca, idealized, championed and longed for in so many reggae anthems. African dancehall artists may very well represent the most exciting (and least- r e c o g n i z e d ) m o vement happening in dancehall today. Africa is so huge, culturally rich and diverse that it is difficult to generalize about the musical happenings. Yet a recent musical sampling of the continent shows that dancehall is begin- ning to emerge as a powerful African musical form in its own right. FromFrom thethe MotherlandMotherland....Danc....Danc By Lisa Poliak daara-j Coming primarily out of West Africa, artists such as Gambia’s Rebellion D’Recaller, Dancehall Masters and Senegal’s Daara-J, Pee GAMBIA Froiss and V.I.B. are creating their own sounds growing from a fertile musical and cultural Gambia is Africa’s cross-pollination that blends elements of hip- dancehall hot spot. hop, reggae and African rhythms such as Out of Gambia, Rebel- Senegalese mbalax, for instance. Most of lion D’Recaller and these artists have not yet spread their wings Dancehall Masters are on the international scene, especially in the creating music that is U.S., but all have the musical and lyrical skills less rap-influenced to explode globally. Chanting down Babylon, than what is coming these African artists are inspired by their out of Senegal. In Jamaican predecessors while making music Gambia, they’re basi- that is uniquely their own, praising Jah, Allah cally heavier on the and historical spiritual leaders.
    [Show full text]
  • A Jewinican (Re)Collection Roberto Alejandro Santos University of Texas at El Paso, [email protected]
    University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2010-01-01 Exile in the Gramola: A Jewinican (Re)Collection Roberto Alejandro Santos University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the American Literature Commons, Ethnic Studies Commons, Fine Arts Commons, and the Literature in English, North America Commons Recommended Citation Santos, Roberto Alejandro, "Exile in the Gramola: A Jewinican (Re)Collection" (2010). Open Access Theses & Dissertations. 2777. https://digitalcommons.utep.edu/open_etd/2777 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. EXILE IN THE GRAMOLA: A JEWINICAN (RE)COLLECTION ROBERTO ALEJANDRO SANTOS Department of Creative Writing APPROVED: _____________________________________________ Benjamin Alire Sáenz, Committee Chair _____________________________________________ Sasha Pimentel Chacón, M.F.A. _____________________________________________ Maceo Dailey, Ph.D. _____________________________________________ Patricia D. Witherspoon, Ph.D. Dean of the Graduate School Copyright © 2010 by Roberto Alejandro Santos All Rights Reserved. Livication For my family & friends EXILE IN THE GRAMOLA: A JEWINICAN (RE)COLLECTION by ROBERTO ALEJANDRO SANTOS, B.A., M.F.A. THESIS Presented to the Faculty of the Graduate School of The University of Texas at El Paso in Partial Fulfillment of the Requirements for the Degree of MASTER OF FINE ARTS Department of Creative Writing THE UNIVERSITY OF TEXAS AT EL PASO May 2010 Preface to Exile in the Gramola : A Jewinican (Re)Collection What is a book of poetry but a collection of words and lines, truths and lies, questions and almost-answers.
    [Show full text]
  • Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984
    University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-18-2007 Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984 Caree Banton University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Banton, Caree, "Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984" (2007). University of New Orleans Theses and Dissertations. 508. https://scholarworks.uno.edu/td/508 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974 – 1984 A Thesis Submitted to the Graduate Faculty of the University of New Orleans In partial fulfillment of the Requirements for the degree of Master of Arts In History By Caree Ann-Marie Banton B.A. Grambling State University 2005 B.P.A Grambling State University 2005 May 2007 Acknowledgement I would like to thank all the people that facilitated the completion of this work.
    [Show full text]
  • Dancing Postcolonialism
    Sabine Sörgel Dancing Postcolonialism TanzScripte | edited by Gabriele Brandstetter and Gabriele Klein | Volume 6 Sabine Sörgel (Dr. phil.) teaches the history and theory of theatre and dance at Johannes Gutenberg-University Mainz. Her current research includes cross- cultural corporealities, contemporary performance and postcolonial theory. Sabine Sörgel Dancing Postcolonialism The National Dance Theatre Company of Jamaica Die vorliegende Arbeit wurde vom Fachbereich 05 Philosophie und Philologie der Jo- hannes Gutenberg-Universität Mainz im Jahr 2005 als Dissertation zur Erlangung des akademischen Grades eines Doktors der Philosophie (Dr. phil.) angenommen. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2007 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Cover illustration: Rex Nettleford, NDTC’s »moving spirit«, co-founder, princi- pal choreographer, and current Artistic Director. Here seen in lead role of »Myal«. Credits: Photographs: cover illustration and pages 100, 102, 103, 110, 112, 119, 131, 175, 176, 177 courtesy and copyright by Maria LaYacona and NDTC ar- chives; page 140 courtesy and copyright by Denis Valentine and NDTC ar- chives; page 194 courtesy and coypright by W. Sills and NDTC archives. All video stills: courtesy
    [Show full text]
  • Radio France. France Inter. Archives Papier Des Émissions De Valli « Système Disque » (2003-2008), « POP Etc
    Radio France. France Inter. Archives papier des émissions de Valli « Système disque » (2003-2008), « POP etc. » (2008-2013), « I love USA (moi non plus) » (2004), « il était une femme » (2005), le prix Constantin (2004-2011). 2003-2013 Répertoire numérique détaillé du versement n° 20140302 Établi par Anne Briqueler, Service Archives écrites et Musée - Direction générale déléguée - Radio France Première édition électronique Archives nationales (France) Pierrefitte-sur-Seine 2014 1 https://www.siv.archives-nationales.culture.gouv.fr/siv/IR/FRAN_IR_055871 Cet instrument de recherche a été rédigé avec un logiciel de traitement de texte. Ce document est écrit en français. Conforme à la norme ISAD(G) et aux règles d'application de la DTD EAD (version 2002) aux Archives nationales, il a reçu le visa du Service interministériel des Archives de France le ..... 2 Archives nationales (France) Sommaire Radio France. France Inter. Archives papier des émissions de Valli. « Système 4 disque » (2003-2008), « Pop etc. » (2008-2013), « I love USA (moi non ... Émissions des grilles de rentrée : Système disque (2003-2008), Pop etc. (2008- 7 2013) Émissions de la grille d'été : I love USA (moi non plus) (2004), Il était une femme 28 (2005), Émissions animées par Valli à l'occasion du Prix Constantin 30 Carnets de notes de Valli 30 3 Archives nationales (France) INTRODUCTION Référence 20140302/1-20140302/82 Niveau de description groupe de documents Intitulé Radio France. France Inter. Archives papier des émissions de Valli. « Système disque » (2003-2008), « Pop etc. » (2008-2013), « I love USA (moi non plus) » (2004), « Il était une femme » (2005), « Le Prix Constantin » (2004-2011) Date(s) extrême(s) 2003-2013 Nom du producteur • Valli • Radio France Importance matérielle et support Le versement comporte 22 cartons d'archives de type « Armic » soit 6,82 ml.
    [Show full text]
  • The Dub June 2018
    1 Spanners & Field Frequency Sound System, Reading Dub Club 12.5.18 2 Editorial Dub Front cover – Indigenous Resistance: Ethiopia Dub Journey II Dear Reader, Welcome to issue 25 for the month of Levi. This is our 3rd anniversary issue, Natty Mark founding the magazine in June 2016, launching it at the 1st Mikey Dread Festival near Witney (an event that is also 3 years old this year). This summer sees a major upsurge in events involving members of The Dub family – Natty HiFi, Jah Lambs & Lions, Makepeace Promotions, Zion Roots, Swindon Dub Club, Field Frequency Sound System, High Grade and more – hence the launch of the new Dub Diary Newsletter at sessions. The aim is to spread the word about forthcoming gigs and sessions across the region, pulling different promoters’ efforts together. Give thanks to the photographers who have allowed us to use their pictures of events this month. We welcome some new writers this month too – thanks you for stepping up Benjamin Ital and Eric Denham (whose West Indian Music Appreciation Society newsletter ran from 1966 to 1974 and then from 2014 onwards). Steve Mosco presents a major interview with U Brown from when they recorded an album together a few years ago. There is also an interview with Protoje, a conversation with Jah9 from April’s Reggae Innovations Conference, a feature on the Indigenous Resistance collective, and a feature on Augustus Pablo. Welcome to The Dub Editor – Dan-I [email protected] The Dub is available to download for free at reggaediscography.blogspot.co.uk and rastaites.com The Dub magazine is not funded and has no sponsors.
    [Show full text]
  • Temperance in the Modern World
    Temperance in the modern world In Pope Francis’ continuing diagnosis of the world’s ills, elaborated on thoroughly in his most recent encyclical Laudato Si‘ (On Care for Our Common Home), consumerism — excess consumption of material goods — ranks consistently at or near the top of the list. Consumerism is one face of the maldistribution of wealth, the other face of which is poverty. The pope calls it a “poison” that reflects “emptiness of meaning and values.” Collective consumerism is among the symptoms of what Pope St. John Paul II called “superdevelopment.” This aberration, he explained, arises from “excessive availability of every kind of material goods, for the benefit of certain social groups” and is expressed in an obsessive quest to own and consume more and more (Sollicitudo Rei Socialis, No. 28). The cure for this disease of the spirit, considered as a social problem, is the practice of social justice in economic policies, practices and laws. On the individual level, too, each of us is tempted to consumerism and has social justice responsibilities. But how are ordinary people to practice social justice? The answer is temperance. Cumulatively, temperance can make a real contribution to social justice. One person living temperately gives a good example. A multitude living temperately can change a nation, or even the world, for the better. Pope Francis makes much the same point in his encyclical, Laudato Si‘, where he uses the word “sobriety” to describe an attitude equivalent to temperance. Living this way, he writes, means “living life to the full … learning familiarity with the simplest things and how to enjoy them” (No.
    [Show full text]