The Best Books in Rastafari Studies
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In Bob Marley's Jamaica
l;jN National Library of Jamaica _arley's )affiaic� (NOTE: Two Thursday ago was Bob 'Marley's birthday though seemed ? nobod t remember ... except a few rastafarians and tourists and on or two d1sc jockeys. The Marley Museum on Hope Road � ll, was a b lace y with many young people who would not even in�wn� h arley following their parents into the Museum, outside:� which were dozens of cars of and buses that had brough lovers t local Marl and tour groups. The Jamaica Reggae Kb.g still draws intere overseas. One of the latest pieces on him appeared : -Herald's" in the "Miami Travel Section, April 23, under the headline "In se h f Bob �ley's Jamaica. STEVE COHEN came to Jamaica . followtng and e article for the "Miami Herald") NINE MILES, Jamaica wr:�; .::Bob Marley, the International reggae star, died 1981 36, of cancer fn at the age of yet today, ln Jamaica, and the rest of the world, Marley's music al)d fa riie continue to grow beyond history, Into legend. A Visit to Marley's Jamaica can provide a stimulating cultural adjunct or alternative to resort Jamaica, as well as insights Into the man his music and his ' country, which considers him a national hero. The best place to start looking for Bob Marley's Jamaica Is at Tuff Gong, his Kingston home and recording studio at 56 Hope Rd., rechris tened the Bob Marley Museum In May 1986. International Visitors wander through the landscaped grounds where Marley played soccer. Inside the house Marley's music Is played contin uously. -
The Dub Issue 15 August2017
AIRWAVES DUB GREEN FUTURES FESTIVAL RADIO + TuneIn Radio Thurs - 9-late - Cornerstone feat.Baps www.greenfuturesfestivals.org.uk/www.kingstongreenradi o.org.uk DESTINY RADIO 105.1FM www.destinyradio.uk FIRST WEDNESDAY of each month – 8-10pm – RIDDIM SHOW feat. Leo B. Strictly roots. Sat – 10-1am – Cornerstone feat.Baps Sun – 4-6pm – Sir Sambo Sound feat. King Lloyd, DJ Elvis and Jeni Dami Sun – 10-1am – DestaNation feat. Ras Hugo and Jah Sticks. Strictly roots. Wed – 10-midnight – Sir Sambo Sound NATURAL VIBEZ RADIO.COM Daddy Mark sessions Mon – 10-midnight Sun – 9-midday. Strictly roots. LOVERS ROCK RADIO.COM Mon - 10-midnight – Angela Grant aka Empress Vibez. Roots Reggae as well as lo Editorial Dub Dear Reader First comments, especially of gratitude, must go to Danny B of Soundworks and Nick Lokko of DAT Sound. First salute must go to them. When you read inside, you'll see why. May their days overflow with blessings. This will be the first issue available only online. But for those that want hard copies, contact Parchment Printers: £1 a copy! We've done well to have issued fourteen in hard copy, when you think that Fire! (of the Harlem Renaissance), Legitime Defense and Pan African were one issue publications - and Revue du Monde Noir was issued six times. We're lucky to have what they didn't have – the online link. So I salute again the support we have from Sista Mariana at Rastaites and Marco Fregnan of Reggaediscography. Another salute also to Ali Zion, for taking The Dub to Aylesbury (five venues) - and here, there and everywhere she goes. -
Characteristics of Music in Jamaica and Bob Marley
CHARACTERISTICS OF MUSIC IN JAMAICA AND BOB MARLEY CHARACTERISTICS OF MUSIC IN JAMAICA ● The music of Jamaica Jamaican folk music encompasses as many genres of popular music, such as mento, ska, rocksteady, reggae, dub, dancehall, reggae and other styles associated fusion ● The Jamaican American musical culture mix musical elements, such as: -rhythm and blues - rock and roll -soul REGGAE Reggae is a music genre that was born in Jamaica in the mid-1960s It became really popular since 1970 The reggae music genre is characterized by slower than ska and rocksteady music The reggae guitar used to put emphasis on either the third pulse or to keep the line from the second to the fourth. Uses instruments like guitar, bass, drums, hammond organ guitar Bass Hammond organ drums BOB MARLEY Robert Nesta Marley Booker, better known as Bob Marley, was a musician, guitarist and composer Jamaican. Born on February 6, 1945, in Nine Mile (Saint Ann), Jamaica He died on 11 May 1981 to 36 years in Miami (Florida), United States He had 14 children: Damian Marley, Ziggy Marley, Stephen Marley, Ky-Mani Marley, Rohan Marley, Julian Marley, Cedella Marley, Isaac Marley, Stephanie Marley, Imani Carole Marley, Sharon Marley, Robbie Marley, Karen Marley, Makeda Marley Their record label was: Island Records, Tuff Gong, Beverley's, Studio One, Trojan Records, St. Claire, Universal His online page it´s: http://www.bobmarley.com You can watch this video, of Bob Marley, that it´s one of most famous songs: https://www.youtube.com/watch?v=2XiYUYcpsT4 Made by María Pajares . -
Rastalogy in Tarrus Riley's “Love Created I”
Rastalogy in Tarrus Riley’s “Love Created I” Darren J. N. Middleton Texas Christian University f art is the engine that powers religion’s vehicle, then reggae music is the 740hp V12 underneath the hood of I the Rastafari. Not all reggae music advances this movement’s message, which may best be seen as an anticolonial theo-psychology of black somebodiness, but much reggae does, and this is because the Honorable Robert Nesta Marley OM, aka Tuff Gong, took the message as well as the medium and left the Rastafari’s track marks throughout the world.1 Scholars have been analyzing such impressions for years, certainly since the melanoma-ravaged Marley transitioned on May 11, 1981 at age 36. Marley was gone too soon.2 And although “such a man cannot be erased from the mind,” as Jamaican Prime Minister Edward Seaga said at Marley’s funeral, less sanguine critics left others thinking that Marley’s demise caused reggae music’s engine to cough, splutter, and then die.3 Commentators were somewhat justified in this initial assessment. In the two decades after Marley’s tragic death, for example, reggae music appeared to abandon its roots, taking on a more synthesized feel, leading to electronic subgenres such as 1 This is the basic thesis of Carolyn Cooper, editor, Global Reggae (Kingston, Jamaica: Canoe Press, 2012). In addition, see Kevin Macdonald’s recent biopic, Marley (Los Angeles, CA: Magonlia Home Entertainment, 2012). DVD. 2 See, for example, Noel Leo Erskine, From Garvey to Marley: Rastafari Theology (Gainesville, FL: University Press of Florida, 2004); Dean MacNeil, The Bible and Bob Marley: Half the Story Has Never Been Told (Eugene, OR: Cascade Books, 2013); and, Roger Steffens, So Much Things to Say: The Oral History of Bob Marley, with an introduction by Linton Kwesi Johnson (New York and London: W.W. -
The True Story of Rastafari Lucy Mckeon
The True Story of Rastafari Lucy McKeon A mural of Leonard Howell in Tredegar Park, near where the first Rastafari community was formed in the 1930s, Spanish Town, Jamaica, January 4, 2014 In the postcard view of Jamaica, Bob Marley casts a long shadow. Though he’s been dead for thirty-five years, the legendary reggae musician is easily the most recognizable Jamaican in the world—the primary figure in a global brand often associated with protest music, laid-back, “One Love” positivity, and a pot-smoking counterculture. And since Marley was an adherent of Rastafari, the social and spiritual movement that began in this Caribbean island nation in the 1930s, his music—and reggae more generally—have in many ways come to be synonymous with Rastafari in the popular imagination. For Jamaica’s leaders, Rastafari has been an important aspect of the country’s global brand. Struggling with sky-high unemployment, vast inequality, and extreme poverty (crippling debt burdens from IMF agreements haven’t helped the situation), they have relied on Brand Jamaica—the government’s explicit marketing push, beginning in the 1960s—to attract tourist dollars and foreign investment to the island. The government-backed tourist industry has long encouraged visitors to Come to Jamaica and feel all right; and in 2015, the country decriminalized marijuana— creating a further draw for foreigners seeking an authentic Jamaican experience. The Jamaica Property Office (JIPO), part of the government’s larger Jamaican Promotions Agency (JAMPRO), works to protect the country’s name and trademarks from registration by outside entities with no connection to Jamaican goods and 2 services. -
Bob Marley Background Informations
Bob Marley Background informations: Birth name: Robert Nesta Marley Also known as: Tuff Gong Born: February 6, 1945 Nine Miles, Saint Ann, Jamaica Died: May 11, 1981 Genre: Reggae, ska, rocksteady Occupation: Singer, songwriter, guitarist Instrument: Guitar, vocals Years active: 1962 – 1981 Label: Studio One, Beverley’s Upseeter/ Trojan Island/Tuff Gong Associated acts: The wailers Band, The Wailers HITS: . I shot the sheriff, . No woman, No cry, . Three little birds, . Exodus, . Could you be loved, . Jamming, . Redemption song . One love[one of his most famous love songs] Bob Marley once reflected: I don’t have prejudice against myself. My father was white and my mother was black. Them call me half-caste or whatewer. Me don’t dip on nobady’s side. Me don’t dip on the black man’s side or the white man’s side. Me dip on God’s side, the one who create me and cause me to come from black and white. Musical career: Bob Marley, Bunny Livingston, Peter McIntosh, Junior Braitheaite, Beverley Kelso and Cherry Smith – rocksteady group first named “The Teenagers”. Later “The Wailing Rudeboys”, then to “The Wailing Wailers”, and finally to “The Wailers”. Albums: * The Wailing Wailers 1966 * The Best of the Wailers 1970 * Soul Rebels 1970 * Soul Revolution 1971 * Soul Revolution Part II 1971 * African Herbsman 1973 * Catch a Fire 1973 [Wailers first album] * Burnin' 1973 * Rasta Revolution 1974 * Natty Dread 1974 * Rastaman Vibration 1976 * Exodus 1977 * Kaya 1978 * Survival 1979 * Uprising 1980 * Confrontation (izdano po Marleyjevi smrti) 1983 Bob Marley’s 13 childrens: . Imani Carole, born May 22, 1963, to Cheryl Murray; . -
Tony Chin Earl Zero Derrick Lara Papa Michigan Johnny Dread Anthony John Fully Fulwood Mellow Movement Iriemag.Com
DEC 2015 CA 01.04 T R A X ROOTS / ROCK / REGGAE / RESPECT featuring HOUSE OF SHEM ARMY RAS D Z-MAN TONY CHIN EARL ZERO DERRICK LARA PAPA MICHIGAN JOHNNY DREAD ANTHONY JOHN FULLY FULWOOD MELLOW MOVEMENT IRIEMAG.COM CA ISSUE #01.04 / DECEMBER 2015 “ If you haven’t confidence in self, you are twice defeated in the race of life. With confidence, you have won even before you have started.” - Marcus Garvey Nicholas ‘Nico’ Da Silva Founder/Publisher & Editor in Chief IRIEMAG.COM MERCH. The Official ‘Rockers’ Tee from Irie Magazine Available in T-Shirts & Hoodies for Men/Women Two styles to choose from: Jamaica or Ethiopia IRIEMAG.COM House of Shem Derrick Lara Papa Michigan Ras D New Zealand Jamaica Jamaica Jamaica Army Fully Fulwood Tony Chin Johnny Dread U.S. Virgin Islands Jamaica Jamaica United States Earl Zero Anthony John Mellow Movement Z-Man United States Jamaica United States United States NZL HOUSE OF SHEM IRIEMAG.COM REGGAE HOUSE OF SHEM House Of Shem is an Aotearoa (New Zealand) based harmony trio comprised of Carl Perkins and his FOLLOW two sons, Te Omeka Perkins and Isaiah Perkins, who are each multi-instrumentalist and producers. House of Shem Formed 2005 in the rural area of Whanganui, the band embodies elements of roots reggae, pacific reggae and traditional maori music with relatable song-writing that connects powerfully with not only New Zealand and Australia audiences, but reggae listeners globally attracting fans from all Featured Album areas of the world. Since bursting onto the music scene with their debut album ‘Keep Rising’ in 2008, House of Shem has released three very successful Albums and built a rapidly growing loyal fan base. -
BIOGRAPHY Cedella Marley
BIOGRAPHY Cedella Marley As the first born of Bob and Rita Marley, Cedella Marley is a descendant of reggae royalty. As an accomplished singer, an inspiring author, an adventurous fashion designer, and a visionary entrepreneur, she is also a self-made woman, with each aspect of her multifaceted creativity honoring her exalted familial legacy. The world first met Cedella as a singing and dancing teenager with The Melody Makers, the Marley sibling group featuring her younger brothers Ziggy on lead vocals and guitar and Stephen on percussion and vocals. For two decades The Melody Makers toured the world establishing a new generation of Marley musical mystique, as they sold millions of albums and reaped an assortment of prestigious honors including three Grammy Awards. Cedella balanced the Melody Makers’ rigorous touring schedule with the responsibilities of motherhood (she and her husband have three sons), the management of the Marley family’s numerous business endeavors and the demands of designing her (celebrated) women’s casual wear collection Catch A Fire, named after her father’s first album for Island Records. She is the CEO of Tuff Gong International, the record label founded by her father in 1965 and director of The Bob Marley Foundation, a not for profit charitable organization. Additionally, she is the overseer of Marley and Company, a Marley family entity that manages the rights to Bob’s name and likeness, and the Marley merchandising conglomerate House of Marley. Cedella’s Catch A Fire clothing collection, which debuted to rave reviews in 2001, presented tailored, bohemian-chic jackets, jeans, accessories and an assortment of tees for women. -
Karibik Marley Materialsammlung
Materialsammlung: Allgemein: Mitchell, Michael (2010). “‘Nobody or a Nation’: Intercultural Adventures in the Caribbean.” In: Eisenmann, M., Grimm, N. & Volkmann, L. (eds.) (2010). Teaching the New English Cultures & Literatures. Heidelberg: Winter, S. 73-90. Jones, S. (1988). Black Culture, White Youth. The Reggae Tradition from JA to UK. Basingstoke: Macmillan Education. Lewis, Duane (2018). Bob Marley. His Influence on Rastafari, Reggae, Jamaica, Africa, and The World. Leipzig: Amazon Distributions. Goldman, Vivien (2006). The book of Exodus: the making and meaning of Bob Marley and the Wailers' album of the century. London: Random House. 1. Musical Three Little Birds https://qcnerve.com/2019/02/17/bob-marleys-three-little-birds-is-for-the-kids/ https://www.hollywoodreporter.com/news/broadway-gets-tropical-bob-marleys-674751 http://www.bobmarley.com/events/cedella-marley-three-little-birds-musical-in-ny/ 2. Reviews https://www.publishersweekly.com/978-1-4521-0697-7 https://www.slj.com/?reviewDetail=every-little-thing-based-on-the-song-%22three-little- birds%22-by-bob-marley https://www.kirkusreviews.com/book-reviews/bob-marley/every-little-thing/ https://www.kirkusreviews.com/book-reviews/bob-marley/one-love/ (das ist ein Verriss …) https://www.goodreads.com/book/show/14553673-every-little-thing 3. The illustrator: Vanessa Brantley-Newton https://www.vanessabrantleynewton.com/ 4. Bilder – Analyse p. 4: Hausnummer 56: alludes to Bob Marley’s residence: Hope Road 56, Kingston: p. 5: a) dictionary entry: HAPPY b) Schirm: Noten p.7: Rastafarian kid: Rastacap - other Rasta allusions: colours of the protagonist’s T-Shirt Fußballbild: S. 2 u. S. 17/18 - Bob Marley spielt Fußball! S. -
Tarrus Riley “I Have to Surprise You
MAGAZINE #18 - April 2012 Busy Signal Clinton Fearon Chantelle Ernandez Truckback Records Fashion Records Pablo Moses Kayla Bliss Sugar Minott Jah Sun Reggae Month Man Free Tarrus Riley “I have to surprise you. The minute I stop surprising you we have a problem” 1/ NEWS 102 EDITORIAL by Erik Magni 2/ INTERVIEWS • Chantelle Ernandez 16 Michael Rose in Portland • Clinton Fearon 22 • Fashion Records 30 104 • Pablo Moses 36 • Truckback Records 42 • Busy Signal 48 • Kayla Bliss 54 Sizzla in Hasparren SUMMARY • Jah Sun 58 • Tarrus Riley 62 106 3/ REVIEWS • Ital Horns Meets Bush Chemists - History, Mystery, Destiny... 68 • Clinton Fearon - Heart and Soul 69 Ras Daniel Ray, Tu Shung • 149 Records #1 70 Peng and Friends in Paris • Sizzla In Gambia 70 Is unplugged the next big thing in reggae? 108 • The Bristol Reggae Explosion 3: The 80s Part 2 71 • Man Free 72 In 1989 MTV aired the first episode of the series MTV Unplugged, a TV show • Tetrack - Unfinished Business 73 where popular artists made new versions of their own more familiar electron- • Jah Golden Throne 74 Anthony Joseph, Horace ic material using only acoustic instrumentation. It became a huge success • Ras Daniel Ray and Tu Shung Peng - Ray Of Light 75 Andy and Raggasonic at and artists and groups such as Eric Clapton, Paul McCartney and Nirvana per- • Peter Spence - I’ll Fly Away 76 Chorus Festival 2012 formed on the show, and about 30 unplugged albums were also released. • Busy Signal - Reggae Music Again 77 • Rod Taylor, Bob Wasa and Positive Roots Band - Original Roots 78 • Cos I’m Black Riddim 79 110 Doing acoustic versions of already recorded electronic material has also been • Tarrus Riley - Mecoustic 80 popular in reggae music. -
Paper on Marley
Peterson 1 David J. Peterson Prof. Peterson English 100 15 Oct. 2008 Get Up, Stand Up Bob Marley was a revolutionary musically, socially and politically, the three elements often being blended together in his musical compositions. Marley used his songs not only to entertain, but to teach. His multi-layered attack gives listeners something to look for—to puzzle out—and continues to excite fans both old and new. Non-Jamaican listeners often interpret Marley’s lyrics simplistically (e.g., “This song’s about pot, heh, heh… Legalize it!”) because the social background that influenced his songs remains opaque. To fully appreciate what Marley was doing, and what his message was, one has to do a little digging. Bob Marley’s story is well-known to many, both fans and non-fans alike, and was probably captured best by Tim White in his biography Catch a Fire: The Life of Bob Marley. For the uninitiated, a brief refresher will do. Bob Marley was born in Jamaica to an eighteen year-old native Jamaican woman and a fifty year-old British naval officer— a man Bob Marley would see infrequently throughout the course of his life. Despite his small size, he was a good fighter, earning him the nickname Tuff Gong, and the respect of his peers growing up in the Jamaican slums around Kingston. It was here where he was introduced to two lifelong passions: music and the Rastafarian religion. Marley soon formed a band with Bunny Wailer and Peter Tosh—first known as the Wailing Wailers, and later Bob Marley and the Wailers—and before long, they became an international sensation. -
Chanting up Zion: Reggae As Productive Mechanism for Repatriated Rastafari In
Chanting up Zion: Reggae as Productive Mechanism for Repatriated Rastafari in Ethiopia David Aarons A dissertation submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy University of Washington 2017 Reading Committee: Shannon Dudley, Chair Giulia Bonacci Katell Morand Christina Sunardi Program Authorized to Offer Degree: Music i @Copyright 2017 David Aarons ii University of Washington Abstract Chanting up Zion: Reggae as Productive Mechanism for Repatriated Rastafari in Ethiopia David Aarons Chair of the Supervisory Committee: Shannon Dudley Ethnomusicology Since the 1960s, Rastafari from Jamaica and other countries have been “returning” to Ethiopia in the belief that it is their Promised Land, Zion. Based on extensive ethnographic research in Ethiopia between 2015 and 2017, this project examines the ways in which repatriated Rastafari use music to transform their Promised Land into a reality amidst various challenges. Since they are denied legal citizenship, Rastafari deploy reggae in creative and strategic ways to gain cultural citizenship and recognition in Ethiopia. This research examines how reggae music operates as a productive mechanism, that is, how human actors use music to produce social and tangible phenomena in the world. Combining theories on music’s productive capabilities with Rastafari ideologies on word-sound, this research further seeks to provide deeper insight into the ways Rastafari effect change through performative arts. I examine how Rastafari mobilize particular discourses that both challenge and reproduce hegemonic systems, creating space for themselves in Ethiopia through music. Rastafari use reggae in strategic ways to insert themselves into the contested national narratives of Ethiopia, and participate in the practice of space-making in Addis Ababa and Shashemene through sound projects.