Luciano World a Reggae Jah Messenjah Ananse Respect Nan-C

Total Page:16

File Type:pdf, Size:1020Kb

Luciano World a Reggae Jah Messenjah Ananse Respect Nan-C ISSUE #9 SEP 2014 M A G A Z I N E ROOTS / ROCK / REGGAE / RESPECT REWIND LUCIANO WORLD A REGGAE JAH MESSENJAH ANANSE RESPECT NAN-C BRYAN ART MIDOSE MUNGO’S HI-FI NEGRITUDE REPUBLIC TANYA STEPHENS BLUE KING BROWN SPOTLIGHT THE UPRISING ROOTS META & THE CORNERSTONES THE HEMPOLICS IRIEMAG.COM ISSUE #9 / SEPTEMBER 2014 “ We are all children of the Most High God and as a Rasta man, I acknowledge that I am a child of Emperor Haile Selassie I because all of his teachings are in my songs.” - Luciano Nicholas “Nico” Da Silva Founder/Editor in Chief IRIEMAG.COM ROOTS. ROCK. REGGAE. Ananse Modise Sepeng Luciano Conversion of a Story Negritude Republic Jah Messenjah RESPECT. REWIND. RIDDIMS. Kindah Danny Creatah Irie Trax One Family World A Reggae Roots / Rock / Reggae TABLE OF CONTENT. USA ROOTS. ANANSE Conversion of a Story ANANSE Conversion of a Story By nan-c FOLLOW nan-c Annancy is a trickster, a hero of the people that can settle injustice within a tale even though in reality has not been settled. It is through the Anansesems that the shape of the world has been established and accredited to the creation of many of the physical and social norms of both, man and animals. Annancy is a teacher who through his own misdeeds becomes an example for man on how to live and prosper in the world. Annancy is a semi-deity and trickster hero, both spider and man. He is able to talk with the sky-god, Nyame as well as walk upon the earth to represent man. The art of storytelling is captures through the creativity and spirit of the storyteller that turns tales about the ordinary into adventures of the extraordinary. The storyteller is truly the real trickster behind each tale and has the imaginative power to grab upon and expand myths, fairytales and folklore. The storyteller that is filled with the spirit of Annancy is culturally conscious and is from a proud lineage of orators that have been telling his tales for centuries. Famine has come to the land. Annancy has gone up to Nyame, the Sky god to persuade him to relinquish all the stories named after him. Nyame believes that Annancy must be insane from hunger and tells Annancy that he will give him all the tales in exchange for the bees, alligator and tiger. Nyame gives his word to Annancy. And Annancy returns to earth to begin his task. Annancy passes by a tree where the young bees are rehearsing. The buzzing is strong that he peeps inside to watch and listen for a while. He then tells the song leader that the bees sound awful and that he could teach them a better song and a better way of singing. The only stipulation is that the IRIEMAG.COM song leader has to leave. The bees want to sound better so they demand that the song leader leave in order for Annancy to take over. Annancy tells the bees that in order to sing better they must go into the gourd. The gourd has a special sound that will help them. The bees agree and allow Annancy to hold the gourd while they all fly in. After the last bee has entered, Annancy corks the opening and takes the gourd up to FOLLOW nan-c Nyame. Nyame is quite surprised that Annancy has completed the first task. He accepts the gourd of bees, drowns them, and waits for Annancy to complete the other two tasks. Annancy enters the marshlands. He roams around until he finds Alligator. He approaches Alligator and tries to convince him that he is longer. Alligator at first does not fall for Annancy’s nonsense but Annancy is so convincing that Alligator begins to doubt himself. Annancy goes and gets a long piece of bamboo. He tells Alligator to tie him to it first and mark how long he is when stretched out. Alligator does exactly that. Then Annancy tells Alligator to stretch out to determine how long he is but Annancy says it is difficult to do. Annancy convinces Alligator that it is best to be tied down in order to measure exactly. Alligator agrees. Annancy proceeds to tie him to the bamboo in three places. Alligator comments on how tight the rope is but Annancy says nothing. Finally when all is completed and Alligator is good and snug Annancy picks up the bamboo stick securely and takes him up to Nyame. Again the sky god is amazed. He accepts the second task fulfilled, he kills Alligator and waits to see if Annancy is capable of completing the third task. Annancy goes to the bush in search of Tiger. He sees Tiger eating on a small creature and screams to him. “When I was coming here I saw a bunch of gazelles that were talking about you. They were laughing about how you could not catch any of them.” Well this made Tiger quite angry. He told Annancy to show him where these gazelles were so that he could catch one of them. But Annancy told Tiger it would be impossible to show him where 2 of 5 IRIEMAG.COM the gazelles were without leading him through the bush with a rope around his neck. Tiger was so angry that he agreed and allowed Annancy to place the rope around his neck. Well with every step the rope got tighter and tighter around FOLLOW nan-c Tiger’s neck. Tiger feeling strangled told Annancy about it but Annancy ignored his complaint as he dragged him straight up to Nyame to complete his mission. Nyame accepts Annancy’s last part of the deal. He kills Tiger too. He then turns over all the stories that were once called Nyamesems to Annancy. He makes an official presentation by gathering all the chiefs, dignitaries and villagers to tell them that for now and forever all stories are to be called Anansesems. The story begins by explaining that there was a problem in the land (draught). All was not well in the land in which the storyteller lived. The people were not being taken care of and food and water were scarce. Annancy went to the chief to discuss the situation. And the chief was not sure of what the problem was. IRIEMAG.COM But Annancy knew. He knew that vanity, stupidity and greed were causing the destruction of his people. And until those issues were removed from the community nothing good could prosper. So Annancy confronted the problems by stroking their egos. He led each to the chief so that he could remove them from the area in order for Annancy to have a decent life style for both his family and community. Each creature represented a weakness of man. Each weakness had to be destroyed FOLLOW nan-c in order for peace and harmony to flow throughout the land. The spirit of Annancy changed as he crossed the Atlantic in the slave ships to the new world. He remained in the memories of his people. They looked up to him, admired him for his cleverness and humor. And they loved him because he was able to roam freely in their memories not shackled down, beaten, or forced to work a land that was not his own. So the stories adapted to fit comfortably into their environment. During the Transatlantic slave trade a large quantity of Ghanaians were deposited in the Caribbean region. With such a large population of Ghanaians located in one area a stronger cultural thread was visible. Nightfall brought forth a tired worn out slave who then transformed into a teller of tales and from the only freedom he still possessed – his memory and imagination, the storyteller conjured up tales of Spiderman Annancy. The hero for them was able to conquer “masta” and the overseer. Perhaps because Annancy was able to have more of his people together the physical characteristics remained and the thread of stories were stronger and longer lasting. The storyteller replaced the village chief of the village with a person that deserved no respect and could not solve any of their problems because “masta” and the overseer were the problems. Annancy was constantly outwitting the larger creature that represented this foe. Annancy was still under restraints but posed as a man upright more often than in the tales found in the United States where he appeared often as a dwindled down small black spider. 4 of 5 IRIEMAG.COM The strong fibers of Annancy’s web kept their spirits strong when their bodies weakened. Tales grew from anger, defeat, and fear. These tales were sometimes the only bandage present to cover a broken ego, which could keep the spirit from dying and could keep humor in a workplace that could only be thought of as hell. Laughter and smiles overpowered the body aches, mental anguish, and abuse of the day for at least a moment. His tales closely resembled home, family, and love, while freely flowing with the spirit of adaptability to the environment they now were in. There was no sky god FOLLOW nan-c for Annancy to make deals with in these stories. He is on his own carrying with him a survival kit stuffed with wit, adaptability, and mental freedom. There are bigger creatures for him to overcome (“masta” and overseer) while still causing changes in nature. The tale of how Annancy acquired all the stories is one that survived the journey and is told without Annancy negotiating with Nyame but instead he is proving himself to Tiger (masta), the king of the forest, displaying that he is worthy of having the stories named after him instead of Tiger.
Recommended publications
  • The Dub Issue 15 August2017
    AIRWAVES DUB GREEN FUTURES FESTIVAL RADIO + TuneIn Radio Thurs - 9-late - Cornerstone feat.Baps www.greenfuturesfestivals.org.uk/www.kingstongreenradi o.org.uk DESTINY RADIO 105.1FM www.destinyradio.uk FIRST WEDNESDAY of each month – 8-10pm – RIDDIM SHOW feat. Leo B. Strictly roots. Sat – 10-1am – Cornerstone feat.Baps Sun – 4-6pm – Sir Sambo Sound feat. King Lloyd, DJ Elvis and Jeni Dami Sun – 10-1am – DestaNation feat. Ras Hugo and Jah Sticks. Strictly roots. Wed – 10-midnight – Sir Sambo Sound NATURAL VIBEZ RADIO.COM Daddy Mark sessions Mon – 10-midnight Sun – 9-midday. Strictly roots. LOVERS ROCK RADIO.COM Mon - 10-midnight – Angela Grant aka Empress Vibez. Roots Reggae as well as lo Editorial Dub Dear Reader First comments, especially of gratitude, must go to Danny B of Soundworks and Nick Lokko of DAT Sound. First salute must go to them. When you read inside, you'll see why. May their days overflow with blessings. This will be the first issue available only online. But for those that want hard copies, contact Parchment Printers: £1 a copy! We've done well to have issued fourteen in hard copy, when you think that Fire! (of the Harlem Renaissance), Legitime Defense and Pan African were one issue publications - and Revue du Monde Noir was issued six times. We're lucky to have what they didn't have – the online link. So I salute again the support we have from Sista Mariana at Rastaites and Marco Fregnan of Reggaediscography. Another salute also to Ali Zion, for taking The Dub to Aylesbury (five venues) - and here, there and everywhere she goes.
    [Show full text]
  • Media and Advertising Information Why Advertise on Bigup Radio? Ranked in the Top 50,000 of All Sites According to Amazon’S Alexa Service
    Media and Advertising Information Why Advertise on BigUp Radio? Ranked in the top 50,000 of all sites according to Amazon’s Alexa service Audience 16-34 year-old trend-setters and early adopters of new products. Our visitors purchase an average of $40–$50 each time they buy music on bigupradio.com and more than 30% of those consumers are repeat customers. Typical Traffic More than 1,000,000 unique page views per month Audience & Traffic 1.5 million tune-ins to the BigUp Radio stations Site Quick Facts Over 75,000 pod-cast downloads each month of BigUp Radio shows Our Stations Exclusive DJ Shows A Strong Image in the Industry Our Media Player BigUp Radio is in touch with the biggest artists on the scene as well as the Advertising Opportunities hottest upcoming new artists. Our A/R Dept listens to every CD that comes in selecting the very best tracks for airplay on our 7 stations. Among artists that Supporting Artists’ Rights have been on BigUp Radio for interviews and special guest appearances are: Rate Card Beenie Man Tanya Stephens Anthony B Contact Information: Lil Jon I Wayne TOK Kyle Russell Buju Banton Gyptian Luciano (617) 771.5119 Bushman Collie Buddz Tami Chynn [email protected] Cutty Ranks Mr. Vegas Delly Ranx Damian Marley Kevin Lyttle Gentleman Richie Spice Yami Bolo Sasha Da’Ville Twinkle Brothers Matisyahu Ziggi Freddie McGregor Jr. Reid Worldwide Reggae Music Available to anyone with an Internet connection. 7 Reggae Internet Radio Stations Dancehall, Roots, Dub, Ska, Lovers Rock, Soca and Reggaeton.
    [Show full text]
  • Read Or Download
    afrique.q 7/15/02 12:36 PM Page 2 The tree of life that is reggae music in all its forms is deeply spreading its roots back into Afri- ca, idealized, championed and longed for in so many reggae anthems. African dancehall artists may very well represent the most exciting (and least- r e c o g n i z e d ) m o vement happening in dancehall today. Africa is so huge, culturally rich and diverse that it is difficult to generalize about the musical happenings. Yet a recent musical sampling of the continent shows that dancehall is begin- ning to emerge as a powerful African musical form in its own right. FromFrom thethe MotherlandMotherland....Danc....Danc By Lisa Poliak daara-j Coming primarily out of West Africa, artists such as Gambia’s Rebellion D’Recaller, Dancehall Masters and Senegal’s Daara-J, Pee GAMBIA Froiss and V.I.B. are creating their own sounds growing from a fertile musical and cultural Gambia is Africa’s cross-pollination that blends elements of hip- dancehall hot spot. hop, reggae and African rhythms such as Out of Gambia, Rebel- Senegalese mbalax, for instance. Most of lion D’Recaller and these artists have not yet spread their wings Dancehall Masters are on the international scene, especially in the creating music that is U.S., but all have the musical and lyrical skills less rap-influenced to explode globally. Chanting down Babylon, than what is coming these African artists are inspired by their out of Senegal. In Jamaican predecessors while making music Gambia, they’re basi- that is uniquely their own, praising Jah, Allah cally heavier on the and historical spiritual leaders.
    [Show full text]
  • STAR Digio 100 チャンネル:476 REGGAE 放送日:2009/6/8~6/14 「番組案内(6時間サイクル)」 開始時間:4:00~10:00~16:00~22:00~
    STAR digio 100 チャンネル:476 REGGAE 放送日:2009/6/8~6/14 「番組案内(6時間サイクル)」 開始時間:4:00~10:00~16:00~22:00~ 楽曲タイトル 演奏者名 REGGAE VIBRATION RASTA SHOULD BE DEEPER JUNIOR KELLY DICK TRACY DEAN FRASER FAMILY AFFAIR SHINEHEAD Zungguzungguguzungguzeng YELLOWMAN CB 200 DILLINGER JAVA AUGUSTUS PABLO REGGAE MAKOSSA Byron Lee & The Dragonaires CUMBOLO CULTURE IT A GO ROUGH Johnny Clarke Got To Be There TOOTS & THE MAYTALS AIN'T THAT LOVING YOU STEELY & CLEVIE featuring BERES HAMMOND (featuring U-ROY) Can I Change My Mind HORACE ANDY Ghetto-Ology SUGAR MINOTT RED RED WINE UB40 BUJU BANTON (1) RASTAFARI BUJU BANTON UNTOLD STORIES BUJU BANTON MAMA AFRICA BUJU BANTON MAYBE WE ARE BUJU BANTON PULL IT UP BERES HAMMOND & BUJU BANTON Hills And Valleys BUJU BANTON 54 / 46 BUJU BANTON featuring TOOTS HIBBERT A LITTLE BIT OF SORRY BUJU BANTON FEELING GROOVY BUJU BANTON Better Must come BUJU BANTON MIRROR BUJU BANTON WHY BUJU LOVE YOU BUJU BANTON We'll Be Alright BUJU BANTON feat. Luciano COVER REGGAE With A Little Help From My Friends Easy Star All-Stars feat. Luciano YOU WON'T SEE ME ERNIE SMITH COME TOGETHER THE ISRAELITES WATCH THIS SOUND THE UNIQUES Holly Holy UB40 BAND OF GOLD SUSAN CADOGAN COUNTRY LIVING (ADAPTED) The mighty diamonds MIDNIGHT TRAIN TO GEORGIA TEDDY BROWN TOUCH ME IN THE MORNING JOHN HOLT Something On My Mind HORACE ANDY ENDLESS LOVE JACKIE EDWARDS & HORTNESE ELLIS CAN'T HURRY LOVE~恋はあせらず~ J.C. LODGE SOMEONE LOVES YOU HONEY STEELY & CLEVIE featuring JC LODGE THERE'S NO ME WITHOUT YOU Fiona ALL THAT SHE WANTS PAM HALL & GENERAL DEGREE JUST THE TWO
    [Show full text]
  • 71 Reggae Festival Guide 2006
    71 71 ❤ ❤ Reggae Festival Guide 2006 Reggae Festival Guide 2006 Reggae Festival Guide 2006 RED, GOLD & GREEN MMEMORIESE M O R I E S Compiled by Wendy Russell Alton Ellis next started a group together: ALTON ELLIS AND THE There are reggae artists I treasure, with songs I FLAMES. The others had their careers too and I later started my play every radio show, no matter that the CD is no own group called WINSTON JARRETT AND THE RIGHTEOUS longer current. One such artist is roots man, WINSTON FLAMES. JARRETT and the RIGHTEOUS FLAMES, so I searched him out to fi nd what might be his own fond memory: We just had our history lesson! Can you imagine I grew up in Mortimer Planno, one of Rastafari’s most prominent Kingston, Jamaica elders, living just down the street? What about this in the government next memory - another likkle lesson from agent and houses there. manager, COPELAND FORBES: The streets are My memory of numbered First SUGAR MINOTT is Street and so on, from 1993 when I to Thirteenth Street. did a tour, REGGAE I lived on Fourth, SUPERFEST ‘93, ALTON ELLIS lived which had Sugar on 5th Street. He Minott, JUNIOR REID was much older and MUTABARUKA than me, maybe along with the 22. We were all DEAN FRASER-led good neighbors, 809 BAND. We did like a family so to six shows in East speak. MORTIMER Germany which PLANNO lived was the fi rst time Kaati on Fifth too and since the Berlin Wall Alton Ellis all the Rasta they came down, that an come from north, authentic reggae Sugar Minott south, east and west for the nyabinghi there.
    [Show full text]
  • Dancehall Dossier.Cdr
    DANCEHALL DOSSIER STOP M URDER MUSIC DANCEHALL DOSSIER Beenie Man Beenie Man - Han Up Deh Hang chi chi gal wid a long piece of rope Hang lesbians with a long piece of rope Beenie Man Damn I'm dreaming of a new Jamaica, come to execute all the gays I'm dreaming of a new Jamaica, come to execute all the gays Beenie Man Beenie Man - Batty Man Fi Dead Real Name: Anthony M Davis (aka ‘Weh U No Fi Do’) Date of Birth: 22 August 1973 (Queers Must Be killed) All batty man fi dead! Jamaican dancehall-reggae star Beenie All faggots must be killed! Man has personally denied he had ever From you fuck batty den a coppa and lead apologised for his “kill gays” music and, to If you fuck arse, then you get copper and lead [bullets] prove it, performed songs inciting the murder of lesbian and gay people. Nuh man nuh fi have a another man in a him bed. No man must have another man in his bed In two separate articles, The Jamaica Observer newspaper revealed Beenie Man's disavowal of his apology at the Red Beenie Man - Roll Deep Stripe Summer Sizzle concert at James Roll deep motherfucka, kill pussy-sucker Bond Beach, Jamaica, on Sunday 22 August 2004. Roll deep motherfucker, kill pussy-sucker Pussy-sucker:a lesbian, or anyone who performs cunnilingus. “Beenie Man, who was celebrating his Tek a Bazooka and kill batty-fucker birthday, took time to point out that he did not apologise for his gay-bashing lyrics, Take a bazooka and kill bum-fuckers [gay men] and went on to perform some of his anti- gay tunes before delving into his popular hits,” wrote the Jamaica Observer QUICK FACTS “He delivered an explosive set during which he performed some of the singles that have drawn the ire of the international Virgin Records issued an apology on behalf Beenie Man but within gay community,” said the Observer.
    [Show full text]
  • Mirror, Mediator, and Prophet: the Music Indaba of Late-Apartheid South Africa
    VOL. 42, NO. 1 ETHNOMUSICOLOGY WINTER 1998 Mirror, Mediator, and Prophet: The Music Indaba of Late-Apartheid South Africa INGRID BIANCA BYERLY DUKE UNIVERSITY his article explores a movement of creative initiative, from 1960 to T 1990, that greatly influenced the course of history in South Africa.1 It is a movement which holds a deep affiliation for me, not merely through an extended submersion and profound interest in it, but also because of the co-incidence of its timing with my life in South Africa. On the fateful day of the bloody Sharpeville march on 21 March 1960, I was celebrating my first birthday in a peaceful coastal town in the Cape Province. Three decades later, on the weekend of Nelson Mandela’s release from prison in February 1990, I was preparing to leave for the United States to further my studies in the social theories that lay at the base of the remarkable musical movement that had long engaged me. This musical phenomenon therefore spans exactly the three decades of my early life in South Africa. I feel privi- leged to have experienced its development—not only through growing up in the center of this musical moment, but particularly through a deepen- ing interest, and consequently, an active participation in its peak during the mid-1980s. I call this movement the Music Indaba, for it involved all sec- tors of the complex South African society, and provided a leading site within which the dilemmas of the late-apartheid era could be explored and re- solved, particularly issues concerning identity, communication and social change.
    [Show full text]
  • Hempress Sativa
    420 ISSUE APR 2014 M A G A Z I N E ROOTS / ROCK / REGGAE / RESPECT HEMPRESS SATIVA 10 GANJA TRAX UNCONQUEREBEL RESPECT LIONESS PROTOJE KABAKA PYRAMID TURBULENCE JAHKIME JESSE ROYAL SATORI MOVEMENT KEZNAMDI NATURAL BLACK ONE LOVE / ONE EARTH / ONE CHANCE IRIEMAG.COM THE 420 ISSUE / 2014 “When you smoke the herb, it reveals you to yourself.” - Bob Marley Nicholas “Nico” Da Silva Founder/Publisher IRIEMAG.COM Celebrate 420 everyday! ROOTS. ROCK. REGGAE. Irie 420 Satori Movement Hempress Sativa From Jamaica One Love / One Earth / One Chance Unconquerebel Lioness RESPECT. REWIND. RIDDIMS. Kindah Danny Creatah Ganja Trax One Family World A Reggae Music for the Cannabis Culture TABLE OF CONTENT. Jamaica ROOTS. Irie 420 From Jamaica IRIE 420 From Jamaica By Kam-Au Amen Ganja babe my sweet ganja babe I love tha way ya love me and the way ya misbehavin’ ganja babe my sweet ganja babe come wake body-ody take my mind away GANJA BABE, MICHAEL FRANTI & SPEARHEAD Being Jamaican, and growing up in that culture one can hardly escape knowing what ganja, otherwise referred to as marijuana, weed, pot, cannabis, herb, I-ncients, collie, sensi, and a number of other names is. The use of ganja in Jamaica is still illegal, and its possession is criminal, therefore it is largely used outside of the public eye. No doubt this has contributed to its mystique and appeal. In Jamaica, the use of ganja has primarily been associated with the Rastafari brethren. These days however, lots have changed. Much of Jamaica’s international renown is due to its seeming- ly very integral role in counter cultural movements.
    [Show full text]
  • JAMAICA MUSIC COUNTDOWN Apr 20
    JAMAICA MUSIC COUNTDOWN BY RICHARD ‘RICHIE B’ BURGESS APR 20 - 26, 2018 TOP 25 DANCE HALL SINGLES TW LW WOC TITLE/ARTISTE/LABEL 01 2 14 Family – Popcaan – Pure Music Productions (1wk@#1) U-1 02 3 13 Body Of A Goddess – Mitch & Dolla Coin – Emperor Productions U-1 03 1 14 Pine & Ginger – Amindi K. Fro$t, Tessellated & Valleyz – Big Beat Records (1wk@#1) D-2 04 6 12 A Mill Fi Share – Shane O – Kswizz Music U-2 05 7 11 They Don’t Know – Masicka – TMG Production U-2 06 9 7 Bawl Out – Dovey Magnum – Journey Music U-3 07 4 17 Yabba Dabba Doo – Vybz Kartel – Purple Skunk Records (1wk@#1) D-3 08 10 9 Stay So – Busy Signal – Warriors Musick Productions U-2 09 5 16 Lebeh Lebeh – Ding Dong – Romeich Entertainment (pp#3) D-4 10 12 8 Mad Love – Sean Paul & David Guetta feat. Becky G – Virgin U-2 11 13 6 Walking Trophy – Hood Celebrity – KSR Group U-2 12 14 6 Love Situation – Jada Kingdom – Popstyle Music U-2 13 15 6 Breeze – Aidonia & Govana – 4th Genna Music & JOP Records U-2 14 8 19 Graveyard – Tarrus Riley – Head Concussion Records (2wks@#1) D-6 15 11 17 Duh Better Than This – Bounty Killer – Misik Muzik (pp#7) D-4 16 18 5 Duffle Bag – Spice – Spice Official Ent. U-2 17 19 5 I’m Sanctify – Sean Paul feat. Movado – Troyton Music U-2 18 20 4 Simple Blessings – Tarrus Riley feat. Konshens – Chimney Records U-2 19 16 19 Suave - Alkaline – Chimney Records (1wk@#1) D-3 20 22 4 War Games – Shabba Ranks feat.
    [Show full text]
  • EINZELHANDEL NEUHEITEN-KATALOG NR. 122 RINSCHEWEG 26 IRIE RECORDS GMBH (CD/LP/10" & 12"/7"/Dvds) D-48159 MÜNSTER KONTO NR
    IRIE RECORDS GMBH IRIE RECORDS GMBH BANKVERBINDUNGEN: EINZELHANDEL NEUHEITEN-KATALOG NR. 122 RINSCHEWEG 26 IRIE RECORDS GMBH (CD/LP/10" & 12"/7"/DVDs) D-48159 MÜNSTER KONTO NR. 31360-469, BLZ 440 100 46 (VOM 01.02.2003 BIS 01.03.2003) GERMANY POSTBANK NL DORTMUND TEL. 0251-45106 KONTO NR. 35 60 55, BLZ 400 501 50 SCHUTZGEBÜHR: 1,00 EUR (+ PORTO) FAX. 0251-42675 SPARKASSE MÜNSTERLAND OST EMAIL: [email protected] HOMEPAGE: www.irie-records.de GESCHÄFTSFÜHRER: K.E. WEISS/SITZ: MÜNSTER/HRB 3638 ______________________________________________________________________________________________________________ IRIE RECORDS GMBH: DISTRIBUTION - WHOLESALE - RETAIL - MAIL ORDER - SHOP - YOUR SPECIALIST IN REGGAE & SKA -------------------------------------------------------------------------------------------------------------- GESCHÄFTSZEITEN: MONTAG/DIENSTAG/MITTWOCH/DONNERSTAG/FREITAG 13 – 19 UHR; SAMSTAG 12 – 16 UHR ______________________________________________________________________________________________________________ *** CDs *** HORACE ANDY....................... OUTTA DE VAULT (14 NEW TRACKS) PLUSH/POP CORN. (USA) (02/03). 20.99EUR MAYA ANGELOU...................... MISS CALYPSO.................. LIBERTY/REV-OLA (GBR) (57/03). 19.49EUR CALY ANTHONY B......................... STREET KNOWLEDGE (16 NEW TR.). ON THE CORNER.. (FRA) (02/03). 18.99EUR HEADLEY BENNETT................... POOLSIDE REGGAE (SAX INSTRUM.) REGGAE TODAY... (USA) (02/03). 19.99EUR BUSHMAN (RE-RELEASE).............. LIVE AT THE OPERA HOUSE....... ON THE CORNER.. (FRA)
    [Show full text]
  • 8123 Songs, 21 Days, 63.83 GB
    Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat.
    [Show full text]
  • Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin
    Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin To cite this version: Denis-Constant Martin. Sounding the Cape, Music, Identity and Politics in South Africa. African Minds, Somerset West, pp.472, 2013, 9781920489823. halshs-00875502 HAL Id: halshs-00875502 https://halshs.archives-ouvertes.fr/halshs-00875502 Submitted on 25 May 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Sounding the Cape Music, Identity and Politics in South Africa Denis-Constant Martin AFRICAN MINDS Published by African Minds 4 Eccleston Place, Somerset West, 7130, South Africa [email protected] www.africanminds.co.za 2013 African Minds ISBN: 978-1-920489-82-3 The text publication is available as a PDF on www.africanminds.co.za and other websites under a Creative Commons licence that allows copying and distributing the publication, as long as it is attributed to African Minds and used for noncommercial, educational or public policy purposes. The illustrations are subject to copyright as indicated below. Photograph page iv © Denis-Constant
    [Show full text]