Hempress Sativa

Total Page:16

File Type:pdf, Size:1020Kb

Hempress Sativa 420 ISSUE APR 2014 M A G A Z I N E ROOTS / ROCK / REGGAE / RESPECT HEMPRESS SATIVA 10 GANJA TRAX UNCONQUEREBEL RESPECT LIONESS PROTOJE KABAKA PYRAMID TURBULENCE JAHKIME JESSE ROYAL SATORI MOVEMENT KEZNAMDI NATURAL BLACK ONE LOVE / ONE EARTH / ONE CHANCE IRIEMAG.COM THE 420 ISSUE / 2014 “When you smoke the herb, it reveals you to yourself.” - Bob Marley Nicholas “Nico” Da Silva Founder/Publisher IRIEMAG.COM Celebrate 420 everyday! ROOTS. ROCK. REGGAE. Irie 420 Satori Movement Hempress Sativa From Jamaica One Love / One Earth / One Chance Unconquerebel Lioness RESPECT. REWIND. RIDDIMS. Kindah Danny Creatah Ganja Trax One Family World A Reggae Music for the Cannabis Culture TABLE OF CONTENT. Jamaica ROOTS. Irie 420 From Jamaica IRIE 420 From Jamaica By Kam-Au Amen Ganja babe my sweet ganja babe I love tha way ya love me and the way ya misbehavin’ ganja babe my sweet ganja babe come wake body-ody take my mind away GANJA BABE, MICHAEL FRANTI & SPEARHEAD Being Jamaican, and growing up in that culture one can hardly escape knowing what ganja, otherwise referred to as marijuana, weed, pot, cannabis, herb, I-ncients, collie, sensi, and a number of other names is. The use of ganja in Jamaica is still illegal, and its possession is criminal, therefore it is largely used outside of the public eye. No doubt this has contributed to its mystique and appeal. In Jamaica, the use of ganja has primarily been associated with the Rastafari brethren. These days however, lots have changed. Much of Jamaica’s international renown is due to its seeming- ly very integral role in counter cultural movements. Jamaica’s rebel history boasts figures such as Boukman, Marcus Garvey, WEBSITE Bob Marley and Peter Tosh to name a few, and the nation has urbanyardjamaica.com given birth to significant political movements such as Marcus Garvey’s UNIA and ACL, and Rastafari. 1 of 6 IRIEMAG.COM It has also loaned its support to numerous others such as African independence struggles, anti-apartheid struggles and the Non- Aligned Movement. A significant part of this success, one could argue, is the role Jamaica’s music has played, and the impact it has had on these developments. Therefore, there is nothing surprising about Jamaica having some skin in this game so to speak; rebel is what we are, it would appear. But even though we may appear as rebels to the world outside, internally the progress to embracing ganja has been among the most reactionary one will find anywhere. Reasons for that vary, not least of all is the fear for international repercussions from trading partners such as the USA. Increasingly, the establishment is acknowledging the tremendous value of ganja for medicinal uses such as to treat glaucoma and asthma. Yet, the actions to fully take advantage of its medicinal capacity have been slow. In one newspaper article, one former Prime Minister went at length to speak of the repercussions Jamaica could face from the USA if ganja were decriminalized; this is to say nothing of legalization that would be taking it a step further. One would almost forget that Jamaica is a politically independent nation, at least in theory. What makes this cowardly is that the decriminalization and legalization of the use of ganja for medicinal purposes is moving along in the USA where several states have already created this exception or are pursing it, and at least two states allow some recreational use. 2 of 6 IRIEMAG.COM In Jamaica the struggle to decriminalize the use of ganja, and even make it legal has been a long one. The landmark 2001 Report of the National Commission on Ganja commissioned by the then Prime Minister, PJ Patterson, has yet to find its recommendations implemented. Among the recommendations were: • that the relevant laws be amended so that ganja be decriminalized for the private, personal use of small quantities by adults • that decriminalization for personal use should exclude smoking by juveniles or by anyone in premises accessible to the public • that ganja should be decriminalized for use as a sacrament for religious purposes • that a sustained all-media, all-schools education program aimed at demand reduction accompany the process of decriminalization, and that its target should be, in the main, young people • that the security forces intensify their interdiction of large cultivation of ganja and trafficking of all illegal drugs, in particular crack/cocaine • that, in order that Jamaica be not left behind, a Cannabis Research Agency be set up, in collaboration with other countries, to coordinate research into all aspects of cannabis, including its epidemiological and psychological effects, and importantly as well its pharmacological and economic potential, such as is being done by many other countries, not least including some of the most vigorous in its suppression These recommendations seem harmless and forward thinking, particularly in light of the develop- ments in the Netherlands and in the US where the establishment is exhibiting some capacity to be flexible. Unfortunately, the Jamaican establishment is not demonstrating that willingness. In these matters they seem prepared to follow. Notwithstanding, the Jamaican popular culture has taken the lead and has very clearly articulated the direction it would like to see these developments take. 3 of 6 IRIEMAG.COM To date there are several “ganja anthems” that have been done by reggae artists in Jamaica and worldwide. And there exists compilation albums with some of the more popular songs. One of the anthems I think that captures the enduring sentiment of the Jamaican popular culture is titled Tired Fi Lick Weed Inna Bush originally released in 1976 by the inimitable Jacob Miller. It’s still relevant. Ooh, now, want to be free.... Tired fe lick weed in a bush Tired fe lick pipe in a gully We want to come out in the open Where the breeze can blow it so far away To the north, to the south, To the eas’, an’ to the wes’ , to the wes’ Talkin’ about Jones Town, Trench Town, concrete jungle, too From Waterhouse, that’s the wes’, that’s the bes’, that’s the wes’ From St. Ann’s it comes to you The best collie weed you ever drew So why should you run and hide From the red seam, the blue seam, the khaki clothes, too, hmm Jacob Miller Tired fe lick weed in a bush Tired fe lick chillum in a gully We want to come out in the open Where the breeze can blow it so far away YOUTUBE To the north, to the south, http://youtu.be/9kxe-O15xjE To the eas’, an’ to the wes’ , to the wes’, ooh now We want, we want to be free.... TIRED FI LICK WEED INNA BUSH, JACOB MILLER 4 of 6 IRIEMAG.COM In the USA advocates have managed to demonstrate a marked capacity to influence officialdom in a way the Jamaican players have not been able to influence theirs. Notwithstanding, it seems the time has come for more movement to happen on this matter, and things are indeed changing, if even slowly. In the mean time, I find the story of the origin of 420 interesting. For readers who may not be familiar, the Huffington Post article titled “420 History: The Story Behind April 20 Becoming ‘Weed Day’ gives a useful account of the history of 420. It tells us that it all began with “a group of five San Rafael High School [California] friends known as the Waldos - by virtue of their chosen hang-out spot, a wall outside the school”. Their own account of the story goes: One day in the Fall of 1971 - harvest time - the Waldos got word of a Coast Guard service member who could no longer tend his plot of marijuana plants near the Point Reyes Peninsula Coast Guard station. A treasure map in hand, the Waldos decided to pluck some of this free bud. The Waldos were all athletes and agreed to meet at the statue of Louis Pasteur outside the school at 4:20, after practice, to begin the hunt. “We would remind each other in the hallways we were supposed to meet up at 4:20. It originally started out 4:20-Louis and we eventually dropped the Louis,” Waldo Steve tells the Huffington Post. The first forays out were unsuccessful, but the group kept looking for the hidden crop. “We’d meet at 4:20 and get in my old ‘66 Chevy Impala and, of course, we’d smoke instantly and smoke all the way out to Pt. Reyes and smoke the entire time we were out there. We did it week after week,” says Steve. “We never actually found the patch.” 5 of 6 IRIEMAG.COM Apparently, this is the earliest known and verified account surrounding the term and its meaning. What is equally fascinating in this account is the rest of the story that speaks to how the term 420 became popular internationally. As the article accounts it is with the moving to the Marin County hills - just blocks from San Rafael High School of the Grateful Dead that enabled the spread. It tells us further, “as the Grateful Dead toured the globe through the ‘70s and ‘80s, playing hundreds of shows a year - the term spread though the Dead underground. Once High Times got hip to it, the FOLLOW magazine helped take it global.” Much like the case in Jamaica with the spread of the ganja culture Kam-Au Amen through reggae music, so too 420 spread through the music in the USA. 420 has cemented itself in the counter culture tradition of the USA and now has a permanent place in American culture.
Recommended publications
  • Liste CD / Vinyle Collection En Vente Reggae Ragga Dancehall… 2 Achetés = 1 Offert Lot Possible Et Négociable Contactez Hip Hop Music Museum
    1 Liste CD / Vinyle Collection en vente Reggae Ragga dancehall… 2 achetés = 1 offert Lot possible et négociable Contactez hip hop music museum Type Prix Nom de l’artiste Nom de l’album de Genre Année Etat Qté média 100% Ragga Dj Ewone CD 2005 1 5 Reggaetton Admiral T Touchez l’horizon Vinyl Dancehall 2006 1 9,50 Admiral T Instinct admiral CD Dancehall 2010 1 6,99 Digipack Alpha Blondy Revolution CD Reggae 1987 0 2,90 Alpha Blondy Masada CD Reggae 1992 1 25 Alpha Blondy Yitzhak rabin CD Reggae 2010 1 25 Alpha Blondy Vision CD Reggae 2011 1 6,99 And why not Move your skin CD Reggae 1990 1 3,99 Anthony B Universal struggle CD Reggae 1997 1 6,99 ASWAD Not Satisfied CD Reggae 1994 0 9,90 Baaba maal Yela CD Single Reggae 1993 1 29,99 promo Bad manners Inner London violence CD Reggae 1994 1 20,99 Baobab Reggae social club CD Reggae 2001 1 9,99 Beyond the front line Various CD Reggae 1990 1 2,55 Big Red RED emption /respect or die CD Single Reggae 1999 1 6,99 Big Red Big Redemption CD Ragga 1999 3 1,98 2 Big RED REDsistance CD Reggae 2001 1 2,40 Black Uhuru RED CD Reggae 1981 1 1,80 Bob Marley Natty Dread Vinyl Reggae 1974 0 18 Bob Marley Survival CD Reggae 1979 1 10 Bob Marley Saga CD Reggae 1990 1 4,40 Bob Marley Iron lion zion Reggae 1992 1 1,99 Bob Marley Dont rock my boat CD Reggae 1993 1 4,50 Bob Marley Talkin blues CD Reggae 1995 1 10 BoB Marley Keep on moving CD Reggae 1996 1 6 Bob Marley Bob MARLEY CD Reggae 1997 1 8,20 Bob Marley Chant down Babylon CD Reggae 1999 1 3 Bob Marley One love best of CD Reggae 2001 1 10 Bob Marley Thank you
    [Show full text]
  • The A-Z of Brent's Black Music History
    THE A-Z OF BRENT’S BLACK MUSIC HISTORY BASED ON KWAKU’S ‘BRENT BLACK MUSIC HISTORY PROJECT’ 2007 (BTWSC) CONTENTS 4 # is for... 6 A is for... 10 B is for... 14 C is for... 22 D is for... 29 E is for... 31 F is for... 34 G is for... 37 H is for... 39 I is for... 41 J is for... 45 K is for... 48 L is for... 53 M is for... 59 N is for... 61 O is for... 64 P is for... 68 R is for... 72 S is for... 78 T is for... 83 U is for... 85 V is for... 87 W is for... 89 Z is for... BRENT2020.CO.UK 2 THE A-Z OF BRENT’S BLACK MUSIC HISTORY This A-Z is largely a republishing of Kwaku’s research for the ‘Brent Black Music History Project’ published by BTWSC in 2007. Kwaku’s work is a testament to Brent’s contribution to the evolution of British black music and the commercial infrastructure to support it. His research contained separate sections on labels, shops, artists, radio stations and sound systems. In this version we have amalgamated these into a single ‘encyclopedia’ and added entries that cover the period between 2007-2020. The process of gathering Brent’s musical heritage is an ongoing task - there are many incomplete entries and gaps. If you would like to add to, or alter, an entry please send an email to [email protected] 3 4 4 HERO An influential group made up of Dego and Mark Mac, who act as the creative force; Gus Lawrence and Ian Bardouille take care of business.
    [Show full text]
  • Pablo Moses INTERVIEW
    MAGAZINE #3 - December 2010 Rootz Underground Live in Kingston Horace Andy & Scientist Tippy Lloyd Brown Don Chandler Glen Washington Duane Stephenson Pablo Moses INTERVIEW * Israel Vibration * Sadiki * Cornadoor * Clinark * Alpheus * * Trojan * Buju Banton * Gappy Ranks * Special Delivery * J Boog * * Lloyd Brown * Frenchie * Pow Pow * Konshens * United Reggae Mag #3 - December 2010 Want to read United Reggae as a paper magazine? In addition to the latest United Reggae news, views andNow videos you online can... each month you can now enjoy a free pdf version packed with most of United Reggae content from the last month.. SUMMARY 1/ NEWS •Lloyd Brown - Special Delivery - Own Mission Records - Calabash J Boog - Konshens - Trojan - Alpheus - Racer Riddim - Everlasting Riddim London International Ska Festival - Jamaican-roots.com - Buju Banton, Gappy Ranks, Irie Ites, Sadiki, Tiger Records 3 - 9 2/ INTERVIEWS •Interview: Tippy 11 •Interview: Pablo Moses 15 •Interview: Duane Stephenson 19 •Interview: Don Chandler 23 •Interview: Glen Washington 26 3/ REVIEWS •Voodoo Woman by Laurel Aitken 29 •Johnny Osbourne - Reggae Legend 30 •Cornerstone by Lloyd Brown 31 •Clinark - Tribute to Michael Jackson, A Legend and a Warrior •Without Restrictions by Cornadoor 32 •Keith Richards’ sublime Wingless Angels 33 •Reggae Knights by Israel Vibration 35 •Re-Birth by The Tamlins 36 •Jahdan Blakkamoore - Babylon Nightmare 37 4/ ARTICLES •Is reggae dying a slow death? 38 •Reggae Grammy is a Joke 39 •Meet Jah Turban 5/ PHOTOS •Summer Of Rootz 43 •Horace Andy and Scientist in Paris 49 •Red Strip Bold 2010 50 •Half Way Tree Live 52 All the articles in this magazine were previously published online on http://unitedreggae.com.This magazine is free for download at http://unitedreggae.com/magazine/.
    [Show full text]
  • Protoje Reveals “Same So,” His First Solo Single & Video in 2020 out Today, July 16Th from His Forthcoming Summer Album
    PROTOJE REVEALS “SAME SO,” HIS FIRST SOLO SINGLE & VIDEO IN 2020 OUT TODAY, JULY 16TH FROM HIS FORTHCOMING SUMMER ALBUM The Artist/Producer/Label Founder of In.Digg.Nation Collective Caps off a Summer of Releases Through his Partnership with Six Course and RCA Records [New York – July 16, 2020] “Same So,” the new single and video by Protoje, is the GRAMMY- nominated artist’s first solo release in over a year, out today, July 16th via In.Digg.Nation Collective/ Six Course/RCA Records. Listen/Watch now: https://smarturl.it/SameSo Protoje’s leading track, produced by Sean “Ziah” Roberts and himself, is an early look at his forthcoming major label debut album, which will be available for pre-order on August 6, 2020. Since earning a nomination from the Recording Academy for Best Reggae album in 2019, fans have eagerly awaited Protoje’s highly-anticipated follow-up to A Matter of Time. Protoje’s new flirtatious anthem, “Same So,” is about the thrill of a new crush, the longing to express feelings and the hopes for reciprocation. Directed by JRDN MARS, the beautiful video is a backdrop for the sweet and innocent lyrics with a stylized montage of colorful images of nature and the promise of a new and shared love. “I wrote this song just being in a situation and feeling 'a type of way' about someone - but because of the type of relationship, there are things I can’t do or say. However, at the same time, I'm hoping that she feels the same way for me regardless.
    [Show full text]
  • Ziggi Mastah. As a Child I Was Experimenting with All Styles of Music
    SEP 2016 #03.09 M A G A Z I N E ROOTS / ROCK / REGGAE / RESPECT featuring DUBTAFARI IRIEMAG.COM ISSUE #03.09 / SEP 2016 “ If the music does not penetrate the heart, the soul, the mind, and the body... then you ain’t gon’ feel it.” - Peter Tosh Nicholas ‘Nico’ Da Silva Founder/Editor in Chief IRIEMAG.COM TABLE OF CONTENTS. ROOTS. ROCK. REGGAE. Ziggi Mastah Ziggi Papers Dubtafari Sound Pioneering since 1991 Earthwide Food Inna Di Yaad SVN ROOTS. ZIGGI MASTAH Pioneering since 1991 ROOTS. ZIGGI MASTAH Pioneering Since 1991 Ziggi Mastah is a Slovenian-born reggae selector and entrepreneur, widely known not only for his always irie reggae selections and positive vibes but also for his worldwide famous Ziggi Rolling FOLLOW Papers which over the years has become a necessity for every true herb smoker. Ziggi Mastah It all started 25 years ago when Ziggi - smoking herb and working on his first package of filter tips originally shaped in a small book which formed a neatly handmade key holder - first heard Peter Tosh’s ‘Legalize it’! He dived into the exploration of reggae music and started his personal Rasta journey. Reggae vinyl’s, irie riddims, custom made filter tips, rolling papers and spreading awareness about cannabis became his life mission. And he is far from being done. His DJ path began in 1992, playing reggae records at the hangout spots in his hometown Ljubljana’s. Five years later he organized the first reggae bashment in Slovenia’s capital, which makes 1997 the year DubTafari Sound was born.
    [Show full text]
  • 2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
    2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson,
    [Show full text]
  • Special Offer Culture - Live in Africa Dvd 19.99 €
    IRIE RECORDS GMBH IRIE RECORDS GMBH BANKVERBINDUNGEN: EINZELHANDEL NEUHEITEN-KATALOG NR. 116 RINSCHEWEG 26 IRIE RECORDS GMBH (CD/LP/10" & 12"/7"/DVDs/Calendar) D-48159 MÜNSTER KONTO NR. 31360-469, BLZ 440 100 46 (VOM 06.10.2002 BIS 06.11.2002) GERMANY POSTBANK NL DORTMUND TEL. 0251-45106 KONTO NR. 35 60 55, BLZ 400 501 50 SCHUTZGEBÜHR: 1,- EUR (+ PORTO) FAX. 0251-42675 SPARKASSE MÜNSTERLAND OST EMAIL: [email protected] HOMEPAGE: www.irie-records.de GESCHÄFTSFÜHRER: K.E. WEISS/SITZ: MÜNSTER/HRB 3638 ______________________________________________________________________________________________________________ IRIE RECORDS GMBH: DISTRIBUTION - WHOLESALE - RETAIL - MAIL ORDER - SHOP - YOUR SPECIALIST IN REGGAE & SKA -------------------------------------------------------------------------------------------------------------- GESCHÄFTSZEITEN: MONTAG/DIENSTAG/MITTWOCH/DONNERSTAG/FREITAG 13 – 19 UHR; SAMSTAG 12 – 16 UHR ______________________________________________________________________________________________________________ SPECIAL OFFER CULTURE - LIVE IN AFRICA DVD 19.99 € CULTURE - LIVE IN AFRICA CD 14.99 € THIS SPECIAL OFFER ENDS ON MONDAY, 23rd OF DECEMBER 2002/DIESES ANGEBOT GILT NUR BIS ZUM 23. DEZEMBER 2002 REGULAR PRICE FOR THESE CULTURE ITEMS CAN BE FOUND IN THE CATALOGUE. IRIE RECORDS GMBH NEUHEITEN-KATALOG 10/2002 SEITE 2 *** CDs *** AMBELIQUE......................... SHOWER ME WITH LOVE(VOC.&DUBS) ANGELA......... (GBR) (02/02). 19.79EUR ANTHONY B......................... JET STAR REGGAE MAX: 18 TRACKS JET STAR....... (GBR) (--/02). 13.49EUR U BROWN (12 NEW VOCALS/6 DUBS).... AH LONG TIME MI AH DEE-JAY.... DUB VIBES PRODU (GBR) (02/02). 19.49EUR BARRY BROWN.......(AB 18.11.02)... KING JAMMY PRESENTS........... BLACK ARROW.... (GBR) (--/02). 18.99EUR DENNIS BROWN...................... EMMANNUEL (20 HIT TUNES!)..... ORANGE STREET.. (GBR) (--/02). 17.49EUR U BROWN (feat. PRINCE ALLAH (2x) /ALTON ELLIS/HORACE ANDY/PETER BROGGS/ROD TAYLOR)..............
    [Show full text]
  • Jesse Royal Ft Protoje Lion Order Lyrics
    Jesse Royal Ft Protoje Lion Order Lyrics Unlockable and uncut Michal wangles, but Baron vivace outshone her Afrikaners. Is Ingamar antirust or grief-stricken when subjectifies some amberoids encapsulate besides? Violent and snakier Emory tempts while hamate Bailie prioritize her tannage hereby and tooms soporiferously. What dem say dem want and protoje to start sharing again or lyrics? It is an understanding that there is a need for this message in the bigger picture of the potential of mankind. All the payment method shown below and former calypso king from jesse royal ft protoje lion order lyrics and accompanying music subscription to provide on automatic renewal has been sent you are you know on your profile. Jesse royal was performing lost time, lila iké grew up in apple id in one daughter with jesse royal ft protoje lion order lyrics community. Virgo and the lyrics. Listen experiences and encourages lewd deeds while riddling his reach great heights with jesse royal ft protoje lion order lyrics are you love with disqus head home where the birds chirping my den discovered using a student eligibility will have your dancehall. If not accept, add a vanilla event listener. Apple music video: jesse royal lyrics with protoje and videos for years, laid on all features and apps, but his smooth and receive notifications of campaigns and lives in. Key of lyrics and protoje quickly signed lila interchange verses from jesse royal does chuck norris wants an account! Upcoming female Reggae St. Type song title, artist or lyrics. Sorry, we were unable to find that page.
    [Show full text]
  • Tupac Shakur 29 Dr
    EXPONENTES DEL VERSO computación PDF generado usando el kit de herramientas de fuente abierta mwlib. Ver http://code.pediapress.com/ para mayor información. PDF generated at: Sat, 08 Mar 2014 05:48:13 UTC Contenidos Artículos Capitulo l: El mundo de el HIP HOP 1 Hip hop 1 Capitulo ll: Exponentes del HIP HOP 22 The Notorious B.I.G. 22 Tupac Shakur 29 Dr. Dre 45 Snoop Dogg 53 Ice Cube 64 Eminem 72 Nate Dogg 86 Cartel de Santa 90 Referencias Fuentes y contribuyentes del artículo 93 Fuentes de imagen, Licencias y contribuyentes 95 Licencias de artículos Licencia 96 1 Capitulo l: El mundo de el HIP HOP Hip hop Hip Hop Orígenes musicales Funk, Disco, Dub, R&B, Soul, Toasting, Doo Wop, scat, Blues, Jazz Orígenes culturales Años 1970 en el Bronx, Nueva York Instrumentos comunes Tocadiscos, Sintetizador, DAW, Caja de ritmos, Sampler, Beatboxing, Guitarra, bajo, Piano, Batería, Violin, Popularidad 1970 : Costa Este -1973 : Costa, Este y Oeste - 1980 : Norte America - 1987 : Países Occidentales - 1992 : Actualidad - Mundial Derivados Electro, Breakbeat, Jungle/Drum and Bass, Trip Hop, Grime Subgéneros Rap Alternativo, Gospel Hip Hop, Conscious Hip Hop, Freestyle Rap, Gangsta Rap, Hardcore Hip Hop, Horrorcore, nerdcore hip hop, Chicano rap, jerkin', Hip Hop Latinoamericano, Hip Hop Europeo, Hip Hop Asiatico, Hip Hop Africano Fusiones Country rap, Hip Hop Soul, Hip House, Crunk, Jazz Rap, MerenRap, Neo Soul, Nu metal, Ragga Hip Hop, Rap Rock, Rap metal, Hip Life, Low Bap, Glitch Hop, New Jack Swing, Electro Hop Escenas regionales East Coast, West Coast,
    [Show full text]
  • Sommerfestival '18 Im Biergarten
    07/2018 eventmagazin - SOMMERFESTIVAL ‘18 EINTRITT - SOMMERFESTIVAL ‘18 EINTRITTFREI! FREI! IM BIERGARTEN Online- Programm: 9.7. - 31.8. Mo. - Sa. 19:30 - 22 Uhr + So. 14 - 17 Uhr Online- Programm: 9.7. - 31.8. Mo. - Sa. 19:30 - 22 Uhr + So. 14 - 17 Uhr Exkl. Sitzplatzreservierung: 13,50 EUR inkl. Verzehr + ÖPNV Ludwig-Erhard-AlleeExkl. Sitzplatzreservierung: 20 • 13,50Bonn EUR • rheinaue.de inkl. Verzehr + ÖPNV Ludwig-Erhard-Allee 20 • Bonn • rheinaue.de Ab 20 Uhr* den General-Anzeiger von morgen lesen. *Sonntags ab 21 Uhr Lesen Sie das ePaper jetzt kostenlos zur Probe: ga-bonn.de/probelesen ePaper INTERMOT Änderungen und Irrtümer vorbehalten lanxess-arena.de und hre TICKETS: 0221- 8020 20 Ja EDITORIAL Sommerfestival im Biergarten ��������������������������������������������������������������������� 4 Quatsch keine Oper, das neue Programm ������������������������������������������������� 4 Titelstory: GOP – Die neue Show – FASHION ������������������������������������������� 5 KinoSzene aktuell ����������������������������������������������������������������������������������9 – 15 Liebe Kulturfreunde, - Konzertgänger und Musikliebhaber, Terminkalender �������������������������������������������������������������������������������������16 – 32 mitten in einer teils zähen Fußball-Weltmeisterschaft möchten wir euch die anstehenden kulturellen Tipps und Termine präsentieren. Bekanntlich gibt es neben denen, 10 Jahre Rocks Magazin ����������������������������������������������������������������������������� 33 die den rollenden Ball keine
    [Show full text]
  • Funk E Hip-Hop: Comunicação Sem Fronteiras
    Comunicação e música contemporânea: as hibridações culturais do funk e do hip-hop no Brasil por Denis Weisz Kuck Orientador: Micael Herschmann Escola de Comunicação Universidade Federal do Rio de Janeiro Rio de Janeiro 2003 ii COMUNICAÇÃO E MÚSICA CONTEMPORÂNEA: as hibridações culturais do funk e do hip-hop no Brasil por Denis Weisz Kuck Escola de Comunicação Universidade Federal do Rio de Janeiro Curso de Bacharelado em Comunicação Social - Jornalismo Orientador: Micael Herschmann Rio de Janeiro 2003 2 iii COMUNICAÇÃO E MÚSICA CONTEMPORÂNEA: as hibridações culturais do funk e do hip-hop no Brasil Por Denis Weisz Kuck Projeto Experimental submetido ao corpo docente da Escola de Comunicação – ECO, da Universidade Federal do Rio de Janeiro - UFRJ, como parte dos requisitos necessários à obtenção do título de Bacharel em Comunicação Social, Jornalismo. Aprovado por: ____________________________________ Micael Herschmann, - Orientador ___________________________________ Prof. Paulo Roberto Pires ___________________________________ Prof. Fernando Mansur Rio de Janeiro 2003 3 iv Kuck, Denis W. Comunicação e música contemporânea: as hibridações culturais do funk e do hip-hop no Brasil Denis Kuck. Rio de Janeiro: UFRJ/ECO, 2005 vii, 85 p. Monografia de conclusão de curso de graduação em Comunicação Social Universidade Federal do Rio de Janeiro Escola de Comunicação 1. Funk. 2. Hip-hop. 3. Hibridação cultural. 4. Globalização. 5. Antropofagismo. 6. Consumo. 7. Monografia de conclusão de curso de graduação 4 v RESUMO KUCK, Denis Weisz. Comunicação
    [Show full text]
  • Raging Fyah the Beginning Black Is My Color Destiny
    ISSUE #5 MAY 2014 M A G A Z I N E ROOTS / ROCK / REGGAE / RESPECT RAGING FYAH RESPECT DESTINY ORieL LUTAN FYAH NABBY CLIFFORD KAZAM DAVIS BLACK IS MY COLOR EXILE DI BRAVE MORGAN HERITAGE SHANTY PONTO DE EQUILIBRIO BLACKOUT IRIEMAG.COM ISSUE #5 / MAY 2014 “Don’t forget your history, nor your destiny.” - Bob Marley Nicholas “Nico” Da Silva Founder/Publisher IRIEMAG.COM Celebrate 420 everyday! ROOTS. ROCK. REGGAE. Anansi Nabby Clifford Raging Fyah The Beginning Black is my Color Destiny RESPECT. REWIND. RIDDIMS. Kindah Danny Creatah Irie Trax One Family World A Reggae Roots / Rock / Reggae TABLE OF CONTENT. United States ROOTS. ANANSI The Beginning ANANSI The Beginning By nan-c FOLLOW nan-c It was neither famine nor draught that spread throughout the land but something that could not be controlled by man or his imagination. The traps were set not to capture animals but to capture people. Anansi had been captured and could not get away, no matter how hard he tried. Anansi longed for his yams, a shaded place and his soft bed as he stumbled with the wooden devices that he associated with cattle and not with men connected at both his hands and feet. Strange men pushed he and the others. Men yelled words not understood, men that were not from his tribe, not from his village. He could not figure out why these men attacked his people. They had no treasures, no borderlands of interest, no rich soil to plant in. Why had these men come to take them away? The walk was long, sometimes they walked in shaded areas but most of the journey was done directly beneath the hot sun.
    [Show full text]