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The Dub Issue 15 August2017
AIRWAVES DUB GREEN FUTURES FESTIVAL RADIO + TuneIn Radio Thurs - 9-late - Cornerstone feat.Baps www.greenfuturesfestivals.org.uk/www.kingstongreenradi o.org.uk DESTINY RADIO 105.1FM www.destinyradio.uk FIRST WEDNESDAY of each month – 8-10pm – RIDDIM SHOW feat. Leo B. Strictly roots. Sat – 10-1am – Cornerstone feat.Baps Sun – 4-6pm – Sir Sambo Sound feat. King Lloyd, DJ Elvis and Jeni Dami Sun – 10-1am – DestaNation feat. Ras Hugo and Jah Sticks. Strictly roots. Wed – 10-midnight – Sir Sambo Sound NATURAL VIBEZ RADIO.COM Daddy Mark sessions Mon – 10-midnight Sun – 9-midday. Strictly roots. LOVERS ROCK RADIO.COM Mon - 10-midnight – Angela Grant aka Empress Vibez. Roots Reggae as well as lo Editorial Dub Dear Reader First comments, especially of gratitude, must go to Danny B of Soundworks and Nick Lokko of DAT Sound. First salute must go to them. When you read inside, you'll see why. May their days overflow with blessings. This will be the first issue available only online. But for those that want hard copies, contact Parchment Printers: £1 a copy! We've done well to have issued fourteen in hard copy, when you think that Fire! (of the Harlem Renaissance), Legitime Defense and Pan African were one issue publications - and Revue du Monde Noir was issued six times. We're lucky to have what they didn't have – the online link. So I salute again the support we have from Sista Mariana at Rastaites and Marco Fregnan of Reggaediscography. Another salute also to Ali Zion, for taking The Dub to Aylesbury (five venues) - and here, there and everywhere she goes. -
Read Or Download
afrique.q 7/15/02 12:36 PM Page 2 The tree of life that is reggae music in all its forms is deeply spreading its roots back into Afri- ca, idealized, championed and longed for in so many reggae anthems. African dancehall artists may very well represent the most exciting (and least- r e c o g n i z e d ) m o vement happening in dancehall today. Africa is so huge, culturally rich and diverse that it is difficult to generalize about the musical happenings. Yet a recent musical sampling of the continent shows that dancehall is begin- ning to emerge as a powerful African musical form in its own right. FromFrom thethe MotherlandMotherland....Danc....Danc By Lisa Poliak daara-j Coming primarily out of West Africa, artists such as Gambia’s Rebellion D’Recaller, Dancehall Masters and Senegal’s Daara-J, Pee GAMBIA Froiss and V.I.B. are creating their own sounds growing from a fertile musical and cultural Gambia is Africa’s cross-pollination that blends elements of hip- dancehall hot spot. hop, reggae and African rhythms such as Out of Gambia, Rebel- Senegalese mbalax, for instance. Most of lion D’Recaller and these artists have not yet spread their wings Dancehall Masters are on the international scene, especially in the creating music that is U.S., but all have the musical and lyrical skills less rap-influenced to explode globally. Chanting down Babylon, than what is coming these African artists are inspired by their out of Senegal. In Jamaican predecessors while making music Gambia, they’re basi- that is uniquely their own, praising Jah, Allah cally heavier on the and historical spiritual leaders. -
STAR Digio 100 チャンネル:476 REGGAE 放送日:2009/6/8~6/14 「番組案内(6時間サイクル)」 開始時間:4:00~10:00~16:00~22:00~
STAR digio 100 チャンネル:476 REGGAE 放送日:2009/6/8~6/14 「番組案内(6時間サイクル)」 開始時間:4:00~10:00~16:00~22:00~ 楽曲タイトル 演奏者名 REGGAE VIBRATION RASTA SHOULD BE DEEPER JUNIOR KELLY DICK TRACY DEAN FRASER FAMILY AFFAIR SHINEHEAD Zungguzungguguzungguzeng YELLOWMAN CB 200 DILLINGER JAVA AUGUSTUS PABLO REGGAE MAKOSSA Byron Lee & The Dragonaires CUMBOLO CULTURE IT A GO ROUGH Johnny Clarke Got To Be There TOOTS & THE MAYTALS AIN'T THAT LOVING YOU STEELY & CLEVIE featuring BERES HAMMOND (featuring U-ROY) Can I Change My Mind HORACE ANDY Ghetto-Ology SUGAR MINOTT RED RED WINE UB40 BUJU BANTON (1) RASTAFARI BUJU BANTON UNTOLD STORIES BUJU BANTON MAMA AFRICA BUJU BANTON MAYBE WE ARE BUJU BANTON PULL IT UP BERES HAMMOND & BUJU BANTON Hills And Valleys BUJU BANTON 54 / 46 BUJU BANTON featuring TOOTS HIBBERT A LITTLE BIT OF SORRY BUJU BANTON FEELING GROOVY BUJU BANTON Better Must come BUJU BANTON MIRROR BUJU BANTON WHY BUJU LOVE YOU BUJU BANTON We'll Be Alright BUJU BANTON feat. Luciano COVER REGGAE With A Little Help From My Friends Easy Star All-Stars feat. Luciano YOU WON'T SEE ME ERNIE SMITH COME TOGETHER THE ISRAELITES WATCH THIS SOUND THE UNIQUES Holly Holy UB40 BAND OF GOLD SUSAN CADOGAN COUNTRY LIVING (ADAPTED) The mighty diamonds MIDNIGHT TRAIN TO GEORGIA TEDDY BROWN TOUCH ME IN THE MORNING JOHN HOLT Something On My Mind HORACE ANDY ENDLESS LOVE JACKIE EDWARDS & HORTNESE ELLIS CAN'T HURRY LOVE~恋はあせらず~ J.C. LODGE SOMEONE LOVES YOU HONEY STEELY & CLEVIE featuring JC LODGE THERE'S NO ME WITHOUT YOU Fiona ALL THAT SHE WANTS PAM HALL & GENERAL DEGREE JUST THE TWO -
Katchafire - LEGACY
KatCHAFIRE - LEGACY NEW ZEALAND ROOTS REGGAE LEGENDS KATCHAFIRE'S LEGACY CONTINUES INTO 2020 NZ – https://umusicnz.lnk.to/KatchafireLegacy WORLD exNZ - smarturl.it/katchafire-legacy KATCHAFIRE have created a universal vibe, crafting their sound from the foundations of classic roots reggae with an R’n’B and funk rub, fusing modern dancehall and with slinky pop, cool grooves and uplifting vibes. They released their highly anticipated 5th studio album 'LEGACY' (Universal NZ / Zojak Worldwide) on 1st June 2018, and within hours hit No.1 on the New Zealand iTunes album chart and No.1 on the USA iTune Reggae chart. The 'LEGACY' album also impacted iTunes charts around the world... No.1 in Fiji, No.8 in Poland, No.24 in Australia, No.56 in Lichtenstein and Ivory Coast, No.57 in USA, Bangladesh, Cameroon, Ethiopia, Maldives, Myanmar, Palestine and Libyan Arab Jamahiriya!! The 'LEGACY' album has spawned 5 singles & videos - 'Addicted', 'Way Beyond', 'Love Today', '100', and 'Fyah In The Trenches'. The‘ LEGACY’ album is exciting and fresh with messages of love, hope, togetherness, and family, featuring 12 brand new songs that the boys worked on between their extremely busy touring schedule, bringing you vibes, sounds and harmonies you expect from the brothers of the ‘Fire with some brand new feels and flavours sprinkled in the recipe. page 1 / 8 Hailing from Kirikiriroa in Aotearoa (Hamilton in New Zealand) KATCHAFIRE have become a global roots reggae phenomenon. The all Maori reggae band bring their pure classic sound to music lovers worldwide delivering one of the most authentic Reggae shows around today. -
Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-18-2007 Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984 Caree Banton University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Banton, Caree, "Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984" (2007). University of New Orleans Theses and Dissertations. 508. https://scholarworks.uno.edu/td/508 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974 – 1984 A Thesis Submitted to the Graduate Faculty of the University of New Orleans In partial fulfillment of the Requirements for the degree of Master of Arts In History By Caree Ann-Marie Banton B.A. Grambling State University 2005 B.P.A Grambling State University 2005 May 2007 Acknowledgement I would like to thank all the people that facilitated the completion of this work. -
Negotiating Gender and Spirituality in Literary Representations of Rastafari
Negotiating Gender and Spirituality in Literary Representations of Rastafari Annika McPherson Abstract: While the male focus of early literary representations of Rastafari tends to emphasize the movement’s emergence, goals or specific religious practices, more recent depictions of Rasta women in narrative fiction raise important questions not only regarding the discussion of gender relations in Rastafari, but also regarding the functions of literary representations of the movement. This article outlines a dialogical ‘reasoning’ between the different negotiations of gender in novels with Rastafarian protagonists and suggests that the characters’ individual spiritual journeys are key to understanding these negotiations within the gender framework of Rastafarian decolonial practices. Male-centred Literary Representations of Rastafari Since the 1970s, especially, ‘roots’ reggae and ‘dub’ or performance poetry have frequently been discussed as to their relations to the Rastafari movement – not only based on their lyrical content, but often by reference to the artists or poets themselves. Compared to these genres, the representation of Rastafari in narrative fiction has received less attention to date. Furthermore, such references often appear to serve rather descriptive functions, e.g. as to the movement’s philosophy or linguistic practices. The early depiction of Rastafari in Roger Mais’s “morality play” Brother Man (1954), for example, has been noted for its favourable representation of the movement in comparison to the press coverage of -
Jah Stitch, Pioneering Reggae Vocalist, Dies Aged 69
‘Original raggamuffin’ Jah Stitch, pioneering reggae vocalist, dies aged 69 Sound system toaster, DJ and selector, known for his understated delivery and immaculate dress died in Kingston David Katz Thu 2 May 2019 15.03 BSTLast modified on Fri 3 May 2019 09.47 BST FROM: https://www.theguardian.com/music/2019/may/02/original-raggamu ffin-jah-stitch-pioneering-reggae-vocalist-dies-aged-69 Jah Stitch on Princess Street, downtown Kingston in 2011. Photograph: Mark Read The Jamaican reggae vocalist Jah Stitch died in Kingston on Sunday aged 69, following a brief illness. Although not necessarily a household name abroad, the “original raggamuffin” was a sound system toaster and DJ who scored significant hits in the 70s, later working as an actor and appearing in an ad campaign for Clarks shoes. Born Melbourne James in Kingston in 1949, he grew up with an aunt in a rural village in St Mary, northern Jamaica, since his teenage mother lacked the financial means to care for him. He later joined her in bustling Papine, east Kingston, but conflict with his father-in-law led him to join a community of outcasts living in a tenement yard in the heart of the capital’s downtown – territory aligned with the People’s National party and controlled by the notorious Spanglers gang, which James became affiliated with aged 11. As ska and rock steady gave way to the new reggae style on the nascent Kingston music scene, young James became a regular fixture of sound system dances. He drew his biggest inspiration from the Studio One selections presented by Prince Rough on Sir George the Atomic, based in Jones Town, and the microphone skills of Dennis Alcapone on El Paso, based further west at Waltham Park Road. -
Rastalogy in Tarrus Riley's “Love Created I”
Rastalogy in Tarrus Riley’s “Love Created I” Darren J. N. Middleton Texas Christian University f art is the engine that powers religion’s vehicle, then reggae music is the 740hp V12 underneath the hood of I the Rastafari. Not all reggae music advances this movement’s message, which may best be seen as an anticolonial theo-psychology of black somebodiness, but much reggae does, and this is because the Honorable Robert Nesta Marley OM, aka Tuff Gong, took the message as well as the medium and left the Rastafari’s track marks throughout the world.1 Scholars have been analyzing such impressions for years, certainly since the melanoma-ravaged Marley transitioned on May 11, 1981 at age 36. Marley was gone too soon.2 And although “such a man cannot be erased from the mind,” as Jamaican Prime Minister Edward Seaga said at Marley’s funeral, less sanguine critics left others thinking that Marley’s demise caused reggae music’s engine to cough, splutter, and then die.3 Commentators were somewhat justified in this initial assessment. In the two decades after Marley’s tragic death, for example, reggae music appeared to abandon its roots, taking on a more synthesized feel, leading to electronic subgenres such as 1 This is the basic thesis of Carolyn Cooper, editor, Global Reggae (Kingston, Jamaica: Canoe Press, 2012). In addition, see Kevin Macdonald’s recent biopic, Marley (Los Angeles, CA: Magonlia Home Entertainment, 2012). DVD. 2 See, for example, Noel Leo Erskine, From Garvey to Marley: Rastafari Theology (Gainesville, FL: University Press of Florida, 2004); Dean MacNeil, The Bible and Bob Marley: Half the Story Has Never Been Told (Eugene, OR: Cascade Books, 2013); and, Roger Steffens, So Much Things to Say: The Oral History of Bob Marley, with an introduction by Linton Kwesi Johnson (New York and London: W.W. -
The Dub June 2018
1 Spanners & Field Frequency Sound System, Reading Dub Club 12.5.18 2 Editorial Dub Front cover – Indigenous Resistance: Ethiopia Dub Journey II Dear Reader, Welcome to issue 25 for the month of Levi. This is our 3rd anniversary issue, Natty Mark founding the magazine in June 2016, launching it at the 1st Mikey Dread Festival near Witney (an event that is also 3 years old this year). This summer sees a major upsurge in events involving members of The Dub family – Natty HiFi, Jah Lambs & Lions, Makepeace Promotions, Zion Roots, Swindon Dub Club, Field Frequency Sound System, High Grade and more – hence the launch of the new Dub Diary Newsletter at sessions. The aim is to spread the word about forthcoming gigs and sessions across the region, pulling different promoters’ efforts together. Give thanks to the photographers who have allowed us to use their pictures of events this month. We welcome some new writers this month too – thanks you for stepping up Benjamin Ital and Eric Denham (whose West Indian Music Appreciation Society newsletter ran from 1966 to 1974 and then from 2014 onwards). Steve Mosco presents a major interview with U Brown from when they recorded an album together a few years ago. There is also an interview with Protoje, a conversation with Jah9 from April’s Reggae Innovations Conference, a feature on the Indigenous Resistance collective, and a feature on Augustus Pablo. Welcome to The Dub Editor – Dan-I [email protected] The Dub is available to download for free at reggaediscography.blogspot.co.uk and rastaites.com The Dub magazine is not funded and has no sponsors. -
JAMAICA MUSIC COUNTDOWN Apr 20
JAMAICA MUSIC COUNTDOWN BY RICHARD ‘RICHIE B’ BURGESS APR 20 - 26, 2018 TOP 25 DANCE HALL SINGLES TW LW WOC TITLE/ARTISTE/LABEL 01 2 14 Family – Popcaan – Pure Music Productions (1wk@#1) U-1 02 3 13 Body Of A Goddess – Mitch & Dolla Coin – Emperor Productions U-1 03 1 14 Pine & Ginger – Amindi K. Fro$t, Tessellated & Valleyz – Big Beat Records (1wk@#1) D-2 04 6 12 A Mill Fi Share – Shane O – Kswizz Music U-2 05 7 11 They Don’t Know – Masicka – TMG Production U-2 06 9 7 Bawl Out – Dovey Magnum – Journey Music U-3 07 4 17 Yabba Dabba Doo – Vybz Kartel – Purple Skunk Records (1wk@#1) D-3 08 10 9 Stay So – Busy Signal – Warriors Musick Productions U-2 09 5 16 Lebeh Lebeh – Ding Dong – Romeich Entertainment (pp#3) D-4 10 12 8 Mad Love – Sean Paul & David Guetta feat. Becky G – Virgin U-2 11 13 6 Walking Trophy – Hood Celebrity – KSR Group U-2 12 14 6 Love Situation – Jada Kingdom – Popstyle Music U-2 13 15 6 Breeze – Aidonia & Govana – 4th Genna Music & JOP Records U-2 14 8 19 Graveyard – Tarrus Riley – Head Concussion Records (2wks@#1) D-6 15 11 17 Duh Better Than This – Bounty Killer – Misik Muzik (pp#7) D-4 16 18 5 Duffle Bag – Spice – Spice Official Ent. U-2 17 19 5 I’m Sanctify – Sean Paul feat. Movado – Troyton Music U-2 18 20 4 Simple Blessings – Tarrus Riley feat. Konshens – Chimney Records U-2 19 16 19 Suave - Alkaline – Chimney Records (1wk@#1) D-3 20 22 4 War Games – Shabba Ranks feat. -
View Song List
Super Reggae Originals Togetherness Sunshine This Girl Babylon Fall Unify Simple Days JAH Be My Guide Wickedness JAH Creation Hear Me Father Don’t Wanna Work For The Man Whoa JAH Go To Selassie Down Before Colorless Soul JAH Wise Israel Distant Adventure Why Should I The Struggle Solution Dreadlock Rasta Looking Forward Protect I Strength of Conviction Reggae Classics Bob Marley Waiting in Vain Stir It Up Three Little Birds No Woman No Cry Jamming Buffalo Soldier I Shot the Sherriff Mellow Mood Forever Loving JAH Lively Up Yourself Burning and Looting Hammer JAH Live Gregory Issacs Number One Tune In Night Nurse Sunday Morning Soon Forward Cool Down the Pace Dennis Brown Love and Hate Need a Little Loving Milk and Honey Run Too Tuff Revolution Midnite Ras to the Bone Jubilees of Zion Lonely Nights Rootsman Zion Pavilion Peter Tosh Legalize It Reggaemylitis Ketchie Shuby Downpressor Man Third World 96 Degrees in the Shade Roots with Quality Reggae Ambassador Riddim Haffe Rule Sugar Minott Never Give JAH Up Vanity Rough Ole Life Rub a Dub Don Carlos People Unite Credential Prophecy Civilized Burning Spear Postman Columbus Burning Reggae Culture Two Sevens Clash See Dem a Come Slice of Mt Zion Israel Vibration Same Song Rudeboy Shuffle Cool and Calm Garnet Silk Zion in a Vision It’s Growing Passing Judgment Yellowman Operation Eradication Yellow Like Cheese Alton Ellis Just A Guy Breaking Up is Hard to Do Misty in Roots Follow Fashion Poor and Needy -
Coping with Babylon: the Proper Rastology (2005): Mutabaruka
Coping with Babylon: The Proper Rastology (2005): Mutabaruka, Half P... http://www.popmatters.com/pm/film/reviews/50538/coping-with-babylo... CALL FOR PAPERS: PopMatters seeks feature essays about any aspect of popular culture, present or past. Coping with Babylon: The Proper Rastology Director: Oliver Hill Cast: Mutabaruka, Half Pint, Luciano, Freddie McGregor, Barry Chevannes (2005) Rated: Unrated US DVD release date: 7 October 2007 (MVD) by Matthew Kantor Burning All Illusion Tonight Rastafari is known to the world through reggae music. Many interviewees in Oliver Hill’s Coping with Babylon: the Proper Rastology, who live Rastafari in their daily lives, cite Bob Marley, Peter Tosh, and Dennis Brown in particular as ambassadors of Jamaica’s great folk religion, never seeking to diminish these musicians’ roles in spreading the word. Rastafarian imagery has infiltrated popular culture not just through reggae and other kindred music, but also in the form of clothing, fashion, and general iconography. Despite the well-established co-option of the religion’s trappings and the tremendous popularity of many reggae, dub, and dancehall artists, Coping with Babylon: the Proper Rastology takes a sober, relatively non-musical path in broadcasting the views and roles of Rastafari in the early twenty-first century. Musicians including Luciano and Freddie McGregor are interviewed but so are leaders of various Rastafarian sects in addition to everyday followers of the faith in both Jamaica and New York. The film serves to remind viewers that Rastafarianism is a religion that deeply affects its practitioners and that music is only one aspect of it. And, like most religions, different sects vary in some of their more significant approaches and practices.