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Hymn Tune Hymn Tune Common Title 1 Aberystwyth Savior

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TO DIAL A HYMN NUMBER: While pressing the HYMN PLAYER piston, press General pistons. (Zero is piston #10). Press PLAY. After the intro and each verse press PLAY. (PEDALS ARE DISABLED DURING HYMN PLAYING). TO PLAY A CONTINUOUS PRELUDE: Rotate the SELECT knob to MODE. Select General or Christmas. Press PLAY for continuous play. HYMN TUNE HYMN TUNE COMMON TITLE 1 ABERYSTWYTH SAVIOR, WHEN IN DUST TO YOU (THEE) 2 ACK, VAD AR DOCK LIVET HAR JESUS, IN THY DYING WOES 3 ADELAIDE HAVE THINE OWN WAY 4 ADESTES FIDELES O COME, ALL YE FAITHFUL 5 ALL IS WELL IT IS WELL WITH MY SOUL 5 ALL IS WELL WHEN PEACE LIKE A RIVER 6 ALL THE WAY ALL THE WAY MY SAVIOR LEADS ME 7 ALL TO CHRIST ALL TO CHRIST 8 AMERICA GOD BLESS OUR NATIVE LAND 9 AMSTERDAM OPEN LORD MY INWARD EAR 9 AMSTERDAM PRAISE THE LORD WHO REIGNS ABOVE 9 AMSTERDAM RISE, MY SOUL, AND STRETCH THY WINGS 10 ANGEL'S STORY ANGEL'S STORY 11 ANGELIC SONGS ANGELIC SONGS 12 ANTIOCH JOY TO THE WORLD 13 AR HYD Y NOS FOR THE FRUITS OF ALL CREATION 13 AR HYD Y NOS DAY IS DONE 13 AR HYD Y NOS GO, MY CHILDREN, WITH MY BLESSING 13 AR HYD Y NOS GOD, WHO MADE THE EARTH AND HEAVEN 14 ARLINGTON I'M NOT ASHAMED TO OWN MY LORD 15 ASCEND TO ZION'S ASCEND TO ZION'S HIGHEST 16 ASH GROVE SENT FORTH BY GOD'S BLESSING 16 ASH GROVE LET ALL THINGS NOW LIVING 17 ASSAM I HAVE DECIDED TO FOLLOW JESUS 18 ASSURANCE BLESSED ASSURANCE 19 AURELIA O FATHER, ALL CREATING 19 AURELIA O LIVING BREAD FROM HEAVEN 19 AURELIA THE CHURCH'S ONE FOUNDATION 20 AUSTRIAN HYMN GLORIOUS THINGS OF YOU ARE SPOKEN 20 AUSTRIAN HYMN PRAISE THE LORD! O HEAVENS 21 AWAKE O ZION'S DAUGHTER 22 AWAY IN A MANGER AWAY IN A MANGER 23 AZMON AWAKE, O SLEEPER, RISE FROM DEATH 23 AZMON THE SPIRIT SENDS US FORTH TO SERVE 23 AZMON OH, FOR A THOUSAND TONGUES TO SING 24 BATTLE HYMN BATTLE HYMN (MINE EYES HAVE SEEN THE GLORY) 24 BATTLE HYMN MINE EYES HAVE SEEN THE GLORY 25 BEACH SPRING COME TO ME, ALL PILGRIMS THIRSTY 25 BEACH SPRING LORD, WHOSE LOVE IN HUMBLE SERVICE 25 BEACH SPRING GOD OF DAY AND GOD OF DARKNESS 25 BEACH SPRING HEALING RIVER OF THE SPIRIT 25 BEACH SPRING PRAISE THE ONE WHO BREAKS THE DARKNESS 25 BEACH SPRING WASH, O GOD, OUR SONS AND DAUGHTERS 26 BEAUTIFUL GARDEN BEAUTIFUL GARDEN OF PRAYER 27 BEECHER LOVE DIVINE, ALL LOVES EXCELLING 28 BEREDEN VAG FOR HERRAN PREPARE THE ROYAL HIGHWAY 29 BEYOND WHERE CLOUDS NO BEYOND WHERE CLOUDS NO MORE APPEAR 30 BLOTTMORE APPEAREN DAG DAY BY DAY 31 BONNIE ELOISE HOW SWEET ARE THE TIDINGS 32 BOYLSTON BLEST BE THE TIE THAT BINDS 33 BRADBURY SAVIOR, LIKE A SHEPHERD LEAD US 34 BREAD OF LIFE IN HOLY CONVERSATION 35 BROTHER JAMES' AIR THE LORD'S MY SHEPHERD 36 BUNESSAN BAPTIZED IN WATER 36 BUNESSAN MORNING HAS BROKEN 36 BUNESSAN PRAISE AND THANKSGIVING 36 BUNESSAN THIS DAY GOD GIVES ME 36 BUNESSAN THIS IS A DAY, LORD, GLADLY AWAITED 37 BY AND BY IN THE SWEET BY AND BY 38 CAITHNESS FATHER OF PEACE, AND GOD OF LOVE 39 CANONBURY LORD, SPEAK TO US, THAT WE MAY SPEAK 39 CANONBURY WHEN TO OUR WORLD THE SAVIOR CAME 40 CAROL NOEL IT CAME UPON THE MIDNIGHT CLEAR 41 CHESTERFIELD HARK, THE GLAD SOUND 41 CHESTERFIELD THE SPIRIT SENDS US FORTH TO SERVE 42 CHRIST AROSE CHRIST AROSE (LOW IN THE GRAVE HE LAY) 43 CHRISTMAS CHRISTMAS (HANDEL) 44 CLEANSING FOUNTAIN HARK, THE GLAD SOUND 45 CLOSE TO THEE CLOSE TO THEE (THOU MY EVERLASTING PORTION) 46 CLOSER WALK JUST A CLOSER WALK WITH THEE 47 COME AND GO WITH ME COME AND GO WITH ME 48 CONSOLATION O LORD, THROUGHOUT THESE 40 DAYS 48 CONSOLATION THE KING SHALL COME 48 CONSOLATION WHAT HOPE! AN EDEN PROPHESIED 49 CONSTANTINE JESUS, MEEK AND GENTLE 50 CONVERSE WHAT A FRIEND WE HAVE IN JESUS 51 CORONATION ALL HAIL THE POWER OF JESUS' NAME! 52 CRADLE SONG AWAY IN A MANGER 53 CRANHAM IN THE BLEAK MIDWINTER 54 CRIMOND THE LORD IS MY SHEPHERD 55 CRUSADER'S HYMN BEAUTIFUL SAVIOR 56 CWM RHONDDA GOD OF GRACE AND GOD OF GLORY 56 CWM RHONDDA GOD OF TEMPEST, GOD OF WHIRLWIND 56 CWM RHONDDA GUIDE ME EVER, GREAT REDEEMER 56 CWM RHONDDA GUIDE ME, O THOU GREAT REDEEMER 57 DARWALL BEFORE YOU, LORD, WE BOW 57 DARWALL CHRIST IS OUR CORNERSTONE 57 DARWALL REJOICE THE LORD IS KING 57 DARWALL OH WHAT HAS NOW BEEN SOWN 58 DEEP RIVER DEEP RIVER 59 DEJLIG ER DEN HIMMEL BLAA BRIGHT AND GLORIOUS IS THE SKY 60 DENNIS BLEST BE THE TIE THAT BINDS 61 DET KIMER NU TIL JULEFEST THE BELLS OF CHRISTMAS 62 DETROIT FORGIVE OUR SINGS AS WE FORGIVE 63 DIADEM ALL HAIL THE POWER OF JESUS' NAME! 64 DIADEMATA CHRIST THE ETERNAL LORD 64 DIADEMATA CROWN HIM WITH MANY CROWNS 65 DISTRESS O CHRIST, THE HEALER, WE HAVE COME 65 DISTRESS WE PLACE UPON YOUR TABLE, LORD 66 DIVINUM MYSTERIUM OF THE FATHER'S LOVE BEGOTTEN 67 DIX AS WITH GLADNESS MEN OF OLD 67 DIX FOR THE BEAUTY OF THE EARTH 68 DON'T FORGET THE SABBATH DON'T FORGET THE SABBATH 69 DOWN AMPNEY COME DOWN, O LOVE DIVINE 70 DOXOLOGY DOXOLOGY 70 DOXOLOGY PRAISE GOD FROM WHOM ALL BLESSINGS FLOW 71 DUKE STREET GIVE TO OUR GOD IMMORTAL PRAISE! 71 DUKE STREET FROM ALL THAT DWELLS BELOW THE SKIES 71 DUKE STREET I KNOW THAT MY REDEEMER LIVES! 71 DUKE STREET JESUS SHALL REIGN 72 DUNCANNON LEAD ME TO CALVARY 73 DUNDEE GOD MOVES IN A MYSTERIOUS WAY 73 DUNDEE MY GOD, HOW WONDERFUL THOU ART 73 DUNDEE YOU ARE THE WAY 74 EASTER HYMN JESUS CHRIST IS RISEN TODAY 75 EBENEZER THROUGH THE NIGHT OF DOUBT AND SORROW 75 EBENEZER THY STRONG WORD 75 EBENEZER A MIGHTY FORTRESS IS OUR GOD 75 EBENEZER GOD'S WORD IS OUR GREAT HERITAGE 77 EL NATHAN I KNOW NOT WHY GOD'S WONDROUS GRACE 78 ELLACOMBE HOSANNA, LOUD HOSANNA 78 ELLACOMBE I SING THE MIGHTY POWER OF GOD 78 ELLACOMBE O CHRIST, YOUR HEART, COMPASSIONATE 78 ELLACOMBE THIS JOYFUL EASTERTIDE 78 ELLACOMBE O DAY OF REST AND GLADNESS 78 ELLACOMBE THE DAY OF RESURRECTION 79 ELLERS SAVIOR, AGAIN TO THY DEAR NAME 80 ENDLESS SONG HOW CAN I KEEP FROM SINGING 80 ENDLESS SONG MY LIFE FLOWS ON IN ENDLESS SONG 81 ENGLEBERG ALL PRAISE TO THEE, FOR THOU, O KING DIVINE 81 ENGLEBERG TO BE YOUR PRESENCE 81 ENGLEBERG WE KNOW THAT CHRIST IS RAISED 81 ENGLEBERG WHEN IN OUR MUSIC GOD IS GLORIFIED 82 ERMUNTRE DICH BREAK FORTH, O BEAUTEOUS HEAV'NLY LIGHT 83 ES IST EIN ROS' A GREAT AND MIGHTY WONDER 83 ES IST EIN ROS' LO, HOW A ROSE E'ER BLOOMING 84 EVANGEL TELL ME THE OLD, OLD STORY 85 EVENTIDE ABIDE WITH ME 86 FACE TO FACE FACE TO FACE 87 FESTAL SONG ARISE, YOUR LIGHT HAS COME 87 FESTAL SONG FOR ALL YOUR SAINTS, O LORD 87 FESTAL SONG RISE UP, O SAINTS OF GOD! 88 FILLMORE HARK: THE VOICE OF JESUS CALLING 89 FLEMMING PRAISE YE THE FATHER 89 FLEMMING PRAISE YE THE TRIUNE GOD 90 FOREST GREEN AS SAINTS OF OLD 90 FOREST GREEN BLEST BE THE GOD OF ISRAEL (BENEDICTUS) 91 FOUNDATION HOW FIRM A FOUNDATION 92 FRANCONIA COME JOIN IN CANA'S FEAST 92 FRANCONIA WITHIN THE FATHER'S HOUSE 93 FRED TIL BOD HALLELUJAH! JESUS LIVES! 93 FRED TIL BOD PEACE, TO SOOTHE OUR BITTER WOES 94 FREU DICH SEHR COMFORT, COMFORT NOW MY PEOPLE 94 FREU DICH SEHR COMFORT, COMFORT YE MY PEOPLE 94 FREU DICH SEHR PRAISE AND THANKS AND ADORATION 94 FREU DICH SEHR PRAISE TO YOU AND ADORATION 94 FREU DICH SEHR SIGNS AND WONDERS 95 GALILEE HARK THE VOICE OF JESUS CALLING 95 GALILEE HARK THE VOICE OF JESUS CRYING 95 GALILEE JESUS CALLS US; O'ER THE TUMULT 96 GARDEN IN THE GARDEN 97 GATHER COME GATHER IN THIS SPECIAL PLACE 98 GELOBT SEI GOTT GOOD CHRISTIAN FRIENDS, REJOICE AND SING! 98 GELOBT SEI GOTT TELL THE GOOD NEWS 98 GELOBT SEI GOTT THE KING SHALL COME WHEN MORNING DAWNS 99 GERMANY JESUS, THY BLOOD AND RIGHTEOUSNESS 99 GERMANY O GIVE THE LORD WHOLEHEARTED PRAISE 99 GERMANY O JESUS, JOY OF LOVING HEARTS 99 GERMANY TAKE UP THY CROSS 99 GERMANY WHERE CROSS THE CROWDED WAYS OF LIFE 100 GLAD HOSANNA! DAVID'S SON GLAD HOSANNA! DAVID'S SON 101 GLORIA ANGELS WE HAVE HEARD ON HIGH 102 GLORY TO HIS NAME GLORY TO HIS NAME 103 GLORY, GLORY GLORY, GLORY 104 GO DOWN, MOSES GO DOWN, MOSES 105 GOD BE WITH YOU GOD BE WITH YOU TILL WE MEET AGAIN 106 GOOD NEWS GOOD NEWS 107 GORDON MY JESUS I LOVE THEE 108 GRAND ISLE I SING A SONG OF THE SAINTS OF GOD 109 GREATOREX GLORIA PATRI 110 GREENSLEEVES WHAT CHILD IS THIS 110 GREENSLEEVES WHAT FEAST OF LOVE 111 GROSSER GOTT HOLY GOD, WE PRAISE YOUR NAME 112 HAF TRONES LAMPA FARDIG REJOICE, REJOICE, BELIEVERS 113 HALL TAKE THOU OUR MINDS, DEAR LORD 114 HALLELUJAH! WHAT A SAVIOR HALLELUJAH! WHAT A SAVIOR 115 HAMBURG WHEN I SURVEY THE WONDROUS CROSS 116 HANDS LET'S BE JOINING HANDS LET'S BE JOINING 117 HANKEY I LOVE TO TELL THE STORY 118 HANOVER OH, WORSHIP THE KING 119 HANSON PLACE SHALL WE GATHER AT THE RIVER 120 HAPPY DAY HAPPY DAY 121 HE IS LORD HE IS LORD 122 HE LEADETH ME HE LEADETH ME 123 HEAR OUR PRAYER HEAR OUR PRAYER 124 HEAVEN I'M BUT A STRANGER HERE 125 HENDON TAKE MY LIFE AND LET IT BE 126 HER KOMMER DINE ARME SMAA YOUR LITTLE ONES, DEAR LORD 127 HERLICH TUT MICH VERLANGEN O SACRED HEAD, NOW WOUNDED 127 HERLICH TUT MICH VERLANGEN LORD, THEE I LOVE WITH ALL MY HEART 127 HERLICH TUT MICH VERLANGEN O DEAREST JESUS, WHAT LAW HAST THOU BROKEN 128 HERZLIEBSTER JESU AH, HOLY JESUS 129 HIGHER GROUND HIGHER GROUND 130 HOLINESS TAKE TIME TO BE HOLY 131 HOLY IS THE LORD HOLY IS THE LORD 132 HOLY MANNA ALL WHO HUNGER, GATHER GLADLY 132 HOLY MANNA CHRIST THE WORD OF GOD INCARNATE 132 HOLY MANNA FAITH AND TRUST AND LIFE BESTOWING 132 HOLY MANNA GOD, WHO STRETCHED THE SPANGLED HEAVENS 132 HOLY MANNA LORD, WHOSE LOVE IN HUMBLE SERVICE 132 HOLY MANNA GRACIOUS GOD, YOU SEND GREAT BLESSINGS 133 HOLY SABBATH DAY OF REST HOLY SABBATH DAY OF REST 134 HUDSON ALAS! AND DID MY SAVIOR BLEED 135 HYFRYDOL ALLELUIA! SING TO JESUS 135 HYFRYDOL COME, THOU LONG-EXPECTED JESUS 135 HYFRYDOL CHURCH OF GOD, ELECT AND GLORIOUS 135 HYFRYDOL GRACIOUS SAVIOUR, GRANT YOUR BLESSING 135 HYFRYDOL HEAR US NOW, OUR GOD AND FATHER
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  • A Transformational Method for Chorale Generation

    A Transformational Method for Chorale Generation

    A Transformational Method for Chorale Generation Raymond Whorley1 and Darrell Conklin1,2 1 Department of Computer Science and Artificial Intelligence University of the Basque Country UPV/EHU, San Sebasti´an, Spain 2 IKERBASQUE, Basque Foundation for Science, Bilbao, Spain [email protected],[email protected] Abstract. Music sampled from a statistical model tends to lack long- term structure. This problem can be ameliorated by transforming an existing piece of music into a new one, such that the structure of the original is retained. A method for transforming Bach chorales is pre- sented here. Sampling is constrained by chord symbols, phrase boundary information, soprano note lengths and key regions from the original mu- sic. Two corpora are used: one of hymn tune harmonisations by various composers, and the other of chorale melody harmonisations by J. S. Bach. 1 Introduction A problem with Markov models for music generation is that music sampled from a model tends to lack long-term structure; that is, the output can seem to wander due to the limited context used. The solution proposed here is to transform an existing piece of music such that the new piece is related to the original in some abstract way. To generate a well-structured four-part harmonic texture, hopefully including a coherent and novel melody, a structural template is created from a chorale melody harmonisation by J. S. Bach. Multiple pieces are then generated in line with the template with the aim of finding low cross- entropy (negative mean log probability) solutions, as these tend to be in better compliance with generally agreed rules of harmony [1].
  • Instrumental - Copy

    Instrumental - Copy

    instrumental - Copy All Library Opus Score Parts Publishe Number Title # Composer Arranger Larger Work Instrumentation Y/N? Y/N? r Notes *Accessory to the 500 Hymns for Various Lillenas Hymnal, 0001 500 Hymns for Instruments* Lane, Harold Instruments Combinations N Y Lillenas "Worship in Song" *Accessory to the 500 Hymns for Various Lillenas Hymnal, 0001-001 How Firm a Foundation Early American Melody Lane, Harold Instruments* Combinations N Y Lillenas "Worship in Song" *Accessory to the Joyful, Joyful, We Adore 500 Hymns for Various Lillenas Hymnal, 0001-002 Thee Beethoven, Ludwig van Lane, Harold Instruments* Combinations N Y Lillenas "Worship in Song" *Accessory to the 500 Hymns for Various Lillenas Hymnal, 0001-003 To God Be the Glory Doane, W. H. Lane, Harold Instruments* Combinations N Y Lillenas "Worship in Song" *Accessory to the A Mighty Fortress Is Our 500 Hymns for Various Lillenas Hymnal, 0001-004 God Luther, Martin Lane, Harold Instruments* Combinations N Y Lillenas "Worship in Song" *Accessory to the 500 Hymns for Various Lillenas Hymnal, 0001-005 How Great Thou Art! Swedish Folk Melody Lane, Harold Instruments* Combinations N Y Lillenas "Worship in Song" *Accessory to the 500 Hymns for Various Lillenas Hymnal, 0001-006 O Worship the King Haydn, Johann Michael Lane, Harold Instruments* Combinations N Y Lillenas "Worship in Song" *Accessory to the 500 Hymns for Various Lillenas Hymnal, 0001-007 Majestic Sweetness Hastings, Thomas Lane, Harold Instruments* Combinations N Y Lillenas "Worship in Song" *Accessory to the Holy, Holy, Holy, Lord God 500 Hymns for Various Lillenas Hymnal, 0001-008 Almighty Dykes, John B.
  • The Secularization of the Repertoire of the Mormon Tabernacle Choir, 1949-1992

    The Secularization of the Repertoire of the Mormon Tabernacle Choir, 1949-1992

    THE SECULARIZATION OF THE REPERTOIRE OF THE MORMON TABERNACLE CHOIR, 1949-1992 Mark David Porcaro A dissertation submitted to the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music (Musicology) Chapel Hill 2006 Approved by Advisor: Thomas Warburton Reader: Severine Neff Reader: Philip Vandermeer Reader: Laurie Maffly-Kipp Reader: Jocelyn Neal © 2006 Mark David Porcaro ALL RIGHTS RESERVED ii ABSTRACT MARK PORCARO: The Secularization of the Repertoire of the Mormon Tabernacle Choir, 1949-1992 (Under the direction of Thomas Warburton) In 1997 in the New Yorker, Sidney Harris published a cartoon depicting the “Ethel Mormon Tabernacle Choir” singing “There’s NO business like SHOW business...” Besides the obvious play on the names of Ethel Merman and the Mormon Tabernacle Choir, the cartoon, in an odd way, is a true-to-life commentary on the image of the Salt Lake Mormon Tabernacle Choir (MTC) in the mid-1990s; at this time the Choir was seen as an entertainment ensemble, not just a church choir. This leads us to the central question of this dissertation, what changes took place in the latter part of the twentieth century to secularize the repertoire of the primary choir for the Church of Jesus Christ of Latter-day Saints (LDS)? In the 1860s, when the MTC began, its sole purpose was to perform for various church meetings, in particular for General Conference of the LDS church which was held in the Tabernacle at Temple Square in Salt Lake City. From the beginning of the twentieth century and escalating during the late 1950s to the early 1960s, the Choir’s role changed from an in-house choir for the LDS church to a choir that also fulfilled a cultural and entertainment function, not only for the LDS church but also for the American public at large.