DOCSLIB.ORG

F. Scott Fitzgerald's Ledger, 1919–1938

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
F. Scott Fitzgerald's Ledger, 1919–1938 F. SCOTT FITZGERALD’S LEDGER TRANSCRIPTION PAGE 1 F. Scott Fitzgerald’s Ledger, 1919–1938 F. Scott Fitzgerald’s Ledger is one of the richest primary source documents in existence for any literary author. Fitzgerald began recording information in this business ledger sometime in 1919 or 1920 after leaving the Army and moving to New York to begin his professional life as a writer. Fitzgerald divided the Ledger into five sections: “Record of Published Fiction,” “Money Earned by Writing since Leaving Army,” “Published Miscelani (including movies) for which I was Paid,” “Zelda’s Earnings,” and “Outline Chart of my Life”. The “Record of Published Fiction” and “Published Miscelani” are spreadsheets listing everything he wrote and its publication history up to the time of its final disposition. He meticulously tracked his earnings from 1919 through 1937 in the section titled “Money Earned by Writing since Leaving Army.” In addition, he recorded Zelda’s earnings from her writing. In the autobiographical section, “Outline Chart of my Life,” he provided background about his early years but later included monthly entries for each year. F. Scott Fitzgerald’s Ledger is part of the Matthew J. and Arlyn Bruccoli Collection of F. Scott Fitzgerald held by the Irvin Department of Rare Books and Special Collections, located in the Ernest F. Hollings Special Collections Library at the University of South Carolina in Columbia, S.C. The digital version of the Ledger, which includes access to the full text and is keyword-searchable, was produced by the staff of the Digital Collections Department of the University of South Carolina. The scanning was done by Kelly Riddle (MLIS 2012) and Matthew W. Shepherd (MLIS 2012), and the transcription was prepared and formatted by Matthew W. Shepherd. The transcription was edited by Judith Baughman. —Elizabeth Sudduth, Director of the Irvin Department of Rare Books and Special Collections, University of South Carolina F. SCOTT FITZGERALD’S LEDGER TRANSCRIPTION PAGE 2 Transcriber’s Notes Each page of the MS is transcribed as a single unbroken page. Pages that do not bear Fitzgerald’s handwriting are omitted. Page numbers from the MS are included in the transcription. The transcription’s running page numbers are indicated by the text TRANSCRIPTION PAGE in the header to distinguish the two paginations. Page sizes vary by section: . Published Fiction: Tabloid (11″ × 17″); . Earnings: Letter (8.5″ × 11″), except page 74, which is legal size (8.5″ × 14″); . Published Miscellany: Legal (8.5″ × 14″); . Autobiographical Chart: Legal (8.5″ × 14″); . All other pages are letter size (8.5″ × 11″). Page margins at top and bottom are 1″; page margins at left and right are 0.5″. Blank ruled lines in the MS are transcribed one-to-one as blank typed lines. Type is in Times New Roman, except for special Unicode characters for which a different font is used (e.g. , ★). △ Type is at 12 points, except: . Published Fiction (10 points, due to page size limitations); . Published Miscellany (11 points, due to page size limitations); . Very small handwriting, including that which occupies half the ruled line height in the MS (typically 8 points); . Very large handwriting, such as the red notes at the bottoms of pages 162 and 164 (size varies); . Superscript and subscript. The text in this transcription is kerned, but no ligatures are used. In some cases, the space between characters in the transcription has been condensed to fit the available space and preserve unbroken lines, often in places where Fitzgerald himself similarly condensed his script. Black ink is used throughout for glyphs and shapes, except: . Gray type to indicate partially erased text; . Dull translucent orange lines to approximate those on pages 74 and 75; . Red underlines and notes on pages 162–165. The relative horizontal spacing of text is approximated in this transcription, except for header material, which is arranged as follows: Page numbers are always flush left or right, followed by one blank line, followed by the heading and upper marginalia. Headings written on the uppermost ruled line are transcribed with no intervening blank line (e.g. page 52); headings written above this line are transcribed with one or more intervening blank lines, depending on the upper marginalia (e.g. page 165). F. SCOTT FITZGERALD’S LEDGER TRANSCRIPTION PAGE 3 Bold square brackets indicate illegible text: black if struck out, and gray if partially erased. Double underlines indicate text that has two or more underlines in the MS. Similarly, double strikethroughs indicate text that has two or more strikethroughs in the MS. Horizontal square brackets under text indicate that the text occupies the same horizontal space in the MS. Superscript text within such a bracket in the transcription appears above the normally positioned text in the MS. A bracket enclosing only normally positioned text indicates text that is overlaid directly on other text. Vertical square brackets to the left of lines of type indicate that the transcribed lines occupy the same ruled line in the MS. Fitzgerald’s symbol for and resembles a plus sign (+). However, since it is semantically an ampersand (&), the latter symbol is used in this transcription. Since Fitzgerald’s dashes vary in width and spacing, this transcription attempts to approximate each en and em dash in context, though they are generally ambiguous. In many cases, capitalization in the MS is ambiguous, such as for the letters m/M in mother. I have attempted to choose whichever case seems probable in context, but the matter is open to interpretation. The Published Fiction and Published Miscellany sections are rendered as tables, with lines separating rows to aid the reader. The Name column on even-numbered pages of the Published Fiction section has been reproduced on odd- numbered pages for ease of reference. I extend my sincere gratitude and admiration to Judith Baughman for her careful proofreading of the transcription. With her extensive background in Fitzgerald’s life and works, she deciphered and corrected many of the enigmatic names throughout the text. Any remaining discrepancies, however, are mine. —Matthew W. Shepherd, Digital Assistant, Digital Collections, University of South Carolina F. SCOTT FITZGERALD’S LEDGER TRANSCRIPTION PAGE 4 Property of. F. Scott Fitzgerald F. SCOTT FITZGERALD’S LEDGER TRANSCRIPTION PAGE 5 1 Contents Record of Published Fiction; Novels, Plays, Stories Page 2 (Not including unpaid-for juvenilia) Record of Other Published Work, Paid for. 101 Earnings by years 51 Geneological Table Zelda 150 143 Autobiographical Chart 151 F. SCOTT FITZGERALD’S LEDGER TRANSCRIPTION PAGE 6 2 Record of Published Fiction—Novels, Plays, Stories Name Date Written Magazine Date English Magazine Date Book Published by Date English Publisher Date The Debutante APRIL 1919 Smart Set Nov 1919 Scribner Mar. 26th ’20 Collins May ’21 Play in One Act (Should be second) Babes in the Woods Jan. 1917 Smart Set Sept 1919 Scribner Mar 26 ’20 Collins May ’21 Short Story (First Thing Published) Porcelain and Pink Oct 1919 Smart Set Jan 1920 Scribner Oct 1922 Collins [ ] Play in One Act Mar 23 Dalyrimple Goes Sept 1919 Smart Set Feb 1920 Scribner Aug 1920 Collins March 22 Wrong Short Story Benediction Oct 1919 Smart Set Feb 1920 Scribner Aug 1920 Collins March 22 Short Story Head and Shoulders Nov 1919 Sat. Eve. Post Feb ’21, 1920 Yellow Mag. March 1922 Scribner Aug 1920 Collins Mar ’22 Short Story “Topsy Turvy” Mr. Icky Nov. 1919 Smart Set Mar. 1920 Scribner Oct 1922 Collins Mar 23 One Act Play Myra Meets his Family Dec 1919 Sat. Eve. Post Mar 14, ’20 The Soverign? July 1921 Short Story (or Strand?) This Side of Paradise Nov ’17 – Mar ’18 Scribner Mar 26, ’20 Collins May ’21 Novel July ’17 – Sept ’19 2 episodes in S. S. Hodder & Staughton Syndicated Austrailia Capp, Clark & Co. Canada The Camel’s Back Jan 1920 Sat. Eve. Post April 24, ’20 Pearsons July 1921 Scribner Oct 1922 Short Story O. Henry Memorial Collection Dec 1920 Collins Mar ’23 The Cut Glass Bowl Oct 1919 Scribners May 1920 Scribner Aug 1920 Collins Mar ’22 Short Story Bernice Bobs her Hair Jan. 1920 Sat Eve Post May 3, 1920 Pan(?) Aug 1921 Scribner Aug 1920 Collins Mar ’22 Short Story or 20 story(?) The Ice Palace Dec. 1919 Sat Eve. Post May 20, 1920 Scribner Aug 1920 Collins Mar ’22 Short Story The Off-Shore Pirate Feb 1920 Sat Eve Post May 27, 1920 The Soveriegn Feb 1922 Scribner Aug 1920 Collins Mar ’22 Short Story The Four Fists May 1919 Scribners June 1920 Scribner Aug 1920 Collins Mar ’22 Short Story The Smilers Sept 1919 Smart Set June 1920 Short Story May Day March 1920 Smart Set July 1920 Scribner Oct 1922 Collins Mar ’23 Short Story [Very Long] F. SCOTT FITZGERALD’S LEDGER TRANSCRIPTION PAGE 7 3 Name Produced by Date Movie Made by Scources Remarks Disposition The Debutante Dramatic Club See T. S. of P. Play in Nassau Litt. Mag Included in This Side of Paradise Play in One Act Univ. Ala. January 1917 (Should be second) Feb 1921 Babes in the Woods See T. S. of P. Published in Nassau Litt. Included in This Side of Paradise Short Story (First Thing Published) Porcelain and Pink Players League 2nd Serial In Tales of the Jazz Age Play in One Act April 16th, 1923 “College Stories” March, 1924 Dalyrimple Goes In Flappers and Philosophers △ Wrong Short Story Benediction Story in Nassau Litt Mag. In Flappers and Philosophers Short Story June 1915 Head and Shoulders Bayard Vieller Metro (Dana) In Flappers and Philosophers Short Story offer turned down “The Chorus Girl’s Romance” Mr. Icky The Usual Thing In Tales of the Jazz Age One Act Play Nassau Litt.
Load more

Recommended publications
  • Hemingway, Hurston, Faulkner, and Fitzgerald Professor: Gavin Jones [email protected]
    1/3 ENGLISH 146C – Provisional Syllabus Hemingway, Hurston, Faulkner, and Fitzgerald Professor: Gavin Jones [email protected] Course Description While Hemingway and Fitzgerald were flirting with the expatriate avant-garde in Europe, Hurston and Faulkner were performing anthropological field-work in the local cultures of the American South. This course will address the tremendous diversity of concerns and styles of four writers who marked America's coming-of-age as a literary nation with their multifarious experiments in representing the regional and the global, the racial and the cosmopolitan, the macho and the feminist, the decadent and the impoverished. Discussion Sections You will be placed in sections at the beginning of Week 2. Attendance is mandatory for all students. Requirements Mandatory attendance at lecture and section. Lecture attendance will be noted by your section leaders. Attendance and class participation (in section) represent 20% of final grade. You will be required to write two papers: a 5-6 page (1500-1800 word) paper at midterm, and a final, longer paper of 8-10 pages (2400-3000 words). These papers represent 35% and 45% of your final grade, respectively. The papers should be delivered to your section leader. Prompts will be available approximately two weeks before papers are due. These questions will encourage close analysis of our texts. Your papers must analyze at least two different writers. There is no end-quarter examination. Books We will be using the following books, which are available at the Stanford Bookstore: F. Scott Fitzgerald, Babylon Revisited and Other Stories (Scribner/Simon & Schuster) and The Great Gatsby (Scribner/Simon & Schuster); Ernest Hemingway, The Short Stories (Scribner/Simon and Schuster) and The Sun Also Rises (Scribner/Simon & Schuster); William Faulkner, As I lay Dying (Vintage) and Absalom, Absalom! (Vintage); Zora Neale Hurston, The Complete Stories (HarperCollins) and Their Eyes Were Watching God (HarperCollins).
    [Show full text]
  • EL GRAN GATSBY F. Scott Fitzgerald
    rmbm.org rmbm.org/rinconlector/index.htm EL GRAN GATSBY F. Scott Fitzgerald F. Scott Fitzgerald http://es.wikipedia.org/wiki/F._Scott_Fitzgerald Francis Scott Key Fitzgerald (Saint Paul, Minnesota, 24 de septiembre de 1896 - Hollywood, California, 21 de diciembre de 1940), fue un novelista estadounidense de la «época del jazz». Su obra es el reflejo, desde una elevada óptica literaria, de los problemas de la juventud de su país en los años que siguieron a la Primera Guerra Mundial. En sus novelas expresa el desencanto de los privilegiados jóvenes de su generación que arrastraban su lasitud entre el jazz y la ginebra (A este lado del paraíso, 1920), en Europa en la Costa Azul (Suave es la noche, 1934), o en el fascinante decorado de las ciudades estadounidenses (El gran Gatsby, 1925). Su extraordinaria Suave es la noche, narra el ascenso y caída de Dick Diver, un joven psicoanalista, condicionado por Nicole, su mujer y su paciente. El eco doloroso de la hospitalización de su propia mujer, Zelda, diagnosticada esquizofrénica en 1932, es manifiesto. Este libro define el tono más denso y sombrío de su obra, perceptible en muchos escritos autobiográficos finales. Índice • 1 Biografía o 1.1 Sus inicios o 1.2 Su vida con Zelda o 1.3 Los años de Hollywood • 2 Valoración • 3 Obra o 3.1 Novelas o 3.2 Otras obras o 3.3 Últimas ediciones en España • 4 Curiosidades • 5 Referencias • 6 Enlaces externos Biografía Sus inicios F. Scott Fitzgerald estudió en Saint Paul Academy and Summit School de Saint Paul, Minnesota, entre 1908 y 1911, empezó a escribir en esta época.
    [Show full text]
  • Beautiful and Damned Free
    FREE BEAUTIFUL AND DAMNED PDF Robert M Drake | 420 pages | 22 Apr 2016 | Vintage Wild | 9780986262777 | English | United States The Beautiful and Damned by F. Scott Fitzgerald: | : Books Look Inside Reading Guide. Reading Guide. Would-be Jazz Age aristocrats Anthony and Gloria Patch embody Beautiful and Damned corrupt high society of s New York: they are beautiful, shallow, pleasure-seeking, and vain. As presumptive heirs to a large fortune, they begin their married life by living well beyond their means. Their days are marked by endless drinking, dancing, luxury, and play. But when the expected inheritance is Beautiful and Damned, their lives become consumed with the pursuit of wealth, and their alliance begins to fall apart. The Beautiful and Damned is at once a gripping morality tale, a rueful meditation on love, marriage, and money, and an acute social document. Paul, Minnesota. Scott Fitzgerald. When you buy a book, we donate a book. Sign in. Read An Excerpt. The Beautiful and Damned By F. Scott Fitzgerald By F. Aug 10, ISBN Add to Beautiful and Damned. Also available from:. Feb 12, ISBN Feb 23, ISBN Available from:. Aug 19, ISBN Paperback 2 —. Add to Cart Add to Cart. About The Beautiful and Damned F. Also in Vintage Classics. Also in Modern Library Classics. Also by F. See all books by F. About F. Scott Fitzgerald F. Product Details. Inspired by Your Browsing History. A Death in the Family. The Awakening. Appointment in Samarra. Pale Fire. Vladimir Nabokov. The Stories of John Cheever. John Cheever. Big Sur. Jack Kerouac. Somerset Maugham.
    [Show full text]
  • Front Matter
    Cambridge University Press 978-0-521-76603-6 - Taps at Reveille: F. Scott Fitzgerald James L. W. West III Frontmatter More information THE CAMBRIDGE EDITION OF THE WORKS OF F. SCOTT FITZGERALD © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-76603-6 - Taps at Reveille: F. Scott Fitzgerald James L. W. West III Frontmatter More information First page of the surviving typescript of “Two Wrongs.” The anti-semitic slur in the last two lines did not appear in the Saturday Evening Post. Princeton University Libraries. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-76603-6 - Taps at Reveille: F. Scott Fitzgerald James L. W. West III Frontmatter More information TAPS AT REVEILLE *** F. SCOTT FITZGERALD Edited by JAMESL.W.WESTIII © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-76603-6 - Taps at Reveille: F. Scott Fitzgerald James L. W. West III Frontmatter More information University Printing House, Cambridge cb2 8bs, United Kingdom Cambridge University Press is part of the University of Cambridge. It furthers the University’s mission by disseminating knowledge in the pursuit of education, learning, and research at the highest international levels of excellence. www.cambridge.org Information on this title: www.cambridge.org/9780521766036 © 2013 Eleanor Lanahan and Christopher T. Byrne, Trustees under agreement dated 3 July 1975, created by Frances Scott Fitzgerald Smith. Introduction and notes © 2014 James L. W. West III This edition © 2014 Cambridge University Press This publication is in copyright.
    [Show full text]
  • Biographical Background
    アメリカ文学 A American Fiction in the 20th Century F. Scott Fitzgerald, The Great Gatsby, and America in the 1920s Lecture on Biographical Background: Fitzgerald and the Writing of The Great Gatsby How to Cite this Lecture: Armstrong, Christopher J. “Fitzgerald and the Writing of the Great Gatsby,” Chukyo University, American Literature A, 3 June & 12 July 2019. American Fiction in the 20th Century Outline: Part 1: Family and College Life, First Love and Zelda Sayre Part 2: Great Neck, Long Island, France, Italy and The Writing of The Great Gatsby American Fiction in the 20th Century Family and College Life •Born Francis Scott Key Fitzgerald, St. Paul, Minnesota, 1896 •Grew up in a middle-class Roman Catholic family •Mother: Mollie McQuinlan, daughter of Irish immigrant and successful business man •Father, Edward, president of furniture manufacturing company •Two daughters born, both died in 1896, the year of Scott’s birth •Edward’s business failed in 1898, family moved to Buffalo, later Syracuse, back to Buffalo •Mollie’s money helped support the family •Third daughter born, 1900, died •Fourth daughter born, Annabel, 1901 Edward Fitzgerald and •Return to St. Paul, 1908: Father “a failure the rest of his son Scott his days” (FSF) American Fiction in the 20th Century Family and College Life •Residence in the Summit Avenue district of St Paul, St. Paul. MN, 1900-1910 1908-11 •Scott’s playmates: wealthy, affluent •Scott aware of social distinctions •Publishes fiction, poetry in the school paper •1911-13: Scott attends the private Catholic Newman School in New Jersey Residence of railway tycoon James J.
    [Show full text]
  • Jordan 1 Matthew Thomas Jordan Professor Howell Tutorial 9 March 2018 a Romantic Readiness
    Jordan 1 Matthew Thomas Jordan Professor Howell Tutorial 9 March 2018 A Romantic Readiness: The Virtue of Hope and the Fiction of F. Scott Fitzgerald Not a whit. We defy augury. There is a special providence in the fall of a sparrow. If it be now, 'tis not to come; if it be not to come, it will be now; if it be not now, yet it will come. The readiness is all. Since no man of aught he leaves knows, what is 't to leave betimes? Let be. (Hamlet, V.ii.233-238) The theological virtue of hope has often been confused or mistaken for a conversational meaning of hope. Often saying one hopes for something is interchangeable with saying that one has the wish for something or the desire that something come to pass. This type of hope indicates the attractiveness of something that is by no means certain. If it was certain, why would we hope for it? The theological virtue of hope is not so. Hope is essential for the Christian and yet what we hope for is certain. Abraham, the father of our faith, lived a life in which the only way he could fulfill his purpose was to live by faith and hope, specifically when the Lord promises him that he will bear a son around the age of 100. Instead of wavering at his dismal physical circumstances, Abraham hopes against hope and grows in faith, “Fully convinced that God was able to do what he promised” (Rom. 4:21). Faith (a rational power) and hope (a passional power) are the means by which Abraham fully commits himself to that disposition of hope: being convinced that God will do what He has promised.
    [Show full text]
  • The Short Stories of F. Scott Fitzgerald As Part of an Ongoing Series for the Lewis and Clark Library's Adult Education Progra
    The Short Stories of F. Scott Fitzgerald As part of an ongoing series for The Lewis and Clark Library’s Adult Education program, Randall LeCocq is offering a class/discussion group on the short stories of F. Scott Fitzgerald. Classes will be held Wednesday mornings from 10 to 11:30 AM, in the Library’s large meeting room. A registration sheet is available at the Information Desk, which has handouts of the assigned readings. For the website: The class will look at Fitzgerald’s life and work, focusing on five of his most highly acclaimed short stories. Using these stories, we will examine some of Fitzgerald’s central themes: young love and the loss of illusion, the perils of wealth, and “emotional bankruptcy” which comes from fast living. The five short stories will take us through four phases of Fitzgerald’s life, from early success, through Expatriate life in Europe, to Zelda’s breakdown and his own “crack up,” and eventually to his own rejuvenation. We will conclude with Fitzgerald’s non-fiction essays commenting on the Jazz Age and Great Depression, and causes for his own decline. Randall LeCocq, a Helena resident, holds a Master’s Degree in Liberal Studies from Georgetown University, where he specialized in literature and art history. He has taught previous courses at the Library on the novels and short stories of Ernest Hemingway and William Faulkner. Class Schedule: May 23: “Winter Dreams” (1922) May 30: “Absolution” (1924) June 6: “The Rich Boy” (1926) June 13: “The Rough Crossing” (1929) June 20: “Babylon Revisited” (1931), plus autobiographical excerpts from “My Lost City,” (1932) “Echoes of the Jazz Age,” (1931) and “The Crack Up.” (1936) .
    [Show full text]
  • A Look at the Flapper in Fitzgerald's Literary Production
    UNIVERSIDADE DE SANTIAGO DE COMPOSTELA FACULTADE DE FILOLOXÍA Grao en Lingua e Literatura Inglesas Not for Old Fogies: A Look at the Flapper in Fitzgerald’s Literary Production Traballo de Fin de Grao escrito por Aitana Castro Coego Baixo a dirección de Patricia Fra López Curso Académico 2018/1019 2 UNIVERSIDADE DE SANTIAGO DE COMPOSTELA FACULTADE DE FILOLOXÍA Grao en Lingua e Literatura Inglesas Not for Old Fogies: A Look at the Flapper in Fitzgerald’s Literary Production Traballo de Fin de Grao escrito por Aitana Castro Coego Baixo a dirección de Patricia Fra López Curso Académico 2018/1019 3 Table of Contents 1. Summary 4 2. Introduction 5 3. Historical Context: North America after the First World War 8 3.1 The Figure of the Flapper 14 4. The Flapper in Fitzgerald’s Literary Production 26 4.1 The Great Gatsby 28 4.2 Flappers and Philosophers 38 4.3 All the Sad Young Men 49 5. Conclusion: End of the Flapper Era 55 6. Works Cited 57 4 1. Summary 5 2. Introduction Once the sad days of World War I were gone, thousands of North American citizens rushed headlong into the upcoming era: The Roaring Twenties. The United States were launched towards an upswing of economic prosperity, which translated into social and cultural changes. As the 1920’s began, these shifts became particularly important for the development of the new role of women in society. Empowerment, financial independence and sexual liberation were some of the objectives to achieve by a section of the female community. Along these lines and as a way of self-expression, ‘women embraced the new freedoms, cutting their hair, applying makeup, and tossing out dowdy fashions of the past for shorter skirts and slinkier more formfitting attire’ (Time-Life 11).
    [Show full text]
  • The Great Gatsby Fitzgerald, Francis Scott
    The Great Gatsby Fitzgerald, Francis Scott Published: 1925 Categorie(s): Fiction, Literary Source: http://gutenberg.net.au 1 About Fitzgerald: Francis Scott Key Fitzgerald (September 24, 1896 – Decem- ber 21, 1940) was an American Jazz Age author of novels and short stories. He is regarded as one of the greatest twentieth century writers. Fitzgerald was of the self-styled "Lost Genera- tion," Americans born in the 1890s who came of age during World War I. He finished four novels, left a fifth unfinished, and wrote dozens of short stories that treat themes of youth, despair, and age. Also available on Feedbooks for Fitzgerald: • The Curious Case of Benjamin Button (1922) • The Great Gatsby (1925) • Tender is the Night (1933) • The Beautiful and the Damned (1922) • This Side of Paradise (1920) • "I Didn't Get Over" (1936) • The Rich Boy (1926) • Jacob's Ladder (1927) • The Sensible Thing (1924) • Bernice Bobs Her Hair (1920) Copyright: This work is available for countries where copy- right is Life+70. Note: This book is brought to you by Feedbooks http://www.feedbooks.com Strictly for personal use, do not use this file for commercial purposes. 2 Then wear the gold hat, if that will move her; If you can bounce high, bounce for her too, Till she cry "Lover, gold-hatted, high-bouncing lover, I must have you!" —THOMAS PARKE D'INVILLIERS 3 Chapter 1 In my younger and more vulnerable years my father gave me some advice that I've been turning over in my mind ever since. "Whenever you feel like criticizing any one," he told me, "just remember that all the people in this world haven't had the ad- vantages that you've had." He didn't say any more but we've always been unusually communicative in a reserved way, and I understood that he meant a great deal more than that.
    [Show full text]
  • F Scott Fitzgerald's New York
    W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1993 His Lost City: F Scott Fitzgerald's New York Kris Robert Murphy College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Literature Commons Recommended Citation Murphy, Kris Robert, "His Lost City: F Scott Fitzgerald's New York" (1993). Dissertations, Theses, and Masters Projects. Paper 1539625818. https://dx.doi.org/doi:10.21220/s2-zdpj-yf53 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. HIS LOST CITY: F. SCOTT FITZGERALD’S NEW YORK A Thesis Presented to The Faculty of the Department of English The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Kris R. Murphy 1993 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Author Approved, July 1993 Scott Donaldson Christopher MacGowan Robert Maccubbin TABLE OF CONTENTS Page ACKNOWLEDGEMENTS.............................................................................................iv ABSTRACT.............................................................................. ...................................... v CHAPTER I. ‘The far away East. .the vast, breathless bustle of New York”. 3 CHAPTER II. “Trips to New York” (1907-1918)........................................................ 11 CHAPTER III. ‘The land of ambition and success” (1919-1920) ................................ 25 CHAPTER IV. ‘The great city of the conquering people” (1920-1921)...................... 53 CHAPTER V.
    [Show full text]
  • F. Scott Fitzgeralds the Great Gatsby Pdf, Epub, Ebook
    F. SCOTT FITZGERALDS THE GREAT GATSBY PDF, EPUB, EBOOK John Sutherland | 128 pages | 23 Oct 2018 | CONNELL PUBLISHING LTD | 9781907776014 | English | United Kingdom F. Scott Fitzgeralds The Great Gatsby PDF Book He was famous. It was F. Score on SAT Reading. Of the many new writers that sprang into notice with the advent of the post-war period, Scott Fitzgerald has remained the steadiest performer and the most entertaining. Remember: art only imitates, but doesn't duplicate life. But not everyone had trouble seeing the future: in a cover story about Gertrude Stein, the intellectual icon offered her prognostications on the literature of her time. And I hope she'll be a fool - that's the best thing a girl can be in this world, a beautiful little fool. Get a Britannica Premium subscription and gain access to exclusive content. And, of course, Nick agrees to set up a tea date for his cousin Daisy and Gatsby. Mozart loved potty jokes. Coming behind them, Tom stops his car when he sees a commotion on the road. Anna Wulick. As they are about to drink mint juleps to cool off, Tom confronts Gatsby directly on the subject of his relationship with Daisy. Entertain your brain with the coolest news from streaming to superheroes, memes to video games. Overview of the life and career of American writer F. Unsuccessful upon publication, the book is now considered a classic of American fiction and has often been called the Great American Novel. Learn about what movies and books have gotten wrong about F. Another figure from King's circle reportedly appears in fictionalized form in the novel.
    [Show full text]
  • Nervousness in the Works of F Scott Fitzgerald
    UNLV Retrospective Theses & Dissertations 1-1-2001 Nervousness in the works of F Scott Fitzgerald Michael Emil Tischler University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Tischler, Michael Emil, "Nervousness in the works of F Scott Fitzgerald" (2001). UNLV Retrospective Theses & Dissertations. 2480. http://dx.doi.org/10.25669/2t6p-6eax This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, whOe others may b e from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy sutunitted. Broken or indistinct print, colored or poor quality illustrations and ptwtographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted.
    [Show full text]