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The Short Stories of F. Scott Fitzgerald As Part of an Ongoing Series for the Lewis and Clark Library's Adult Education Progra
The Short Stories of F. Scott Fitzgerald As part of an ongoing series for The Lewis and Clark Library’s Adult Education program, Randall LeCocq is offering a class/discussion group on the short stories of F. Scott Fitzgerald. Classes will be held Wednesday mornings from 10 to 11:30 AM, in the Library’s large meeting room. A registration sheet is available at the Information Desk, which has handouts of the assigned readings. For the website: The class will look at Fitzgerald’s life and work, focusing on five of his most highly acclaimed short stories. Using these stories, we will examine some of Fitzgerald’s central themes: young love and the loss of illusion, the perils of wealth, and “emotional bankruptcy” which comes from fast living. The five short stories will take us through four phases of Fitzgerald’s life, from early success, through Expatriate life in Europe, to Zelda’s breakdown and his own “crack up,” and eventually to his own rejuvenation. We will conclude with Fitzgerald’s non-fiction essays commenting on the Jazz Age and Great Depression, and causes for his own decline. Randall LeCocq, a Helena resident, holds a Master’s Degree in Liberal Studies from Georgetown University, where he specialized in literature and art history. He has taught previous courses at the Library on the novels and short stories of Ernest Hemingway and William Faulkner. Class Schedule: May 23: “Winter Dreams” (1922) May 30: “Absolution” (1924) June 6: “The Rich Boy” (1926) June 13: “The Rough Crossing” (1929) June 20: “Babylon Revisited” (1931), plus autobiographical excerpts from “My Lost City,” (1932) “Echoes of the Jazz Age,” (1931) and “The Crack Up.” (1936) . -
F Scott Fitzgerald's New York
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1993 His Lost City: F Scott Fitzgerald's New York Kris Robert Murphy College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Literature Commons Recommended Citation Murphy, Kris Robert, "His Lost City: F Scott Fitzgerald's New York" (1993). Dissertations, Theses, and Masters Projects. Paper 1539625818. https://dx.doi.org/doi:10.21220/s2-zdpj-yf53 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. HIS LOST CITY: F. SCOTT FITZGERALD’S NEW YORK A Thesis Presented to The Faculty of the Department of English The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Kris R. Murphy 1993 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Author Approved, July 1993 Scott Donaldson Christopher MacGowan Robert Maccubbin TABLE OF CONTENTS Page ACKNOWLEDGEMENTS.............................................................................................iv ABSTRACT.............................................................................. ...................................... v CHAPTER I. ‘The far away East. .the vast, breathless bustle of New York”. 3 CHAPTER II. “Trips to New York” (1907-1918)........................................................ 11 CHAPTER III. ‘The land of ambition and success” (1919-1920) ................................ 25 CHAPTER IV. ‘The great city of the conquering people” (1920-1921)...................... 53 CHAPTER V. -
F. Scott Fitzgerald's Ledger, 1919–1938
F. SCOTT FITZGERALD’S LEDGER TRANSCRIPTION PAGE 1 F. Scott Fitzgerald’s Ledger, 1919–1938 F. Scott Fitzgerald’s Ledger is one of the richest primary source documents in existence for any literary author. Fitzgerald began recording information in this business ledger sometime in 1919 or 1920 after leaving the Army and moving to New York to begin his professional life as a writer. Fitzgerald divided the Ledger into five sections: “Record of Published Fiction,” “Money Earned by Writing since Leaving Army,” “Published Miscelani (including movies) for which I was Paid,” “Zelda’s Earnings,” and “Outline Chart of my Life”. The “Record of Published Fiction” and “Published Miscelani” are spreadsheets listing everything he wrote and its publication history up to the time of its final disposition. He meticulously tracked his earnings from 1919 through 1937 in the section titled “Money Earned by Writing since Leaving Army.” In addition, he recorded Zelda’s earnings from her writing. In the autobiographical section, “Outline Chart of my Life,” he provided background about his early years but later included monthly entries for each year. F. Scott Fitzgerald’s Ledger is part of the Matthew J. and Arlyn Bruccoli Collection of F. Scott Fitzgerald held by the Irvin Department of Rare Books and Special Collections, located in the Ernest F. Hollings Special Collections Library at the University of South Carolina in Columbia, S.C. The digital version of the Ledger, which includes access to the full text and is keyword-searchable, was produced by the staff of the Digital Collections Department of the University of South Carolina. -
1. Dear Scott/Dear Max: the Fitzgerald-Perkins Correspondence, Eds
NOTES INTRODUCTION F. SCOTT FITZGERALD, "THE CULTURAL WORLD," AND THE LURE OF THE AMERICAN SCENE 1. Dear Scott/Dear Max: The Fitzgerald-Perkins Correspondence, eds. John Kuehl and Jackson R. Bryer (New York: Scribner's, 1971),47. Hereafter cited as Dear Scott/Dear Max. Throughout this book, I preserve Fitzgerald's spelling, punctuation, and diacritical errors as preserved in the edited volumes of his correspondence. 2. F. Scott Fitzgerald, A Life in Letters, ed. Matthew J. Bruccoli (New York: Simon and Schuster, 1994),67. Hereafter cited as Life in Letters. 3. F. Scott Fitzgerald, F. Scott Fitzgerald on Authorship, eds. Matthew J. Bruccoli and Judith S. Baughman (Columbia: University of South Carolina Press, 1996),83. Hereafter cited as Fitzgerald on Authorship. 4. For a superb discussion of the voguish "difficulty" associated with the rise of modernist art, see Leonard Diepeveen, The Difficulties ofModernism (New York: Routledge, 2003),1-42. 5. There is a further irony that might be noted here: putting Joyce and Anderson on the same plane would soon be a good indicator of provin cialism. Fitzgerald could not have written this statement after his sojourn in France, and certainly not after encouraging his friend Ernest Hemingway's nasty parody, The Torrents of Spring (1926). Anderson may be one of the most notable casualties from the period of ambitious claimants, such as Fitzgerald, Hemingway, and William Faulkner, to a place within "the cultural world." 6. Pierre Bourdieu, The Rules of Art: Genesis and Structure of the Literary Field, tr. Susan Emanuel (Stanford: Stanford University Press, 1996), 142. 7. "The principle of differentiation is none other than the objective and subjective distance of enterprises of cultural production with respect to the market and to expressed or tacit demand, with producers' strate gies distributing themselves between two extremes that are never, in fact, attained-either total and cynical subordination to demand or absolute independence from the market and its exigencies" (ibid., 141-42). -
The F. Scott Fitzgerald Society Newsletter
The F. Scott Fitzgerald Society Newsletter Volume 23 DECEMBER 2013-2014 The Twelfth International F. Scott Fitzgerald Conference: Montgomery, AL Nov. 6-10, 2013 An antique car worthy of Jay Gatsby helped set Along the way, we enjoyed an afternoon at the the backdrop, the local St. James School band Montgomery planetarium, an aperitif at the local played a medley of jazz and Gatsby-inspired Aviator Bar, and a night of wholly un-1920s rock tunes, and the Southern drawl of Sally Carrol ‘n’ roll in which we were treated to the sizzlin’ Happer filled the air during a performance of guitar licks of Richard Martin and learned that Bill “The Ice Palace” at the opening reception for Blazek is the reincarnation of Hank Williams and the 12th International F. Scott Fitzgerald Society that Walter Raubicheck can channel Dion on com- Conference in Montgomery, Alabama. mand. That vivacious evening, hosted by the F. The closing reception, our “Belles and Jelly-Beans Scott and Zelda Fitzgerald Museum and the Ball,” was held on the Harriott II riverboat. There City of Montgomery, got things off to a great were costumes aplenty as men channeled their start, and the events and excitement contin- inner Gatsby and women their inner flapper. As ued over the next four days of Fitztrava- we cruised along the Alabama River, participants ganza/Zeldapalooza.” enjoyed not only the starry evening and the Montgomery skyline, but also a jazz-age cocktail Around 200 people attended all or some of the presentation by Philip Greene, author of To Have various events during the course of the confer- and Have Another: A Hemingway Cocktail Compan- ence, including academic and scholarly ses- ion. -
Intimations of a Crack-Up: Fitzgerald's Divided Psyche and the Inevitability
Intimations of a Crack-Up: Fitzgerald’s Divided Psyche and the Inevitability of Failure by Henry Bolte A thesis submitted to the faculty of Radford University in partial fulfillment of the requirements for the degree of Master of Arts in the Department of English April, 2019 Abstract Though to the modern reader he has come to mainly represent the glamor and excess of the Jazz Age in water-logged or ash-ridden symbolism through The Great Gatsby, F. Scott Fitzgerald’s career remains tantamount with the frenetic rise and tragic fall of the entire decade itself. Mirroring the fallout of the Crash of 1929, Fitzgerald’s career was practically over by the thirties. His alcoholism ravaged his personal life and his debilitating inferiority complex led to bouts of depression and an inability to publish much of anything, other than half-hearted short stories in any magazine willing to publish him. During this period, his beloved wife Zelda had been institutionalized for treatment of schizophrenia, and his daughter, Scottie, was away at boarding school. He comes to expresses his financial frustrations, pains, and inability to write through a striking, three-part essay series, “The Crack-Up,” in Esquire magazine. His literary colleagues were embarrassed by the sudden, pitiful self-expression and rejected the author for it. This thesis traces the intimations of Fitzgerald’s impending crack-up and proves that it should be no surprise that his career came to a close as it did, and that the author even presaged his own demise through the fiction that propelled him there in the first place. -
STAGED PERFORMANCES and the RECONSTRUCTION of GENDER IDENTITY in MRS.DALLOWAY and the GREAT GATSBY
“BEYOND THE GILDED CAGE:” STAGED PERFORMANCES AND THE RECONSTRUCTION OF GENDER IDENTITY IN MRS.DALLOWAY and THE GREAT GATSBY ANTHONY F. PINZONE Bachelor of Arts in English Literature Baldwin Wallace University December 2016 submitted in partial fulfillment of requirements for the degree of MASTER OF ARTS IN ENGLISH at CLEVELAND STATE UNIVERSITY APRIL 2019 This thesis is hereby approved for ANTHONY F. PINZONE Candidate for the Master of Arts in English for the Department of English and the CLEVELAND STATE UNIVERSITY’S College of Graduate Studies by Thesis Chairperson, Dr. Frederick Karem _________________________________________________ Department & Date Thesis Committee Member, Dr. Rachel Carnell __________________________________________________ Department & Date Thesis Committee Member and Director of Graduate Studies in English, Dr. Adam Sonstegard ____________________________________________________ Department & Date Student’s Date of Defense: April 11, 2019 ACKNOWLEDGEMENTS I would like to thank the members of my committee for their guidance, patience, and helpful insights during the writing process. Professor Karem helped tremendously in narrowing down the central focus of my paper, while also encouraging me to think beyond the local level of the performances of Mrs. Dalloway and Gatsby. Professor Carnell provided ample critique of Woolf and Fitzgerald, allowing me to reexamine my own voice in the critical conversation surrounding these twentieth century novels. Professor Sonstegard added a fresh gender perspective on the novels in question, and for that I am most grateful. Other individuals I would like to thank include Professor Burrell who assisted greatly in my Pre-Thesis Colloquium class, while also detailing performance studies and recommending the theories of Richard Schechner, Erving Goffman, and Judith Butler. -
F. Scott Fitzgerald
F. Scott Fitzgerald Born in St. Paul, Minnesota September 24, 1896 Died December 21, 1940 Genre Fiction, Short Stories Influences John Keats, Sherwood Anderson, Edith Wharton Francis Scott Key Fitzgerald was an American writer of novels and short stories, whose works have been seen as evocative of the Jazz Age, a term he himself allegedly coined. He is regarded as one of the greatest twentieth century writers. Fitzgerald was of the self-styled "Lost Generation," Americans born in the 1890s who came of age during World War I. He finished four novels, left a fifth unfinished, and wrote dozens of short stories that treat themes of youth, despair, and age. He was married to Zelda Fitzgerald. Major Works* Novels. This Side of Paradise (1920) This Side of Paradise, F. Scott Fitzgerald's romantic and witty first novel, was written when the author was only twenty-three years old. This semiautobiographical story of the handsome, indulged, and idealistic Princeton student Amory Blaine received critical raves and catapulted Fitzgerald to instant fame. The Beautiful and Damned (1922) The Beautiful and the Damned is the story of Harvard-educated, aspiring aesthete Anthony Patch and his beautiful wife, Gloria. As they await the inheritance of his grandfather's fortune, their reckless marriage sways under the influence of alcohol and avarice. A devastating look at the nouveau riche and New York nightlife, as well as the ruinous effects of wild ambition, The Beautiful and the Damned achieved stature as one of Fitzgerald's most accomplished novels. The Great Gatsby (1925) The Great Gatsby, F. Scott Fitzgerald’s third book, stands as the supreme achievement of his career. -
F. Scott Fitzgerald: an Annotated Checklist of Secondary Material
F. SCOTT FITZGERALD: AN ANNOTATED CHECKLIST OF SECONDARY MATERIAL by HARRX EARL OPPERMAN B. A., Southwestern College, 1964 A MASTER'S REPORT submitted in partial fulfillment of the requirements for the degree MASTER OF ARTS Department of English KANSAS STATE UNIVERSITY Manhattan, Kansas 1967 Approved by: iajor Professor j/ LP wo CONTENTS BIBLIOGRAPHY AND TEXT 1 BIOGRAPHY 7 CRITICISM 20 CHECKLIST (NOT ANNOTATED) 70 BEVIEWS OF FITZGERALD'S WORKS 79 List of Abbreviations Used AL American Literature CE College English XR Kenyon Review MF3 Modern Fiction Studies PR Partisan Review Chronicle PULC . Princeton University Library 3B Studies in Bibliography SR Sewanee Review TCL Twentieth Century Literature TL3 Times Literary Supplement UKCR University of Kansas City Review UR University Review VgR Virginia Quarterly Review F. 3cott Fitzgerald: An Annotated Checklist of Secondary Material I. Bibliography and Text. A. Collections. The major collection of Fitzgerald's papers is in tne Princeton University library; less extensive but often Important collec- tions are housed in various other libraries. M 60-61. 1. Anonymous. "Class of '17, Time. LVI (Deo. 18, 1950), Brief description of the papers given to the Princeton library by Fitzgerald's daughter, Mrs. Frances 3. Lanahan. Times (Dec. 4, 2. • "Fitzgerald Mss In Gift," New York 1950), P. 27. Brief description of Princeton's Fitzgerald collection. Given to Princeton Library," 3 . "Fitzgerald Papers Publisher's Weekly. CLVIII (Dec. 16, 1950), 2501. Discusses Mrs. Lanahan' s gift. PULC. XII 4. "The F. Scott Fitzgerald Papers." (195U» 92. Brief description of Mrs. Lanahan' s gift. from the Barrett Library," Fitz- 5 # «f Highlights gerald Newsletter . -
The Great Gatsby
The Great Gatsby F. Scott Fitzgerald In 1925, The Great Gatsby was published and hailed as an artistic and material success for its young author, F. Scott Fitzgerald. It is considered 1925 a vastly more mature and artistically masterful treatment ofFitzgerald's themes than his earlier fic- tion. These works examine the results of the Jazz Age generation's adherence to false material val- ues. In nine chapters, Fitzgerald presents the rise and fall of Jay Gatsby, as related in a first-person narrative by Nick Carraway. Carraway reveals the story of a farmer's son-tumed racketeer, named Jay Gatz. His ill-gotten wealth is acquired solely to gain acceptance into the sophisticated, moneyed world of the woman he loves, Daisy Fay Buchanan. His romantic illusions about the power ofmoney to buy respectability and the love of Daisy-the "golden girl" of his dreams-are skillfully and ironically in- terwoven with episodes that depict what Fitzgerald viewed as the callousness and moral irresponsibil- ity of the affluent American society of the 1920s. America at this time experienced a cultural and lifestyle revolution. In the economic arena, the stock market boomed, the rich spent money on fab- ulous parties and expensive acquisitions, the auto- mobile became a symbol of glamour and wealth, and profits were made, both legally and illegally. The whirlwind pace of this post-World War I era is captured in Fitzgerald's Gatsby, whose tragic quest and violent death foretell the collapse of that era and the onset of disillusionment with the Amer- ican dream. By the end of the novel, the reader slowly realizes that Carraway is transformed as he 6 4 N o v e I s f o r S t u d e n t s T h e G r e a t G a t s b y recognizes Gatsby's moral superiority to the Buchanans. -
Volume 24; 2015-2016
Volume 24 | April 2016 VOLUME 24 2015 - 2016 The F. Scott FITZGERALD Society Newsletter Table of Contents Dublin and Waterford: The 13th International Fitzgerald Society Conference by Dustin Anderson ..............1 Rockville, MD: The Fitzgerald Literary Festival, 2014-2015 by Jackson R. Bryer ...............6 Fitzgerald’s Roots in Ireland by Anton McCabe .................8 Fitzgerald in Morningside Heights by Bret Maney ....................12 One big Fitzgerald family: attendees gather along the Christ Church wall in Dublin Gatsby in Australia by Peter Llewellyn ................16 Cuireann Éire Fáilte Roimh Fitzgerald Bhaile: Ireland Welcomes Fitzgerald Home at the 13th International News and Notes Fitzgerald Society Conference, July 2015 by Peter L. Hays ..................17 he cities of Dublin and Waterford, Ireland welcomed the 13th Dublin and International F. Scott Fitzgerald Society Conference, Gaelicly Waterford Photos ...............22 Tyours, Scott Fitzgerald, which took place the week of July 4-10, 2015. Fitzgerald’s connection to Ireland, much like Raymond Chandler’s, is a natural and deep one. Fitzgerald is, of course, from Irish-American lineage (what he tells O’Hara in a letter is “half black Irish,” although his Fitzgeralds hail from near Enniskillen in Ulster), but his connections to Irish expatriates, like James Joyce, and a kind of intangibly nostalgic vanished Irish culture offer a diverse and rich bond to Ireland itself. We were incredibly pleased to see participants from across the globe— coming in from Georgia to Japan—to make this a truly international experience. The conference was lucky enough to receive proposals on virtually all aspects of Fitzgerald’s life and work that focus on the Irish influences on or aspects of his writing and career. -
A Novel Collaboration: the Role of Editing in 20Th Century American Literature
A NOVEL COLLABORATION: THE ROLE OF EDITING IN 20TH CENTURY AMERICAN LITERATURE A Thesis submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Masters of Arts in English By Julia Winspear, B.A. Washington, D.C. April 28, 2021 Copyright 2021 by Julia Winspear All Rights Reserved ii A NOVEL COLLABORATION: THE ROLE OF EDITING IN 20TH CENTURY AMERICAN LITERATURE Julia Winspear, B.A. Thesis Advisor: Sherry Linkon, Ph.D. ABSTRACT Editors’ contributions to literary creation are too often understated or overlooked. Most of the existing conversation in regards to editors is either purely biographical in nature or else discusses editing as a practice entirely separate from that of authorship. While I acknowledge the different demands of these roles, I argue that they are firmly and complexly intertwined. In this thesis “A Novel Collaboration: Editorial Influence in Twentieth Century American Fiction”, I explore the effect of editing on the creation of 20th century American fiction. Analysis of the history of publication and changes to this process enacted during the 20th century provides insight into the active function of editorship on literary creation. Focusing on prominent American novels and how these books developed from collaborative authorial/editorial relationships sheds light on the editor’s place within notions of authorship. Rather than relegating the editor to a passive role in literary creation, I argue that editors like Maxwell Perkins and Thérèse “Tay” Von Hohoff play an active role in shaping the texts that inform the American literary identity of the early to mid-twentieth century.