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A Look at the Flapper in Fitzgerald's Literary Production
UNIVERSIDADE DE SANTIAGO DE COMPOSTELA FACULTADE DE FILOLOXÍA Grao en Lingua e Literatura Inglesas Not for Old Fogies: A Look at the Flapper in Fitzgerald’s Literary Production Traballo de Fin de Grao escrito por Aitana Castro Coego Baixo a dirección de Patricia Fra López Curso Académico 2018/1019 2 UNIVERSIDADE DE SANTIAGO DE COMPOSTELA FACULTADE DE FILOLOXÍA Grao en Lingua e Literatura Inglesas Not for Old Fogies: A Look at the Flapper in Fitzgerald’s Literary Production Traballo de Fin de Grao escrito por Aitana Castro Coego Baixo a dirección de Patricia Fra López Curso Académico 2018/1019 3 Table of Contents 1. Summary 4 2. Introduction 5 3. Historical Context: North America after the First World War 8 3.1 The Figure of the Flapper 14 4. The Flapper in Fitzgerald’s Literary Production 26 4.1 The Great Gatsby 28 4.2 Flappers and Philosophers 38 4.3 All the Sad Young Men 49 5. Conclusion: End of the Flapper Era 55 6. Works Cited 57 4 1. Summary 5 2. Introduction Once the sad days of World War I were gone, thousands of North American citizens rushed headlong into the upcoming era: The Roaring Twenties. The United States were launched towards an upswing of economic prosperity, which translated into social and cultural changes. As the 1920’s began, these shifts became particularly important for the development of the new role of women in society. Empowerment, financial independence and sexual liberation were some of the objectives to achieve by a section of the female community. Along these lines and as a way of self-expression, ‘women embraced the new freedoms, cutting their hair, applying makeup, and tossing out dowdy fashions of the past for shorter skirts and slinkier more formfitting attire’ (Time-Life 11). -
The Great Gatsby Fitzgerald, Francis Scott
The Great Gatsby Fitzgerald, Francis Scott Published: 1925 Categorie(s): Fiction, Literary Source: http://gutenberg.net.au 1 About Fitzgerald: Francis Scott Key Fitzgerald (September 24, 1896 – Decem- ber 21, 1940) was an American Jazz Age author of novels and short stories. He is regarded as one of the greatest twentieth century writers. Fitzgerald was of the self-styled "Lost Genera- tion," Americans born in the 1890s who came of age during World War I. He finished four novels, left a fifth unfinished, and wrote dozens of short stories that treat themes of youth, despair, and age. Also available on Feedbooks for Fitzgerald: • The Curious Case of Benjamin Button (1922) • The Great Gatsby (1925) • Tender is the Night (1933) • The Beautiful and the Damned (1922) • This Side of Paradise (1920) • "I Didn't Get Over" (1936) • The Rich Boy (1926) • Jacob's Ladder (1927) • The Sensible Thing (1924) • Bernice Bobs Her Hair (1920) Copyright: This work is available for countries where copy- right is Life+70. Note: This book is brought to you by Feedbooks http://www.feedbooks.com Strictly for personal use, do not use this file for commercial purposes. 2 Then wear the gold hat, if that will move her; If you can bounce high, bounce for her too, Till she cry "Lover, gold-hatted, high-bouncing lover, I must have you!" —THOMAS PARKE D'INVILLIERS 3 Chapter 1 In my younger and more vulnerable years my father gave me some advice that I've been turning over in my mind ever since. "Whenever you feel like criticizing any one," he told me, "just remember that all the people in this world haven't had the ad- vantages that you've had." He didn't say any more but we've always been unusually communicative in a reserved way, and I understood that he meant a great deal more than that. -
The Concept of the Flapper in the Early Writings of F. Scott Fitzgerald
South Dakota State University Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange Electronic Theses and Dissertations 1967 The onceptC of the Flapper in the Early Writings of F. Scott itF zgerald Janet Foster Carroll Follow this and additional works at: https://openprairie.sdstate.edu/etd Recommended Citation Carroll, Janet Foster, "The oncC ept of the Flapper in the Early Writings of F. Scott itzF gerald" (1967). Electronic Theses and Dissertations. 3283. https://openprairie.sdstate.edu/etd/3283 This Thesis - Open Access is brought to you for free and open access by Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. For more information, please contact [email protected]. THE CONCEPT OF THEFLAPP:m IN THE EARLY WRITINJS OFF. SCOTT FIT'lGmwJ> BY JANETFOSTm CARROLL A thesis subnitted in partial .fulfillment of the requirements tor the degree Master of Arts, Major in English, South Dakota State University 1967 SOUTH DAKOTA STATS UNJYeR51TY LIBRARY THE CONCEPT OF THE FLAPPER IN THE FARLY WRITIIDS OFF. SCOTT FITZGERALD This thesis is approved as a creditable and independent investigation by a candidate for the degree, M�ster of Arts, and is acceptable as meeting the thesis requirements for this degree, but without implying that the conclusions reached by the candidate are necessarily the conclusions of the major department. Thesis Adviser / Date The writer wishes to express her sincere appreciation to Mrs. Ruth Alexander for her guidance and encouragement in the preparation of this essay. -
Criticism of the Jazz Age in F. Scott Fitzgerald's Selected Short Stories
CRITICISM OF THE JAZZ AGE IN F. SCOTT FITZGERALD'S SELECTED SHORT STORIES DISSERTATION FOR M. PHIL IN ENGLISH LITERATURE BY ATTIA ABIO UNDER THE SUPERVISION OF PROF. AZIZUDDIN TARIO DEPARTMENT OF ENGLISH ALIGARH MUSLIM UNIVERSITY ALIGARH (INDIA) 1992 wamDS2475 CONTENTS PREFACE CHAPTER I ; THE AGE - THE LEGEND 1 CHAPTER II : THE GENRE 15 CHAPTER III : ALL FOR LOVE 38 CHAPTER IV : MONEY, THE GTH SCENE 67 CHAPTER V THE PEERS—TinC FABULIST 90 CHAPTER VI : CONCLUSION 106 BIBLIOGRAPHY 136 P R i: F A C E PREFACE Turn, gentle Hermit of the dale And guide my lonely way To where yon taper cheers the vale With hospitable ray. My father wrote this in my first autograph book. If he had been alive, he would have been very happy to see this dissertation, particularly because it was a challenge for me in many ways: Firstly, I decided to do M.Phil almost two decades after my M.A., and secondly, the subject was such that even the primary sources were not available at hand. When I was searching for a topic, I came across an article in one of the Dailies on the 50th death anniversary of F.Scott Fitzgerald. Since he was comparatively new to mc particularly with regard to his short stories, I decided to have a tryst with 'the legend', the 'Prince Charming of the Jazz Age', and pay him a tribute in my own humble way. I have already mentioned the scarcity of material, and had it not been for the ASRC, Hyderabad, and The American Centre, Delhi, I could not even have begun this work. -
F. Scott Fitzgerald's Ledger, 1919–1938
F. SCOTT FITZGERALD’S LEDGER TRANSCRIPTION PAGE 1 F. Scott Fitzgerald’s Ledger, 1919–1938 F. Scott Fitzgerald’s Ledger is one of the richest primary source documents in existence for any literary author. Fitzgerald began recording information in this business ledger sometime in 1919 or 1920 after leaving the Army and moving to New York to begin his professional life as a writer. Fitzgerald divided the Ledger into five sections: “Record of Published Fiction,” “Money Earned by Writing since Leaving Army,” “Published Miscelani (including movies) for which I was Paid,” “Zelda’s Earnings,” and “Outline Chart of my Life”. The “Record of Published Fiction” and “Published Miscelani” are spreadsheets listing everything he wrote and its publication history up to the time of its final disposition. He meticulously tracked his earnings from 1919 through 1937 in the section titled “Money Earned by Writing since Leaving Army.” In addition, he recorded Zelda’s earnings from her writing. In the autobiographical section, “Outline Chart of my Life,” he provided background about his early years but later included monthly entries for each year. F. Scott Fitzgerald’s Ledger is part of the Matthew J. and Arlyn Bruccoli Collection of F. Scott Fitzgerald held by the Irvin Department of Rare Books and Special Collections, located in the Ernest F. Hollings Special Collections Library at the University of South Carolina in Columbia, S.C. The digital version of the Ledger, which includes access to the full text and is keyword-searchable, was produced by the staff of the Digital Collections Department of the University of South Carolina. -
Bernice Bobs Her Hair
1 F. Scott Fitzgerald (1896-1940) Bernice Bobs Her Hair F. Scott Fitzgerald (1896-1940) was one of the major American writers of the twentieth century. In fact, his novel The Great Gatsby was voted the best novel of the century in 2000. His novels include This Side of Paradise (1920), The Beautiful and the Damned (1922), and Tender is the Night (1934) in addition to Gatsby (1925). He also wrote numerous short stories. “Bernice Bobs Her Hair” was first published in 1920 in The Saturday Evening Post and later included in his volume Flappers and Philosophers (1920). After dark on Saturday night one could stand on the first tee of the golf-course and see the country-club windows as a yellow expanse over a very black and wavy ocean. The waves of this ocean, so to speak, were the heads of many curious caddies, a few of the more ingenious chauffeurs, the golf professional's deaf sister—and there were usually several stray, diffident waves who might have rolled inside had they so desired. This was the gallery. The balcony was inside. It consisted of the circle of wicker chairs that lined the wall of the combination clubroom and ballroom. At these Saturday-night dances it was largely feminine; a great babel of middle-aged ladies with sharp eyes and icy hearts behind lorgnettes and large bosoms. The main function of the balcony was critical. It occasionally showed grudging admiration, but never approval, for it is well known among ladies over thirty-five that when the younger set dance in the summer-time it is with the very worst intentions in the world, and if they are not bombarded with stony eyes stray couples will dance weird barbaric interludes in the corners, and the more popular, more dangerous, girls will sometimes be kissed in the parked limousines of unsuspecting dowagers. -
November 26, 2013 (XXVII:14) Baz Luhrmann, the GREAT GATSBY (2013, 143 Min)
November 26, 2013 (XXVII:14) Baz Luhrmann, THE GREAT GATSBY (2013, 143 min) Directed by Baz Luhrmann Written by Baz Luhrmann and Craig Pearce (screenplay) Written by F. Scott Fitzgerald (novel) Cinematography by Simon Duggan Jason Clarke...George Wilson Elizabeth Debicki...Jordan Baker Leonardo DiCaprio...Jay Gatsby Joel Edgerton...Tom Buchanan Isla Fisher...Myrtle Wilson Tobey Maguire...Nick Carraway Carey Mulligan...Daisy Buchanan Jack Thompson...Dr. Walter Perkins BAZ LUHRMANN (Director, Writer—screenplay) (b. Mark Anthony Luhrmann, September 17, 1962 in New South Wales, Australia) has directed five features, all of which he also wrote: 2013 The Great Gatsby, 2008 Australia, 2001 Moulin Rouge!, 1996 Romeo + Juliet, and 1992 Strictly Ballroom. He also directed eight shorts, all of which (but on Schiaparelli) he F. Scott Fitzgerald (Writer—novel)(b. Francis Scott Key also wrote: 2012 Hard Chic, 2012 Naïf Chic, 2012 Schiaparelli Fitzgerald, September 24, 1896 in St. Paul, Minnesota—d. & Prada: Impossible Conversations, 2012 The Classical Body, December 21, 1940 (age 44) in Hollywood, Los Angeles, 2012 The Exotic Body, 2012 The Surreal Body, 2012 Ugly Chic, California) worked in Hollywood for several years as a and 2012 Waist Up/Waist Down. He also produced four of his screenwriter. Many of his novels and short stories were made features: 2013 The Great Gatsby, 2008 Australia, 2001 Moulin into films, some of which are 2013 The Great Gatsby (novel), Rouge!, and 1996 Romeo + Juliet. He did ballroom dance as a 2012 The Lost Decade (Short, story), 2010 The Beautiful and child, taught by his mother. In 2004 Luhrmann directed the Damned (novel), 2008 The Curious Case of Benjamin Button world’s most expensive ad for Chanel No 5 with Nicole Kidman, (short story), 2000 “The Great Gatsby” (TV Movie, novel), 1987 a 4-minute short titled “No. -
Flappers and Philosophers
Flappers and Philosophers F. Scott Fitzgerald Flappers and Philosophers Table of Contents Flappers and Philosophers.......................................................................................................................................1 F. Scott Fitzgerald..........................................................................................................................................1 The Offshore Pirate.....................................................................................................................................................2 I......................................................................................................................................................................2 II.....................................................................................................................................................................5 III....................................................................................................................................................................9 IV.................................................................................................................................................................12 V...................................................................................................................................................................16 VI.................................................................................................................................................................18 -
F. Scott Fitzgerald in St. Paul: Homes and Haunts
including “Bernice Bobs Her Hair,” “Winter Dreams,” “Ice Palace,” and The Great Gatsby. In September 1919, at 599 Summit Avenue, ne of the most beloved American (pictured below) while living with his parents, writers of the 20th century, F. Scott Fitzgerald learned his book This Side of OFitzgerald burst onto the literary Paradise had been accepted for publication scene with the publication of This Side of by Scribner’s. He had revised the novel in this Paradise in 1920. His works, most notably brownstone, which is listed on the National his masterpiece The Great Gatsby, came Register of Historic Places. to embody the spirit of the Jazz Age. Before the publication of the novel in 1920, orn in St. Paul in 1896, Fitzgerald lived Fitzgerald wrote several stories in his third-floor Bin the St. Paul area at various times and room, including “The Camel’s Back,” which in multiple locations until 1922. He married brought his first inclusion in the O. Henry Prize his well-known wife, Zelda Sayre, in 1920, series. and they had one child, a daughter named F. Scott Frances Scott (Scottie), in 1921. In 1940, Fitzgerald died at age 44 in Hollywood, California. His other works include Tender is the Night, The Last Tycoon, and over 150 Fitzgerald short stories. in St. Paul For more information on F. Scott Fitzgerald’s life in St. Paul, the following books, published in 2004 by the Minnesota Historical Society Press, are recommended: The St. Paul Stories of F. Scott Fitzgerald, edited by Patricia Hampl and Dave Page Homes rancis Scott Key Fitzgerald was born A Guide to F. -
Bernice Bobs Her Hair Pdf Español
Bernice bobs her hair pdf español Bernice Bobs had her hair Cover Saturday Evening Mail (May 1, 1920) containing Bernice Bobs of her hair. This issue was Fitzgerald's first name on the cover. Written by F. Scott FitzgeraldCountryUnident StatesLanguageEnglishGenre (s)Short StoryPublic Evening PostFlappers and PhilosophersPublicanic TypeMaineShort Story CollectionMedia typePrintation dateMay 1, 1920 (as a short story) September 10, 1920 (in the collection) Bernice Bobs her hair is a story by F. Scott Fitzgerald, written in 1920 and first published by the Saturday Evening Mail in May of that year. The story was illustrated by Mae Wilson Preston. The story appeared shortly thereafter, on September 10, 1920, in an anthology by Fitzgerald Flappers and Philosophers. In 1951, decades after publication, the literary critic Orville Prescott of The New York Times called the work an iconic story that set social standards for a generation of young Americans who revealed the secrets of popularity and gave excellent examples of what to say at the dinner table or on the dance floor. The background story was based on letters that 19-year-old Fitzgerald sent to his 14-year-old sister Annabelle. As she wanted to make herself more socially attractive, he tried to improve his social skills by providing detailed instructions on how to popularity and improve her image. In 1915, Fitzgerald wrote her a lengthy 10-page letter giving her advice on conversation, poise, carriage, dance, expression, clothing, and personality. Fitzgerald later used this letter at the heart of his 1919 story project. The original text of the story was much longer, but Fitzgerald cut nearly 3,000 words and changed the ending to make the story more appealing to publishers. -
Final Decade Struggling to Survive Professional and Personal Collapse Amidst the Great Depression
IDEALISM, DISILLUSION AND PERSEVERANCE: THE LIFE, TIMES AND STORIES OF F. SCOTT FITZGERALD A Thesis submitted to the Faculty of The School of Continuing Studies and of The Graduate School of Arts and Sciences in partial fulfillment of the requirements for the degree of Master of Arts in Liberal Studies By Andrew W. Kentz, J.D. Georgetown University Washington, D.C. February 24, 2012 Copyright 2012 by Andrew W. Kentz All Rights Reserved ii IDEALISM, DISILLUSION AND PERSEVERANCE: THE LIFE, TIMES AND STORIES OF F. SCOTT FITZGERALD Andrew W. Kentz, J.D. MALS Mentor: Michael J. Collins, Ph.D. ABSTRACT Statement of the Problem F. Scott Fitzgerald is considered to have been a great chronicler of his American generation. Fitzgerald’s lifetime spanned dramatic changes in American attitudes and fortunes. Born at the close of the Gilded Age, he grew up in the Progressive Era and reached adulthood during the first world war. His greatest success came during the 1920s economic boom. He spent his final decade struggling to survive professional and personal collapse amidst the Great Depression. While best known for his novels, Fitzgerald was a prolific author of short stories. Fitzgerald wrote short stories nearly continuously throughout his life. If Fitzgerald is representative of his generation, his short stories ought to reflect the evolving attitudes of the author and his generation of Americans as they travelled through periods of great change. The purpose of this paper is to examine Fitzgerald’s short stories, his life and his times to determine the extent to which this is true. Procedure Followed The paper is divided into three chronological periods: Fitzgerald’s youth through the war, the 1920s Jazz Age and the 1930s Depression. -
Women's Bodies, Beauty, and Power in 1920S America
Appearing Modern: Women's Bodies, Beauty, and Power in 1920s America Author: Kerry A. Harnett Persistent link: http://hdl.handle.net/2345/686 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2009 Copyright is held by the author, with all rights reserved, unless otherwise noted. Boston College Department of History and the Honors Program Department Appearing Modern: Honors Thesis April 2009 Adviser: Davarian L. Baldwin 2 Cover illustration from: The New Yorker, February 27, 1926 (New York: F-R Pub.) 3 CONTENTS Acknowledgements 4 Introduction 8 1. The Modern Woman 24 2. Flappers, Fashions, and Fads 56 3. Female Bodies 84 Conclusion: The Paradox of Feminine Power 102 Bibliography 110 4 ACKNOWLEDGMENTS Like most Americans of my generation, I have always been fascinated by the 1920s—the Jazz Age of slinky dresses, bootlegging, sex, and glamorous spectacle. I first explored the 1920s woman in an academic setting when I wrote a term paper for Professor Lynn Lyerly’s history course, “Gender in America.” Unexposed to modern studies of gender and blind to the oppressions of the capitalist consumer beauty culture on women, I initially drafted my paper as a straight-forward acclamation of the liberated, free-spirited 1920s woman. A few years later, however, I realized that in accepting this discourse of modern liberation as fact, I ignored the deeper implications of the complex and often frustrating relationship between women, modernity, and beauty culture. Thus, it was with that in mind that I decided to revisit and refashion my understanding of the modern woman.