F. Scott Fitzgerald in St. Paul: Homes and Haunts
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
A Look at the Flapper in Fitzgerald's Literary Production
UNIVERSIDADE DE SANTIAGO DE COMPOSTELA FACULTADE DE FILOLOXÍA Grao en Lingua e Literatura Inglesas Not for Old Fogies: A Look at the Flapper in Fitzgerald’s Literary Production Traballo de Fin de Grao escrito por Aitana Castro Coego Baixo a dirección de Patricia Fra López Curso Académico 2018/1019 2 UNIVERSIDADE DE SANTIAGO DE COMPOSTELA FACULTADE DE FILOLOXÍA Grao en Lingua e Literatura Inglesas Not for Old Fogies: A Look at the Flapper in Fitzgerald’s Literary Production Traballo de Fin de Grao escrito por Aitana Castro Coego Baixo a dirección de Patricia Fra López Curso Académico 2018/1019 3 Table of Contents 1. Summary 4 2. Introduction 5 3. Historical Context: North America after the First World War 8 3.1 The Figure of the Flapper 14 4. The Flapper in Fitzgerald’s Literary Production 26 4.1 The Great Gatsby 28 4.2 Flappers and Philosophers 38 4.3 All the Sad Young Men 49 5. Conclusion: End of the Flapper Era 55 6. Works Cited 57 4 1. Summary 5 2. Introduction Once the sad days of World War I were gone, thousands of North American citizens rushed headlong into the upcoming era: The Roaring Twenties. The United States were launched towards an upswing of economic prosperity, which translated into social and cultural changes. As the 1920’s began, these shifts became particularly important for the development of the new role of women in society. Empowerment, financial independence and sexual liberation were some of the objectives to achieve by a section of the female community. Along these lines and as a way of self-expression, ‘women embraced the new freedoms, cutting their hair, applying makeup, and tossing out dowdy fashions of the past for shorter skirts and slinkier more formfitting attire’ (Time-Life 11). -
The Great Gatsby Fitzgerald, Francis Scott
The Great Gatsby Fitzgerald, Francis Scott Published: 1925 Categorie(s): Fiction, Literary Source: http://gutenberg.net.au 1 About Fitzgerald: Francis Scott Key Fitzgerald (September 24, 1896 – Decem- ber 21, 1940) was an American Jazz Age author of novels and short stories. He is regarded as one of the greatest twentieth century writers. Fitzgerald was of the self-styled "Lost Genera- tion," Americans born in the 1890s who came of age during World War I. He finished four novels, left a fifth unfinished, and wrote dozens of short stories that treat themes of youth, despair, and age. Also available on Feedbooks for Fitzgerald: • The Curious Case of Benjamin Button (1922) • The Great Gatsby (1925) • Tender is the Night (1933) • The Beautiful and the Damned (1922) • This Side of Paradise (1920) • "I Didn't Get Over" (1936) • The Rich Boy (1926) • Jacob's Ladder (1927) • The Sensible Thing (1924) • Bernice Bobs Her Hair (1920) Copyright: This work is available for countries where copy- right is Life+70. Note: This book is brought to you by Feedbooks http://www.feedbooks.com Strictly for personal use, do not use this file for commercial purposes. 2 Then wear the gold hat, if that will move her; If you can bounce high, bounce for her too, Till she cry "Lover, gold-hatted, high-bouncing lover, I must have you!" —THOMAS PARKE D'INVILLIERS 3 Chapter 1 In my younger and more vulnerable years my father gave me some advice that I've been turning over in my mind ever since. "Whenever you feel like criticizing any one," he told me, "just remember that all the people in this world haven't had the ad- vantages that you've had." He didn't say any more but we've always been unusually communicative in a reserved way, and I understood that he meant a great deal more than that. -
The Great Gatsby by F. Scott Fitzgerald Book Discussion Questions Nick 1
The Great Gatsby by F. Scott Fitzgerald Book Discussion Questions Nick 1. Nick believes he is an honest, nonjudgmental narrator. Discuss the reliability of Nick Carraway as the narrator of The Great Gatsby. 2. The novel's action occurs in 1922 between June and September. How does Nick's non- chronological narration shape your response to the events surrounding the mystery of Jay Gatsby? 3. What is Nick Carraway's role in the novel? Consider Nick's father's advice in chapter one: "Whenever you feel like criticizing anyone, just remember that all the people in this world haven't had the advantages that you've had." Does telling the story from Nick's point of view make it more believable? 4. Why did Nick become involved with Jordan, and why did he break off the relationship? 5. Whom do you think the characters in The Great Gatsby represent? Do they seem like real people? Which characters seem the most real to you? Who, if any, do you find most sympathetic? Most important, in what way do the events of the novel affect Nick Carraway? How, or to what degree, does he change? Gatsby 1. How is the character of Jay Gatsby presented to the reader? 2. What part of his past is Gatsby trying to recapture? Is he successful? Is there a person, feeling, or event in your past that you'd want to revisit? Gatsby believes that the past can be repeated. Is he right? 3. What do you think the sad thing that happened to Gatsby might be? 4. -
The Great Gatsby by F. Scott Fitzgerald Spring 2011 MFAH Book Club Selection Discussion Questions (Adapted from Various Sources)
The Great Gatsby By F. Scott Fitzgerald Spring 2011 MFAH Book Club Selection Discussion Questions (adapted from various sources) Use the discussion questions on the following pages to facilitate your book club’s conversation! Then visit www.mfah.org/bookclub to request a tour for your group. Tours feature works of art on view at the MFAH that explore subjects, themes, and ideas similar to those outlined in the questions below. To get warmed up, how do you think these two paintings relate to The Great Gatsby? 1. How does Gatsby represent the American dream? What does the novel have to say about the condition of the American dream in the 1920s? 2. Describe Nick as a narrator. In what ways does he sound reliable or unreliable? How do his qualities as a character affect his narration? 3. Discuss Gatsby’s character as Nick perceives him throughout the novel. In what ways is he ‘great’? In what ways is he not? 4. Throughout the novel, characters reference past events. How is nostalgia important to the novel? How is Gatsby tethered to the past? 5. How does F. Scott Fitzgerald reveal character in The Great Gatsby? Who is the most complex or full-developed character in the novel? Does any character grow or change? 6. How does geography feature in the story? How do key locations (West Egg, East Egg, New York City, The Valley of Ashes) relate to the action that takes place there? How does the Midwest compare to the East coast in Nick’s mind? 7. How does Gatsby fit the definition of a “self-made man”? In what ways does he take it too literally? 8. -
F. Scott Fitzgeralds the Great Gatsby Pdf, Epub, Ebook
F. SCOTT FITZGERALDS THE GREAT GATSBY PDF, EPUB, EBOOK John Sutherland | 128 pages | 23 Oct 2018 | CONNELL PUBLISHING LTD | 9781907776014 | English | United Kingdom F. Scott Fitzgeralds The Great Gatsby PDF Book He was famous. It was F. Score on SAT Reading. Of the many new writers that sprang into notice with the advent of the post-war period, Scott Fitzgerald has remained the steadiest performer and the most entertaining. Remember: art only imitates, but doesn't duplicate life. But not everyone had trouble seeing the future: in a cover story about Gertrude Stein, the intellectual icon offered her prognostications on the literature of her time. And I hope she'll be a fool - that's the best thing a girl can be in this world, a beautiful little fool. Get a Britannica Premium subscription and gain access to exclusive content. And, of course, Nick agrees to set up a tea date for his cousin Daisy and Gatsby. Mozart loved potty jokes. Coming behind them, Tom stops his car when he sees a commotion on the road. Anna Wulick. As they are about to drink mint juleps to cool off, Tom confronts Gatsby directly on the subject of his relationship with Daisy. Entertain your brain with the coolest news from streaming to superheroes, memes to video games. Overview of the life and career of American writer F. Unsuccessful upon publication, the book is now considered a classic of American fiction and has often been called the Great American Novel. Learn about what movies and books have gotten wrong about F. Another figure from King's circle reportedly appears in fictionalized form in the novel. -
The Great Gatsby (Pdf)
The Great Gatsby Fitzgerald, Francis Scott Published: 1925 Categorie(s): Fiction, Literary, Romance Source: http://ebooks.adelaide.edu.au/ 1 About Fitzgerald: Francis Scott Key Fitzgerald (September 24, 1896 – Decem- ber 21, 1940) was an American Jazz Age author of novels and short stories. He is regarded as one of the greatest twentieth century writers. Fitzgerald was of the self-styled "Lost Genera- tion," Americans born in the 1890s who came of age during World War I. He finished four novels, left a fifth unfinished, and wrote dozens of short stories that treat themes of youth, despair, and age. Also available on Feedbooks for Fitzgerald: • The Curious Case of Benjamin Button (1922) • The Great Gatsby (1925) • Tender is the Night (1933) • The Beautiful and the Damned (1922) • This Side of Paradise (1920) • "I Didn't Get Over" (1936) • The Rich Boy (1926) • Jacob's Ladder (1927) • "The Sensible Thing" (1924) • Bernice Bobs Her Hair (1920) Copyright: This work is available for countries where copy- right is Life+70. Note: This book is brought to you by Feedbooks http://www.feedbooks.com Strictly for personal use, do not use this file for commercial purposes. 2 Then wear the gold hat, if that will move her; If you can bounce high, bounce for her too, Till she cry "Lover, gold-hatted, high-bouncing lover, I must have you!" —THOMAS PARKE D'INVILLIERS 3 Chapter 1 n my younger and more vulnerable years my father gave I me some advice that I’ve been turning over in my mind ever since. “Whenever you feel like criticizing any one,” he told me, “just remember that all the people in this world haven’t had the ad- vantages that you’ve had.” He didn’t say any more, but we’ve always been unusually communicative in a reserved way, and I understood that he meant a great deal more than that. -
The Concept of the Flapper in the Early Writings of F. Scott Fitzgerald
South Dakota State University Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange Electronic Theses and Dissertations 1967 The onceptC of the Flapper in the Early Writings of F. Scott itF zgerald Janet Foster Carroll Follow this and additional works at: https://openprairie.sdstate.edu/etd Recommended Citation Carroll, Janet Foster, "The oncC ept of the Flapper in the Early Writings of F. Scott itzF gerald" (1967). Electronic Theses and Dissertations. 3283. https://openprairie.sdstate.edu/etd/3283 This Thesis - Open Access is brought to you for free and open access by Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. For more information, please contact [email protected]. THE CONCEPT OF THEFLAPP:m IN THE EARLY WRITINJS OFF. SCOTT FIT'lGmwJ> BY JANETFOSTm CARROLL A thesis subnitted in partial .fulfillment of the requirements tor the degree Master of Arts, Major in English, South Dakota State University 1967 SOUTH DAKOTA STATS UNJYeR51TY LIBRARY THE CONCEPT OF THE FLAPPER IN THE FARLY WRITIIDS OFF. SCOTT FITZGERALD This thesis is approved as a creditable and independent investigation by a candidate for the degree, M�ster of Arts, and is acceptable as meeting the thesis requirements for this degree, but without implying that the conclusions reached by the candidate are necessarily the conclusions of the major department. Thesis Adviser / Date The writer wishes to express her sincere appreciation to Mrs. Ruth Alexander for her guidance and encouragement in the preparation of this essay. -
And “Ain't Misbehavin'”And There Are a Few Bars Of:” the Charleston” Which
HELLO AGAIN,HANNAH. Well after forty years they recovered GATSBY (Robert Redford) from the bottom of his remarkable swimming pool and Lo,and behold,LeoDi Caprio surfaced..Debate abounds as to the good looks and acting prowess of Redford vs Di Caprio.But this is not MY issue which is THE MUSIC in the film I first discussed this in the email sent to you and is retained below.Note that I have included too the remarks of Chris Tyle a jazz historian who shares my view. I have seen the film.It is not without fascination : the clothes(even the men’s are intriguing except for DiCaprio’s pink suit),the cars , about which I wrote to you earlier,the parties which are explosive(you wonder if fireworks guru George Plimpton might have orchestrated these).The Plaza scenes were disappointing:I especially missed the Palm Court where Katie and I spent many memorable occasions and was shown in the 1974 Gatsby film. In the Gatsby novel, Fitzgerald’s prose trumps the plot of the novel.What is put “in play” is what is tantamount to a documentary and what brings back audiences repeatedly decade after decade is the prospect of revisiting the exciting Roaring Twenties-The Jazz Age.Documentaries seek authenticity and this film fulfills that requirement in an otherwise period faithful. manner that excludes the music,the definitive music of The Jazz Age.If you listen carefully you will hear two recordings of our boy Satch: “Saint Louis Blues” and “Ain’t Misbehavin’”and there are a few bars of:” The Charleston” which would have fueled your great grandmother through her own roaring 20s and for next sixty years punctuated in 1968 by her session with Louis A. -
Excerpt from the Great Gatsby (Chapter 1) Nick Is Visiting His Cousin, Daisy, for Dinner Upon His Arrival in West Egg
NAME: _____________________________ DATE: __________________________ Excerpt from The Great Gatsby (Chapter 1) Nick is visiting his cousin, Daisy, for dinner upon his arrival in West Egg. Before I could reply that he [Gatsby] was my neighbor dinner was announced; wedging his tense arm imperatively under mine Tom Buchanan compelled me from the room as though he were moving a checker to another square. Slenderly, languidly, their hands set lightly on their hips the two young women preceded us out onto a rosy-colored porch open toward the sunset where four candles flickered on the table in the diminished wind. "Why CANDLES?" objected Daisy, frowning. She snapped them out with her fingers. "In two weeks it'll be the longest day in the year." She looked at us all radiantly. "Do you always watch for the longest day of the year and then miss it? I always watch for the longest day in the year and then miss it." "We ought to plan something," yawned Miss Baker, sitting down at the table as if she were getting into bed. "All right," said Daisy. "What'll we plan?" She turned to me helplessly. "What do people plan?" Before I could answer her eyes fastened with an awed expression on her little finger. "Look!" she complained. "I hurt it." We all looked--the knuckle was black and blue. "You did it, Tom," she said accusingly. "I know you didn't mean to but you DID do it. That's what I get for marrying a brute of a man, a great big hulking physical specimen of a----" "I hate that word hulking," objected Tom crossly, "even in kidding." "Hulking," insisted Daisy. -
Editorial Introduction
The Pennsylvania State University The Graduate School College of the Liberal Arts TEMPORARILY DEVOTEDLY YOURS: THE LETTERS OF GINEVRA KING TO F. SCOTT FITZGERALD A Dissertation in English by Robert Russell Bleil © 2008 Robert Russell Bleil Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy December 2008 ii The dissertation of Robert Russell Bleil was reviewed and approved* by the following: James L. W. West III Edwin Erle Sparks Professor of English Dissertation Advisor Co-Chair of Committee Christopher Clausen Professor of English, emeritus Co-Chair of Committee Mark S. Morrisson Professor of English William L. Joyce Dorothy Foehr Huck Chair and Head of Special Collections, University Libraries and Professor of History Robert R. Edwards Edwin Erle Sparks Professor of English and Comparative Literature Director of Graduate Studies Department of English *Signatures are on file in the Graduate School iii ABSTRACT When Ginevra King met F. Scott Fitzgerald in St. Paul, Minnesota on January 4, 1915 there was instant chemistry between them. That night in her diary, Ginevra exclaimed, “Scott perfectly darling am dipped about.” For his part, Scott was equally smitten with Ginevra; although he was due back in Princeton immediately, Scott stayed over an extra day to spend more time with the brunette debutante from Chicago. Upon his return to Princeton, Scott immediately sent Ginevra a special delivery letter; according to the customs of the time, such a letter constituted Scott’s formal declaration that he was interested in pursuing a correspondence with Ginevra. A vivacious and fun- loving girl, Ginevra was no stranger to the importance of a “special delie” and the epistolary game was afoot. -
Criticism of the Jazz Age in F. Scott Fitzgerald's Selected Short Stories
CRITICISM OF THE JAZZ AGE IN F. SCOTT FITZGERALD'S SELECTED SHORT STORIES DISSERTATION FOR M. PHIL IN ENGLISH LITERATURE BY ATTIA ABIO UNDER THE SUPERVISION OF PROF. AZIZUDDIN TARIO DEPARTMENT OF ENGLISH ALIGARH MUSLIM UNIVERSITY ALIGARH (INDIA) 1992 wamDS2475 CONTENTS PREFACE CHAPTER I ; THE AGE - THE LEGEND 1 CHAPTER II : THE GENRE 15 CHAPTER III : ALL FOR LOVE 38 CHAPTER IV : MONEY, THE GTH SCENE 67 CHAPTER V THE PEERS—TinC FABULIST 90 CHAPTER VI : CONCLUSION 106 BIBLIOGRAPHY 136 P R i: F A C E PREFACE Turn, gentle Hermit of the dale And guide my lonely way To where yon taper cheers the vale With hospitable ray. My father wrote this in my first autograph book. If he had been alive, he would have been very happy to see this dissertation, particularly because it was a challenge for me in many ways: Firstly, I decided to do M.Phil almost two decades after my M.A., and secondly, the subject was such that even the primary sources were not available at hand. When I was searching for a topic, I came across an article in one of the Dailies on the 50th death anniversary of F.Scott Fitzgerald. Since he was comparatively new to mc particularly with regard to his short stories, I decided to have a tryst with 'the legend', the 'Prince Charming of the Jazz Age', and pay him a tribute in my own humble way. I have already mentioned the scarcity of material, and had it not been for the ASRC, Hyderabad, and The American Centre, Delhi, I could not even have begun this work. -
F. Scott Fitzgerald's Ledger, 1919–1938
F. SCOTT FITZGERALD’S LEDGER TRANSCRIPTION PAGE 1 F. Scott Fitzgerald’s Ledger, 1919–1938 F. Scott Fitzgerald’s Ledger is one of the richest primary source documents in existence for any literary author. Fitzgerald began recording information in this business ledger sometime in 1919 or 1920 after leaving the Army and moving to New York to begin his professional life as a writer. Fitzgerald divided the Ledger into five sections: “Record of Published Fiction,” “Money Earned by Writing since Leaving Army,” “Published Miscelani (including movies) for which I was Paid,” “Zelda’s Earnings,” and “Outline Chart of my Life”. The “Record of Published Fiction” and “Published Miscelani” are spreadsheets listing everything he wrote and its publication history up to the time of its final disposition. He meticulously tracked his earnings from 1919 through 1937 in the section titled “Money Earned by Writing since Leaving Army.” In addition, he recorded Zelda’s earnings from her writing. In the autobiographical section, “Outline Chart of my Life,” he provided background about his early years but later included monthly entries for each year. F. Scott Fitzgerald’s Ledger is part of the Matthew J. and Arlyn Bruccoli Collection of F. Scott Fitzgerald held by the Irvin Department of Rare Books and Special Collections, located in the Ernest F. Hollings Special Collections Library at the University of South Carolina in Columbia, S.C. The digital version of the Ledger, which includes access to the full text and is keyword-searchable, was produced by the staff of the Digital Collections Department of the University of South Carolina.