Introduction to the Great Gatsby F. Scott Fitzgerald's 1925 Novel The
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Dear READER, Winter/Spring 2021 SQUARE BOOKS TOP 100 of 2020 to Understate It—2020 Was Not Square Books’ Best Year
Dear READER, Winter/Spring 2021 SQUARE BOOKS TOP 100 OF 2020 To understate it—2020 was not Square Books’ best year. Like everyone, we struggled—but we are grateful to remain in business, and that all the booksellers here are healthy. When Covid19 arrived, our foot-traffic fell precipitously, and sales with it—2020 second-quarter sales were down 52% from those of the same period in 2019. But our many loyal customers adjusted along with us as we reopened operations when we were more confident of doing business safely. The sales trend improved in the third quarter, and November/December were only slightly down compared to those two months last year. We are immensely grateful to those of you who ordered online or by phone, allowing us to ship, deliver, or hold for curbside pickup, or who waited outside our doors to enter once our visitor count was at capacity. It is only through your abiding support that Square Books remains in business, ending the year down 30% and solid footing to face the continuing challenge of Covid in 2021. And there were some very good books published, of which one hundred bestsellers we’ll mention now. (By the way, we still have signed copies of many of these books; enquire accordingly.) Many books appear on this list every year—old favorites, if you will, including three William Faulkner books: Selected Short Stories (37th on our list) which we often recommend to WF novices, The Sound and the Fury (59) and As I Lay Dying (56), as well as a notably good new biography of Faulkner by Michael Gorra, The Saddest Words: William Faulkner’s Civil War (61). -
An Analysis and Performance Considerations for John
AN ANALYSIS AND PERFORMANCE CONSIDERATIONS FOR JOHN HARBISON’S CONCERTO FOR OBOE, CLARINET, AND STRINGS by KATHERINE BELVIN (Under the Direction of D. RAY MCCLELLAN) ABSTRACT John Harbison is an award-winning and prolific American composer. He has written for almost every conceivable genre of concert performance with styles ranging from jazz to pre-classical forms. The focus of this study, his Concerto for Oboe, Clarinet, and Strings, was premiered in 1985 as a product of a Consortium Commission awarded by the National Endowment of the Arts. The initial discussions for the composition were with oboist Sara Bloom and clarinetist David Shifrin. Harbison’s Concerto for Oboe, Clarinet, and Strings allows the clarinet to finally be introduced to the concerto grosso texture of the Baroque period, for which it was born too late. This document includes biographical information on John Harbison including his life and career, compositional style, and compositional output. It also contains a brief history of the Baroque concerto grosso and how it relates to the Harbison concerto. There is a detailed set-class analysis of each movement and information on performance considerations. The two performers as well as the composer were interviewed to discuss the commission, premieres, and theoretical/performance considerations for the concerto. INDEX WORDS: John Harbison, Concerto for Oboe, Clarinet, and Strings, clarinet concerto, oboe concerto, Baroque concerto grosso, analysis and performance AN ANALYSIS AND PERFORMANCE CONSIDERATIONS FOR JOHN HARBISON’S CONCERTO FOR OBOE, CLARINET, AND STRINGS by KATHERINE BELVIN B.M., Tennessee Technological University, 2004 M.M., University of Cincinnati, 2006 A Dissertation Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree DOCTOR OF MUSICAL ARTS ATHENS, GEORGIA 2009 © 2009 Katherine Belvin All Rights Reserved AN ANALYSIS AND PERFORMANCE CONSIDERATIONS FOR JOHN HARBISON’S CONCERTO FOR OBOE, CLARINET, AND STRINGS by KATHERINE BELVIN Major Professor: D. -
The Great Gatsby by F. Scott Fitzgerald Book Discussion Questions Nick 1
The Great Gatsby by F. Scott Fitzgerald Book Discussion Questions Nick 1. Nick believes he is an honest, nonjudgmental narrator. Discuss the reliability of Nick Carraway as the narrator of The Great Gatsby. 2. The novel's action occurs in 1922 between June and September. How does Nick's non- chronological narration shape your response to the events surrounding the mystery of Jay Gatsby? 3. What is Nick Carraway's role in the novel? Consider Nick's father's advice in chapter one: "Whenever you feel like criticizing anyone, just remember that all the people in this world haven't had the advantages that you've had." Does telling the story from Nick's point of view make it more believable? 4. Why did Nick become involved with Jordan, and why did he break off the relationship? 5. Whom do you think the characters in The Great Gatsby represent? Do they seem like real people? Which characters seem the most real to you? Who, if any, do you find most sympathetic? Most important, in what way do the events of the novel affect Nick Carraway? How, or to what degree, does he change? Gatsby 1. How is the character of Jay Gatsby presented to the reader? 2. What part of his past is Gatsby trying to recapture? Is he successful? Is there a person, feeling, or event in your past that you'd want to revisit? Gatsby believes that the past can be repeated. Is he right? 3. What do you think the sad thing that happened to Gatsby might be? 4. -
The Great Gatsby by F. Scott Fitzgerald Spring 2011 MFAH Book Club Selection Discussion Questions (Adapted from Various Sources)
The Great Gatsby By F. Scott Fitzgerald Spring 2011 MFAH Book Club Selection Discussion Questions (adapted from various sources) Use the discussion questions on the following pages to facilitate your book club’s conversation! Then visit www.mfah.org/bookclub to request a tour for your group. Tours feature works of art on view at the MFAH that explore subjects, themes, and ideas similar to those outlined in the questions below. To get warmed up, how do you think these two paintings relate to The Great Gatsby? 1. How does Gatsby represent the American dream? What does the novel have to say about the condition of the American dream in the 1920s? 2. Describe Nick as a narrator. In what ways does he sound reliable or unreliable? How do his qualities as a character affect his narration? 3. Discuss Gatsby’s character as Nick perceives him throughout the novel. In what ways is he ‘great’? In what ways is he not? 4. Throughout the novel, characters reference past events. How is nostalgia important to the novel? How is Gatsby tethered to the past? 5. How does F. Scott Fitzgerald reveal character in The Great Gatsby? Who is the most complex or full-developed character in the novel? Does any character grow or change? 6. How does geography feature in the story? How do key locations (West Egg, East Egg, New York City, The Valley of Ashes) relate to the action that takes place there? How does the Midwest compare to the East coast in Nick’s mind? 7. How does Gatsby fit the definition of a “self-made man”? In what ways does he take it too literally? 8. -
F. Scott Fitzgeralds the Great Gatsby Pdf, Epub, Ebook
F. SCOTT FITZGERALDS THE GREAT GATSBY PDF, EPUB, EBOOK John Sutherland | 128 pages | 23 Oct 2018 | CONNELL PUBLISHING LTD | 9781907776014 | English | United Kingdom F. Scott Fitzgeralds The Great Gatsby PDF Book He was famous. It was F. Score on SAT Reading. Of the many new writers that sprang into notice with the advent of the post-war period, Scott Fitzgerald has remained the steadiest performer and the most entertaining. Remember: art only imitates, but doesn't duplicate life. But not everyone had trouble seeing the future: in a cover story about Gertrude Stein, the intellectual icon offered her prognostications on the literature of her time. And I hope she'll be a fool - that's the best thing a girl can be in this world, a beautiful little fool. Get a Britannica Premium subscription and gain access to exclusive content. And, of course, Nick agrees to set up a tea date for his cousin Daisy and Gatsby. Mozart loved potty jokes. Coming behind them, Tom stops his car when he sees a commotion on the road. Anna Wulick. As they are about to drink mint juleps to cool off, Tom confronts Gatsby directly on the subject of his relationship with Daisy. Entertain your brain with the coolest news from streaming to superheroes, memes to video games. Overview of the life and career of American writer F. Unsuccessful upon publication, the book is now considered a classic of American fiction and has often been called the Great American Novel. Learn about what movies and books have gotten wrong about F. Another figure from King's circle reportedly appears in fictionalized form in the novel. -
The Great Gatsby – Opening of Chapter 3
The Great Gatsby – Opening of Chapter 3 The Great Gatsby is a novel by F. Scott Fitzgerald, set in 1920s America. It is narrated by Nick Carraway, a man in his late 20s, who has moved to Long Island to commute to his job in New York City trading bonds. He moves next door to Jay Gatsby, a man who has earned a reputation for an extravagant lifestyle but is a somewhat enigmatic figure. At this point in the novel, Nick hasn’t even met Gatsby, despite hearing a lot about him. There was music from my neighbor’s house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft, or taking the sun on the hot sand of his beach while his two motor-boats slit the waters of the Sound, drawing aquaplanes over cataracts of foam. On week-ends his Rolls- Royce became an omnibus, bearing parties to and from the city between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains. And on Mondays eight servants, including an extra gardener, toiled all day with mops and scrubbing-brushes and hammers and garden-shears, repairing the ravages of the night before. Every Friday five crates of oranges and lemons arrived from a fruiterer in New York — every Monday these same oranges and lemons left his back door in a pyramid of pulpless halves. -
And “Ain't Misbehavin'”And There Are a Few Bars Of:” the Charleston” Which
HELLO AGAIN,HANNAH. Well after forty years they recovered GATSBY (Robert Redford) from the bottom of his remarkable swimming pool and Lo,and behold,LeoDi Caprio surfaced..Debate abounds as to the good looks and acting prowess of Redford vs Di Caprio.But this is not MY issue which is THE MUSIC in the film I first discussed this in the email sent to you and is retained below.Note that I have included too the remarks of Chris Tyle a jazz historian who shares my view. I have seen the film.It is not without fascination : the clothes(even the men’s are intriguing except for DiCaprio’s pink suit),the cars , about which I wrote to you earlier,the parties which are explosive(you wonder if fireworks guru George Plimpton might have orchestrated these).The Plaza scenes were disappointing:I especially missed the Palm Court where Katie and I spent many memorable occasions and was shown in the 1974 Gatsby film. In the Gatsby novel, Fitzgerald’s prose trumps the plot of the novel.What is put “in play” is what is tantamount to a documentary and what brings back audiences repeatedly decade after decade is the prospect of revisiting the exciting Roaring Twenties-The Jazz Age.Documentaries seek authenticity and this film fulfills that requirement in an otherwise period faithful. manner that excludes the music,the definitive music of The Jazz Age.If you listen carefully you will hear two recordings of our boy Satch: “Saint Louis Blues” and “Ain’t Misbehavin’”and there are a few bars of:” The Charleston” which would have fueled your great grandmother through her own roaring 20s and for next sixty years punctuated in 1968 by her session with Louis A. -
Excerpt from the Great Gatsby (Chapter 1) Nick Is Visiting His Cousin, Daisy, for Dinner Upon His Arrival in West Egg
NAME: _____________________________ DATE: __________________________ Excerpt from The Great Gatsby (Chapter 1) Nick is visiting his cousin, Daisy, for dinner upon his arrival in West Egg. Before I could reply that he [Gatsby] was my neighbor dinner was announced; wedging his tense arm imperatively under mine Tom Buchanan compelled me from the room as though he were moving a checker to another square. Slenderly, languidly, their hands set lightly on their hips the two young women preceded us out onto a rosy-colored porch open toward the sunset where four candles flickered on the table in the diminished wind. "Why CANDLES?" objected Daisy, frowning. She snapped them out with her fingers. "In two weeks it'll be the longest day in the year." She looked at us all radiantly. "Do you always watch for the longest day of the year and then miss it? I always watch for the longest day in the year and then miss it." "We ought to plan something," yawned Miss Baker, sitting down at the table as if she were getting into bed. "All right," said Daisy. "What'll we plan?" She turned to me helplessly. "What do people plan?" Before I could answer her eyes fastened with an awed expression on her little finger. "Look!" she complained. "I hurt it." We all looked--the knuckle was black and blue. "You did it, Tom," she said accusingly. "I know you didn't mean to but you DID do it. That's what I get for marrying a brute of a man, a great big hulking physical specimen of a----" "I hate that word hulking," objected Tom crossly, "even in kidding." "Hulking," insisted Daisy. -
Literary Analysis: Color Symbolism in the Great Gatsby, by F. Scott Fitzgerald.” Helium 8 Nov
Yaffe, Kyle. “Literary analysis: Color symbolism in The Great Gatsby, by F. Scott Fitzgerald.” Helium 8 Nov. 2008. Web. 29 July 2013. Vibrant, deadly, deceiving, innocent - colors are the dominating symbols utilized by F. Scott Fitzgerald in his masterpiece The Great Gatsby . Daniel J. Schneider, the Chairman of the Department of English for Windham College, states, "The vitality and beauty of F. Scott Fitzgerald's writing are perhaps nowhere more strikingly exhibited than in his handling of the color symbols in The Great Gatsby." Throughout the book characters, places, and objects are given "life" by colors, especially the more prominent ones. The colors of white, yellow, and green are the most eminent, easily distinguishable from the rest, and representing purity, death, and hope. Such strong symbolic colors are seen continually, and exist to provide a higher and more in depth meaning to the book. "White is one of the main symbolic colors in The Great Gatsby, representing purity, innocence, and honesty" (Adam H.). Nick Carraway, Jay Gatsby, Jordan Baker, and Daisy Buchanan all directly exemplify Adam's statement. Nick considers himself the only truly honest person he knows (Fitzgerald 60) and often wears white, such as when he attends one of Gatsby's parties for the first time. This event being considerably significant, Nick wanted to make the best impression he could - that is, appearing untainted and honest - for Gatsby and the other guests. Gatsby also adorns himself in white when he finally reunites with Daisy after five years of separation. "and Gatsby, in a white flannel suit, silver shirt, and gold-colored tie, hurried in" (Fitzgerald 84). -
Chapter 1 - Summary
Chapter 1 - Summary - Straight away Nick introduces Gatsby as an idealised figure. Immediately we have to ask ourselves – is Nick a trustworthy narrator? Can we trust his opinion? - Before this even, the importance of class distinctions is made very obvious - Tom and Daisy have an unhealthy relationship – there seems to be tension and he is very dominating - The effect of wealth on people seems to be cynicism and being bored with the world - Our first impressions of Daisy in particular. She hopes her daughter will be a fool – she thinks it is more important to be unconcerned with the problems of society – it is better for her to be superficial perhaps Chapter 1 ‘ ‘Whenever you feel like criticising We learn Nick isn’t from a poor anyone,’ he told me, ‘just remember that background, but he is very aware of class all people in this world haven’t had the distinctions. He says people from all advantages that you’ve had.’’ Nick classes seem to confide in him, and because of that he feels ABOVE the class system – arrogant? Untrue? Contradictory ‘a sense of the fundamental decencies is He says he’s aware of inequality, and shows parcelled out unequally at birth.’ (7) he’s quite open-minded. ‘An extraordinary gift for hope.’ (8) On Gatsby. Nick is inspired by Gatsby, and admires him ‘No – Gatsby turned out all right in the Very early on, Nick Gatsby is not to blame end; it was what preyed on Gatsby, what for anything. He is framed as a good man – foul dust floated in the wake of his dreams not very unbiased. -
Editorial Introduction
The Pennsylvania State University The Graduate School College of the Liberal Arts TEMPORARILY DEVOTEDLY YOURS: THE LETTERS OF GINEVRA KING TO F. SCOTT FITZGERALD A Dissertation in English by Robert Russell Bleil © 2008 Robert Russell Bleil Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy December 2008 ii The dissertation of Robert Russell Bleil was reviewed and approved* by the following: James L. W. West III Edwin Erle Sparks Professor of English Dissertation Advisor Co-Chair of Committee Christopher Clausen Professor of English, emeritus Co-Chair of Committee Mark S. Morrisson Professor of English William L. Joyce Dorothy Foehr Huck Chair and Head of Special Collections, University Libraries and Professor of History Robert R. Edwards Edwin Erle Sparks Professor of English and Comparative Literature Director of Graduate Studies Department of English *Signatures are on file in the Graduate School iii ABSTRACT When Ginevra King met F. Scott Fitzgerald in St. Paul, Minnesota on January 4, 1915 there was instant chemistry between them. That night in her diary, Ginevra exclaimed, “Scott perfectly darling am dipped about.” For his part, Scott was equally smitten with Ginevra; although he was due back in Princeton immediately, Scott stayed over an extra day to spend more time with the brunette debutante from Chicago. Upon his return to Princeton, Scott immediately sent Ginevra a special delivery letter; according to the customs of the time, such a letter constituted Scott’s formal declaration that he was interested in pursuing a correspondence with Ginevra. A vivacious and fun- loving girl, Ginevra was no stranger to the importance of a “special delie” and the epistolary game was afoot. -
The Great Gatsby Historical Context and Introduction
The Great Gatsby Historical Context and Introduction "It was an age of miracles," Fitzgerald wrote of the Jazz Age. “It was an age of art, it was an age of excess, and it was an age of satire. F. Scott Fitzgerald 1896-1940 A Short Biography Francis Scott Key Fitzgerald was born in St. Paul, Minnesota on September 24, 1896. His parents, although poor, had some social status. Fitzgerald was named after his second cousin, Francis Scott Key, the author of “The Star-Spangled Banner.” While his family was not prosperous, Fitzgerald’s mother nurtured social ambitions in her only son. An elderly aunt helped finance his tuition at a private Catholic boarding school in New Jersey called The Newman School and then, in 1913, at Princeton University. At the time, Princeton University was viewed as a training ground for the American upper class. Coming from a background of “financial anxiety,” while at Princeton, Fitzgerald developed a fascination with the very rich. While his grades were low, he excelled in his writings for the Princeton Triangle Club Dramatic Society and the Princeton Tiger. Fitzgerald’s writing from that time shows that he was self-conscious about the differences between himself and his wealthy classmates. Although his grades were suffering, Fitzgerald was more upset with his struggles to make the Princeton football team. In 1917, during his third year at Princeton, Fitzgerald left school in order to enlist in the United States Army. After passing a special examination, he was commissioned a Second Lieutenant in the infantry. In June 1918, while stationed at Camp Sheridan, near Montgomery, Alabama, twenty-one year old Fitzgerald met and fell madly in love with eighteen-year-old Zelda Sayre.