2015 Summer Shakespeare Intensive
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A Midsummer Night's Dream
SUPPORT FOR THE 2021 SEASON OF THE TOM PATTERSON THEATRE IS GENEROUSLY PROVIDED BY PRODUCTION SUPPORT IS GENEROUSLY PROVIDED BY THE HARKINS & MANNING FAMILIES IN MEMORY OF SUSAN & JIM HARKINS LAND ACKNOWLEDGEMENT Welcome to the Stratford Festival. It is a great privilege to gather and share stories on this beautiful territory, which has been the site of human activity — and therefore storytelling — for many thousands of years. We wish to honour the ancestral guardians of this land and its waterways: the Anishinaabe, the Haudenosaunee Confederacy, the Wendat, and the Attiwonderonk. Today many Indigenous peoples continue to call this land home and act as its stewards, and this responsibility extends to all peoples, to share and care for this land for generations to come. A MESSAGE FROM OUR ARTISTIC DIRECTOR WORLDS WITHOUT WALLS Two young people are in love. They’re next- cocoon, and now it’s time to emerge in a door neighbours, but their families don’t get blaze of new colour, with lively, searching on. So they’re not allowed to meet: all they work that deals with profound questions and can do is whisper sweet nothings to each prompts us to think and see in new ways. other through a small gap in the garden wall between them. Eventually, they plan to While I do intend to program in future run off together – but on the night of their seasons all the plays we’d planned to elopement, a terrible accident of fate impels present in 2020, I also know we can’t just them both to take their own lives. -
2016 Study Guide
2016 STUDY ProductionGUIDE Sponsor 2016 STUDY GUIDE EDUCATION PROGRAM PARTNER BREATH OF KINGS: REBELLION | REDEMPTION BY WILLIAM SHAKESPEARE CONCEIVED AND ADAPTED BY GRAHAM ABBEY WORLD PREMIÈRE COMMISSIONED BY THE STRATFORD FESTIVAL DIRECTORS MITCHELL CUSHMAN AND WEYNI MENGESHA TOOLS FOR TEACHERS sponsored by PRODUCTION SUPPORT is generously provided by The Brian Linehan Charitable Foundation and by Martie & Bob Sachs INDIVIDUAL THEATRE SPONSORS Support for the 2016 Support for the 2016 Support for the 2016 Support for the 2016 season of the Festival season of the Avon season of the Tom season of the Studio Theatre is generously Theatre is generously Patterson Theatre is Theatre is generously provided by provided by the generously provided by provided by Claire & Daniel Birmingham family Richard Rooney & Sandra & Jim Pitblado Bernstein Laura Dinner CORPORATE THEATRE PARTNER Sponsor for the 2016 season of the Tom Patterson Theatre Cover: From left: Graham Abbey, Tom Rooney, Araya Mengesha, Geraint Wyn Davies.. Photography by Don Dixon. Table of Contents The Place The Stratford Festival Story ........................................................................................ 1 The Play The Playwright: William Shakespeare ........................................................................ 3 A Shakespearean Timeline ......................................................................................... 4 Plot Synopsis .............................................................................................................. -
SUBMISSION RE-EDIT Caitlin Thompson Dissertation 2019
Making ‘fritters with English’: Functions of Early Modern Welsh Dialect on the English Stage by Caitlin Thompson A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Centre for Drama, Theatre, and Performance Studies University of Toronto © Copyright by Caitlin Thompson 2019 Making ‘fritters with English’: Functions of Early Modern Welsh Dialect on the English Stage Caitlin Thompson Doctor of Philosophy Centre for Drama, Theatre, and Performance Studies University of Toronto 2019 ABSTRACT The Welsh had a unique status as paradoxically familiar ‘foreigners’ throughout early modern London; Henry VIII actively suppressed the use of the Welsh language, even though many in the Tudor line selectively boasted of Welsh ancestry. Still, in the late-sixteenth century, there was a surge in London’s Welsh population which coincided with the establishment of the city’s commercial theatres. This timely development created a stage for English playwrights to dramatically enact the complicated relationship between the nominally unified nations. Welsh difference was often made theatrically manifest through specific dialect conventions or codified and inscrutable approximate Welsh language. This dissertation expands upon critical readings of Welsh characters written for the English stage by scholars such as Philip Schwyzer, Willy Maley, and Marissa Cull, to concentrate on the vocal and physical embodiments of performed Welshness and their functions in contemporary drama. This work begins with a historicist reading of literary and political Anglo-Welsh relations to build a clear picture of the socio-historical context from which Welsh characters of the period were constructed. The plays which form the focus of this work range from popular plays like Shakespeare’s Henry V (1599) to lesser-known works from Thomas Nashe’s Summer’s Last Will and Testament (1592) to Thomas Dekker’s The Welsh Embassador ii (1623) which illuminate the range of Welsh presentations in early modern England. -
Twelfth Night Welcome
JUNE 2015 TWELFTH NIGHT WELCOME Summer has bloomed in Balboa Park! Travelers and locals alike are soaking up the sunshine, flocking to concerts at the organ pavilion, and enjoying late nights at the zoo. Here at The Old Globe, we’re delighted to kick off the return of one of San Diego’s longest-running summer traditions: the Globe’s annual Summer Shakespeare Festival. This year, as we celebrate the Centennial of Balboa Park and the Globe’s 80th Anniversary, we are proud to offer a robust range of Shakespearean activities, both indoors and out. In addition to our Festival productions of Twelfth Night and The Comedy of Errors (directed by Tony and Emmy Award nominee Scott Ellis), DOUGLAS GATES the Globe is highlighting this anniversary Managing Director Michael G. Murphy and Artistic Director Barry Edelstein. year with a Summer Film Series, featuring free screenings of four of the best Shakespeare films ever made. On our outdoor Lowell Davies Festival Stage, enjoyHenry V (June 29) and West Side Story (August 24), and head indoors to the Old Globe Theatre in the Conrad Prebys Theatre Center for Chimes at Midnight (July 13) and Much Ado About Nothing (August 3). The Old Globe Theatre’s Donald and Darlene Shiley Stage will also be home to our production of Kiss Me, Kate, the classic musical inspired by Shakespeare’s The Taming of the Shrew. Launching us into this jam-packed summer with abundant laughs and deep heart is director Rebecca Taichman’s unforgettable production of Twelfth Night. Globe audiences will remember Rebecca’s work from last season’s stunning Time and the Conways. -
Theatre Experience
i The Theatre Experience 1 iii The Theatre Experience F O U R T E E N T H E D I T I O N EDWIN WILSON Professor Emeritus Graduate School and University Center The City University of New York 2 iv THE THEATRE EXPERIENCE, FOURTEENTH EDITION Published by McGraw-Hill Education, 2 Penn Plaza, New York, NY 10121. Copyright © 2020 by Edwin Wilson. All rights reserved. Printed in the United States of America. Previous editions © 2015, 2011, and 2009. No part of this publication may be reproduced or distributed in any form or by any means, or stored in a database or retrieval system, without the prior written consent of McGraw-Hill Education, including, but not limited to, in any network or other electronic storage or transmission, or broadcast for distance learning. Some ancillaries, including electronic and print components, may not be available to customers outside the United States. This book is printed on acid-free paper. 1 2 3 4 5 6 7 8 9 LWI 21 20 19 18 ISBN 978-1-260-05607-5 (bound edition) MHID 1-260-05607-4 (bound edition) ISBN 978-1-260-49340-5 (loose-leaf edition) MHID 1-260-49340-7 (loose-leaf edition) Portfolio Manager: Sarah Remington Lead Product Developer: Mary Ellen Curley Senior Product Developer: Beth Tripmacher Senior Content Project Manager: Danielle Clement Content Project Manager: Emily Windelborn Senior Buyer: Laura Fuller Design: Egzon Shaqiri Content Licensing Specialist: Ann Marie Jannette Cover Image: ©Sara Krulwich/The New York Times/Redux Compositor: MPS Limited All credits appearing on page or at the end of the book are considered to be an extension of the copyright page. -
Serving Elizabeth: Director’S Notes Welcome
SERVING SUPPORT FOR THE 2021 SEASON OF THE TOM PATTERSON THEATRE IS GENEROUSLY PROVIDED BY PRODUCTION SUPPORT IS GENEROUSLY PROVIDED BY JOHN & THERESE GARDNER AND BY THE TREMAIN FAMILY LAND ACKNOWLEDGEMENT Welcome to the Stratford Festival. It is a great privilege to gather and share stories on this beautiful territory, which has been the site of human activity — and therefore storytelling — for many thousands of years. We wish to honour the ancestral guardians of this land and its waterways: the Anishinaabe, the Haudenosaunee Confederacy, the Wendat, and the Attiwonderonk. Today many Indigenous peoples continue to call this land home and act as its stewards, and this responsibility extends to all peoples, to share and care for this land for generations to come. A MESSAGE FROM OUR ARTISTIC DIRECTOR WORLDS WITHOUT WALLS Two young people are in love. They’re next- cocoon, and now it’s time to emerge in a door neighbours, but their families don’t get blaze of new colour, with lively, searching on. So they’re not allowed to meet: all they work that deals with profound questions and can do is whisper sweet nothings to each prompts us to think and see in new ways. other through a small gap in the garden wall between them. Eventually, they plan to While I do intend to program in future run off together – but on the night of their seasons all the plays we’d planned to elopement, a terrible accident of fate impels present in 2020, I also know we can’t just them both to take their own lives. -
January 2013 Bulletin
oronto, Ontario is the site of the Shakespeare Association of America’s Forty- First Annual Meeting to be held on Easter Weekend 2013, beginning 28 March Tand concluding on 30 March. Events include a concert featuring Restoration adapta- tions of Shakespearean songs, fi lm screenings of three Stratford Shakespeare Festival productions, and an optional one-day tour of the Stratford Festival facilities and ar- chives. Registration opens on 2 January 2013. THURSDAY, 28 MARCH 8:00 a.m. Registration Opens. SHAKESPEARE 10:30 a.m. Fourteen Seminars and One Workshop. 12:00 p.m. Book Exhibits Open. 1:30 p.m. Two Paper Sessions: “Enduring Shakespeare: Performing the Archive: ASSOCIATION 1796, 1970, 2013” and “Race: Medieval and Early Modern.” 3:15 p.m. Film Screening: The Tempest (Stratford Festival, 2010). 3:30 p.m. Sixteen Seminars. 6:00 p.m. Opening Reception. OF AMERICA 8:30 p.m. Film Screening: The Taming of the Shrew (Stratford Festival, 1988). FRIDAY, 29 MARCH 8:00 a.m. Continental Breakfast for Graduate Students. JANUARY 2013 9:00 a.m. Plenary Session: “Public Virtue.” 11:00 a.m. Two Paper Sessions: “Race: Early Modern and Transatlantic” and “Unbound: Shakespeare’s Theater Between Book and Performance.” 1:00 p.m. Annual Luncheon. BULLETIN 3:30 p.m. Fifteen Seminars and One Workshop. 3:45 p.m. Table-Talk: Three Films of the Stratford Festival. 5:00 p.m. Film Screening: The Tempest (Stratford Festival, 2010). IN THIS ISSUE 8:00 p.m. Staged Reading: Kill Shakespeare: Page to Stage. SATURDAY, 30 MARCH Letter from the President 2 9:00 a.m. -
Program from the Production
Dear Friend, Table of Contents STC Board of Trustees Welcome to our production Bottomless Dream of William Shakespeare’s A (or, Palindromes and Palimpsests) Midsummer Night’s Dream. by Drew Lichtenberg 6 One of the Bard’s best-loved Board of Trustees W. Mike House Emeritus Trustees plays, this tale of magic and Michael R. Klein, Chair Jerry J. Jasinowski R. Robert Linowes*, Title Page 9 Robert E. Falb, Vice Chair Norman D. Jemal Founding Chairman wonder fits perfectly into the John Hill, Treasurer Jeffrey M. Kaplan James B. Adler About the Playwright 10 holiday season, and we thank Pauline Schneider, Secretary Scott Kaufmann Heidi L. Berry* you for sharing your time with us. Michael Kahn, Artistic Director Abbe D. Lowell David A. Brody* Synopsis 11 Eleanor Merrill Melvin S. Cohen* Trustees Melissa A. Moss Ralph P. Davidson Cast 13 Director Ethan McSweeny returns to the Nicholas W. Allard Robert S. Osborne James F. Fitzpatrick Shakespeare Theatre Company with a newly Ashley Allen Stephen M. Ryan Dr. Sidney Harman* Cast Biographies 14 Stephen E. Allis George P. Stamas Lady Manning theatrical spin on Dream. Ethan is drawing on Anita M. Antenucci Bill Walton Kathleen Matthews Direction and an idea that theatre and magic are one and the Jeffrey D. Bauman Lady Westmacott William F. McSweeny Afsaneh Beschloss Rob Wilder V. Sue Molina Design Biographies 19 same. After all, when Shakespeare first staged Landon Butler Suzanne S. Youngkin Walter Pincus this play, he did so on an empty stage, asking his Dr. Paul Carter Eden Rafshoon About STC 23 Chelsea Clinton Ex-Officio Emily Malino Scheuer* audience to use their imaginations to conjure up Dr. -
2017 Study Guide 2017 Study Guide
2017 STUDY GUIDE 2017 STUDY GUIDE EDUCATION PROGRAM PARTNER TWELFTH NIGHT BY WILLIAM SHAKESPEARE DIRECTOR MARTHA HENRY TOOLS FOR TEACHERS sponsored by PRODUCTION SUPPORT is generously provided by Jane Petersen Burfield & family, by Dr. Desta Leavine in memory of Pauline Leavine and by Jack Whiteside INDIVIDUAL THEATRE SPONSORS Support for the 2017 Support for the 2017 Support for the 2017 Support for the 2017 season of the Festival season of the Avon season of the Tom season of the Studio Theatre is generously Theatre is generously Patterson Theatre is Theatre is generously provided by provided by the generously provided by provided by Daniel Bernstein & Birmingham family Richard Rooney & Sandra & Jim Pitblado Claire Foerster Laura Dinner CORPORATE THEATRE PARTNER Sponsor for the 2017 season of the Tom Patterson Theatre Cover: Brent Carver. Photography by Lynda Churilla. TABLE OF CONTENTS The Place The Stratford Festival Story ........................................................................................ 1 The Play The Playwright: William Shakespeare ........................................................................ 3 A Shakespearean Timeline ......................................................................................... 4 Plot Synopsis ............................................................................................................... 6 Sources, Origins and Production History .................................................................... 7 Curriculum Connections .......................................................................................... -
Stratford Festival Announces Playbill and Casting for Outdoor Summer Season with Hope That Lockdown, Vaccinations Pave Way for Brighter Times
MEDIA RELEASE Stratford Festival announces playbill and casting for outdoor summer season With hope that lockdown, vaccinations pave way for brighter times The Stratford Festival is transforming, for this summer, into an outdoor festival offering a season of six plays and five cabarets reflecting on the theme of Metamorphosis, with performances held under beautiful canopies that will hark back to the Festival’s founding under a tent in 1953. “We are hopeful that the current Ontario lockdown and the vaccination program will enable a successful outdoor summer season,” says Artistic Director Antoni Cimolino. “As butterflies shedding their cocoons, we are poised to emerge from this pandemic. “This dream of transformation from our isolated lives informed my choice of theme for the 2021 season: Metamorphosis. The productions will embody our hope for a transition from lockdown to a new beginning, imbued with much needed social and political change. They examine souls kept apart by social convention, family feuds or racism. Souls that yearn for community, understanding and the union of love. Souls that emerge transformed from their trials into a brave new world of freedom.” THE PLAYS The 2021 season includes two Shakespeares, Romeo and Juliet – called simply R + J for this production – and A Midsummer Night’s Dream. “A Midsummer Night's Dream and Romeo and Juliet share a plot – lovers kept apart. One, of course, is a comedy and the other a tragedy, but both share a source, Ovid's Metamorphosis. Shakespeare seems to have loved Ovid’s work with its stories of profound and enduring transformations. Vibrant change as a response to enforced isolation is at the heart of our season. -
A Shakespeare-Inspired Mixtape Curated by Robert Markus, Julia Nish-Lapidus and James Wallis
A SHAKESPEARE-INSPIRED MIXTAPE CURATED BY ROBERT MARKUS, JULIA NISH-LAPIDUS AND JAMES WALLIS PRODUCTION SUPPORT IS GENEROUSLY PROVIDED BY BARBARA & JOHN SCHUBERT PRODUCTION CO-SPONSOR LAND ACKNOWLEDGEMENT Welcome to the Stratford Festival. It is a great privilege to gather and share stories on this beautiful territory, which has been the site of human activity — and therefore storytelling — for many thousands of years. We wish to honour the ancestral guardians of this land and its waterways: the Anishinaabe, the Haudenosaunee Confederacy, the Wendat, and the Attiwonderonk. Today many Indigenous peoples continue to call this land home and act as its stewards, and this responsibility extends to all peoples, to share and care for this land for generations to come. CURATED BY ROBERT MARKUS, JULIA NISH-LAPIDUS AND JAMES WALLIS DIRECTED BY JULIA NISH-LAPIDUS AND JAMES WALLIS THE SINGERS GABRIEL ANTONACCI ROMEO, ENSEMBLE JACOB MacINNIS RICHARD, ENSEMBLE JENNIFER RIDER-SHAW BEATRICE, ENSEMBLE KAITLYN SANTA JUANA JULIA, ENSEMBLE THE BAND MUSIC DIRECTOR, KEYBOARD ACOUSTIC BASS, ELECTRIC BASS REZA JACOBS JON MAHARAJ ACOUSTIC GUITAR, ELECTRIC GUITAR DRUM KIT, ORCHESTRA SUPERVISOR KEVIN RAMESSAR DALE-ANNE BRENDON The videotaping or other video or audio recording of this production is strictly prohibited. A MESSAGE FROM OUR ARTISTIC DIRECTOR WORLDS WITHOUT WALLS Two young people are in love. They’re next- cocoon, and now it’s time to emerge in a door neighbours, but their families don’t get blaze of new colour, with lively, searching on. So they’re not allowed to meet: all they work that deals with profound questions and can do is whisper sweet nothings to each prompts us to think and see in new ways. -
SUPPORT for the 2021 SEASON of the TOM PATTERSON THEATRE IS GENEROUSLY PROVIDED by LAND ACKNOWLEDGEMENT Welcome to the Stratford Festival
SUPPORT FOR THE 2021 SEASON OF THE TOM PATTERSON THEATRE IS GENEROUSLY PROVIDED BY LAND ACKNOWLEDGEMENT Welcome to the Stratford Festival. It is a great privilege to gather and share stories on this beautiful territory, which has been the site of human activity — and therefore storytelling — for many thousands of years. We wish to honour the ancestral guardians of this land and its waterways: the Anishinaabe, the Haudenosaunee Confederacy, the Wendat, and the Attiwonderonk. Today many Indigenous peoples continue to call this land home and act as its stewards, and this responsibility extends to all peoples, to share and care for this land for generations to come. A MESSAGE FROM OUR ARTISTIC DIRECTOR WORLDS WITHOUT WALLS Two young people are in love. They’re next- cocoon, and now it’s time to emerge in a door neighbours, but their families don’t get blaze of new colour, with lively, searching on. So they’re not allowed to meet: all they work that deals with profound questions and can do is whisper sweet nothings to each prompts us to think and see in new ways. other through a small gap in the garden wall between them. Eventually, they plan to While I do intend to program in future run off together – but on the night of their seasons all the plays we’d planned to elopement, a terrible accident of fate impels present in 2020, I also know we can’t just them both to take their own lives. pick up where we left off. The world has changed; we have changed.