oronto, Ontario is the site of the Shakespeare Association of America’s Forty- First Annual Meeting to be held on Easter Weekend 2013, beginning 28 March Tand concluding on 30 March. Events include a concert featuring Restoration adapta- tions of Shakespearean songs, fi lm screenings of three Stratford Shakespeare Festival productions, and an optional one-day tour of the facilities and ar- chives. Registration opens on 2 January 2013.

 THURSDAY, 28 MARCH

8:00 a.m. Registration Opens. SHAKESPEARE 10:30 a.m. Fourteen Seminars and One Workshop. 12:00 p.m. Book Exhibits Open. 1:30 p.m. Two Paper Sessions: “Enduring Shakespeare: Performing the Archive: ASSOCIATION 1796, 1970, 2013” and “Race: Medieval and Early Modern.” 3:15 p.m. Film Screening: (Stratford Festival, 2010). 3:30 p.m. Sixteen Seminars. 6:00 p.m. Opening Reception. OF AMERICA 8:30 p.m. Film Screening: The Taming of the Shrew (Stratford Festival, 1988).

 FRIDAY, 29 MARCH

8:00 a.m. Continental Breakfast for Graduate Students. JANUARY 2013 9:00 a.m. Plenary Session: “Public Virtue.” 11:00 a.m. Two Paper Sessions: “Race: Early Modern and Transatlantic” and “Unbound: Shakespeare’s Theater Between Book and Performance.” 1:00 p.m. Annual Luncheon. BULLETIN 3:30 p.m. Fifteen Seminars and One Workshop. 3:45 p.m. Table-Talk: Three Films of the Stratford Festival. 5:00 p.m. Film Screening: The Tempest (Stratford Festival, 2010). IN THIS ISSUE 8:00 p.m. Staged Reading: Kill Shakespeare: Page to Stage.  SATURDAY, 30 MARCH Letter from the President 2 9:00 a.m. Three Paper Sessions: “Situating Knowledge: Practices, Places, and Meeting Schedule 3 Problems,” “Shakespeare’s Frame-Works,” and “Spectacles, Pictures, Conference Events 7 and Revelations in Early Modern Visual Culture.” 9:00 a.m. Workshop for Teachers: “Shakespeare Set Free.” Planning for Toronto 10 11:00 a.m. Two Paper Sessions and One Roundtable: “Shakespeare and the Problem Meeting Protocols 11 of Value,” “Shakespeare and the Limits of Galenic Theory,” and “Queer and Now: New Directions.” Planning for 2014 11 2:00 p.m. Two Paper Sessions and One Roundtable: “New Directions in Shakespeare

Information for Members 12 and Ecocriticism,” “Performing the Shakespearean Archive,” and “Studying Race in the Renaissance.” Registration for 2013 13 4:00 p.m. Fifteen Seminars and One Workshop. 4:15 p.m. Roundtable: Shakespeare Redrawn: Comic Book Adaptations. Announcements 14 4:30 p.m. Film Screening: The Taming of the Shrew (Stratford Festival, 1988). 7:00 p.m. Film Screening: (Stratford Festival, 2011). PUBLISHED WITH THIS BULLETIN 8:00 p.m. Concert: A Thousand Times Better and More Glorious performed by ______The Musicians in Ordinary. 10:00 p.m. The Shakespeare Association / Malone Society Dance. Ballot for SAA Offi cers Deadline: 1 March 2013 LETTER FROM THE PRESIDENT

This is an exciting time in the SAA as we move towards what may be our biggest conference to date in Toronto. Unquestionably, the SAA has grown, having almost doubled in size between 2004 and 2012. The organization now stands at 2,500 members. This is surely to the good, a sign that Shakespeare scholarship is thriving all over the country, and in- deed—since we now have members from no fewer than thirty-six countries—all over the world. There are nonetheless certain logistical challenges inevitably attendant upon the exponential growth of the organiza- OFFICERS tion. On the one hand, none of us wants SAA to become a huge, anonymous conference housed in a character- OF THE less convention center. On the other, how exactly do we accommodate so many more conference participants in more seminars while retaining the hotel setting with its nooks and crannies for coffee and conversation, SAA not to mention the hotel bar for vital post-seminar discussion? These matters have been under consideration by the Board of Trustees for the past few years, and as a result, the conference now starts a little earlier with an extra group of seminars on Thursday morning. Also, in order to allow a more equitable proportion of the membership the opportunity to deliver a paper in the unique conditions of the SAA before such a sizeable PRESIDENT audience of specialists from every level of the profession, there will now be three (rather than the traditional two) concurrent panel sessions on Saturdays. We hope that the new, fairly minor adjustments to the schedule Dympna C. Callaghan (the Thursday morning seminar session and the extra panels on Saturday) will prove a step in the right direc- Syracuse University tion and will do so without cluttering the schedule or infringing on those equally important moments when like-minded Shakespeareans can get down to brass tacks in conversations outside the public spaces of the VICE-PRESIDENT seminar and the panel. However, we will only know fully how well this works in practice after the next con- Diana E. Henderson ference. In Toronto, Board members will be watching very closely—and listening very carefully—to discover Massachusetts Institute of whether the fragile balance of the SAA conference ecosystem has been maintained. Suffi ce it to say that the Technology Board will re-evaluate and recalibrate wherever necessary, and over the coming years, the Board will con- tinue to look into the matter of how to set the conference schedule with a view to fully and fairly represent- ing the membership and the diversity of members’ scholarly interests in both seminars and panel sessions. TRUSTEES While numbers, schedule, logistics and all the tangle of considerations that go into making the SAA a suc- cessful conference are indeed of the utmost importance, there is another dimension to all this—a genuine up- Douglas Bruster side. Whatever is the case elsewhere, the much-vaunted imminent demise of the humanities is not evident in University of Texas, Austin the SAA, and for that, I think all of us can be immensely grateful. This is not to say that many members’ insti- tutions and careers have not been touched by declining interest in and funding for humanities’ research, but Suzanne Gossett it is to say that SAA members remain, in spite of all obstacles, committed to teaching Shakespeare, to educat- Loyola University Chicago ing new generations of general readers, scholars, practitioners, fi lm-makers, poets and writers, and Jonathan Gil Harris to discovering in their own research projects more about the historical and literary conditions that shaped George Washington University Shakespeare’s works. In this, Shakespeare Studies and the Shakespeareans who practice it represent a vital line of defense against the erosion of the humanities. Douglas M. Lanier What is at stake here is not only Shakespeare’s canonical University of New Hampshire or intrinsic signifi cance (though that should not be underestimated), but also the way in which Laurie Shannon Shakespeare serves as a portal to a vast range of Northwestern University issues—textual, lyrical, emotional, aesthetic, James R. Siemon social, political, cultural, historical (you name Boston University it)—that requires a mode of critical refl ection that is not bludgeoned by the tyranny of “relevance,” Valerie Traub that is, the insistence that literary studies demon- University of Michigan strate its immediate usefulness as a tool for “innovation,” social progress, or economic gain. However, Shakespeare Studies is, of course, EXECUTIVE DIRECTOR always well able to demonstrate its vital role in contemporary life even as it resists the Lena Cowen Orlin narrow remit of “relevance,” the limited, Georgetown University overly instrumental understandings of what it means for Shakespeare to remain pertinent. INTERIM EXECUTIVE DIRECTOR Our members every day make evident how Michele Osherow Shakespeare can be used in the classroom University of Maryland, to endow our students with skills of Baltimore County self-articulation and enhanced academic acumen, and how Shakespeare in PROGRAMS MANAGER the theatre can become a refraction of issues of the Bailey Yeager most immediate, urgent Georgetown University importance to communities across the globe. BARBARA HODGDON (University of Michigan, Ann Arbor) Refi guring Presence: Actors’ Rehearsal Scripts

ONFERENCE ROBERT SHAUGHNESSY (University of Kent) Time Out of Joint: Shakespeare, C CHEDULE Performance, Jet Lag

 Race: Medieval and Early Modern SSexuality and Sovereignty in Session Organizer: JONATHAN BURTON THURSDAY, 28 MARCH Early Modern Drama Chair: RAHUL SAPRA (Ryerson University) Seminar Leader: DANIEL JUAN GIL 8:00 a.m. to 6:00 p.m. (Texas Christian University) SHARON KINOSHITA (University of California, Santa Cruz) Shakespeare and Confession Racial and Other Others: A Report from the Registration Middle Ages Seminar Leaders: PAUL DUSTIN STEGNER (California Polytechnic State University) and DAVID NIRENBERG (University of Chicago) 12:00 to 6:00 p.m. JOANNE DIAZ (Illinois Wesleyan University) Pre-Modern Face: Philology, Socio-Theology, History Book Exhibits Shakespeare and Consciousness Seminar Leaders: PAUL BUDRA JONATHAN BURTON (Whittier College) (Simon Fraser University) and The Reinventions of Race 10:30 a.m. to 12:30 p.m. CLIFFORD WERIER (Mount Royal University)

SEMINARS AND WORKSHOPS Shakespeare and Distributive 3:15 to 5:45 p.m. Justice Greek Texts and the Seminar Leader: ELIZABETH HANSON FILM SCREENING Early Modern Stage (Queen’s University) Seminar Leaders: TANYA POLLARD The Tempest (Brooklyn College, CUNY) and TANIA DEMETRIOU Shakespeare, Phemonology, and (Stratford Festival, 2010) (York University) Periodization Seminar Leaders: JENNIFER WALDRON Directed by DES MCANUFF. Health, Well-Being, and Happiness (University of Pittsburgh) and RYAN MCDERMOTT in the Shakespearean Body (University of Pittsburgh) 3:30 p.m. to 5:30 p.m. Seminar Leader: SUJATA IYENGAR (University of Georgia) Staging Allegory Seminar Leader: JOSEPH CAMPANA SEMINARS AND WORKSHOPS Historical Perspectives on (Rice University) Shakespeare and Education Anti-Social Shakespeare/ Performing Shakespeare in Europe Seminar Leader: MARK BAYER Early Modern Anti-Social Seminar Leaders: PETER W. MARX (University of Texas, San Antonio) Seminar Leader: LUKE WILSON (University of Cologne) and ANETA MANCEWICZ (Ohio State University) (University of London) Managing Shakespeare and the Early Modern Theater Business Contemporary Actors as Evidence Editing Shakespeare for the Web Seminar Leader: CARY MAZER Seminar Leader: CHRISTOPHER MATUSIAK Workshop Leader: JEREMY EHRLICH (University of Pennsylvania) (Ithaca College) (Internet Shakespeare Editions) Nomadic Subjects and Objects Gender and Sexuality in Adaptations of Shakespeare Seminar Leaders: BERNADETTE ANDREA 1:30 to 3:00 p.m. Seminar Leader: EANNE ILLIAMS (University of Texas, San Antonio) and D W (York University) LINDA MCJANNET (Bentley University) PAPER SESSIONS On Beyond Rabbits and Ducks: Geography and Literature Re-engaging  Enduring Shakespeare: Seminar Leader: MARY C. FULLER (Massachusetts Institute of Technology) Seminar Leader: HOWARD MARCHITELLO Performing the Archive: (Rutgers University) 1796, 1970, 2013 Session Organizer: BARBARA HODGDON Literature as Protest Seminar Leader: ROBERT DARCY Quoting Shakespeare Chair: JEREMY LOPEZ (University of Toronto) (University of Nebraska, Omaha) Seminar Leader: KATE RUMBOLD (University of Birmingham) ELLEN MACKAY (Indiana University) Forging the Archive: The Dubious Legacy of Vortigern, A Supposed Newly-Discovered Drama of Shakespeare 3 Pedagogy and the Performance of Theorizing Repetition: Text, FRIDAY, 29 MARCH Learning in Shakespeare’s England Performance, Historiography Seminar Leaders: KATHRYN R. MCPHERSON Seminar Leaders: ERIKA T. L IN (Utah Valley University) and (George Mason University) and 8:00 a.m. to 6:00 p.m. KATHRYN M. MONCRIEF (Washington College) MARISSA GREENBERG (University of New Mexico) Registration and Book Exhibits Re-reading Shakespeare, White People in Shakespeare Re-reading in Shakespeare Seminar Leader: ARTHUR L. LITTLE, JR. 8:00 to 9:00 a.m. Seminar Leader: SARAH WALL-RANDELL (University of California, Los Angeles) (Wellesley College) Continental Breakfast for Wrong Shakespeare Graduate Students Shakespeare and Hospitality Seminar Leaders: KATHERINE SCHEIL Seminar Leaders: DAVID B. GOLDSTEIN (University of Minnesota) and Hosted by the Trustees of the SAA. (York University) and JULIA REINHARD LUPTON M. J. KIDNIE (University of Western Ontario) (University of California, Irvine) 9:00 to 10:30 a.m. Shakespeare and Metamorphosis, 6:00 to 8:00 p.m. Part One PLENARY PAPER SESSION Seminar Leader: WILLIAM GERMANO (Cooper Union) OPENING RECEPTION  Public Virtue Open to all registrants for the 41st Annual Session Organizer: KATHRYN SCHWARZ Shakespeare and the New Meeting and their guests. Each guest must Chair: SUZANNE GOSSETT (Loyola University have an SAA name tag; see page 13 of this Source Study Chicago) Seminar Leaders: DENNIS AUSTIN BRITTON bulletin to register a guest. (University of New Hampshire) and JULIE CRAWFORD (Columbia University) MELISSA WALTER (University of Fraser Valley) 8:30 to 10:30 p.m. Keeping Counsel: Female Constancy in Shakespeare’s England Skill FILM SCREENING Seminar Leader: EVELYN TRIBBLE MARGARET FERGUSON (University of California, (University of Otago) Davis) The Taming of the Shrew Feigning Hymens in Shakespeare’s Plays The Singing Body in Shakespeare, (Stratford Festival, 1988) Part One KATHRYN SCHWARZ (Vanderbilt University) Directed by RICHARD MONETTE. Seminar Leaders: KATHERINE R. LARSON Death Tricks (University of Toronto) and LINDA PHYLLIS AUSTERN (Northwestern University) 11:00 a.m. to 12:30 p.m. Theater Boundaries, Part One Seminar Leaders: LAURIE MAGUIRE PAPER SESSIONS (Magdalen College, Oxford University) and EMMA SMITH (Oxford University)  Race: Early Modern and Downtown Toronto skyscape. Transatlantic Session Organizer: JONATHAN BURTON Chair: IAN SMITH (Lafayette College)

KIM F. HALL (Barnard College) Caribbean Hybridities

JOANEATH SPICER (The Walters Art Museum, Baltimore) How Did Europeans’ Perceptions of the Inhabitants of the New World in the 1500s Infl uence Theirs of Africans?

SUSAN DWYER AMUSSEN (University of California, Merced) Shaping Race and Gender in Atlantic England

4  Unbound: Shakespeare’s Theater Shakespeare and Metamorphosis, 5:00 to 7:30 p.m. Between Book and Performance Part Two Session Organizer: JEFFREY TODD KNIGHT Seminar Leader: WILLIAM GERMANO FILM SCREENING Chair: LEAH KNIGHT (Brock University) (Cooper Union) The Tempest JEFFREY TODD KNIGHT (University of Washington) Shakespeare and the Making of (Stratford Festival, 2010) Shakespeare and Knowledge Organization Knowledge Seminar Leader: KATHERINE EGGERT Directed by DES MCANUFF. TIFFANY STERN (Oxford University) (University of Colorado) Before the Beginning; After the End Shakespearean Adaptation and the 8:00 to 9:30 p.m. HOLGER SCHOTT SYME (University of Toronto) World’s Religions How to Read a Play Seminar Leaders: KENNETH J. E. GRAHAM STAGED READING (University of Waterloo) and WALTER S. H. LIM 1:00 to 3:00 p.m. (National University of Singapore) Kill Shakespeare: Page to Stage ANNUAL LUNCHEON Shakespearean Exceptionalism: Based on the Kill Shakespeare comic book The Case of the Sonnets series and performed by members of Drift- Seminar Leader: ROBERT MATZ wood Theatre Group. See page 8 of this Presiding: DYMPNA C. CALLAGHAN (George Mason University) bulletin for more information. (Syracuse University) Shakespeare’s Earth System Science Open to all registrants for the 41st Annual Seminar Leader: REBECCA TOTARO Meeting. To purchase a ticket for your guest’s (Florida Gulf Coast University) luncheon, see page 13 of this bulletin. Membership must be current in order to The Church register for the 2013 Annual Meeting. 3:30 to 5:30 p.m. Seminar Leader: ROZE HENTSCHELL Membership may be renewed online at (Colorado State University) www.shakespeareassociation.org. SEMINARS AND WORKSHOPS The Singing Body in Shakespeare, Part Two Aristotle, Jonson, Shakespeare Seminar Leaders: KATHERINE R. LARSON Seminar Leaders: JOHN BAXTER (University of Toronto) and LINDA PHYLLIS AUSTERN (Dalhousie University) and JONATHAN GOOSSEN (Northwestern University) (University of King’s College) Rogers Center, formerly the Skydome. Theater Boundaries, Part Two Collaborative Shakespeare Seminar Leaders: LAURIE MAGUIRE Seminar Leaders: TON HÖENSELAARS (Magdalen College, Oxford University) and (Utrecht University) and HEATHER HIRSCHFELD EMMA SMITH (Oxford University) (University of Tennessee) Writing Lives in Early Modern Future Directions in Performance England Studies Seminar Leader: ALAN STEWART Seminar Leader: JAMES C. BULMAN (Columbia University) (Allegheny College) Dancing in Shakespeare: A Practical Patrons, Professional Drama, and Introduction Print Culture Workshop Leaders: NONA MONAHIN Seminar Leader: LAURIE JOHNSON (Amherst College) and EMILY WINEROCK (University of Southern Queensland) (Toronto, Ontario) “Popular” Discourses of Race in 3:45 to 4:45 p.m. Comic Representations Seminar Leader: ROBERT HORNBACK (Oglethorpe University) TABLE-TALK

Representing Women and Politics in Three Films of the Stratford Festival Jacobean England See page 8 of this bulletin for more Seminar Leader: CHRISTINA LUCKYJ information. (Dalhousie University)

5 SATURDAY, 30 MARCH 9:00 a.m. to 12:00 noon MADHAVI MENON (American University)

MELISSA E. SANCHEZ (University of Pennsylvania) 9:00 a.m. to 12:00 p.m. WORKSHOP FOR TEACHERS 2:00 to 3:30 p.m. Information and Book Exhibits Shakespeare Set Free Workshop Leaders: ROBERT YOUNG (Folger Shakespeare Library) and MICHAEL PAPER SESSIONS AND 9:00 to 10:30 a.m. LOMONICO (Folger Shakespeare Library) ROUNDTABLE

PAPER SESSIONS 11:00 a.m. to 12:30 p.m.  New Directions in Shakespeare and Ecocriticism Session Organizer: JENNIFER MUNROE  Situating Knowledge: Practices, PAPER SESSIONS AND Places, and Problems ROUNDTABLE Chair: GWYNN DUJARDIN (Queen’s University) Session Organizers: FRANCIS DOLAN and WENDY WALL VIN NARDIZZI (University of British Columbia) Chair: ELIZABETH HARVEY (University of Toronto)  Shakespeare and the The Pastoral, Again Problem of Value EMBERS OF THE KAREN RABER (University of Mississippi) WENDY WALL (Northwestern University) Session Organizers: M The Proof of the Pudding: Seventeenth- OPEN SUBMISSIONS COMMITTEE FOR 2013 Animal Bodies, Renaissance Culture Century Recipe Practice and Modes of Chair: MICHAEL BEST (University of Victoria) Knowing JENNIFER MUNROE (University of North Carolina, KATHERINE GILLEN (Texas A & M, San Antonio) Charlotte) “I can interpret all her martyred signs”; HENRY S. TURNER (Rutgers University, New Rethinking Portia’s Ring: Affective Value, Brunswick) Anxieties of International Trade, and the or, The Dangers of Speaking for Nature and Thing of Nothing: , Corporate Formation of the Domestic Sphere in Women in Titus Andronicus Sovereignty, and the Crisis of the University  Performing the Shakespearean FRANCES DOLAN (University of California, Davis) ANDREW ESCOBEDO (Ohio University) Archive Know Your Food: Turnips, Titus, and the Acting Out Akrasia: The Shakespearean cases Session Organizer: RICHARD SCHOCH Problem of the Local of and Angelo Chair: ED PECHTER (University of Victoria)

 Shakespeare’s Frame-works ANITA GILMAN SHERMAN (American University) WILLIAM N. WEST (Northwestern University) Session Organizer: DAVID HILLMAN Fantasies of Private Language in “The “Go By!”: Intertheatrical Passages Between Chair: VIVIANA COMENSOLI (Wilfrid Laurier Phoenix and Turtle” Early Modern Playhouses University)  Shakespeare and the Limits of RICHARD SCHOCH (Queen’s University Belfast) STEPHEN MULLANEY (University of Michigan, Galenic Theory Genealogies of Shakespeare in Performance Ann Arbor) Session Organizer: MARY FLOYD-WILSON FIONA RITCHIE (McGill University) A Willing Retention of Disbelief: Chair: STEPHEN GUY-BRAY Phenomenology Thresholds of Early Modern (University of British Columbia) From Davy to Dora: Making the Eighteenth- Performance Century Shakespearean Actor

MARY FLOYD-WILSON (University of North LYNNE MAGNUSSON (University of Toronto) Carolina)  Roundtable: Studying Race in the Grammatical Frame-works in Shakespeare’s The Dangers of Sympathy on the Renaissance Theatre Shakespearean Stage Session Organizer and Moderator: JOYCE GREEN MACDONALD (University of Kentucky) DAVID HILLMAN (University of Cambridge) REBECCA LAROCHE (University of Colorado, Greetings and Partings in Shakespeare Colorado Springs) PATRICIA AKHIMIE (Rutgers University, Newark) Iago’s Garden: Experiential Knowledge and  Spectacles, Pictures, and the Limits of the Print Herbal LYNDON DOMINIQUE (Lehigh University) Revelations in Early Modern

Visual Culture JESSE M. LANDER (University of Notre Dame) FRANCESCA T. R OYSTER (DePaul University) Session Organizer: LESLIE THOMSON “Strange Infi rmity”: Doctors, Divines, and Chair: HELEN OSTOVICH (McMaster University) Diagnosis in Macbeth 4:00 to 6:00 p.m.

MARION O’CONNOR (University of Kent)  Roundtable: Queer and Now: SEMINARS AND WORKSHOPS “Tasso Picter”: Portraits as Stage Properties New Directions Session Organizer: WILL FISHER LESLIE THOMSON (University of Toronto) Class and Emotion in Shakespeare Moderator: JEFFREY MASTEN “See here my show, look on this spectacle”: Seminar Leader: KATHARINE CRAIK (Northwestern University) Discoveries for the Viewer in Early Modern (Oxford Brookes University) Drama and Art JAMES M. BROMLEY (Miami University)

JOHN H. ASTINGTON (University of Toronto) Sad Stories and Painted Tyrants WILL FISHER (Lehman College and the Graduate Center, CUNY) 6 Elizabeth Cary’s The Tragedy of Translating Shakespeare Beyond Mariam and Early Modern Drama Absolutes Seminar Leader: RAMONA WRAY Seminar Leaders: ALFREDO MICHEL MODENESSI (Queen’s University Belfast) (Universidad Nacional Autonoma de Mexico) and ALEXANDER C. Y. HUANG (George Washing- Knowing Language in Shakespeare’s ton University) Poems Seminar Leader: BRADIN CORMACK “Performing Archives”: (University of Chicago) The Stratford Shakespeare Festival Workshop Leaders: C. EDWARD MCGEE Lost Plays in Early Modern England (St. Jerome’s University) and FRANCESCA MARINI Seminar Leaders: DAVID MCINNIS (Stratford Shakespeare Festival) (University of Melbourne) and MATTHEW STEGGLE (Sheffi eld Hallam University) 4:15 to 5:45 p.m. Lucretian Pleasure and Shakespearean Study ROUNDTABLE Seminar Leaders: WILLIAM A. ORAM (Smith College) and AYESHA RAMACHANDRAN Shakespeare Redrawn: Comic Book (Stony Brook University) Adaptations

Race/Religion and Gender: 4:30 to 6:30 p.m. Medieval Continuities Seminar Leader: M. LINDSAY KAPLAN FILM SCREENING (Georgetown University) The Taming of the Shrew Shakespeare and Business Culture (Stratford Festival, 1988) Seminar Leader: STEPHEN DENG (Michigan State University) Directed by RICHARD MONETTE. Shakespeare and Memory 7:00 to 10:00 p.m. Seminar Leaders: ANDREW HISCOCK (Bangor University, Wales) and ZACKARIAH LONG (Ohio Wesleyan University) FILM SCREENING

Shakespeare and/in Manuscript Twelfth Night Wednesday, 7:30 to 10:00 p.m. Seminar Leaders: LAURA ESTILL (Stratford Festival, 2011) Play Reading: (University of Victoria) and JEAN-CHRISTOPHE Mucedorus Directed by DES MCANUFF. MAYER (French National Centre for Scientifi c ______Research) 8:00 to 9:00 p.m. Shakespeare Bulletin hosts the pre-confer- Shakespeare’s Irish Contexts ence reading of A Most pleasant Comedie Seminar Leaders: VIMALA PASUPATHI CONCERT of Mucedorus. One of the most popular of (Hofstra University) and RORY LOUGHNANE the apocryphal plays, Mucedorus enjoyed (Syracuse University) A Thousand Times Better and at least seventeen editions between 1598 and 1668. The play was performed before Shakespeare’s Social Networks: More Glorious performed by both Elizabeth I and James I, and is ref- Players, Patrons, and Playwrights The Musicians in Ordinary erenced in Beaumont’s The Knight of Seminar Leader: BART VAN ES the Burning Pestle. Mucedorus has also (Oxford University) Allow twenty minutes to travel to Emmanuel been attributed to Robert Greene, George College Chapel. See page 9 of this bulletin Peele and Thomas Lodge. for more information. Shakespeare’s Theater Games Seminar Leader: TOM BISHOP All early arrivers to the Annual Meeting are (University of Auckland) 10:00 p.m. to 1:00 a.m. welcome to attend and will be encouraged to join in the reading. Come to Tudor 7/8, Social Media Shakespeare on the Main Mezzanine floor of the Fair- mont Royal York Hotel. Light refreshments Seminar Leaders: MAURIZIO CALBI THE SAA / MALONE SOCIETY will be served and there will be a cash bar. (University of Salerno) and STEPHEN O’NEILL DANCE (National University of Ireland, Maynooth) Open to all registrants for the 41st Annual The Tempest Meeting and their guests. Tickets may be Seminar Leader: MIMI YIU reserved on page 13 of this bulletin or may (Georgetown University) be purchased at the door. 7 SSOCIATED

A Thursday, 6:00 to 8:00 p.m. Opening Reception ______VENTS

The Opening Reception for the 2013 Meet- ing will enable attendees and their guests E to meet, greet, and share thoughts on the opening day’s events. Among these events speare’s text but manages to bring a fresh are two paper sessions, a screening of the approach towards the work, allowing us Stratford Shakespeare Festival’s produc- to look at it and listen to it like we never tion of The Tempest, and two banks of have before.” The New York Times raves, Artwork by Andy Belanger. © Kill Shakespeare. seminar and workshop meetings. We are “to hear is to be currently investigating numerous possible bewitched by a spell.” Running time is Friday, 8:00 to 9:30 p.m. venues for the Opening Reception including approximately two and a half hours. Staged Reading: the conference hotel, the Chestnut Confer- ence Centre at the University of Toronto Kill Shakespeare: Page to Stage Thursday, 8:30 to 10:30 p.m. and ______Saturday, 4:30 to 6:30 p.m. Film Screening: Based on the award-winning graphic novel The Taming of the Shrew series, Kill Shakespeare: Page to Stage is a dramatic staged reading that fuses the ______talents of actors and musicians in a radio play-style performance featuring art from This Stratford Shakespeare Festival Tam- the series. This vocal and visual adventure ing of the Shrew was staged in 1988 and thrusts together the Bard’s greatest char- directed by Richard Monette. The play is acters as they strive to save—or to kill—a set during a wine festival in a colorful Italy reclusive wizard by the name of William of the 1950’s. plays Petruchio Shakespeare. Performed by members of as a swaggering, leather-jacketed street the Driftwood Theatre Group. bandit who roars up on a Lambaretta to claim his Kate, played by Goldie Semple. Geraint Wyn Davies appears as Hortensio. Saturday, 4:15 to 5:45 p.m. The film runs two hours. Roundtable: The Fairmont Ballroom, one of the venues under consideration. Shakespeare Redrawn: Friday, 3:45 to 4:45 p.m. Comic Book Adaptations and other downtown Toronto locations. The reception venue will be posted on our Table-Talk: ______website prior to the Annual Meeting. Three Films of the Stratford Festival This roundtable brings together industry professionals and academics to discuss The reception is open to all registrants for ______the 41st Annual Meeting and their guests. comic book Shakespeare in popular cul- ture, in our teaching, and in our research. Each guest must have an SAA name tag; see Stratford Festival Director of Education page 13 of this bulletin to register a guest. Moderator Donald K. Hendrik (Kansas Andrea Jackson joins Jane Freeman (Uni- State University) joins Christopher Morrow versity of Toronto), Chair of the Stratford Thursday, 3:15 to 5:45 p.m. and (Western Illinois University), Jim Casey Festival’s University Task Force, for a (High Point University), Lynne Bradley Friday, 5:00 to 7:30 p.m. discussion on the three Stratford produc- (Independent Scholar), and the co-cre- Film Screening: tions screened throughout the 2013 Annual ators of Kill Shakespeare Anthony Del Col Meeting. These filmed stagings include The The Tempest and Conor McCreery for a discussion on Taming of the Shrew (1988), The Tempest current approaches to comic book Shake- ______(2010) and Twelfth Night (2011) and dem- speares. Organized by Amy Scott-Douglass onstrate Stratford’s diverse and engaging (Marymount University). Christopher Plummer stars as Prospero approach to producing Shakespeare for in this film of the 2010 Stratford Festi- contemporary audiences. These films will val production, directed by Des McAnuff. be available for purchase at the Stratford The Toronto Star praises the produc- Festival Book Display. tion as “scrupulously honest to Shake-

8 Saturday, 7:00 to 10:00 p.m. Film Screening: Twelfth Night SSOCIATED ______In this 2011 Stratford Festival staging Ill- A ryia is imagined “as the magical world of music on a holiday weekend” says Direc- tor Des McAnuff. This production was one of McAnuff’s most successful during his tenure as Artistic Director of the Festi- VENTS val. It presents an eclectic score of rock and roll music, composed by McAnuff and Michael Roth. Brian Dennehy is featured E as Sir Toby. This Twelfth Night, a riot of CONTINUED mischief-making and misplaced desire, runs approximately three hours. A private motorcoach will depart the Fairmont Royal York Hotel at 9:00 a.m. and transport SAA participants to the FROM THE DIRECTOR AND PRODUCERS OF CAESAR AND CLEOPATRA AND THE TEMPEST picturesque town of Stratford, Ontario.

DES McANUFF PULLS OUT ALL THE STOPS Upon arrival Francesca Marini will guide “FOR THIS ROMPING TWELFTH NIGHT. ” CHARLES ISHERWOOD, NEW YORK TIMES fellow SAA members through the Festival This event is co-sponsored by the Centre ++++++++ Archives, the world’s largest collection YOU’RE NOT GOING for Reformation and Renaissance Studies “ TO FIND A MORE ABUNDANT FEAST devoted to a single theater. Next the OF DELIGHTS. at the University of Toronto and will be ” RICHARD OUZOUNIAN, THE TORONTO STAR group will explore the Costume and Props PHOTO CREDIT: Brian Dennehy, Ben Carlson and Stephen Ouimette with members of the company in Twelfth Night. Photo Cylla von Tiedemann. PHOTO CREDIT: Brain Dennehy. Photo Andrew Eccles. held at the Emmanuel College Chapel on Warehouse, which is home to more than MELBAR ENTERTAINMENT GROUP IN ASSOCIATION WITH THE STRATFORD SHAKESPEARE FESTIVAL PRESENT the University of Toronto campus. Allow DES McANUFF’S 100,000 items from the Festival’s sixty CRITICALLY ACCLAIMED AND HILARIOUS PRODUCTION OF twenty minutes for travel; directions will seasons. No Stratford Festival trip would be provided in the conference program. be complete without a visit to the Festival Admission is free. TWELFTH NIGHT Theatre where Artistic Director Antoni DIRECTED FOR THE STAGE BY DES McANUFF PRODUCED AND DIRECTED FOR FILM BY BARRY AVRICH Cimolino will address SAA members over STEPHEN OUIMETTE BRIAN DENNEHY ALSO APPEARING BEN CARLSON TRENT PARDY CARA RICKETTS TOM ROONEY ANDREA RUNGE MIKE SHARA SARA TOPHAM FEATURING Sunday, 9:00 a.m. to 5:00 p.m. luncheon and the day will close with a Optional Tour: tour of the iconic facility. At 3:00 p.m. the Day Trip to Stratford motorcoach will depart from Stratford, returning to the Royal York at 5:00 p.m.

PHOTO CREDIT: Tom Rooney, Cara Ricketts, Sara Topham, Ben Carlson, Andrea Runge, Stephen Ouimette. Photo Andrew Eccles. ______TICKETS NOW ON SALE! The cost for this very special excursion is WORLD PREMIERE SCREENING SATURDAY, MARCH 10, 2012 Extend your journey and spend the day ENCORE PERFORMANCES AT SELECT LOCATIONS WEDNESDAY, MARCH 21, 2012 $77 CND per person (to cover the costs of in Stratford on Sunday, 31 March where luncheon and transport). All SAA members SAA members will enjoy three exclusive and their guests are welcome but space Saturday, 8:00 to 9:00 p.m. behind-the-scenes tours of the Stratford is limited. Reservations may be made by Concert: Shakespeare Festival and a luncheon with phoning the Stratford Festival Box Office A Thousand Times Better and newly appointed Artistic Director Antoni at 1.800.567.1600. Cimolino. More Glorious:

Music from Restoration Photo: Stratford Shakespeare Festival Theatre. Adaptations of Shakespeare ______

Soprano Hallie Fishel and lutenist John Edwards are the artists of The Musicians in Ordinary, dedicated to the performance of early solo song and vocal chamber music. Fishel and Edwards have been described as ‘winning performers of winning music’; they are the Ensemble-in-Residence at St. Michael’s College in the University of Toronto. For this performance, they will be joined by a string band led by Christo- pher Verrette.

9  GETTING THERE  DINING AT THE ROYAL YORK The closest international airport to the Fairmont Royal York is Lester B. Pearson Royal York guests have access to five dining International Airport (YYZ). For guests trav- facilities including EPIC, Piper’s Gastropub, elling from Canada and the United States, Benihana Japanese Steakhouse, York’s Deli the closet domestic airport is Billy Bishop & Bakery and the classic Library Bar. The www.fairmont.com/royal-york-toronto/ Toronto City Airport (YTZ). hotel’s fine dining features local, organic Phone 416.368.2511 ingredients, wild-caught fish and seafood, Fax 416.368.9040 Toronto Airport Express shuttle service will award-winning cocktails and its very own Mill deliver patrons from the Lester B. Pearson Street Royal Stinger beer on tap (medal-win- For its Forty-First Annual Meeting the SAA ner at the 2011 Canadian Brewery Awards). convenes at the Fairmont Royal York Hotel, a International Airport directly to the confer- landmark hotel in the heart of Toronto. Just ence hotel. The cost is $26.95 CND/$27.10 Afternoon tea is served in the Library Bar on steps away from its doors is an exciting mix of USD for one way, $40.00 CND/$40.23 USD for Saturdays and Sundays, and has been a tradi- activities and attractions. The Fairmont Royal two-ways. There is a 5% discount for booking tion at the Royal York since 1929. York boasts that it is “at the center of it all” online at http://torontoairportexpress.com/. in the heart of Canada’s largest metropolis. For more information, phone 1-800-387-6787.  TORONTO ATTRACTIONS For those traveling from the Billy Bishop An historic AAA Four-Diamond property, this Toronto City Airport, a complimentary Porter Downtown Museums There are a hotel is connected by underground walk- Airlines shuttle goes to the west doors of the number of museums and art galleries down- way to approximately 1,200 shops, services Fairmont Royal York. town including The Royal Ontario Museum and attractions, including the Hockey Hall of (ROM), Canada’s largest museum and one of Fame, the Eaton Centre and Union Station. Estimated taxi-cab fare from Pearson the top 10 in the world; the Art Gallery of On- International Airport to the hotel ranges tario (AGO), Canada’s oldest art gallery and between $55 and $65 CND dollars; fare from home to more than 15,000 paintings; and the the Billy Bishop Toronto City Airport ranges Ontario Science Centre, which entertains and between $10 and $15 CND. educates 800,000 visitors a year.

Those driving to Toronto may take advantage The Eaton Centre Toronto’s pre- of valet parking at the Fairmont Royal York mier shopping destination, the Eaton Centre, for $45 per day. is a multi-leveled, glass-roofed galleria com- prising more than 320 shops and restaurants  ROOM SHARE and 17 cinemas. The conference hotel is con- nected to the Eaton Centre through an un- To help reduce lodging expenses, the SAA derground walkway. assists members seeking roommates at the conference facility. Please e-mail shake- Rogers Centre Formerly the Skydo- [email protected] with your dates and me, this landmark is famous for its retract- requirements. able roof. The Rogers Centre is home to the Toronto Argonauts football team and the To- ronto Blue Jays baseball team, 1992 and 1993 Guest rooms include: television with compli-  MARCH IN TORONTO World Series Champions. mentary cable access, free daily paper, coffee maker, iron and ironing board, bathrobes and The average high temperature in March in To- For other Toronto attractions, consult hairdryer. In addition, the SAA has negoti- ronto is 37 degrees Fahrenheit; the average http://www.toronto.ca/attractions/attrac- ated free wireless internet in all rooms of low is 27 degrees Fahrenheit. conference attendees. Guests also have com- tion_highlights.htm plimentary 24-hour access to the health club where they will find state-of-the-art cardio machines, strength-training equipment, and free weights. The heated indoor pool and whirlpool are open daily from 8 a.m. to 8 p.m.

Rooms are discounted to $130 USD per night for single and double occupancy; additional guests are charged at $20 per night. Sales and occupancy taxes will be added at the current rate of 13%. Rates are guaranteed through 1 March 2013 on a space-available basis. Reservations must be made with the hotel directly, by phoning the Reservations Department at 1-800-663-7229 or the Global Reservations Centre at 1-800-441-1414 (men- tion that you are a member of the Shakespeare Association of America to receive the dis- counted rate). You may also book online by visiting this exclusive link: https://resweb.passkey.com/go/saa2013 10 Program Planning for SAA 2014 in St. Louis EETING Each year’s program originates in proposals submitted by individual members of the SAA and approved by the Trustees. Program plan- ning for the 42nd Annual Meeting will take M place during the Toronto conference. Only members in good standing for 2012-2013 are ROTOCOLS eligible to submit proposals for 2014. No one may take a major role as a paper presenter, seminar leader, or workshop leader at two P consecutive meetings. Deadline for Proposals for the 2014 meeting is 15 February 2013. Conference Participation Conference Registration For Seminars and Workshops For Seminars and Workshops For SAA Members ______SAA seminars should open a number of path- SAA seminars and workshops are designed to All current members of the Shakespeare ways into a subject, recognizing that the serve as forums for fresh research, mutual Association are welcome to register for seminar meeting is an occasion for focused criticism, and pedagogical and technologi- the 41st Annual Meeting in Toronto. but free discussion among senior and junior cal experimentation among members with SAA membership dues are assessed by the scholars and advanced graduate students. specialized interests and areas of expertise. academic year and were payable in Fall 2012. The proposal should come from the potential Each program requires advance work on the Membership may be renewed or initiated online leader and should include: the name of the part of its members, and this work, which at www.ShakespeareAssociation.org. Only leader, with affiliation and e-mail address; a may include papers, bibliographies, exercises, those who are members in good standing— short biographical statement that includes a and other exchanges, must be duplicated and i.e., paid members for 2012-2013 may sub- description of previous SAA experience; the circulated to the program’s full membership scribe to journals at the SAA’s discounted title of the proposed program; a description for receipt by the deadline established by the rates, vote in the 2013 election, and register of its objectives (250 words minimum, 500 seminar or workshop leader. for and attend the 2013 Meeting. words maximum); and a short description of It is assumed that seminars and workshops The Meeting Registration Fee entitles SAA the program’s intended audience. Seminar will be conducted as gatherings of profes- members to attend all sessions, seminars, and workshop announcements from previous sional colleagues, in an atmosphere of shared and workshops in Toronto, as well as book years are available on the SAA website; refer respect, and with balanced concern for exhibits, the Opening Reception on Thurs- to any June Bulletin filed under the Archives both individual contributions and corporate day evening, the Annual Luncheon on Fri- tab. Proposed leaders must be postdocs and endeavors. SAA policy is that all seminar and day, performances, film screenings, coffee members in good standing of the SAA at the workshop members are entitled to receive breaks, and other receptions. time of submission. comments on and discussion of their work, The Meeting Registration Form should be Session Proposals assuming that work has been submitted by either (1) detached from this bulletin, com- ______the deadline and has been circulated to other pleted, and mailed or faxed to the SAA office members of the group. Every member of a or (2) completed online at our website, The traditional SAA session format includes seminar or workshop should be given a chance www.ShakespeareAssociation.org. three 20-minute papers (moderated by a to speak, and no one should be allowed to session chair who is appointed by the SAA monopolize the conversation. Auditors are For Guests of SAA Members Trustees), but proposals for other formats permitted to join the discussion only when ______are also welcome (with the exception of invited to do so by the seminar or workshop a single-person lecture). Proposals should leader(s), and then only for the last twenty or Guests of registered members are welcome include the name of the session organizer, thirty minutes of the session, at the discretion at all paper sessions, performances, film with affiliation and e-mail address; the of the leader(s). screenings, coffee breaks, and receptions. title of the proposed session; a descrip- Meeting participants should treat all work- To attend the Opening Reception, guests tion of the objectives of the session (250 in-progress with the utmost respect. No paper must have SAA name tags, available without words minimum, 500 words maximum); the should be circulated outside the seminar charge. To attend the Annual Luncheon, name of each participant, with affiliations membership without the author’s permis- guests must purchase luncheon tickets. To and e-mail addresses; short biographical sion. In future publication, acknowledgment register a guest with the SAA or to purchase statements for each; and a title and brief of another participant’s paper is incumbent luncheon tickets for guests, see page 13 of description (250 words maximum) for each upon its user, whether or not the paper this bulletin. presentation. All proposed papers must rep- has subsequently been published. Permission resent original work, with the SAA as their must be secured for any quoted material. first site of presentation. Organizer and The Conference Hotel participants must be members in good stand- ______For Paper Sessions ing of the SAA at the time of submission. ______Reservations for the Fairmont Royal York Hotel Program Committee for 2014 SAA paper sessions are intended to present cannot be made with the SAA office. They new research, discoveries, interpretations, must be made with the hotel directly. See JONATHAN GIL HARRIS, CHAIR [email protected] and analyses to the membership at large. SAA page 10 of this bulletin for more information. DREW DANIEL [email protected] policy provides time at the conclusion of each session for brief comments and questions from STEPHEN GUY-BRAY [email protected] the audience. As a general rule, the chair of a AYANNA THOMPSON [email protected] session will speak for no longer than five min- utes. In a three-paper session, each presenter SARAH WERNER [email protected] will speak no longer than twenty minutes. 11

MEMBERSHIP BENEFITS FOR GRADUATE STUDENTS

 Ashgate Academic Press offers SAA members The Shakespeare Association of America special discounts on over 70 titles. Under the takes pleasure in welcoming advanced gradu- “Member” tab on the SAA website, click on the ate students to its membership. Seminars link for “Ashgate Academic Press Discount.” and workshops are appropriate for those  Oxford University Press maintains a dedi- in the later stages of their doctoral work. cated site for the SAA that highlights OUP books At earlier stages, students may wish to of special interest to SAA members. It also pro- familiarize themselves with the Association’s APPLICATIONS WELCOME vides deep discounts on purchase prices: 30% off proceedings by attending paper sessions and SAA ASSISTANT DIRECTOR the list price for frontlist titles and up to 80% off auditing seminars and workshops. for backlist titles. Click on the link “Academic Graduate Student Breakfast: Each year The SAA welcomes applications for a newly Press Discounts for Members” at the SAA website. the Trustees of the SAA host a Continental created Assistant Directorship.  New Variorum Shakespeare Editions: SAA Breakfast for all graduate students attending members receive a 20% discount on all New the conference. They welcome the oppor- Responsibilities will include: (1) planning and Variorum Shakespeare editions. Go to www. tunity to meet their future colleagues and coordinating special events for the annual mla.org/store/CID38. Enter promotional code to learn of any special concerns graduate convention; (2) producing semi-annual bul- AVON at checkout. students bring to the SAA. The breakfast is letins; (3) handling member correspondence;  Medieval and Renaissance Drama in scheduled for Friday morning at 8:00 a.m., (4) responding to inquiries from the general England: list price $80.00, SAA price $65.00, directly before the Plenary Paper Session. public; (5) updating website announcements, a discount of 19%. To subscribe to this annu- Graduate Student Travel Awards: Travel forms, links, and abstracts; (6) developing al journal, consult the Membership Dues Form subsidies of $300 are available to support website archives (past programs; bibliogra- on the SAA website or contact the SAA. dissertation-level students whose research phies; memoirs).  Shakespeare Bulletin: list price $35.00, will be enhanced by seminar participation. SAA price $29.75, a discount of 15% available Awards have already been made for the 2013 Applicants should submit (1) a letter of appli- for both print and online subscriptions. For conference. The application deadline for the cation detailing relevant administrative expe- print, foreign postage surcharges apply. 2014 conference is 1 November 2013; appli- rience, (2) a curriculum vitae, (3) the names Subscription orders for this quarterly journal cation information will appear in the June of three referees, and (4) documentation of should be placed directly with The Johns 2013 Bulletin. institutional support. For this non-salaried, Hopkins University Press, online at Graduate Student Fee Waivers: For win- non-stipendiary position, a reduced teaching www.press.jhu.edu/journals/special_ ners of Travel Awards, the conference reg- load is requisite. offers.html; by phone at 1.800.548.1784 or istration fee is waived. Others can receive 410.516.6987; by fax at 410.516.3866. fee waivers by assisting for eight to ten SAA governance is provided by a nine-member  Shakespeare Newsletter: Subscriptions hours either at the conference registration Board of Trustees elected on overlapping are $15.00 per year. To subscribe to this tables or during special events. Positions schedules to provide continuity. The Board quarterly journal, consult the Membership Dues are awarded on a first-come, first-recruited appoints an Executive Director for an indefi- Form on the SAA website or contact the SAA. basis. Those interested should contact the nite term, reviewed triennially. Support staff  Shakespeare Quarterly: list price $42.00, SAA office. include a Memberships Manager and a Pro- SAA price $35.70, a discount of 15% available grams Manager. The J. Leeds Barroll Dissertation for both print and online subscriptions. For Prize: In honor of the founder of the Shake- print, foreign postage surcharges apply. Application Deadline: 15 March 2013 speare Association of America, the Trustees Subscription orders for this quarterly journal of the SAA have created a dissertation prize should be placed directly with The Johns to recognize outstanding work in Shakespeare Hopkins University Press, online at studies each year. Dissertations brought for- www.press.jhu.edu/journals/special_ ward for the 2013 prize must have been FUTURE MEETINGS offers.html; by phone at 1.800.548.1784 or submitted and approved at the candidate’s 410.516.6987; by fax at 410.516.3866. university during the calendar year 2012.  Shakespeare Studies: list price $60.00, The dates and locations of the Shakespeare The competition is open to SAA members SAA price $55.00, a discount of 8%. To sub- in good standing. Applicants should send (1) Association of America’s Annual Meetings have scribe to this annual journal, consult the been determined through 2016. a cover letter of no more than two pages, Membership Dues Form on the SAA website or providing an abstract of the dissertation and contact the SAA office. giving context for the writing sample; and The 42nd Annual Meeting  Shakespeare Survey: list price $110.00, SAA (2) twenty pages from the introduction or St. Louis, Missouri price $95.00, a discount of 13%. To subscribe any chapter of the applicant’s choice. These 10 April to 12 April 2014 to this annual journal, consult the materials should be sent as e-mail attach- Membership Dues Form on the SAA website or ments to [email protected] by The 43rd Annual Meeting contact the SAA office. 15 January 2013. They will be used for an Vancouver, British Columbia  The World Shakespeare Bibliography initial screening, with selected applicants 2 April to 4 April 2015 Online: list price $80.00, SAA price $68.00, a then encouraged to forward full copies of discount of 15%. Subscription orders should the dissertation and also hard-copy letters The 44th Annual Meeting be placed directly with The Johns Hopkins from the applicant’s chair or director of New Orleans, Louisiana University Press, online at www.press.jhu.edu/ graduate studies, confirming approval of the 24 March to 26 March 2016 journals/special_offers.html; by phone at dissertation. Submissions will be reviewed by 1.800.548.1784 or 410.516.6987; by fax at a committee consisting of the Vice President 410.516.3866. and selected members of the Association.  Exclusive offer for SAA Members: Bundle The prize will be presented at the Lunch- Shakespeare Bulletin, Shakespeare Quarterly, eon of the 41st Annual Meeting of the SAA in and The World Shakespeare Bibliography Toronto, Ontario on 29 March 2013. Online, and receive a 30% discount on all three. List price $157.00, SAA price $109.90. Submission deadline: 15 January 2013.

12 MEETING REGISTRATION FORM ANNUAL MEETING OF THE

st SHAKESPEARE ASSOC IATION OF AMERICA 4128-30 March 2013  Fairmont Royal York Hotel Please print your name and affiliation (or place of residence) as you wish them to appear on your meeting name tag.

Name: ______

Institutional Affiliation Or Place of Residence: ______

I will be accompanied by a guest named ______In order to attend the Opening Reception, all guests must have name tags.

Please note any special dietary or physical requirements (dietary requests may result in additional charges).

______

______

Only those who are members in good standing—i.e., paid members for 2012-2013—may register for and attend the 2013 Meeting. You may check your membership status on the SAA website at www.ShakespeareAssociation.org. You may also e-mail our offices at [email protected].

REQUIRED FEES: Those members who remit Registration Fees before 1 March will enjoy a speed- ier registration process at the meeting and will be listed as participants in the convention program.

Meeting Registration Fee: $110.00 before 1 March $125.00 after 1 March ______

Graduate Student Registration Fee: $75.00 before 1 March $100.00 after 1 March ______No advance registrations are accepted after 22 March.

OPTIONAL EXPENSES:

1. Guest’s Luncheon: Friday afternoon, $50.00 ______Please note that members’ lunches are included in their registration fees.

2. The SAA/Malone Society Dance: Saturday evening, $15.00 ______

TOTAL PAYMENT DUE ______

Check enclosed (Checks drawn on U.S. banks only, please) ______

Charge to MasterCard / VISA / AmEx (Circle one, please) Credit-Card Number: ______Expiration Date: ______

Pre-Registration Deadline: Monday, 1 March 2013. Registration may also be completed online at www.Shakespeare Association.org. This form and your check (if applicable) may be returned to The Shakespeare Association of America, Department of English, Georgetown University, 37th and O Streets, N.W., Washington, D.C. 20057-1131.

Registration will be acknowledged by hard-copy receipt if received by the deadline of 1 March.

Registration fees and optional expenses are non-refundable after 1 March 2013.

Please note that the SAA offices will close on Friday, 22 March for transport to the conference hotel.

13 Photo at right: The campus of Georgetown University, home of the Shakespeare Association of America, seen from the Potomac River in Washington, D.C.

O UR HOSTS IN TORONTO Lynne Magnusson of the University of Toronto is the Head of Local Arrangements for the SAA’s Forty-First Annual Meeting in 2013. We are grateful to our sponsors for the meet- ing: Brock University, Queen’s University, Ryerson University, University of Toronto St. George, University of Toronto Mississauga, University of Toronto Scarborough, Univer- sity of Waterloo, Western University, Wilfrid Laurier University, and York University.

P ROGRAM PLANNING FOR ST. LOUIS IN 2014 The Forty-Second Annual Meeting will take place at the Hyatt Regency St. Louis at the Arch on 10 to 12 April 2014. Chair of Local Arrangements is Sara van den Berg of St. Louis University. Program Planning, headed by Jonathan Gil Harris of George Washing- ton University, is underway. To submit proposals for seminars, workshops, and paper panels, see further information on page 11 of this bulletin.

M EETINGS FOR 2015 AND BEYOND The Forty-Third Annual Meeting of the Shakespeare Association of America will be held in Vancouver, British Columbia, opening on 2 April 2015 and closing on 4 April 2015. The year following, the Shakespeare Association of America will hold the Forty-Fourth Annual Meeting in New Orleans, Louisiana, opening on 24 March 2016 and closing on 26 March 2016.

J. LEEDS BARROLL DISSERTATION PRIZE Submissions are now welcome for the 2013 prize for outstanding work in Shakespeare studies. Dissertations brought forward for consideration in 2013 must have been approved at the candidate’s university in calendar year 2012. For further information, see page 12 of this bulletin. Submission deadline is 15 January 2013.

S AA ASSISTANT DIRECTORSHIP The SAA welcomes applications for a newly created Assistant Directorship. See page 12 of this bulletin for more details.

S AA ANNUAL FUND Contributions from SAA members support Graduate Student Travel Awards for atten- dance of the conference. To make a fully tax-exempt donation, go to “Give to the SAA” on the drop-down menu under the “About SAA” tab on the SAA website.

THE SHAKESPEARE ASSOCIATION OF AMERICA Department of English, Georgetown University 37th and O Streets, N.W., Washington, D.C. 20057-1131 www.ShakespeareAssociation.org 14 Phone 202.687.6315  Fax 202.687.5445  E-Mail [email protected] 14