Dear Friend, Table of Contents STC Board of Trustees Welcome to our production Bottomless Dream of William Shakespeare’s A (or, Palindromes and Palimpsests) Midsummer Night’s Dream. by Drew Lichtenberg 6 One of the Bard’s best-loved Board of Trustees W. Mike House Emeritus Trustees plays, this tale of magic and Michael R. Klein, Chair Jerry J. Jasinowski R. Robert Linowes*, Title Page 9 Robert E. Falb, Vice Chair Norman D. Jemal Founding Chairman wonder fits perfectly into the John Hill, Treasurer Jeffrey M. Kaplan James B. Adler About the Playwright 10 holiday season, and we thank Pauline Schneider, Secretary Scott Kaufmann Heidi L. Berry* you for sharing your time with us. Michael Kahn, Artistic Director Abbe D. Lowell David A. Brody* Synopsis 11 Eleanor Merrill Melvin S. Cohen* Trustees Melissa A. Moss Ralph P. Davidson Cast 13 Director Ethan McSweeny returns to the Nicholas W. Allard Robert S. Osborne James F. Fitzpatrick Shakespeare Theatre Company with a newly Ashley Allen Stephen M. Ryan Dr. Sidney Harman* Cast Biographies 14 Stephen E. Allis George P. Stamas Lady Manning theatrical spin on Dream. Ethan is drawing on Anita M. Antenucci Bill Walton Kathleen Matthews Direction and an idea that theatre and magic are one and the Jeffrey D. Bauman Lady Westmacott William F. McSweeny Afsaneh Beschloss Rob Wilder V. Sue Molina Design Biographies 19 same. After all, when Shakespeare first staged Landon Butler Suzanne S. Youngkin Walter Pincus this play, he did so on an empty stage, asking his Dr. Paul Carter Eden Rafshoon About STC 23 Chelsea Clinton Ex-Officio Emily Malino Scheuer* audience to use their imaginations to conjure up Dr. Mark Epstein Chris Jennings, Lady Sheinwald Support 24 the green world of the forest and its fairies. As Andrew C. Florance Managing Director Mrs. Louis Sullivan you peer into the corners of the darkened stage Miles Gilburne Daniel W. Toohey For STC 38 Barbara Harman Sarah Valente tonight, see if you can’t use your own imagination John R. Hauge Lady Wright STC Staff 42 to spot some ghosts of the theatre. Stephen A. Hopkins Lawrence A. Hough * Deceased Audience Services 43 Our cast includes STC Affiliated Artists Adam Green and Ted van Griethuysen as well as many new faces, including three actors from the Stratford Shakespeare Festival in Canada—the brilliant trio of Tim Campbell, Bruce Dow and Sara Topham.

For the rest of our 2012–2013 Season, we will continue to probe classical themes of love and revenge, heroism and betrayal. As we move into Eugene O’Neill’s the new year, please give us your hands, but also your eyes and ears, if we be friends. We look forward to seeing you all in the theatre again soon.

Warm regards,

directed by Doug Hughes Michael Kahn Artistic Director featuring Richard Schiff Shakespeare Theatre Company On Sale Now Lansburgh Theatre January 31-March 17, 2013 Production Sponsor: Michael R. Klein and Joan I. Fabry Photo of Adam Green by S. Christian Low.

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There’s a famous(or, proverbial Palindromes saying about amend and them.” “ItPalimpsests) must be your imagination music criticism, that it’s like “dancing about then,” Hippolyta replies, “and not theirs.” In architecture.” The same challenge applies other words, the theatre relies always upon to anyone writing about A Midsummer Night’s the imaginations of its creators and spectators, Dream. Trying to describe the effect of the play rather than the finery of its stage dressing, to is like pinning a fluttering butterfly against cast its magic spell. the wall, perhaps because the play’s effect is a Another name for this kind of layered structure musical one, so lyrical is its language and so is the palimpsest. The word comes from the elegant its form. Latin palimpsestus, which means “scraped clean Structurally speaking, Midsummer’s two halves and used again.” The Romans wrote on wax mirror each other. The play is a palindrome. tablets, called palimpsests, which could be We begin in the Athenian court, with erased, or “scraped clean,” and written over. Painting of Bottom and the Fairies by Henry Fuseli, 1793-1794. Theseus preparing his wedding to Hippolyta On Latin lesson books, old meanings, like and dealing with the competing claims of the natural order undergirding society, or their mixture of sources, their conflation of the sublime, evoking with uncanny accuracy the four young lovers. We next meet the the imagination lying beneath the conscious high and low, theatrical and quotidian. the experience of a dream: “The eye of man “rude mechanicals,” Athenian working-men mind, were often visible in ghostly echoes. hath not heard, the ear of man hath not seen, In A Midsummer Night’s Dream, for example, rehearsing a play for Theseus’ nuptials. In the medieval era, layered structures with man’s hand is not able to taste, his tongue Puck is identified with Robin Goodfellow, a Thirdly, we enter the forest, a fairyland which palindromic or palimpsestic forms were often to conceive, nor his heart to report what my mischievous spirit from popular folklore, but comprises the middle of the play and into used for religious dramas depicting spiritual dream was!” which the lovers and mechanicals stumble. journeys, such as the stations of the cross, a he also functions within the play as Cupid, Coming out of the forest, the play proceeds in pilgrim’s progress or a saint’s life. On the one the classical archer who curses mortals with Bottom’s speech is Shakespeare’s gloss on a reverse order: we see a short scene with the hand, it is exceedingly odd that Shakespeare irrational love. In doubling as Philostrate, Puck divine homily, St. Paul’s first epistle to the mechanicals and end back at the Athenian should adapt such a structure for A Midsummer is also the Master of Revels, an Elizabethan Corinthians, in which he describes man’s court with the promised nuptial celebrations, Night’s Dream, a secular play that functions functionary who reviews the mechanicals’ vision of God. “The eye hath not seen, the ear unfathomably transformed (in the shape of primarily as a comedy. But this palindromic play and approves it for Theseus. Titania and heard, neither have entered into the heart the mechanicals’ play, Pyramus and Thisbe) from stripping-away helps to explain the play’s Hippolyta, the Fairy and Amazon Queens, of man the things which God hath prepared their first reference in the play. curiously intense power, and Shakespeare’s alternately evoke both Venus and Diana, for them that love Him.” Paul concludes his palimpsestic method of overwriting his source oxymoronically combining the virginal moon sermon by trying to describe the limits of Shakespeare thus telescopes us into and out of materials provides harmony to the dissonances goddess and the hedonistic goddess of love, the spiritual experience, but he finds only the dreamlike world of the forest, mediating of its world. especially when played by the same actress. depths. “The Spirit searcheth all things, yea, from the most formal level of civilization Bottom, one of the mechanicals, is an Athenian the deep things of God.” This last phrase, “the (Theseus’ court) to the world of the everyday A Midsummer Night’s Dream was written during weaver, yet in the world of the forest he wears deep things of God,” was translated in various (the Mechanicals’ rehearsal room) to the Shakespeare’s so-called “lyric period” between the ass-head of a mummer at a medieval ways during the Elizabethan era. The one natural world (the magical forest). This “green 1592 and 1596, an extraordinarily fecund time festival. After performing the Romeo-like Shakespeare knew, I believe, is in the Tyndale world” is the theatre in its purest form: it in which he also wrote Richard II and Romeo and Pyramus in a play before the Duke, he leads the New Testament of 1526, the most popular hosts a series of magical metamorphoses Juliet, as well as the epic verse poems The Rape of company in a bergomask, a dance associated book in England before the creation of the and is described in such hyperbolic language Lucrece and Venus and Adonis. He also had begun, with the Harlequin of the commedia dell’arte, 1611 King James Bible: “the bottom of God’s that it is impossible to illustrate completely. most likely, his sequence of sonnets addressed who like Bottom is also a rustic fool. secrets.” And so, in Bottom’s vision, God meets It is Shakespeare’s ingenious adaptation of to “the beautiful youth.” These works, written donkey. It is just one mark of Shakespeare’s But Bottom’s most profound echo, and the the empty Elizabethan stage, a world that in some of the most beautiful verse in the genius that this, the most magical of his moment when Shakespeare’s palimpsestic is limited only by the imaginations of the English language, are unlike anything that comedies, is also one in which the carnal and method comes closest to its medieval sense of playwright, his company and his audience. came before in English literature. They the divine are overlaid. To quote Demetrius, a spiritual journey, is when he wakes up in the Which is to say, limitless. draw almost equally on classical Greek and awakened and trying to remember the details Roman mythology, the popular tradition of forest and tries to remember the details of his “The best in this kind are but shadows,” of his midsummer night’s dream, they are medieval English folklore and a psychologically dream. Of all the mortals in the play, Bottom Theseus says to Hippolyta toward the end of the “undistinguishable.” modern sense of individual characters in an the weaver is the one who comes closest to play, referring specifically to the mechanicals’ unknowable world. They are a young writer’s remembering his experience in the fairy world. play, and more generally to the theatre itself, Drew Lichtenberg, Literary Associate works, teeming with the spirit of invention, He speaks haltingly, and in the confusion of his “and the worst are no worse, if imagination and they are surprisingly contemporary in senses Shakespeare translates nonsense into

6 7 Recipient of the 2012 Regional Theatre Tony Award® COLLECT Artistic Director Michael Kahn your Managing Director Chris Jennings impressions See a new angle

XAVIER VEILHAN Performances Begin November 15, 2012 (IN)balance Opening Night November 27, 2012 Nov. 3, 2012– Feb. 10, 2013 Sidney Harman Hall INTERSECTIONS Supported in part by the Institut Français – Director New York Casting Ministry of Foreign Affairs Ethan McSweeny Binder Casting Jay Binder, CSA/Jack Bowdan, CSA Choreographer Peter Pucci Resident Casting Director PER KIRKEBY Daniel Neville-Rehbehn Set Designer Paintings and Sculptures Lee Savage Voice and Text Coach Through Jan. 6, 2013 Ellen O’Brien Proudly sponsored by Costume Designer Jennifer Moeller Literary Associate Drew Lichtenberg Lighting Designer Tyler Micoleau Assistant Director Jenny Lord Composer/Sound Designer Fitz Patton Production Stage Manager SUNDAY CONCERTS Joseph Smelser* Oct.– May, 4pm Wig and Makeup Designer Leah J. Loukas Stage Manager Brandon Prendergast* TRYST AT THE PHILLIPS Music Vocal Coach coffeehouse – bar – lounge Nancy Anderson Assistant Stage Manager Hannah R. O’Neil* , 2010. Private collection © Veilhan / ADAGP, Paris, 2012 / ADAGP, The Bear , 2010. Private collection © Veilhan Xavier Veilhan, Fight Director Brad Waller

Production Sponsor: Arlene and Robert Kogod Presenting Education Sponsor: Target THURSDAY NIGHTS Additional support provided by American Airlines and British Airways. open until 8:30 pm Restaurant Partner: Asia Nine www.phillipscollection.org *Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers. 1600 21st Street, NW • Dupont Circle Metro (Q Street exit) • 202-387-2151 8 MEMBERS ENJOY FREE UNLIMITED ADMISSION AND DISCOUNTS. JOIN US! 9

PHLINS2474_STC_1p_fin.indd 1 10/4/12 1:18 PM About the Playwright Synopsis

No man’s life has been the subject of more speculation than William Theseus, the Duke of Athens, and Hippolyta, Queen of the Amazons, anticipate their wedding. Egeus enters the Shakespeare’s. While Shakespearean scholars have dedicated their lives court and implores Theseus to force his daughter Hermia to marry Demetrius. Hermia, however, loves Lysander. to the search for evidence, the truth is that no one really knows what Theseus gives Hermia an ultimatum: marry Demetrius, enter a nunnery, or be put to death as Athenian law the truth is. Scholars agree that a William Shakespeare was baptized at dictates. Hermia and Lysander, left alone, resolve to flee to the woods that night. Hermia’s friend Helena Stratford-upon-Avon on April 26, 1564. Tradition holds that he was born enters and laments her unrequited love for Demetrius, who only has eyes for Hermia. Meanwhile, a group of three days earlier, on April 23—the same date on which, 52 years later, he Athenian working men resolve to put on a play, in the hopes that they will be chosen to perform at Theseus and was recorded to have died. On November 27, 1582, a marriage license Hippolyta’s wedding celebrations. was granted to 18-year-old William and 26-year-old Anne Hathaway. A daughter, Susanna, was born to the couple six months later. We know that In the forest outside Athens, a fairy and Puck, a mischievous spirit, discuss the quarrel between Oberon, the Fairy twins, Hamnet and Judith, were born soon after and were baptized. What King, and Titania, his Queen. Oberon enters and demands custody from Titania of a changeling child in her care, we do not know is how the young Shakespeare came to travel to London but she swears never to give him up. After Titania storms off, Oberon decides to take revenge by making Titania and how he first came to the stage. Whatever the truth may be, it is clear fall in love with a beast. He orders Puck to find a magical flower, whose juice causes a person to fall in love that in the years between 1582 and 1592 someone calling himself William with the next creature he or she sees. Meanwhile, Demetrius enters, looking for Hermia and spurning Helena’s Shakespeare became involved in the London theatre scene and was a advances. Overhearing their conversation, Oberon orders Puck to squeeze the love-juice in Demetrius’ eyes. principal actor with one of several repertory companies. Entering Titania’s bower as she sleeps, Oberon then squeezes the love-juice onto her eyes. Puck, meanwhile, sees Lysander sleeping, mistakes him for Demetrius and squeezes the flower’s juice onto his eyes. Waking, By 1592 Shakespeare had become prominent enough as a playwright to engender professional jealousy. A Lysander spots Helena and falls in love with her. rival playwright, Robert Greene, wrote snidely of an “upstart crow, beautified with our feathers, that with his tiger’s heart wrapped in a player’s hide supposes he is as well able to bombast out a blank verse as the best After Puck happens upon the rehearsal of the Athenian working men, he transforms the head of Bottom, of you, and being an absolute Johannes-factotum is in his own conceit the only Shakescene in a country.” In a weaver, into that of an ass’s. Bottom’s companions flee, and Bottom inadvertently wakens Titania, who, the years between 1591 and 1593, the theatres of London were temporarily shut down due to an outbreak of enchanted by the love-juice, falls in love. Elsewhere, Oberon realizes that Puck mistook Lysander for Demetrius, plague; Shakespeare turned his considerable talents to sonnet writing and acquired a patron, the young Lord and orders him to correct his error by enchanting Demetrius. Puck does so, leading the four all over the forest, Southampton, to whom two of his poems, Venus and Adonis and The Rape of Lucrece, are dedicated. until, exhausted, they all lie down to sleep. Puck then squeezes the juice onto Lysander’s eyes, so that he will love Hermia again. In 1594 Shakespeare was listed as a stockholder in the Lord Chamberlain’s Men; he was a member of this company for the rest of his career, which lasted until approximately 1611. When James I came to the throne Titania, having entertained Bottom, falls asleep with him in her bower. Oberon enters with Puck and, waking in 1603, he issued a royal license to Shakespeare and his fellow players, inviting them to call themselves The Titania, releases her from the juice’s power. Titania agrees to give Oberon the changeling boy, and Puck removes King’s Men. The King’s Men leased the Blackfriar’s Theatre in London in 1608. This theatre, which had artificial Bottom’s ass’s head. In another part of the forest, as day approaches, Theseus and Hippolyta enter with a lighting and was probably heated, served as their winter playhouse. The famous Globe Theatre was their hunting party. Seeing the four young lovers asleep on the ground, Theseus wakes them and approves the new summer performance space. matches. They leave for Athens. Bottom awakens and recounts his dream. Rushing back to Athens, Bottom promises his companions that their play will be played at court that evening. In the years since Shakespeare’s death, he had fallen to the depths of obscurity only to be resurrected as the greatest writer of English literature and drama. In the 1800s, his plays were so popular that many refused to At the wedding celebration, Theseus selects the working men’s play, “Pyramus and Thisbe,” which is performed believe that an actor from Stratford had written them. To this day some believe that Sir Francis Bacon was to the great amusement of the court. After the play’s conclusion, the lovers retire to bed. Puck enters and the real author of the plays; others argue that Edward DeVere, the Earl of Oxford, was the man. Still others declares that he will chase away any evil spirits. He is followed by Oberon and Titania, who bless the marriage contend that Sir Walter Raleigh or Christopher Marlowe penned the lines attributed to Shakespeare. Whether beds. The play ends with an epilogue by Puck, addressed to the audience and asking for their applause. the plays were written by Shakespeare the man or Shakespeare the myth, it is clear that no other playwright has made such a significant and lasting contribution to the English language.

10 11 Cast

A Midsummer Night’s Dream

The Court Theseus, Duke of Athens...... Tim Campbell* Hippolyta, Queen of the Amazons...... Sara Topham* Philostrate, Theseus’ Master of the Revels...... Adam Green* Lysander, in love with...... Robert Beitzel* Hermia...... Amelia Pedlow* Helena, in love with...... Christiana Clark* Demetrius...... Chris Myers* Egeus, Hermia’s father...... Lawrence Redmond*

Fairies Oberon, King of the Fairies...... Tim Campbell* Puck...... Adam Green* Titania, Queen of the Fairies...... Sara Topham* First Fairy...... Nancy Anderson* Changeling Boy...... Maxwell Balay, Rohan Saxena (alternate in role)

Mechanicals Peter Quince, a carpenter...... Ted van Griethuysen* Nick Bottom, a weaver...... Bruce Dow* $32.00 Francis Flute, a bellows-mender...... David Graham Jones* Tom Snout, a tinker...... Herschel Sparber* Snug, a joiner...... Robert Dorfman* Robin Starveling, a tailor...... Christopher Bloch*

Ensemble...... John Bambery+, Jacqui Jarrold+, Joe Mallon+, Max Reinhardsen+, Gracie Terzian, Jessica Thorne, Katherine Renee Turner

Understudies Nancy Anderson* (Hippolyta/Titania), John Bambery+ (Puck), Christopher Bloch* (Bottom), Will Cooke (Egeus/Snout), Brit Herring* (Theseus/Oberon/Starveling), Jacqui Jarrold+ (Hermia), Kathryn Elizabeth Kelly (Ensemble), Joe Mallon+ (Demetrius/Snug), Lawrence Redmond* (Quince), Max Reinhardsen+ (Flute/Lysander), Randy Snight (Ensemble), Gracie Terzian (First Fairy), Katherine Renee Turner (Helena)

Dance Captain: Nancy Anderson*

THERE WILL BE ONE 15-MINUTE INTERMISSION.

The Shakespeare Theatre Company operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States, and employs members of the Stage Directors and Choreographers Society and United Scenic Artists. The Company is also a constituent of Theatre Communications Group (TCG), the national organization for not-for-profit professional theatre, and is a + member of the Performing Arts Alliance, the D.C. Chamber of Commerce, Association of Performing Arts Presenters (APAP), American Alliance for Theatre and Education and DC Arts and Humanities Education Collaborative. PENN QUARTER • WEST END Copyright laws prohibit the use of cameras and recording equipment in the theatre.

*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers. +Acting Fellow of the Shakespeare Theatre Company. 12 13 Christiana Clark* Adam Green* Helena Philostrate/Puck NEW YORK: Off-Broadway: 59E59: STC: Affiliated Artist;All’s Well That Cast Biographies Pure Confidence. REGIONAL: Ends Well (mainstage and Free For Centerstage: Gleam; Goodman All), The Two Gentlemen of Verona, Theatre: The Trinity River Plays The Liar (Helen Hayes nomination, Nancy Anderson* Machine, Blackbird, Side Effects (short). TELEVISION: (world premiere, dir. Ethan Emery Battis Award). NEW YORK: First Fairy Law & Order, ER. OTHER: Creates music with his bands McSweeny); Guthrie Theater/ Red Bull: The Witch of Edmonton; NEW YORK: Broadway: Wonderful Less the Band and Corporal. TRAINING: The Juilliard Pillsbury House: In the Red and Brown Water (dir. Second Stage: Election Day, All This Intimacy; Cherry Town, A Class Act; Off-Broadway: School: BFA in Acting. Marion McClinton), Bulrusher (title role); Ten Thousand Lane: Dov and Ali; Lion Theatre: None of the Above; York Theater: Fanny Hill (Drama Desk Things: Il Campiello, Othello, Endgame (dir. Marion Theater at St. Clement’s: The Last Word; New York nomination), Jolson & Co. (Drama Christopher Bloch* McClinton); Park Square: Constant Star; Penumbra: City Opera: The Mines of Sulphur; Theatre for the Desk nomination), Ionescopade, Robin Starveling BLUE (dir. Lou Bellamy), A Raisin in the Sun. FILM: New City: Hoaxocaust; Walkerspace: Bone Portraits. Yank! NATIONAL TOURS: Kiss Me NATIONAL TOUR: The Buddy Stuck Between Stations. TELEVISION: The Choo Choo REGIONAL: Barrington Stage: My Name is Asher Lev; Kate (Helen Hayes nomination), Doctor Dolittle. Holly Story. REGIONAL: Ford’s Bob Show. AWARDS: CityPages Best Actress 2012 and Alley Theatre: Monster at the Door; La Jolla Playhouse: INTERNATIONAL: London: Kiss Me Kate (Olivier Award Theatre: Franklin in 1776, Big River, 2009; Ivey Award Emerging Actress of the Twin Cities Peter and the Starcatchers (dir. Roger Rees/Alex nomination). TELEVISION: Great Performances: Kiss Shenandoah, State of the Union, 2006 (Twin Cities). TRAINING: The American Academy Timbers); Geva Theatre: Pride and Prejudice; Actors Me Kate (West End production), South Pacific (starring Liberty Smith, A Christmas Carol; of Dramatic Arts West. Theatre of Louisville: The Chosen; Arena Stage: Awake Reba McEntire). REGIONAL: Signature Theatre: Side By Signature Theatre: Chess, Les and Sing! (dir. Zelda Fichandler, Rose Robinson Cowen Side By Sondheim (Helen Hayes nomination); Paper Misérables (Helen Hayes Award nomination), Kiss of Robert Dorfman* Fellowship); Alliance Theatre: The Heart is a Lonely Mill Playhouse/Seattle Fifth Avenue: Damn Yankees; the Spider Woman, Merrily We Roll Along, Urinetown Snug Hunter (dir. Doug Hughes); Shakespeare on the Sound: Goodspeed Opera House: City of Angels; Paper Mill (Helen Hayes Award nomination), 20th Century; Arena STC: Slender in The Merry Wives of The Merchant of Venice. TRAINING: NYU: MFA; Harvard: Playhouse: Peter Pan, She Loves Me; South Coast Stage: A Christmas Carol 1941 (Helen Hayes Award Windsor (dir. Michael Kahn). NEW BA in English. Repertory: Ordinary Days; Kennedy Center: By Jeeves; nomination), Black No More, Damn Yankees; Everyman YORK: Broadway: To Be or Not To Be Playwrights Horizons: Far From Heaven. AWARDS: Theatre: Rabbit Hole, Uncle Vanya, Jaques Brel, Art, (dir. Casey Nicholaw), The Lion King Jacqui Jarrold+ Winner of 2011 Noel Coward Competition. OTHER: CD: Light Up the Sky; Guthrie Theater, The Repertory (dir. Julie Taymor), Social Security Ensemble Ten Cents a Dance. Theatre of St. Louis, Virginia Stage Company; ACT (dir. Mike Nichols); Off-Broadway: STC: 2012–2013 Acting Fellow. NEW (Seattle), Indiana Repertory Theatre, Olney Theatre Classic Stage Company: Galileo, Hamlet; The Public YORK: Off-Off-Broadway: The Seeing Maxwell Balay Center, Round House Theatre, Kennedy Center. FILM: Theater: Tony Kushner’s A Dybbuk, Larry Kramer’s Place Theater: Sherry in Independence Changeling Boy Damascus Road, Butler MN. TELEVISION: The West The Normal Heart. NATIONAL TOURS: The Drowsy (reading); Columbia MFA FILM: The Brooklyn Brothers Beat Wing, Fast Food Films, PBS’s The Great Northfield Chaperone. REGIONAL: Centerstage (longtime associate Collaboration: Ensemble in Spoon the Best. TELEVISION: PBS Kids: Raid, PBS’s The Dakota Conflict. AWARDS: 2012 Lunt- artist); Arena Stage: Sarah Ruhl’s Passion Play; Guthrie River Anthologies. OTHER: Maizie in Coach Hooper; National Aquarium Fontanne Fellowship, Helen Hayes Award for Thénardier Theater: The Merchant of Venice; Huntington Theatre AATE’s Developmental Premiere of The Edge of Peace in Baltimore. AWARDS: National and in Les Misérables. OTHER: Star Wars audio drama. Company: Theresa Rebeck’s Mauritius; Wilma Theater: at Northwestern University. TRAINING: Northwestern regional awards in competitive hip Itamar Moses’ Outrage; Virginia Stage Company: John University: BA in Theatre and European History. hop and acrobatic dance. TRAINING: Tim Campbell* Logan’s Red. FILM: It Could Happen To You (dir. Andrew Robert Goddard French Immersion School; Linda Theseus/Oberon Bergman), Fool’s Fire (dir. Julie Taymor). TELEVISION: David Graham Jones* Townsend Management. REGIONAL: Chicago Shakespeare HBO’s Boardwalk Empire. Francis Flute Theater: Private Lives. NEW YORK: Broadway: A Free Man John Bambery+ INTERNATIONAL: Grand Theatre: Bruce Dow* of Color; Off-Broadway: Mint Theater: Ensemble Ed’s Garage, Miracle on 34th Nick Bottom Love Goes to Press; NY Classical STC: 2012-2013 Acting Fellow. NEW Street; Citadel Theatre: Death of a NEW YORK: Broadway: King Herod Theatre: Richard III, King Lear. YORK: Classic Stage: Black Milk; Salesman; Blue Bridge: A Streetcar in Jesus Christ Superstar, Henry T. REGIONAL: Cincinnati Playhouse, Columbia Stages: Uncle Vanya, Named Desire; Soulpepper Theatre: Who’s Afraid Dobson in Anything Goes (benefit Virginia Stage Company, Repertory Ivanov. REGIONAL: Commonwealth of Virginia Woolf?, Death of a Salesman; Tarragon for LCT), Jacey Squires in The Music Theatre of St. Louis, Geva Theatre, Hangar Theatre, Shakespeare: The Comedy of Errors, Theatre: Molière; Resurgence Theatre: Salt-Water Man; Robert in Jane Eyre; Off- Fulton Theatre, Folger Theatre, Pioneer Theatre Shakespeare on Love; SpeakEasy: Moon, A Midsummer Night’s Dream; Rose Theatre: Broadway: Prismatic in Grenadine Company, The Kansas City Repertory Theatre, Kansas Adding Machine, The Light in the Piazza; Kentucky title role in Macbeth; Birdland Theatre: The Last Days (NYC premiere reading of the Yale Drama Award- City Actors Theatre, St. Louis Shakespeare Festival, Repertory Theatre: The Oregon Trail; Harvard: A of Judas Iscariot; Globe Theatre: Stones in His Pockets; winning play by Neil Wechsler). INTERNATIONAL: Great River Shakespeare Festival, The Michigan View from the Bridge. OTHER: Metropolitan Opera, Sudbury Theatre: Romeo and Juliet, The Melville Boys; Stratford Shakespeare Festival: 12 seasons (selected Shakespeare Festival, Unicorn Theatre, Dorset Theatre. Carnegie Hall, Symphony Hall. TRAINING: Boston Stratford Shakespeare Festival (selected): As You Like credits): Trinculo in The Tempest (starring Academy OTHER: He once won an award for acting in a play. Conservatory, MXAT. It, Troilus and Cressida, Richard III, Henry IV Part I, Award winner Christopher Plummer, also Melbar Henry IV Part II, Henry V, Titus Andronicus, Romeo and film); Dromio of Syracuse inThe Comedy of Errors; Joe Mallon+ Robert Beitzel* Juliet, Julius Caesar, Hamlet, Macbeth, Antony and Pseudolus in Forum; The Baker in Into the Woods; Ensemble Lysander Cleopatra, The Tempest. FILM: Deadly Hope, Killshot, Bunthorne in Patience; Sancho Panza in Man of La STC: 2012–2013 Acting Fellow. NEW YORK: Off-Broadway: Billy Hollywoodland. TELEVISION: Nikita, Warehouse Mancha. FILM/TELEVISION: Drone (short), Murdoch REGIONAL: Kimmel Center: The Foxworth in In Masks Outrageous 13, The LA Complex, Saving Hope, The Firm, Lost Mysteries, Rick Mercer Report. OTHER: Member Fantasticks; Montgomery Theater: and Austere; Barrow Street Theater: Girl, Against the Wall, Combat Hospital, Flashpoint, MACnyc, Chicago Cabaret Professionals; solo Picnic, The Last Night of Ballyhoo; Our Town; Rattlestick Playwrights’ Cheater’s Club, Twitches. TRAINING: Bishop’s recordings: Lucky to be Me; Keepin’ Out of Mischief. Theatre Horizon: Working; Devon Theater: Hallway Trilogy, Finer University (Quebec). TRAINING: University of British Columbia: BFA in Acting, Theater: Little Shop of Horrors; Noble Gases, Faster; New York MFA in Directing. New Candlelight Theatre: Joseph and the Amazing Theater Workshop: Light Raise the Roof; Urban Stages: Technicolor Dreamcoat. TRAINING: Tisch School of the Bulrusher. REGIONAL: Actors Theatre of Louisville: Arts: BFA; University of South Carolina: MFA candidate. Finer Noble Gases. INTERNATIONAL: The Bush Theater (London): Finer Noble Gases. FILM: Winter Passing, Art

14 15 Chris Myers* Lawrence Redmond* by Duncan Sheik). TRAINING: Savannah College of Art Sara Topham* Demetrius Egeus and Design: BFA in Performing Arts. Hippolyta/Titania NEW YORK: Atlantic Stage II: 10x25; STC: Hospital Director in The NEW YORK: Broadway: Roundabout The Classical Theatre of Harlem: Government Inspector, Friar Francis Rohan Saxena Theatre Company: Gwendolen in Macbeth. REGIONAL: Studio Theatre: in Much Ado About Nothing, Lord Changeling Boy The Importance of Being Earnest. The Golden Dragon (U.S. premiere); in As You Like It, Lord Mayor in REGIONAL: Lopez Studios: Broadway REGIONAL: McCarter Theatre: McCarter Theater: Youth Ink! OTHER: Richard III, Bellerose in Cyrano, Stars, Red Riding Hood, Group Cecily in Travesties; Hartford Stage: Founding member, Special Sauce Archbishop of York in Henry IV, Voice. FILM: Van Scoy Films: Love Miranda in The Tempest, Thea in Company. TRAINING: The Juilliard School, British Amiens in As You Like It. REGIONAL: Arena Stage: and Alysha; HBO Films: VEEP. TV: Hedda Gabler. INTERNATIONAL: Stratford Shakespeare American Drama Academy. Oliver Hix in The Music Man, Harari in Ruined, Joe Discovery Channel: Who the (Bleep) Festival (Canada): Célimène in The Misanthrope, Olivia Boyd in Damn Yankees, Luther Billis in South Pacific, Did I Marry?; City Gate Productions: in Twelfth Night, Madame de Tourvel in Les Liaisons Amelia Pedlow* Clitandre in The Misanthrope; Round House Theatre: Anti-Bully PSA. OTHER: School of Rock Band, Dangereuses (dir. Ethan McSweeny), Wendy in Peter Hermia Alfred Morris in Permanent Collection, Mr. Meany “Bollywood Stars,” Studio Bleu Dance Team. Pan, Gwendolen in The Importance of Being Earnest, STC: Jessica in The Merchant of in A Prayer for Owen Meany; Studio Theatre: Jerry Laurencia in Fuente Ovejuna, Mabel in An Ideal Venice. NEW YORK: Studio 42: Billy Springer in Jerry Springer: The Opera, The Lecturer in Herschel Sparber* Husband, Cordelia in King Lear, Laura in The Glass Witch; Director’s Company: True Art; Reefer Madness: The Musical, Interrogator in Rock ‘n’ Tom Snout Menagerie, Grace in London Assurance, Rosalind in As Boomerang Theatre Company: Much Roll; Folger Theatre: Norfolk in Henry VIII, Antigonus NEW YORK: Broadway: City of Angels You Like It, Brooke Ashton in Noises Off, Anne Boleyn Ado About Nothing. REGIONAL: in The Winter’s Tale; Theater J: Valkenburgh in New (dir. Michael Blakemore), Guys and in Henry VIII, Cassandra in Agamemnon, Diana in All’s Denver Center: The Liar; Cleveland Jerusalem; Washington Stage Guild: Levin in Anna Dolls (Jerry Zaks). REGIONAL: Kings Well That Ends Well; Belfry Theatre: The Governess in Play House: Legacy of Light; Virginia Stage Company: Karenina. AWARDS: Helen Hayes Awards for Kit Gill in County Shakespeare: Measure The Turn of the Screw; Neptune Theatre: Maggie in The Diary of Anne Frank; Chautauqua Theater No Way to Treat a Lady, Lenny in The Rink, nine Helen For Measure; Mark Taper Forum: Cat on a Hot Tin Roof; Theatre Aquarius: Constanze in Company: The Glass Menagerie, A Midsummer Night’s Hayes Award nominations. The Street of The Sun (world Amadeus. FILM/TELEVISION: Eloise at Christmastime, Dream, Death of a Salesman, Sick. TELEVISION: The premiere); Cleveland Play House: On the Waterfront The Importance of Being Earnest, Twelfth Night. Good Wife. TRAINING: The Juilliard School: BFA. Max Reinhardsen+ (world premiere); Intiman Theatre: Paradise Lost; Ensemble Hollywood Bowl: Guys and Dolls; Tennessee Rep Katherine Renee Turner STC: 2012–2013 Acting Fellow. (founding member): Of Mice and Men; Reprise Theatre Ensemble REGIONAL: Williamstown Theatre Company: Kiss Me, Kate. FILM: The Birdcage, Serenity, INTERNATIONAL: Edinburgh Fringe Festival: The Comedy of Errors, Osmosis Jones, Brother, The Search For El Dorado, Festival: Dancer in Deeply Rooted. Romance, Dead Fish, Two Slatterns and Lucky Stiff (summer 2013 release). TELEVISON: Star OPERA: UrbanArias: Ensemble a King. FILM: CBGB. OTHER: Workshop: Trek Deep Space 9, NYPD Blue, Newsradio, My Name Dancer/Actor in Photo-Op. FILM: The Aeneid (dir. Kay Matschullat, music Is Earl, Boy Meets World, Scarred City (HBO). Lady Talia in Wintersmith, Dr. Henley in Ward 11 (thesis film). Gracie Terzian TELEVISION: Farah Barnes in The RAs (webseries). Ensemble TRAINING: Ithaca College: BFA in Acting; National NEW YORK: Theatre for a New Theater Institute (Eugene O’Neill Theater Center); Audience: A Midsummer Night’s Studio Theatre Acting Conservatory. Dream (workshop reading, dir. Julie Taymor). REGIONAL: Ford’s Theatre: Ted van Griethuysen* A Christmas Carol; Williamstown Peter Quince Theatre Festival Workshop: Cabaret; STC: Affiliated Artist; roles since 1987 Playwright’s Forum: Bridging Generations; Synetic include King of France in All’s Well Theater: Carmen (understudy, performed); Synetic That Ends Well (mainstage and Free Like Family Theater: The Blue Crow, The Nutcracker, The For All), Henry Leeds in Strange Snow Queen; Solas Nua: This Other City. Interlude, Mr. Praed in Mrs. Warren’s Profession, Malvolio in Twelfth Night, Jessica Thorne Andrew Undershaft in Major Barbara, Holofernes in the show? Ensemble Love’s Labor’s Lost (mainstage and RSC), Falstaff in REGIONAL: Synetic Theater: Sauce/ Henry IV, Philip II in Don Carlos, Apemantus in Timon Ensemble in Home of the Soldier, of Athens, Lear in King Lear, Prospero in The Tempest. Go to True eatergoer.com to rate Takhi in The Rough-Faced Girl; NEW YORK: Broadway: Romulus, Inadmissible Imagination Stage: Lucy (understudy) Evidence. REGIONAL: Folger Theatre: Clandestine shows and write short reviews—and nd in The Lion, the Witch and the Marriage; Studio Theatre: The Steward of Christendom, Wardrobe. TELEVISION: Investigation Life of Galileo, Rock ‘n’ Roll, A Number, The Habit of information about other shows. Discovery: Nightmare Next Door. OTHER: Kennedy Art. INTERNATIONAL: Battersea Arts Center, London: Center’s Millennium Stage: Dorothy Fields Review. Life of Galileo; Arcola, London: Broadway from the TRAINING: Catholic University: BM in Musical Theatre. Shadows; Trafalgar Studios: Mr. Paradise in Lovely and Misfit. AWARDS: Six Helen Hayes Awards, the Will Award, and Drama Critics Award (NYC). INSTRUCTOR: Aesthetic Realism of Eli Siegel; Columbia University; Mount Vernon College; University of South Carolina.

16 17

Shakespeare Theatre (4.875"W X 3.875"H) ShakeSpeare TheaTre Company presents Direction and Design Biographies

Ethan McSweeny Boulevard, The Orphans’ Home Cycle, The Late Director Henry Moss, True Love, Eyes for Consuela. REGIONAL: STC: Affiliated Artist,Much Ado About Nothing, The Movement Direction: Phaedra Backwards, The Cherry Merchant of Venice, Ion, Major Barbara, The Persians; Orchard, Twelfth Night, The Learned Ladies, Fool for Harman Center Opening Gala; Associate Director 1993- Love, Romeo and Juliet, The Importance of Being 1997. NEW YORK: Broadway: Gore Vidal’s The Best Man Earnest, Macbeth, Camino Real. OPERA: The Chamber (2001 Outer Critics Circle and Drama Desk Awards, Music Society of Lincoln Center: Renard; Tender Tony Award nomination); Off-Broadway: John Logan’s Land, Samson and Delilah. AWARDS: Lucille Lortel Never the Sinner (Outer Critics Circle and Drama Desk Award and Drama Desk nomination for Outstanding Awards); Playwrights Horizons: 100 Saints You Should Choreography (Queens Boulevard), Drama Desk Award Know (2007 Top Ten, Entertainment Weekly and Time (The Orphans’ Home Cycle). OTHER: Pilobolus Dance Out magazines); Page 73 Productions: 1001 (2007 Top Theatre: principle dancer and rehearsal director for Ten, Time Out magazine); Primary Stages: Rx (world nine years; Choreography: Joffrey Ballet, Ballet Arizona, premiere), Sabina; National Actors Theatre: The Persians. Ballet Hispanico, Colorado Ballet, Pittsburgh Ballet; INTERNATIONAL: Stratford Shakespeare Festival: Pirates Big Apple Circus: DANCE ON; Dance commissions: of Penzance, Dangerous Liaisons. REGIONAL: more New Mexico Ballet, Dance Theater of Harlem, State than 70 productions including the Guthrie Theater: Tales Street Ballet: a new ballet to the music of Paul Simon from Hollywood, Arms and the Man, A View from the (upcoming world premiere, 2013). Manhattanville Bridge, A Body of Water (premiere, Star-Tribune Award), College: Artist in Residence; The Juilliard School of Romeo and Juliet, Six Degrees of Separation (Star- Drama: Guest Artist. TRAINING: North Carolina School Tribune Award), Thief River, Side Man, Gross Indecency; of the Arts: BFA in Modern Dance. Goodman Theatre/Dallas Theater Center: Trinity River November 13–December 9 Plays (premiere); Arena Stage: A Time to Kill (premiere); Lee Savage The Old Globe: Cornelia (premiere), In This Corner Set Designer ShakespeareTheatre.org • 202.547.1122 (premiere, San Diego Critics Circle Award), A Body of STC: Much Ado About Nothing, Richard III, Tamburlaine, Performances at Bier Baron Tavern • 1523 22nd Steet, NW Water (San Diego Critics Circle Award); Denver Center Edward II, Henry V, Richard II. NEW YORK: LCT3: All- MAGAZINE American; Roundabout Theatre Company: The Dream www.ontaponline.com Theatre Company: 1001 (premiere, Ovation Award); South Coast Repertory: Ordinary Days, Mr. Marmalade of the Burning Boy, Ordinary Days; Atlantic Theater: (premiere, OCIE award); Centerstage: Who’s Afraid Of Oohrah!; Partial Comfort: The Bereaved; Clubbed Virginia Woolf? (Baltimore City Paper Best of 2008); Thumb: punkplay; Ensemble Studio Theatre: End Days. Prince Music Theater: Chasing Nicolette (Barrymore REGIONAL: Alliance Theatre, Asolo Repertory Theatre, Award nomination); George Street Playhouse: A Walk in Berkshire Theatre Festival, Cleveland Play House, Dallas the Woods, Dirty Blonde, Ctrl+Alt+Delete (New Jersey Theater Center, George Street Playhouse, Glimmerglass Star-Ledger Best of 2002), Old Times, Master Class; Festival, Goodman Theatre, Guthrie Theater, Milwaukee Westport Country Playhouse: Someone Who’ll Watch Repertory Theatre, Long Wharf, Shakespeare & Co., Trinity Over Me; The Wilma Theater: Dirty Blonde; San Jose Repertory Company, Two River Theater, Westport Country Repertory Theatre: Ctrl+Alt+Delete (world premiere); Playhouse, Wilma Theater, Yale Repertory Theatre. Pittsburgh Public Theater: Wit (Pittsburgh Post-Gazette AWARDS: Helen Hayes (Much Ado About Nothing; Award); Alley Theatre: The Beauty Queen of Leenane; Richard III nomination), Connecticut Critics Circle (The Signature Theatre: Never the Sinner (Helen Hayes Intelligent Design of Jenny Chow). OTHER: with Ethan Award nomination); Chautauqua Theater Company: Fifty McSweeny: Primary Stages: Rx; Centerstage: Who’s Afraid Ways (world premiere), Love’s Labor’s Lost, The Glass of Virginia Woolf?; Old Globe: In This Corner; Chautauqua Menagerie, Death of a Salesman, The Just, The Cherry Theater Company: Fifty Ways, Love’s Labour’s Lost, Death Orchard, All My Sons, Cobb. ARTISTIC LEADERSHIP: of a Salesman, The Glass Menagerie, The Just; Member Chautauqua Theater Company, Co-Artistic Director of Wingspace Theatrical Design. INSTRUCTOR: Yale School 2004–2012 (with Vivienne Benesch); National Actors of Drama: Design Department. TRAINING: Rhode Island Theatre, Associate Director, 2003–2005; Resident School of Design: BFA; Yale School of Drama: MFA. Director, New Dramatists, 2001–2002; George Street Playhouse, Associate Artistic Director, 2000–2004. Jennifer Moeller Lead a Group! BOARD MEMBERSHIPS: Treasurer, Executive Board, Costume Designer STC: Affiliated Artist;Julius Caesar (mainstage and Experience an STC production Stage Directors & Choreographers Society. TRAINING: Received the first ever undergraduate degree in Theatre Free For All), The Merchant of Venice, Richard II, with a group and enjoy and Dramatic Arts from Columbia University. Romeo and Juliet, Antony and Cleopatra, Tamburlaine, exclusive benefits. Richard III. NEW YORK: Off-Broadway: Primary Stages: Peter Pucci Happy Now?; Women’s Project: Crooked (sets), Aliens • Preferred seats Contact Jeremy Flanigan Choreographer with Extraordinary Skills. REGIONAL: Studio Theatre: STC: The Merry Wives of Windsor, Twelfth Night, The Bachelorette, Venus in Fur; McCarter Theatre Center: • Flexible savings 202.547.1122, option 6 Beaux’ Stratagem, Ion, A Midsummer Night’s Dream. The How and the Why; Williamstown Theatre Festival: • Free discussions NEW YORK: Off-Broadway: Death Takes a Holiday, Six Degrees of Separation; Yale Repertory Theatre: [email protected] The Milk Train Doesn’t Stop Here Anymore, Queens The Winter’s Tale, Dance of the Holy Ghost; George

19 Street Playhouse: Circle Mirror Transformation, The Daniel Neville-Rehbehn Hannah R. O’Neil* Seafarer; Berkshire Theatre Festival: Waiting for Godot; Resident Casting Director Assistant Stage Manager Chautauqua Theater Company: The Winter’s Tale. See For STC (page 39). STC: Assistant Stage Manager: All’s Well That Ends Well TRAINING: Yale School of Drama: MFA. (Free For All); Production Assistant: The Merry Wives of Ellen O’Brien Windsor, Strange Interlude, Much Ado About Nothing, Tyler Micoleau Voice and Text Coach Julius Caesar (Free For All), The Merchant of Venice, Lighting Designer See For STC (page 39). An Ideal Husband, Candide, All’s Well That Ends Well; STC: Much Ado About Nothing, Ion, Ghosts. NEW YORK Stage Management Intern: Mrs. Warren’s Profession, (recent): Lincoln Center Theater: Disgraced; Primary Drew Lichtenberg Richard II, Henry V, The Alchemist. REGIONAL: Stages: Him, Harrison, TX; Young Jean Lee: We’re Literary Associate Huntington Theatre Company: Pirates!; Ogunquit Gonna Die; New York Theatre Workshop: Red Dog See For STC (page 39). Playhouse: The Producers, Fiddler on the Roof, The Howls; Signature Theatre: Heartless; 13P: Melancholy King and I, La Cage Aux Folles, The Full Monty, Play, Map of Virtue; Rattlestick Playwrights Theater: Jenny Lord Menopause the Musical. TRAINING: Emerson College: 3C; Classic Stage Company: A Midsummer Night’s Assistant Director BFA in Stage Management and Production. Dream. REGIONAL: Huntington Theatre Company, See For STC (page 39). Alley Theatre, Goodman Theatre, American Repertory Theatre, Trinity Repertory Company, Old Globe, Dallas Joseph Smelser* Theater Center, Philadelphia Theatre Company, Long Production Stage Manager Wharf, among others. AWARDS: 2011 Helen Hayes STC: The Government Inspector, The Merry Wives nomination (Much Ado About Nothing); 2010 Obie of Windsor, Strange Interlude, Much Ado About award for Sustained Excellence, 2010 Lucille Lortel Nothing, The Heir Apparent, All’s Well That Ends award (When the Rain Stops Falling); 2009 American Well. REGIONAL: Arena Stage: Let Me Down Easy; Theatre Wing Hewes Award (Blasted); Obie and Seattle Repertory Theatre: An Ideal Husband, A Doll’s Lucille Lortel awards (Bug, 2004); four Philadelphia House, Play On!, As You Like It, A Midsummer Night’s Barrymore nominations; the NEA/TCG Career Dream, Peter Brook’s The Tragedy of Hamlet, Golden Development Program. INSTRUCTOR: Visiting artist Child, Don Juan, Purgatorio, The Search for Signs positions at Yale, Dartmouth; adjunct faculty Sarah of Intelligent Life in the Universe (with Lily Tomlin); Expand. Explore. Engage. Lawrence College. EDUCATION: Bowdoin College: BA. American Conservatory Theatre: The Rivals, The Circle, The Government Inspector, Edward Albee’s At Fitz Patton Home at the Zoo, Vigil; Berkeley Repertory Theatre: Composer/Sound Designer Journey to the West, An Almost Holy Picture, Having Creative Conversations STC: Strange Interlude. NEW YORK/REGIONAL: Designed Our Say; Regional Tour: Let Me Down Easy, Twilight: and scored more than 240 productions in 20 cities Los Angeles, 1992 (both with Anna Deavere Smith). A Midsummer Night’s Dream across the U.S. including five on Broadway. AWARDS: TRAINING: Oberlin College: BA. 2010 Lucille Lortel and Drama Desk Awards for When Bookends FREE the Rain Stops Falling at Lincoln Center’s Mitzi E. Brandon Prendergast* Newhouse Theater; nominated in 2011 for The Other Wednesday, November 28, pre-show 5:30 p.m. and post-show Stage Manager The Forum in Sidney Harman Hall Place, directed by Joe Mantello. OTHER: He is the STC: More than 15 productions including Explore the production with this immersive discussion event. Pre- and post-show discussions give complete founder of Chance Magazine, a new theater design collaborations with Mary Zimmerman, Bill Alexander, access into the world of the play. magazine coming out this fall in both print and on the Keith Baxter, Edwin Sherin, Gale Edwards, Michael iPad. UPCOMING: The Other Place, on Broadway, at Kahn, Douglas C. Wager, Gerald Freedman, Joe MTC’s Samuel Friedman Theater. INSTRUCTOR: Barnard Calarco and JoAnne Akalaitis. NEW YORK: The Green Page and Stage FREE College of Columbia University. TRAINING: Vassar Bird (dir. Julie Taymor); Les Enfants Terribles (dir. (formerly Windows) College, Bard College, Yale University. Susan Marshall), The Foundling (dir. Liz Swados), Sunday, December 2, 5–6 p.m. Yemayá (dir. Twyla Tharp). REGIONAL: The Kennedy The Forum in Sidney Harman Hall Binder Casting Center: First You Dream, Follies, The Lisbon Traviata, Hear insights on creating the production from the artistic team and local scholars during this lively event. Jay Binder, CSA/Jack Bowdan, CSA Ragtime, The Trumpet of the Swan, Broadway: 3 New York Casting Generations, August Wilson’s 20th Century, Nobody’s Classics in Context FREE With Mark Brandon, CSA, and Jason Styres. STC: The Perfect, Carnival!, Mame, The Brand New Kid, Ben Saturday, December 8, 5–6 p.m. Government Inspector, Two Gentlemen of Verona, Uchida, Mr. Roberts, Cat on a Hot Tin Roof; Ford’s The Forum in Sidney Harman Hall The Boys From Syracuse, As You Like It. NEW YORK: Theatre: Fly, Necessary Sacrifices, Parade, The Respond to the onstage production in a roundtable format with savvy theatre panelists. Broadway: more than 70 Broadway shows, including Carpetbagger’s Children, Sabrina Fair, The Rivalry, the upcoming Rebecca; Nice Work If You Can Get It; Black Pearl Sings, The Heavens Are Hung in Black, Twitter Night FREE Born Yesterday, The Lion King, The Miracle Worker, Christmas Carol, One Destiny, State of the Union. Thursday, December 13, pre-show and post-show Finian’s Rainbow, Brighton Beach Memoirs, A Chorus INTERNATIONAL: Knuffle Bunny: A Cautionary Sidney Harman Hall Line, Gypsy, The 39 Steps, Irving Berlin’s White Musical in Bahrain. INSTRUCTOR: University of Mary Use hashtag #STCnight to join the online conversation from the theatre lobby or from home. Christmas, Is He Dead?, Inherit the Wind, Journey’s Washington: Production Consultant since 1996. End, Butley, Virginia Woolf, Sweet Charity, Wonderful TRAINING: University of Mary Washington. FREE Town, Movin’ Out, 42nd Street, The Music Man, The Post-Performance Cast Discussion Iceman Cometh, The Sound of Music, Beauty & the Wednesday, December 19, post-show Beast, The Last Night of Ballyhoo, Chicago, The Sidney Harman Hall King and I, Damn Yankees, Lost in Yonkers, Jerome Extend your theatre experience. Talk with the acting company after viewing the production. Robbins’ Broadway, The Goodbye Girl; every City Center Encores! production since its inception in 1994. FILM: Hairspray, Dreamgirls, Chicago, Nine. For more information about these events, visit ShakespeareTheatre.org/Education. AWARDS: Eight-time Artios Award winner. 20 21 About STC

STC is the recipient of the 2012 Regional Theatre held throughout the year. Michael Kahn leads the Tony Award® as well as 78 Helen Hayes Awards and Academy for Classical Acting, a one-year master’s Let this Dream stretch 322 nominations. program at The George Washington University. Beyond the classroom, educational opportunities Presenting Classic Theatre like Creative Conversations are available to all in the community. The mission of the Shakespeare Theatre Company is to present classic theatre of scope and size in an Supporting the Community into spring! imaginative, skillful and accessible American style that honors the playwrights’ language and intentions STC has helped to revitalize both the Penn Quarter while viewing their work through a 21st-century lens. and Capitol Hill neighborhoods and to drive an Become a Member of Shakespeare Stars or Artistic Circle artistic renaissance in Washington, D.C. Each season Promoting Artistic Excellence programs such as Free For All and Happenings at the and enhance your STC experience all year long. Harman present free performances to residents and STC honors the language of classic playwrights while visitors alike, allowing new audiences to engage with presenting their work through a 21st-century lens the performing arts. Shakespeare Stars and Artistic Circle Members enjoy: with productions that blend classical traditions and modern originality. Hallmarks include exquisite sets, Playing a Part Insider events, Member discounts through our Bard Card, elegant costumes, leading classical actors and, above all, an uncompromising dedication to quality. STC is profoundly grateful for the support of Stages online magazine, access to our Patrons Lounge those who are passionately committed to Fostering Artists and Audiences classical theatre. This support has allowed STC and much, much more, depending on your Member level. to reach out and expand boundaries, to inform STC is a leader in arts education, with a myriad of and inspire the community and to challenge its user-friendly pathways that teach, stimulate and audiences to think critically and creatively. Learn Each year, ticket sales cover just 60% of the production encourage learners of all ages. Meaningful school more at ShakespeareTheatre.org/Support or call programs are available for middle and high school 202.547.1122, option 7. expenses at STC. It is only because of Member gifts that students and educators, and adult classes are we are able to bridge the gap.

To join Shakespeare Stars or the Artistic Circle—and enjoy year-end tax benefits—visitShakespeareTheatre. org/support or call the Membership Hotline at 202.547.1122, option 7 before December 31.

Thank you for your support! WILL ON THE HILL May 2013 Join us for one of Washington’s most anticipated spring events— Will on the Hill! This Shakespeare Theatre Company annual benefit welcomes Senators, Representatives and distinguished Washington insiders to the stage to perform scenes from Shakespeare with a Capitol twist. Infused with comedic references to contemporary politics, this distinctive and fun-filled evening is sure to leave you in stitches. Will on the Hill pays tribute to the unique dynamic of our city and raises indispensible funds for the Shakespeare Theatre Company’s artistic, education and community engagement programs.

“Imagine a theatre full of really, “To play or not to play, really enthusiastic second-graders that is the question” who have been allowed to dress however they want NBC Washington and who spout jokes about cap and trade and the liberal media.” Washington Post Express WILL ON THEHILL EXECUTIVE SPONSORS

For additional information about Will on the Hill 2013, please contact STC’s Corporate Giving Office at202.547.3230 ext. 2331 or [email protected].

Photos of Rep. Rush Holt (D-NJ) and Rep. Jim McDermott (D-WA), William Kristol (Political Analyst, Founder and Editor of The Weekly Standard), Rep. Donna Edwards (D-MD) and Richard Schiff (Emmy Award®-Winning Actor) and Senator Roger Wicker (R-MS) by Margot Schulman.

The Shakespeare Theatre Company is a 501(c)(3) non-profit organization. STC does not retain or employ registered lobbyists or foreign agents. 23 $5,000 to $9,999 Verizon Foundation Noreen Lynch Anonymous (2) Vulcan Materials Company Foundation Patricia Magno Aflac Carolyn L. Wheeler BA Marshall B. Coyne Foundation Shawn J. Chen and Alexis K. Albion Gerry Widdicombe David and Martha Martin Support Mark G. Anderson Consultants, Inc. Alan and Irene Wurtzel Linda Matthews Peter and Joan Andrews Chris and Carol Yoder Mr. and Mrs. Gregory May Drs. Hilda and William O. Bank ZGF Architects LLP Mary McCue ACA AMB We gratefully acknowledge the following donors for their generous support received between Linna Barnes and Chris Mixter Judy and Leo Zickler Mehlman Vogel Castagnetti July 6, 2011, and September 6, 2012. Kyle and Alan Bell Adele Mouzon and Mark Perry Barbara Bennett $2,500 to $4,999 Rita Mullin Sheila and Kenneth Berman BA Anonymous (5) Ralph and Gwen Nash $100,000 and above Anonymous The Robert P. and Arlene R. Kogod Debra and Leon Black Mr. Derek Thomas and Mr. Ernesto Abrego Madeline Nelson HRH Foundation Family Foundation The Bozzuto Group In honor of Jim Adler Louisa and Bill Newlin Michael R. Klein and Joan I. Fabry T BA Robert H. Smith Family Foundation Mr. and Mrs. Jere Broh-Kahn ACA Jeffrey S. Akman Lawrence and Melanie Nussdorf Suzanne and Glenn Youngkin T Brookfield Office Properties Robert N. Alfandre Mr. and Mrs. Lawrence O’Connor Mr. and Mrs. Calvin Cafritz Mr. and Mrs. Robert J. Almassy Robin and Mark Oderman Desiree Campbell Douglas and Jane Alspach ACA James Oldham and Elizabeth Conahan BA $50,000 to $99,999 Anne and Ronald Abramson The Philip L. Graham Fund Giuseppe and Mercedes Cecchi William B. and Sunny Jung Alsup Mr. and Mrs. David Osnos T T The Clearing House Celia and Keith Arnaud Theda Parrish Anita M. Antenucci John and Meg Hauge Marcel LaFollette and Jeffrey Stine ACA Association of Performing Arts Presenters Penelope Payne The Beech Street Foundation Jeffrey M. Kaplan T Mary Cole AMB Julie, Tina, June and Vince Auletta Mr and Mrs Carl F. Pfeiffer Afsaneh Beschloss T Abbe David Lowell and Computer and Communications Industry BB&T Ann and Walter Pincus The Morris & Gwendolyn Cafritz Molly A. Meegan T BA Association Peter A. Bieger Lutz Alexander Prager Foundation National Capital Arts & Cultural D.C. Friends of Ireland Mr. and Mrs. John H. Birdsall Mr. and Mrs. Gerald Rafshoon BA Dr. Paul and Mrs. Rose Carter T Affairs Program/U.S. Commission Greg Dovel Cathleen Blanton Lloyd and Claudia Randolph DRS Technologies Claudyne Y. Brown BA Molly and Joe Reynolds BA D.C. 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Crow Ernest and Dianne Abruzzo William Stein and Victoria Griffiths BA DAI Miriam and Robert Adelstein Miguel and Patricia Estrada Capital Region Mr. and Mrs. Woolf P. Gross Ralph Voltmer and Tracy Davis BA Tanya Potter Adler and Howard Adler James A. Feldman and Natalie Wexler Clarice Smith Robert and Mary Haft William C. and Sandra C. Davis Gisela and Thomas Ahern Kristin and Kingdon Gould Fredda Sparks and Kent Montavon Nancy and William Harding Louis Delair, Jr. Mark Tushnet and Elizabeth Alexander David and Jean Grier Tom and Cathie Woteki Kevin T. Hennessy AMB BA The Charles Delmar Foundation Tony Anderson and Kevin Lorei Mr. and Mrs. Stephen A. Hopkins T John W. Hill T Beverly and Richard Dietz Mr. Decker Anstrom and Ms. Sherron Hiemstra Turner & Goss Hines Interests Limited Partnership The Dimick Foundation Nora Schuster and Jarrett Arp The Mark & Carol Hyman Fund E. 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Bennett Culture Ireland Kirkland & Ellis Judi Seiden AMB Kushner Family Foundation Mr. Randall Bevins and Ms. Monica A. Gaw Elaine and Richard Binder The Dallas Morse Coors Foundation Laura Pels Productions Victor Shargai and Craig Pascal David A. Lamdin AMB Burton Gerber Lisa and David Blatt for the Performing Arts The Jacob and Charlotte Lehrman May and Stanley Smith Charitable Stephen Loftus Mr. and Mrs. Kenneth W. Gideon Martha Blaxall and Joe Dickey Mr. and Mrs. Eric Luse Ruth Bader Ginsburg Mr. and Mrs. Stuart Marshall Bloch The Max and Victoria Dreyfus Foundation Trust In memory of Marilyn J. Lynch Angelique Glass and Joe Lamantia 1616 ACA AMB Kim Bollen Foundation M Squared Strategies Venable LLP Marriott International Inc. Golden & Cohen, LLC Elizabeth Boyle Nina Laserson Dunn and Eric C. Rose BA MARPAT Foundation, Inc. Marvin F. Weissberg The George Preston Marshall Foundation Richard A and M. 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24 25 Claire Dwoskin Mark Molloy John W. Cooper David and Sarah Tate Mr. Jonathan Clarke Margaret Hennessey Becky and Alan Dye Michael Moran Lisa Davis ThinkFoodGroup CM Equity Partners Jane and David Heppel Irwin and Ginny Edlavitch Dee Dodson Morris BA Dolly Dieter Mr. Dale E. Thompson Laura Hoffman and David Colin Susan McNabb and Brent Hillman Elizabeth and Randolph Elliott Patricia Sherman and Terry Murphy Richard and Patricia Draper David Tone Andrea M. Corcoran Frederick S. Hird Ms. Catherine B. Elwell Kenneth and Marilyn Nickels BA Joy Dunkerley Marilyn and Stefan Tucker John Corrado Melissa Hodgman and Peter Strzok Roy T. Englert Mrs. William A. Nitze Susan and Dorsey Dunn Andrew Tulumello Marsha E. Swiss and Ronald Costell MD David Hofstad Mr. and Mrs. Melvyn Estrin Nonprofit Sponsorship Network, Inc. Donna Z. Eden Carole and John Varela Robert W. Cover Myra Holsinger Marietta Ethier Mrs. Jean Oliver Mr. and Mrs. Kenneth A. 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26 Christopher Michael Nowell and William Warren Buckley/Palmore/Hind Family Sara Elizabeth Jarrett Dan Watkiss Janet Burchard Daphne O’Connor M.L. Weathers Deeanna Burleson Mr. James Olander Thomas and Elizabeth Wehr Susan and Dixon Butler Warren Oliveri and McGennis Williams Sally B. Weinbrom-Kram Donna Campbell Mr. and Mrs. Ernest T. Oskin Catherine and Ronald Weinstock Robert Campbell Aye and Olu Otubu Robert F. Weisberg Peggy Canale Robert Colby Perkins, Jr. Dan and Laura Wellington Adam Lowy and Susan Canning Julia Perlman Debra and Michael Wells Alan Cantor Gary and Trudy Peterson Sharon White Margaret Capron Victoria Phipps Dr. Edward Whitman Eric E. and Susan Carlson Elizabeth Piotrowski DeAunn and Jeffrey Wilder Steve Carlton Ms. Diane Polinger Margaret Susan Wiley Susan Castellan Sheldon Pratt Virginia and Wayne Williams Bruce Gregory and Paula Causey Drs. Dena and Jerome Puskin Linda A. Winslow Dale Cendali Ms. Elise Rabekoff and Mr. Christopher C. 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28 UnitedWayNCA.org 29 Stockwell Everts Mark Srere and Jayne Jerkins Catherine McClave Julie and Sam Rea Audrey Strauss Joseph Eyles George and Ayah Johnson William A. McDaniel, Jr. Mr. and Mrs. Thomas J. Reckford Dr. and Mrs. Louis Sullivan Additional Members of David and Marilyn Falksen Jack and Sondra Johnson Fritz and Suzanne McDougall Marcia Reecer Mr. McKim Symington the Society of 1616 William Faragher Melvin and Colleen Jones Anna Theresa McGowan John and Sue Renaud Barbara Taff Anonymous David Webber and Joelle Faucher Mark Joseph William and Allison McIntosh Larry Resnick Paul and Claudia Taskier Sheryl Baldwin Jill Feasley and Joan Lawson Stephen Kaiser David and Sarah McMeans Maggie and Clark Rheinstein Elizabeth A. 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ExxonMobil Foundation Julie and James Hallowell Dr. Frances Litrenta Dr. Betty Ann Ottinger Richard Spear and Athena Tacha Mellon Foundation Fannie Mae Foundation Alan and Bonnie Hammerschlag Marcia Litwack Cheryl Owen Ms. Nellie Pena and In Memory of Helen Harris Spalding and Herman Bernard Freddie Mac Foundation George and Kathi Hanrahan Mr. and Mrs. Joseph Livingston Rodney and Deborah Page Mr. C. Donald Speer Meyer Shakespeare Memorial Fund IBM International Foundation Donald Harrison Joan and Paul Loizeaux Merrillee Pallansch Eleanor and John Spoor Gizella Moskovitz Fund International Monetary Fund Rev. Linda Harrison Michael M. Aphibal and David A. Lojkovic Thomas and Yates Palmer Carol Stein Pew Charitable Trusts Tricia Harrison Judith and Scott Loomer Susan Papp-Lippman Helene and Michael Stein T. Rowe Price Foundation, Inc. Ms. Fran Hart Ken and Joan Lorber Joseph A. Pardo Betsy and Ralph Stephens Verizon Foundation Peter D. and Florence R. Hart Linda L. Lum The Honorable Elizabeth Paris Nicole Perry and Andrew Stifler Judith A. Hautala Mr. Robert J. Macintosh Andrew Parr Charles W. Heise Ellen Mack Bill and Jenny Pate Constance and Richard Heitmeyer Chris and Ellie Maginniss In memory of Michael Patten Shawn C. Helm and J. Thomas Marchitto JoAnn Mican and Skip Mahon Rebecca Patton Robert J. Herbert Maureen Mahoney Philomena Paul Laura Roulet and Rafael Hernandez Patrick and Liam Shannon and Gita Maitra Renate Pawlik Official 2012–2013 Sponsors Dr. Roger Herst and Dr. Judith Baker Wm Gary and Phoebe Mallard Laurence Pearl and Anne Womeldorf Augustus Hill M.D. Mrs. Maureen Malone Kevin and Sherry Pearson Air Transportation Hotel Make-Up Wine Costume & Shoe Repair Barbara Hindin Darius Mans Mary Frances Jetton Garment Care Bernardo Hirschman Robert and Ida May Mantel Adie Perkins-Williamson Hans Jochen Hoffmann In honor of Sidney Moore Margolis Gerald and Debra Perras Art and Priscilla Hoffman-Stowe Vivien Marion Rick Peters Judy Honig and Stephen Robb Ms. Estelle Marlor David Phantana-Angkool Charlotte Hrncir John Marshall Julie Phillips Key to Symbols Mark Huey and Wayne Wiegand Stephanie Martin Paul and Rosalind Phillips 1616 BA Michelle and David Hughes Charlotte and Abbott Martin Susan and Daniel Plaine Members of the Society of 1616, the Theatre’s planned giving Members of the Bard Association, dedicated Dave Hughes Donald Martin and Tammy Wiles Jessica Pollner society supporters of the Theatre who are members of the legal community. To join, please contact Emily Lynn at Jack and Donna Rice Hughes Dr. and Mrs. Robert Martin Chris Poppe and Teresa Channon ACA Supporters of the Academy for Classical Acting Dr. Carl E. Hunt MD Posner-Wallace Foundation 202.547.3230 ext. 2325. Rick Massumi AMB Ambassadors of the Theatre, generous donors who help Ken Hunter Mr. & Mrs. Bruce F. Press and Family Mr. Paul Mavromihalis and to develop and enhance our patrons’ relationship with T Members of the Board of Trustees Susan C. Immelt Dr. Rebecca Ocampo Drs. Frank and Billie Press the Theatre. To join, please contact Tony Wagener at Alden and Judy Irons Doug Mayer Diana L. Preston 202.547.3230 ext. 2312. Kathleen H. Ives Philip Mayhew Pua Naturally Rachel R. Jaffe Thomas McAuliffe Alfred S. Raider Lorna Jaffe Mr. and Mrs. James W. McBride ACA Alice Rand Every effort has been made to ensure that this list is accurate. If your name is misspelled or omitted, please accept our apologies Anne Jarman and Barbara Webb Anna Kay McCarty Jennifer and Harry Rand and inform the Development Department at 202.547.3230 ext. 2323 or email [email protected].

30 31 Giving $1 billion for education.

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JOB #: 10085177 education by the end of 10085177-1 • American Airlines Duped from A0212-1 by: byn TITLE: JBA EUROPE PRINT PRODUCER: NORITA JONES Path: Production3:AmericanAirlines:Jobs:BillableJobs:10080000Jobs: 2015, so kids and schools PROJECT MANAGER: AMY HARRIS Trim: 4.875"w x 3.875"h Bleed: None Live: N/A ACCOUNT MANAGER: MATHEWS Page 1 of 1 Date: 10/17/12 Proof #2 in your community have ART DIRECTOR: BERNARD PARK Inks: 4/C Revised by: byn CPS CheckOut: ______SHIP: 10/17/12 PUBLICATION & INSERTION DATE: Agency Approvals: INITIALS DATE Supervisors: INITIALS DATE what they need to succeed.Shakespeare Theatre Company, TBD Proofreader ______Project Mgr. ______PROUDCopywriter ______Acct. Sup. ______Art Director ______Prod. Mgr. ______SPONSORCreative Director ______of ______Client Approval: INITIALS DATE Account Exec. ______SHAKESPEARE THEATRE COMPANY Target.com/Community

©2012 Target Stores. The Bullseye Design and Target are registered trademarks of Target Brands, Inc. Please enjoy our wines responsibly. © 2012 Thorny Rose Wines, Prosser, WA All rights reserved. 182435 a EXPLORE the craft of theatre. ommedi Expand. Explore. Engage. A C ENGAGE with trained professionals. arol ACTING CLASSES C EXPAND your creative potential. Christmas Professional WINTER SESSION begins January 2013 Nov 29 – Development Dec 23 Workshops

Gallaudet University’s Theatre Skills are Life Skills. Elstad Auditorium Strengthen your voice. Focus your message. Empower your staff. 800 Florida Ave NE, WDC ***Free Parking*** Email STCTraining@ ShakespeareTheatre.org or call 202.547.5688 to craft a unique experience for your organization. Register today! 202.547.5688 www.factionoffools.org Explore. Engage. Expand. ShakespeareTheatre.org/Education SHAKESPEARE THEATRE COMPANY CAMP SHAKESPEARE BARD What dreams ASSOCIATION may come... Kevin Allen. Kevin

Join the Bard Association! Two-week sessions For a limited time, join the Bard Association, the theatre’s affinity group for the legal community, for the discounted rate of $1,200, just $100 per month for ages 9–18. for a year! By making a tax-deductible monthly donation of $100, you will enjoy the following exclusive benefits: Give the Gift • The opportunity to connect with other members of the legal community • Knowledge that your gift helps support STC’s artistic, education and of Camp! community outreach programs • Access to the theatre’s myriad programs focused on legal themes Register by • Invitations to Opening Nights, Technical Rehearsals and other January 18, networking opportunities receive $50 off! And many, many more benefits!

To10 learn more, contact Emily Lynn, Individual Campaigns Manager, at 202.547.3230 ext. 2325 or [email protected]. Register today! 202.547.5688 or ShakespeareTheatre.org/Camp-Shakespeare ELVIS JERRY LEE CARL JOHNNY PRESLEY LEWIS PERKINS CASH

® THE TONY AWARD –WINNING BROADWAY MUSICAL

INSPIRED BY THE ELECTRIFYING TRUE STORY

New Joan Marcus Cast, photo by Original Broadway Spain. DEC. 18, 2012–JAN. 6, 2013 KENNEDY CENTER EISENHOWER THEATER Tickets on sale now! (202) 467-4600 kennedy-center.org Tickets also available at the Box Office | Groups (202) 416-8400 | TTY (202) 416-8524

Musical Theater at the Kennedy Center is made possible through the generosity of the Adrienne Arsht Musical Theater Fund. The Kennedy Center Theater Season is sponsored by Altria Group. 480 7th Street, NW 202.628.7949 • Jaleo.com Alan Paul Ellen O’Brien Associate Director Head of Voice and Text STC: Joined the company in 2007; Director: numerous STC: More than 50 productions during 11 seasons. For STC galas, readings, and special events, The Boys From ACADEMY FOR CLASSICAL ACTING: 22 productions of Syracuse, Twelfth Night (Free For All); Assistant Shakespeare and Jacobean plays. REGIONAL: Ford’s Director: 13 shows. THEATRE DIRECTING: Signature Theatre, Arena Stage, Charlotte Repertory Company, Michael Kahn Houston and Washington Operas; Carousel for Miami Theatre: I Am My Own Wife; Catholic University: Man Aurora/Magic Theaters, People’s Light and Theatre Artistic Director Opera; Julius Caesar for San Francisco Spring Opera. of La Mancha; Apex Theatre Company: Richard II; Company, Shakespeare Santa Cruz, North Carolina Northwestern University: Six Degrees of Separation; Shakespeare Festival. PUBLICATIONS: Articles in STC: The Government Inspector, INTERNATIONAL: Love’s Labor’s Lost at the Royal readings for The Studio Theatre, Arena Stage, Woolly The Voice and Speech Review, Shakespeare in the Strange Interlude, The Heir Apparent, Shakespeare Company’s Complete Works Festival; The Mammoth Theatre Company, The National Academy of Twentieth Century, Shakespearean Illuminations, Old Times, All's Well That Ends Well, Oedipus Plays at the Athens Festival; Five by Tenn for Sciences, The Phillips Collection, The Goethe Institut, Shakespeare Survey, Shakespeare Quarterly, The Liar, Richard II, The Alchemist, The Acting Company’s tour of Eastern Europe; Show Georgetown University. OPERA DIRECTING: Urban Shakespeare and the Arts; The Voice and Speech Design for Living, The Way of the Boat for the National Cultural Center Opera House in Arias: Blind Dates, Before Breakfast, The Filthy Habit, Review: Associate Editor for Heightened Text, Verse World, Antony and Cleopatra (2008), Cairo; The White Devil for the Adelaide Festival. BOARD Photo-Op; The In Series: Dido and Aeneas, El Amor and Scansion. TRAINING: Yale University: MA, MPhil, Tamburlaine, Hamlet (2007), Richard III (2007), MEMBERSHIPS: Theatre Communications Group; New Brujo. UPCOMING: The Studio Theatre: The Rocky PhD (English); Central School of Speech and Drama/ The Beaux’ Stratagem, Love’s Labor’s Lost, Othello, York State Council on the Arts; D.C. Commission on the Horror Show (co-directing with Keith Alan Baker); The The Open University (London): Advanced and Post- Lorenzaccio, Macbeth (2004), Cyrano, Five by Tenn (at Arts and Humanities; National Endowment for the Arts; Victorian Lyric Opera Company: Iolanthe; Young Artists Graduate Diplomas in Voice Studies. TEACHING: the Kennedy Center), The Silent Woman, The Winter’s Opera America’s 80s and Beyond. AWARDS: Seven of America: Butterfly/Saigon (Strathmore Concert Hall). Academy for Classical Acting; University of California, Tale (2002), The Duchess of Malfi, The Oedipus Plays, Helen Hayes Awards for Outstanding Director; 2011 Santa Cruz; Guilford College; Kirkland College. Hedda Gabler, Don Carlos, Timon of Athens, Camino CAGLCC Excellence in Business Award; 2010 WAPAVA Real, Coriolanus, King Lear (1999), The Merchant of Richard Bauer Award; 2007 Mayor’s Arts Award Deborah Vandergrift Venice, King John, A Woman of No Importance, Sweet Special Recognition for Shakespeare in Washington; Director of Production Daniel Neville-Rehbehn REGIONAL: Sixth season at STC, Production Manager at Bird of Youth, Peer Gynt, Mourning Becomes Electra, 2007 Stephen and Christine Schwarzman Award for Resident Casting Director Hartford Stage for six seasons; Stage Manager for more STC: The Government Inspector, All’s Well That Ends Henry VI, Volpone, Henry V, Henry IV, The Doctor’s Excellence in Theatre; 2007 Sir John Gielgud Award than 30 shows at Hartford Stage working with directors Well (Free For All), The Merry Wives of Windsor, The Dilemma, Richard II, Much Ado about Nothing (also for Excellence in the Dramatic Arts; 2005 Person of including Mark Lamos, Michael Wilson, Michael Servant of Two Masters, Strange Interlude, The Two at McCarter Theatre Center), Mother Courage and the Year from the National Theatre Conference; 2004 Langham, JoAnne Akalaitis, Richard Foreman and Anne Gentlemen of Verona, Much Ado About Nothing, The Her Children, Hamlet, Measure for Measure, King Shakespeare Society Medal; 2002 William Shakespeare Bogart; Stage Manager for La Jolla Playhouse, Georgia Heir Apparent, The Merchant of Venice, Old Times, An Lear (1991), Richard III (1990), The Merry Wives of Award for Classical Theatre; 2002 Distinguished Shakespeare Festival, New Jersey Shakespeare Festival, Ideal Husband, Cymbeline, Candide. REGIONAL: The Windsor, Twelfth Night, As You Like It, Antony and Washingtonian Award from The University Club; 2002 Phoenix Theatre and other theatres. INTERNATIONAL: Studio Theatre: Assistant Production Management and Cleopatra (1988), Macbeth (1988), All’s Well That Ends GLAAD Capitol Award; 1997 Mayor’s Arts Award for Pearls for Pigs international tour (dir. Richard Casting for several productions including American Well, The Winter’s Tale (1987), Romeo and Juliet. NEW Excellence in an Artistic Discipline; 1996 Opera Music Foreman), International Production Associates. OTHER: Buffalo, Reasons to be Pretty, In the Red and Brown YORK: Broadway: Show Boat (Tony nomination), Cat Theater International’s Bravo Award; 1990 First Annual Project Manager: Arts Festival Atlanta, International Water, Adding Machine: A Musical, Grey Gardens, on a Hot Tin Roof, Whodunnit, Night of the Tribades, Shakespeare’s Globe Award; 1989 Washingtonian Festival of Arts and Ideas; Stage Manager for 1996 Rock ‘n’ Roll, Blackbird, Shining City, The History Boys, Death of Bessie Smith, Here’s Where I Belong, Othello, Magazine Washingtonian of the Year; 1989 Olympic Games, Glimmerglass Opera, New York City Jerry Springer: The Opera; Centerstage: Production Henry V; Off-Broadway: Manhattan Theatre Club: Five Washington Post Award for Distinguished Community Opera. TRAINING: Oberlin College: BA in English and Management Intern, 2006–2007 Season. TRAINING: By Tenn, Sleep Deprivation Chamber; Funnyhouse of Service; 1988 John Houseman Award. HONORARY Theatre; UC San Diego: MFA in Stage Management. Towson University: BS in Theatre Design. a Negro, The Rimers of Eldritch, Three by Thornton DOCTORATES: University of South Carolina; Kean Wilder, A Month in the Country, Hedda Gabler, The College; The Juilliard School; The American University. Señorita from Tacna, Ten by Tennessee; New York Drew Lichtenberg Jenny Lord Shakespeare Festival: Measure for Measure (Saturday Chris Jennings Literary Associate Resident Assistant Director STC: The Government Inspector, All’s Well That Ends STC: Assistant Director: 11 productions from Review Award). Artistic Director: The Acting Company, Managing Director Well (Free For All), The Merry Wives of Windsor, The 2010–2012; as Director: All’s Well That Ends Well (Free 1978–1988. TEACHING: Richard Rodgers Director of STC: Joined the Company in Servant of Two Masters, Strange Interlude, The Two For All), Dream a Little Dream (2011 Fellows Project); Juilliard Drama Division July 1992–May 2006, faculty 2004. ADMINISTRATION: General Gentlemen of Verona, Much Ado About Nothing, The ReDiscovery Series: Crazy Money, Emilia Galotti, member 1967–; Shakespeare Theatre Company Manager: Trinity Repertory Company Heir Apparent. REGIONAL: Centerstage: Caroline, or Don’t Play With Love, Madness in Valencia. NEW Academy for Classical Acting at the George Washington (1999–2004), Theatre for a New Change, Cyrano; Centerstage/Lookingglass Theatre YORK: NYMF: Going Down Swingin’, Don Imbroglio; University. Previously: New York University; Circle in Audience (1997–1999); Associate Company: Around the World in 80 Days; Yale Manhattan Opera Theatre: The Filthy Habit. REGIONAL: the Square Theatre School; Princeton University; British Managing Director: Yale Repertory Repertory Theatre: Lulu (adapted by Mark Lamos and Dallas Theater Center: A Christmas Carol; New Century American Drama Academy; founder of Chautauqua Theatre; Assistant to the Executive Producer: Manhattan Drew Lichtenberg); Williamstown Theatre Festival: Theatre: Bee-luther-hatchee; 42nd Street Moon: By Theatre Conservatory. REGIONAL: Arena Stage: A Theater Club; Founder/Producing Director: Texas Young The Front Page, The Physicists, The Corn is Green; Jupiter; several operas including favorites Così fan Touch of the Poet; Signature Theatre: Otabenga; Playwrights Festival; Manager: Dougherty Arts Center. New York Shakespeare Festival: Macbeth (associate tutte and Eugene Onegin. As choreographer: California Guthrie Theater: The Duchess of Malfi; American MEMBERSHIPS: Currently serves on the Board of the dramaturg; dir. Moisés Kaufman). OTHER: Yale School Shakespeare Theater, San Francisco Shakespeare Repertory Theatre: ‘Tis Pity She’s a Whore; American Theatre Communications Group, DC Downtown BID, of Drama: The Ghost Sonata (dir. Shana Cooper), Festival, 42nd Street Moon, etc. EDUCATIONAL: NYU/ Shakespeare Theatre: Artistic Director for 10 years, THE ARC, DC Arts Collaborative, the Penn Quarter American Premiere of Tarell McCraney’s In the Red and Stella Adler Conservatory: The Cherry Orchard, Angels more than 20 productions; McCarter Theatre Center: Neighborhood Association, Theatre Washington, and is Brown Water. TRAINING: Yale: MFA in Dramaturgy and in America: Perestroika; San Francisco State University: Artistic Director for five seasons, includingBeyond a member of the League of Resident Theatres (served Dramatic Criticism; DFA expected 2013. Street Scene. OTHER: Assistant to directors at Geva the Horizon, filmed for PBS; Chautauqua Theatre: on AEA and SSDC Negotiating Committees); has served Theatre Center, Encores!, Mint Theatre Company, Artistic Director, including The Glass Menagerie with as a panelist for the NEA, DC Commission on the Arts, California Shakespeare Theater, Music-Theatre Group. Tom Hulce; Goodman Theatre: Old Times (MacArthur Mid Atlantic Arts Foundation and Humanities, and TRAINING: Yale University: BA. Award), The Tooth of Crime (Jefferson nomination); Pew Theatre Initiative. AWARDS: Arts Administration Ford’s Theatre: Eleanor. OPERA: Romeo and Juliette Fellowship: National Endowment for the Arts. TRAINING: for Dallas Opera; Vanessa for the New York City University of Miami: BFA in Theatre/Music; Yale School of Opera (2007); Lysistrata or The Nude Goddess for Drama: MFA in Theatre Management. Houston Grand Opera and New York City Opera; Vanessa for Washington Opera and Dallas Opera; Show Boat for Houston Grand Opera; Carmen for

38 39   

The Shakespeare Theatre Company gift shop has  something for everyone.  Gift shop hours:  Monday-Friday 10 a.m.-5:45 p.m.  Special holiday hours (December 1-23): Tuesday-Friday

10 a.m.-7:30 p.m.  

FOLGER Stage version by Jean-Claude Carrière THEATRE and Peter Brook; Based on the 2012/13 SeaSon poem by Farid uddi attar; The Directed by aaron Posner; Original ConferenCe music performed by tom teasley of TheBirdS TM & © 2012 Paramount Pictures and EstateTM & © 2012 The of Irving Berlin. All Rights Reserved. 2011 Photo © Carder Photography, OctOber 23 – Tickets on sale now! (202) 467-4600 kennedy-center.org Tickets also available at the Box Office | Groups (202) 416-8400 | TTY (202) 416-8524 NOvember 25, 2012

Musical Theater at the Kennedy Center is made possible through the generosity of the Adrienne Arsht Musical Theater Fund. The Kennedy Center Theater Season is sponsored by Altria Group.   photo by James Kegley www.folger.edu/theatre

202.544.7077 201 E. Capitol Street, SE • Washington, DC 20003

FOLCOB2458_STC_Conf_ad_v3.indd 1 10/24/12 11:11 PM Affiliated Teaching Artists Carolyn Agan, Wyckham Avery, Technical Director Mark Prey Dan Crane, George Grant, Paul Hope, Rachel Hynes, Assistant Technical Directors Michael Bagley, Naomi Jacobson, Mark Jaster, Jessica Jung, Matthew Kacergis, Kelly Dunnavant STC Staff Casey Kaleba, Floyd King, Jessica Lefkow, Andrew Long, Scene Shop Foreman Greg Schmidt Sabrina Mandell, Nafeesa Monroe, George Page, Scene Shop Administrator Margaret Tratta Matthew Pauli, Victoria Reinsel, Lorraine Ressegger, Carpenters Leanne Bock, Carrie Cox, Melissa Richardson, Nancy Robinette, Amie Root, Oran Sandel, Kevin Oleksy, Matt Wolfe Brent Stansell, Craig Wallace, Eva Wilhelm Artistic Director Michael Kahn Director of Individual Giving Karri Brady Charge Scenic Artist Sally Glass Managing Director Chris Jennings Major Gifts Manager Tony Wagener PRODUCTION Scenic Artist Jose Ortiz Scenic Painter Katie Wertz Executive Assistant to the Membership Coordinator Katie Burns-Yocum Director of Production Deborah Vandergrift Overhire Scenic Painter Jamie Kumpf Artistic Director and Managing Director Ray Bracken Director of Foundation and Associate Production Manager Tim Kaufmann Prop Shop Director Chester Hardison Government Relations Connie L. Perez Bookings Production Manager Genevieve Cooper Associate Props Director Eric Reynolds ARTISTIC Grant Writer Meghann Babo Production Administrator Tim Bailey Lead Props Artisan Chris Young Associate Director Alan Paul Development Intern Alison Goldberg Resident Production Stage Manager Joseph Smelser Props Artisan Eric Dixon Resident Assistant Director Jenny Lord Assistant Stage Managers Elizabeth Clewley, Hannah R. O’Neil Props Painter/Sculptor Eric Hammesfahr Head of Voice and Text Ellen O’Brien MARKETING AND COMMUNICATIONS Production Assistants Christopher Kee Anaya-Gorman, Hand Props Artisan Jaime Bagley Resident Casting Director Daniel Neville-Rehbehn Director of Marketing Maria Tejada Soft Goods Artisan Rebecca Williams New York Casting Binder Casting: Jay Binder, CSA; and Communications Darby Lunceford Stage Management Interns Staci Battista, Jessica Skelton Props Intern Hillarie Shockley Jack Bowdan, CSA; Mark Brandon, CSA; Marketing Director Martin Drobac Costume Shop Director Wendy Stark Prey Master Electrician Sean R. McCarthy Jason Styres Associate Marketing Director Austin Auclair Costume Shop Floor Manager Randi Fowler Kudner Assistant Master Electrician Lauren A. Hill Literary Associate Drew Lichtenberg Marketing Manager Becca Gurganious Resident Design Assistant Lynda Myers Harman Electrician Erin Teachman Artistic Fellow Theresa Beckhusen Group Sales and Cultural Tourism Manager Jeremy Flanigan Drapers Denise Aitchison, Randall Exton, Electrician Jacob Moriarty-Stone Assistant Director Gus Heagerty Audience Services Manager Joy Johnson Sally Kessler, Tonja Petersen Sales Supervisors Danielle Cox, Tim Helmer Electrics Intern Jeremy Owens Affiliated Artists Keith Baxter, Avery Brooks, First Hands Jennifer Biehl, Tessa Lew, Sales Associates Zindzi Ali, Benjamin Chase, Assistant to the Lighting Designer Jason Arnold Helen Carey, Veanne Cox, Aubrey Deeker, Sandra Thomas, Sara Trebing Evelyn Chester, Holly Cobb, Hannah Folger, Audio/Video Supervisor Jason Tratta Colleen Delany, Franchelle Stewart Dorn, Stitchers C. Layton Kuchinski, Michele Ordway, Eric Frederic, Heather Hart, Michel Higgs, Christopher Hunt, Resident Sound Engineer Jessica Murphy Cameron Folmar, Adam Green, Edward Gero, Jennifer Rankin, Donna Sachs, KC Johnson, Jessica Kaplan, Jennifer Ketcham, Emmy Alaina Venditti, Pamela Wilcox Live Mix Engineer Brian Burchett Philip Goodwin, Jane Greenwood, Michael Hayden, Landskroener, Andre McBride, Katherine McCann, Izetta Mobley, Crafts Artisan Joshua Kelley Lansburgh Board Operator Andrew Smith Tana Hicken, Simon Higlett, Christopher Innvar, Kristin Nam, Pat Nixon, Christopher Pearson, Monica Powell, Audio/Video Engineer Geoff Moore Stacy Keach, Floyd King, Andrew Long, Ethan McSweeny, Carmelitta Riley, Marie Riley, Charles W. Rohlfs, Crystal Stewart, KC/ACTF Costume Design Intern Caitlin Rain Stage Operations Supervisor Louie Baxter Jennifer Moeller, David Muse, James Noone, Patrick Page, Julia Thompson, Michael Wharton, Genevieve Williams Costume Interns Jenny O’Donnell, Edwin Schiff Robert Perdziola, Nancy Robinette, David Sabin, Call Center Director Monte Hostetler Wardrobe Staff Jeanette Lee Porter, Monica Speaker Assistant Stage Operations Supervisor Mic Murphy Miriam Silverman, Derek Smith, Walt Spangler, Tom Story, Teleservices Associates Daniela Blechner, Chris Broderick, Wigs Supervisor Dori Beau Seigneur Stage Carpenters Nick Custer, Katherine Lucibella Rebecca Bayla Taichman, Ted van Griethuysen, Adam Wernick Kelly Carson, Aimee Cedres, Nicholas Feeney, Overhire Stitcher Claire Cantwell Run Crew Laura Downes Eric Garvanne, Matt Holbert, Cheryl Kempler, Overhire Crafts Artisan Kathleen Stack Overhire Run Crew Catherine Russell ADMINISTRATION Nadia Klouj, Jill McAfee, Joanna Morgan, Overhire Wardrobe Claire Cantwell, Alina Gerall Director of Administration James Roemer Burton Napper, Colin O’Bryan, Cynthia Perdue, George Sitter, Amy Sloane, Kirk Sobell, Associate Director of Administration Anne S. Kohn Tamra Testerman, Luke Tudball, Nancy Tyson Human Resources Manager Kimberley Mauldin Theatre Services Manager Dora Hoyt Human Resources Coordinator Danielle Mohlman House Manager Amanda Loerch Accounting Manager Mary Margaret Finneran Assistant House Managers Melissa Adler, Audience Services Accounting Assistant Marco Dimuzio Quintin Cary, Julia Curry, Kurt Elfmann, Addie Gayoso, Company Manager Jeanne Hosler Kirsten Gregory, Jocelyn Henjum, Aaron Lewis, Lansburgh Theatre Accessibility Company Management Intern Shelly Cohen Chelsea Mays, Stephanie McLean, Carissa Milliken, 450 7th Street NW Our theatres are accessible to persons with disabilities. Laura H. Moore, Ronee Penoi, Ali Peterson, General Management Intern Jon Harvey Please request special seating at time of ticket purchase Receptionist Ursula David Bach Polakowski, Marie Riley, Kelly Rubin, Sidney Harman Hall Justin Silverman, Caitlin Staebell and arrive 30 minutes before curtain for priority seating. Director of Operations Timothy Fowler 610 F Street NW Retail Manager Christopher Levy Operations/IT Assistant Melissa Adler Sign-interpreted performance of A Midsummer Night’s Assistant Retail Manager Sue Fraser Ticket sales and subscriber exchanges: Theatre Building Engineer Dave F. Henderson Dream: Tuesday, December 18 at 7:30 p.m. Harman Reception Meaghan McFadden Tickets: 202.547.1122 Theatre Monitors Milton Garcia, Jeff Whitlow Associate Communications Director Diane Metzger Toll-free: 877.487.8849 Audio-described performance of A Midsummer Night’s Maintenance Technician Al Sanders Publicist Lindsay Tolar Group sales: 202.547.1122, option 6 Dream: Saturday, December 15, at 2 p.m. Custodian Trent Holland Marketing and Communications Interns Kate Colwell, TTY: 202.638.3863 An audio-enhancement system is available for all Harman Porters Dennis Fuller, Roderick Proctor, Alison Ehrenreich Box office fax: 202.608.6350 performances. Both headset receivers and neck loops (to use Jorge Ramirez Web and Media Programmer Brien Patterson Bookings: 202.547.3230 ext. 2206 with hearing aids outfitted with a “T” switch) are available at Lansburgh Porters Mirna Guzman, Agustin Hernandez Senior Graphic Designer Chris Low Box Office hours (both theatres): the coat check on a first-come basis. Director of Interim Junior Graphic Designer Elayna Speight Monday–Sunday: noon–6 p.m. Information Technology Brian McCloskey Graphic Design Intern Chris Booth Program notes in Braille and large print are available at the Systems Administrator David Harvey Photographers Kevin Allen, Margot Schulman, Box Office is open until 15 minutes after start time when coat check. Database Administrator Brian Grundstrom Scott Suchman there is a performance. Closed weekends when there is no Support for the Shakespeare Theatre Company’s IT Help Desk Deanna Gonzalez performance. EDUCATION PROGRAMS Accessibility Program provided by The Academy for Concessions and Gift Shops: DEVELOPMENT Food and beverages are available one hour before each Chief Development Officer Ed Zakreski Classical Acting Director Gary Logan ACA Program Coordinator Sloane A. L. Spencer performance. Pre-order before curtain for immediate pick-up Associate Director of Development Amy Gardner Director of Education Samantha K. Wyer at intermission. Lansburgh Theatre and Sidney Harman Hall gift Individual Campaigns Manager Emily Lynn The video and/or audio recording of this performance by any Audience Enrichment Manager Hannah J. Hessel shops are open before curtain, at intermission and for a short Individual Campaigns Coordinator Norah Quinn means whatsoever is strictly prohibited. As a courtesy, turn off Community Engagement Manager Marcy Spiro time after each performance. Special Events Manager Eric C. Bailey pagers, telephones, watch alarms and all other electronic devices School Programs Manager Vanessa Hope Connect with us: Development Operations Manager Meridith Young during the performance. Training Programs Manager Dat Ngo Facebook.com/ShakespeareinDC Development Operations Coordinator Kristina Williams Training Programs Coordinator Sara Jameson Twitter.com/ShakespeareinDC Audience members may be reached during a performance by Director of Corporate Giving Noreen Major Education Coordinator Laura Henry Buda YouTube.com/ShakespeareTheatreCo calling house management at 202.547.3230 ext. 2517. Specify Corporate Giving Manager Meghan Metzger Education Intern Kevin Collins Flickr.com/ShakespeareTheatreCompany seat location. Resident Teaching Artist Jim Gagne Asides.ShakespeareTheatre.org Latecomers will be seated at management’s discretion. 42 43 SHAKESPEARE THEATRE COMPANY ACADEMY FOR CLASSICAL ACTING AT THE GEORGE WASHINGTON UNIVERSITY The future of classical theatre is here.

The Academy for Classical Acting (ACA) at The George Washington University is the only full-time MFA program in the country focused exclusively on classical acting. The Emerging Classical Artists Fund provides much-needed scholarship funds for MFA candidates at the ACA. Your support is crucial to our goal of providing financial aid to 100% of our students. You are invited to name a scholarship through the Emerging Classical Artists Fund. “My year at the ACA Donors of $5,000 or more to the ACA at The was one of the best George Washington University may name a years of my life. scholarship to fund one of our talented actors I would not have and connect with a recipient. been able to attend the ACA without scholarship support.” Gene Gillette, ACA Class of 2007

To make a gift or for more information, please contact Karri Brady of the Shakespeare Theatre Company at 202.608.6352, or Kimberly Portis of The George Washington University at 202.994.9909. You can also donate online at ShakespeareTheatre.org/Support 44 or gwu.edu/give. Photo of Gene Gillette and Nick Dillenburg in STC’s The Two Gentlemen of Verona by Scott Suchman.