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“From the Cracks in the Sidewalks of NYC”: The
“From the Cracks in the Sidewalks of N.Y.C.”: The Embodied Production of Urban Decline, Survival, and Renewal in New York’s Fiscal-Crisis-Era Streets, 1977-1983 by Elizabeth Healy Matassa B.A. in Italian and French Studies, May 2003, University of Delaware M.A. in Geography, May 2006, Louisiana State University A Dissertation submitted to The Faculty of The Columbian College of Arts and Sciences of The George Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy January 31, 2014 Dissertation directed by Suleiman Osman Associate Professor of American Studies The Columbian College of Arts and Sciences of the George Washington University certifies that Elizabeth Healy Matassa has passed the Final Examination for the degree of Doctor of Philosophy as of August 21, 2013. This is the final and approved form of the dissertation. “From the Cracks in the Sidewalks of N.Y.C.”: The Embodied Production of Decline, Survival, and Renewal in New York’s Fiscal-Crisis-Era Streets, 1977-1983 Elizabeth Healy Matassa Dissertation Research Committee: Suleiman Osman, Associate Professor of American Studies, Dissertation Director Elaine Peña, Associate Professor of American Studies, Committee Member Elizabeth Chacko, Associate Professor of Geography and International Affairs, Committee Member ii ©Copyright 2013 by Elizabeth Healy Matassa All rights reserved iii Dedication The author wishes to dedicate this dissertation to the five boroughs. From Woodlawn to the Rockaways: this one’s for you. iv Abstract of Dissertation “From the Cracks in the Sidewalks of N.Y.C.”: The Embodied Production of Urban Decline, Survival, and Renewal in New York’s Fiscal-Crisis-Era Streets, 1977-1983 This dissertation argues that New York City’s 1970s fiscal crisis was not only an economic crisis, but was also a spatial and embodied one. -
Shakespeare in Love
FEB Shakespeare 26 MAR in Love 29 Based on the screenplay by Marc Norman & Tom Stoppard Adapted for the stage by Lee Hall Music by Alex Bechtel Directed by Matt Pfeiffer Welcome to Shakespeare in Love. Every year, many of you cry out to us “Dear God, no more Shakespeare!” While others plead “I loved your Winter’s Tale, your Richard III. Please put on Midsummer. I beg you for a Twelfth Night.” With Shakespeare In Love, the Purists and the Never Barders may unite to curse us with a plague on both our houses, but if they — and you — are someone who loves love, well then . Here is a love letter to romantic love, to the theatre, and to the rebellious, transgressive, mysterious, and glorious madness of both. Whether you keep Shakespeare close to your heart or far from it, we invite you to celebrate what he loved most: the stage, its players, poetry . and a dog. Zak Berkman, Producing Director Lend me your ears Matt Pfeiffer, Director I’ve been really blessed to spend most of my career working on the plays of William Shakespeare. I believe his plays are foundational to Western culture. Love him or hate him, his infuence is an essential part of our understanding of stories and storytelling. And I’ve had the privilege for the last six years of fostering a specifc approach to his plays. I found that attempting to be in conversation with the principals of the theatre practices of Shakespeare’s time was a good starting place—not so much aesthetically, but logistically. -
~La6(8Ill COMPA.NIES INC
October 1999 Brooklyn Academy of Music 1999 Next Wave Festival BAMcinematek Brooklyn Philharmonic 651 ARTS ~' pi I'" T if II' II i fl ,- ,.. til 1 ~ - - . I I I' " . ,I •[, II' , 1 , i 1'1 1/ I I; , ~II m Jennifer Bartleli, House: Large Grid, 1998 BAM Next Wave Festival sponsored by PHILIP MORRIS ~lA6(8Ill COMPA.NIES INC. Brooklyn Academy of Music Bruce C. Ratner Chairman of the Board Karen Brooks Hopkins Joseph V. Melillo President Executive Prod ucer presents Moby Dick Running time: BAM Opera House approximately ninety October 5, 1999, at 7:00 p.m. (Next Wave Festival Gala) minutes. Songs and October 6-9 & 12-16, 1999, at 7:30 p.m. Stories from Moby Dick is performed without an Visual Design, Music, and Lyrics Laurie Anderson intermission. Performers Pip, The Whale, A Reader Laurie Anderson Ahab, Noah, Explorer Tom Nelis The Cook, Second Mate, Running Man Price Waldman Standing Man Anthony Turner Falling Man Miles Green Musicians Violin, keyboards, guitar, talking stick Laurie Anderson Bass, prepared bass, samples Skuli Sverrisson Artistic Collaborators Co-Visual Design Christopher Kondek Co-Set Design James Schuette Lighting Design Michael Chybowski Sound Design Miles Green Costume Design Susan Hilferty Electronics Design Bob Bielecki Video Systems Design Ben Rubin Staging Co-Direction Anne Bogart General Management Julie Crosby Production Management Bohdan Bushell Production Stage Management Lisa Porter Major support for this presentation was provided by The Ford Foundation with additional support from The Dime Savings Bank of New York, FSB. Next Wave Festival Gala is sponsored by Philip Morris Companies Inc. 17 Produced by electronic theater company, Inc. -
* ^Mwmi COMMON: Fulton Opera House
Theme 8: The Contemulative Society; Literature, Dramaand Music NHL Form 10-300 UNITED Si A "^DEPARTMENT OF THE INTERIOR ST-JTT c. (Rev. 6-72) NATIONAL PARK SERVICE Pennsylvania COUN1~Y: NATIONAL REG ISTER OF HISTORIC PLACES Lancaster INVENTOR Y - NOMINATION FORM FOR NPS USE ONLY ENTRY DATE (Type all entries complete applicable sections) * ^mwmi COMMON: Fulton Opera House AND/OR HISTORI C: Fulton Opera House ti^'WV r $r; v ^ ' %-" ,: ,,^^ ' <&t 'I/? *%%&' ' '"'" S^ll^- ,i STREET AND NUMBER: 12-14 N. Prince Street CITY OR TOWN: CONGRESSIONAL D ISTRICT: Lancaster #16 STATE .CODE COUNTY: CODE Pennsylvania 42 Lancaster 71 fcllii^lliilifl&Ny £; fR: :"v" CATEGORY STATUS ACCESSIBLE OWNERSHIP (Check One) TO THE PUBLIC n District 3 Building 1 1 Public Public Acquisition: Q Occupied Yes: . , r~1 Restricted D Site Q Structure £] Privote Q In Process r- ] Unoccupied ' ' . ,1x1 Unrestricted D Object ! | Both [ | Being Considered r i pJ reservotion work in progress ' I PRESENT USE (Check One or More as Appropriate) 1 I Agricultural 1 1 Government | | Park [ | Transportation 1 1 Comments PI Commercial D Industrial [~1 Private Residence |~1 Other fSoectfv) D Educational D Mi "tary | | Reliqious (3 EntertainmegE^fc D Mu seum | | Scientific liiiiiiliiii&tt:^ .. ,i;-;;,,,/ ^-i, ,. ; :.»'. , ^ ; - . v- OWNER'S NAME:i|f The Fultorf Opera House Foundation, Mr. Albert Wohlsen, President STATE- Penn. STREET AND NUMBER: 12-14 N. Prince Street CITY OR TOWN: STATE: CODF Lancaster Pennsylvania 42 plliliiiilii:FlIiIi!i;:f>i;sc^i:Pij^i:;::: COURTHOUSE, REGISTRY OF -
The University of Chicago Objects of Veneration
THE UNIVERSITY OF CHICAGO OBJECTS OF VENERATION: MUSIC AND MATERIALITY IN THE COMPOSER-CULTS OF GERMANY AND AUSTRIA, 1870-1930 A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF MUSIC BY ABIGAIL FINE CHICAGO, ILLINOIS AUGUST 2017 © Copyright Abigail Fine 2017 All rights reserved ii TABLE OF CONTENTS LIST OF MUSICAL EXAMPLES.................................................................. v LIST OF FIGURES.......................................................................................... vi LIST OF TABLES............................................................................................ ix ACKNOWLEDGEMENTS............................................................................. x ABSTRACT....................................................................................................... xiii INTRODUCTION........................................................................................................ 1 CHAPTER 1: Beethoven’s Death and the Physiognomy of Late Style Introduction..................................................................................................... 41 Part I: Material Reception Beethoven’s (Death) Mask............................................................................. 50 The Cult of the Face........................................................................................ 67 Part II: Musical Reception Musical Physiognomies............................................................................... -
“Canned History”: American Newsreels and The
“Canned History”: American Newsreels and the Commodification of Reality, 1927-1945 By Joseph E.J. Clark B.A., University of British Columbia, 1999 M.A., University of British Columbia, 2001 M.A., Brown University, 2004 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of American Civilization at Brown University Providence, Rhode Island May, 2011 © Copyright 2010, by Joseph E.J. Clark This dissertation by Joseph E.J. Clark is accepted in its present form by the Department of American Civilization as satisfying the dissertation requirement for the degree of Doctor of Philosophy. Date:____________ _________________________________ Professor Susan Smulyan, Co-director Date:____________ _________________________________ Professor Philip Rosen, Co-director Recommended to the Graduate Council Date:____________ _________________________________ Professor Lynne Joyrich, Reader Approved by the Graduate Council Date:____________ _________________________________ Dean Peter Weber, Dean of the Graduate School iii Curriculum Vitae Joseph E.J. Clark Date of Birth: July 30, 1975 Place of Birth: Beverley, United Kingdom Education: Ph.D. American Civilization, Brown University, 2011 Master of Arts, American Civilization, Brown University, 2004 Master of Arts, History, University of British Columbia, 2001 Bachelor of Arts, University of British Columbia, 1999 Teaching Experience: Sessional Instructor, Department of Gender, Sexuality, and Women’s Studies, Simon Fraser University, Spring 2010 Sessional Instructor, Department of History, Simon Fraser University, Fall 2008 Sessional Instructor, Department of Theatre, Film, and Creative Writing, University of British Columbia, Spring 2008 Teaching Fellow, Department of American Civilization, Brown University, 2006 Teaching Assistant, Brown University, 2003-2004 Publications: “Double Vision: World War II, Racial Uplift, and the All-American Newsreel’s Pedagogical Address,” in Charles Acland and Haidee Wasson, eds. -
Lancaster County, PA Archives
Fictitious Names in Business Index 1917-1983 Derived from original indexes within the Lancaster County Archives collection 1001 Hobbies & Crafts, Inc. Corp 1 656 1059 Columbia Avenue Associates 15 420 120 Antiquities 8 47 121 Studio Gallery 16 261 1226 Gallery Gifts 16 278 1722 Motor Lodge Corp 1 648 1810 Associates 15 444 20th Century Card Co 4 138 20thLancaster Century Housing County,6 PA332 Archives 20th Century Television Service 9 180 222 Service Center 14 130 25th Hour 14 43 28th Division Highway Motor Court 9 225 3rd Regular Infantry Corp 1 568 4 R's Associates 16 227 4 Star Linen Supply 12 321 501 Diner 11 611 57 South George Street Associates 16 302 611 Shop & Gallery 16 192 7 Cousins Park City Corp 1 335 78-80 West Main, Inc. Corp 1 605 840 Realty 16 414 A & A Aluminum 15 211 A & A Credit Exchange 4 449 A & B Associates 13 342 A & B Automotive Warehouse Company Corp 1 486 A & B Electronic Products Leasing 15 169 A & B Manufacturing Company 12 162 A & E Advertising 15 54 A & H Collectors Center 12 557 A & H Disposal 15 56 A & H Drywall Finishers 12 588 A & L Marketing 15 426 A & L Trucking 16 358 A & M Enterprises 15 148 A & M New Car Brokers 15 128 A & M Rentals 12 104 A & P Roofing Company 14 211 A & R Flooring Service 15 216 A & R Nissley, Inc. Corp 1 512 A & R Nissley, Inc. Corp 1 720 A & R Nissley, Inc. Corp 2 95 A & R Tour Services Co. -
Calendar of Events Oceancityvacation.Com
Calendar of Events oceancityvacation.com DOWNLOAD THE OFFICIAL OCEAN CITY, NJ VACATION APP TO KEEP UP TO DATE WITH OCEAN CITY, NEW JERSEY! MAY 25th - Memorial Day Ceremony – Ocean City’s annual Memorial Day ceremony will be pre-recorded this year and will air on OCTV (Comcast Channel 97) at 11 a.m. on Monday, May 25. The video also will be linked from www.ocnj.us and the Ocean City NJ page on Facebook. MAY 25th - National Moment of Remembrance, established by Congress, asks Americans, wherever they are at 3 pm, on Memorial Day, to pause in an act of national unity for a duration of one minute. The time 3 p.m. was chosen because it is the time when most Americans are enjoying their freedoms on the national holiday. The moment of remembrance will take place on the Boardwalk (5th – 14th Streets) as Greg Murphy of Buglers Across America sounds Taps to commemorate the moment. JUNE 4th - Wonder’s Birthday Bash at Gillian’s Wonderland Pier – 6th St. and the Boardwalk - Celebrate Wonder Bear’s Birthday from 6pm-10:30pm. Celebrating 91 years on the Ocean City Boardwalk with fireworks at 9pm. JUNE 7th – M&M Connect Life Walk – 3 Mile walk to help those fighting mental health and addiction. Event Registration at Ocean City Practice field 6th and Boardwalk. Registration at 8:30 Walk 10 AM. For more information (856) 520-0848 or 609 472-0535 and www.mmconnect.life JUNE 13th - Cop Chase - 5K Footrace, 2 Mile Fitness Walk on the Ocean City Boardwalk. Proceeds from the Ocean City Police Chase will benefit the Ocean City Police Benevolent Association who support Scholarships for High School seniors, The Christmas toy drive, and distribution of free bike helmets with the funds they raise throughout the year. -
Miscast-FINAL.Pdf
Media Theatre for the Performing Arts presents Directed By Jesse Cline Master of Ceremonies Sean Thompson Musical Director Christopher P. Ertelt Executive Director, Media Theatre Patrick Ward There will be a twenty minute intermission between Acts 1 & 2 featuring a Beer Tasting sponsored by Victory Brewing Please silence your cell phones. All proceeds benefit Media Theatre Children's Education Programs Congratulations to all the staff for 20 years of boundless effort to bring first- class Broadway shows to the Media Theatre, and for initiating a successful Children’s Education Program that will hopefully instill a love of theatre into future generations of young people. And thank you for being such an important part of my life for the last five years. -Gwendolyn Haines JD- When “Someone Like You” is around it will never “Rain on My Parade” Love You- Gigi BEST WISHES to all of the performers! Joel Adams Respected Facilitator of a Disntinguished Group of CEOs 610.639.7400 [email protected] Congratulations to all performers in and to the Media Theatre's Education Programs on a job well done. Wishes for continuing success! -The Seeley Family 1 Broadway Baby Follies Samuel Cooper 2 If I Only Had a Brain Wizard of Oz Veronica Garrubbo 3 Giants in the Sky Into the Woods Katie Davis 4 I’m Just Wild About Shuffle Along Sean O’Neill Harry 5 The Man in the Moon Mame Michael Wells 6 Alone in the Universe Seussical Elaina Fitzgerald 7 Castle on a Cloud Les Miserables Tim Woodward 8 Friend Like Me Aladdin Jillian Spaeder 9 Any Dream Will -
Ben Whishaw Photographed by Matt Doyle at the Walter Kerr Theatre in NYC on Feb
03.17.16 • BACKSTAGE.COM YOUR VO NEED-TO-KNOWS: BEN BUILD YOUR OWN WHISHAW IN-HOUSE STUDIO! DOWNLOAD YOUR THE BRIT GOES WAY TO SUCCESS! PURITANICAL IN “THE CRUCIBLE” TAKE TIPS FROM THE PROS! 17+ Pages of Casting Notices! NEW YORK STELLAADLER.COM 212-689-0087 31 W 27TH ST, FL 3 NEW YORK, NY 10001 [email protected] THE PLACE WHERE RIGOROUS ACTOR TRAINING AND SOCIAL JUSTICE MEET. SUMMER APPLICATION DEADLINE EXTENDED: APRIL 1, 2016 TEEN SUMMER CONSERVATORY 5 Weeks, July 11th - August 12th, 2016 Professional actor training intensive for the serious young actor ages 14-17 taught by our world-class faculty! SUMMER CONSERVATORY 10 Weeks, June 6 - August 12, 2016 The Nation’s Most Popular Summer Training Program for the Dedicated Actor. SUMMER INTENSIVES 5-Week Advanced Level Training Courses Shakespeare Intensive Chekhov Intensive Physical Theatre Intensive Musical Theatre Intensive Actor Warrior Intensive Film & Television Acting Intensive The Stella Adler Studio of Acting/Art of Acting Studio is a 501(c)3 not-for-prot organization and is accredited with the National Association of Schools of Theatre LOS ANGELES ARTOFACTINGSTUDIO.COM 323-601-5310 1017 N ORANGE DR LOS ANGELES, CA 90038 [email protected] by: AK47 Division CONTENTS vol.57,no.11|03.17.16 NEWS 6 Ourrecapofthe37thannualYoung Artist Awardswinners 7 Thisweek’sroundupofwho’scasting whatstarringwhom 8 7 brilliantactorstowatchonNetflix ADVICE 11 NOTEFROMTHECD Themonsterwithin 11 #IGOTCAST EbonyObsidian 12 SECRET AGENTMAN Redlight/greenlight 13 #IGOTCAST KahliaDavis -
The Elusive Utopian Vision in Dance Films
2015 HAWAII UNIVERSITY INTERNATIONAL CONFERENCES ARTS, HUMANITIES, SOCIAL SCIENCES & EDUCATION JANUARY 03 - 06, 2015 ALA MOANA HOTEL, HONOLULU, HAWAII THE ELUSIVE UTOPIAN VISION IN DANCE FILMS WOO, MISEONG YONSEI UNIVERSITY DEPARTMENT OF ENGLISH LANGUAGE AND LITERATURE Dr. Miseong Woo Dept. of English Language & Literature Yonsei University, South Korea. The Elusive Utopian Vision in Dance Films Synopsis: This paper is an attempt to analyze dominant patterns embedded in the dance films as a genre different from musicals and music videos. I attempt to read the optimistic closure of the narrative in dance movies made in Hollywood between the 1970s to the 2010s as a utopian vision derived from Western art and body philosophy. THE ELUSIVE UTOPIAN VISION IN DANCE FILMS Miseong Woo Associate Professor in Department of English, Yonsei University (Seoul, South Korea) [email protected] Hawaii University International Conference Jan.3-6, 2015, Honolulu, Hawaii Conference Presentation Paper The Elusive Utopian Vision in Dance Films Miseong Woo (Yonsei University) Why bother to analyze and find meaning when everyone knows dance films are meant for sheer entertainment? As Robin Wood pointed out, “genre cinema today—deprived of the sustaining base of the star/studio system, replaced by a set of businessmen sitting around a conference table asking ‘Well, what made the most money last year?’ and constructing a ‘package’ resembling it as closely as possible but going a little further—obviously survives only in an extremely debased and impoverished form” (310) 1 . From the audience’s perspective, the viewing pleasure of watching the dance movies is similar to watching music videos but with more developed dramatic stories that offer voyeuristic pleasure. -
Mousical Trivia
Level I: Name the classic Broadway musicals represented in these illustrations from THE GREAT AMERICAN MOUSICAL. Level II: Identify the song and the character(s) performing each one. Level III: Name the show's creators, the year the show originally opened, the theatre it opened in, and the original stars. a.) b.) e.) d.) c.) BONUS QUESTION: Can you name the choreographer Pippin the intern is paying tribute to on the cover of the book? ANSWERS Level I: Name the classic Broadway musicals represented in these illustrations from THE GREAT AMERICAN MOUSICAL. Level II: Identify the song and the character(s) performing each one. Level III: Name the show's creators, the year the show originally opened, the theatre it opened in, and the original stars. a.) d.) Level I: The King and I Level I: Fiddler on the Roof Level II: "Getting to Know You", Anna Leonowens, Royal Wives Level II: “If I Were a Rich Man”, Tevye and Royal Children Level III: Book by Joseph Stein; Based on stories by Sholom Aleichem; Level III: Music by Richard Rodgers; Lyrics by Oscar Hammerstein Music by Jerry Bock; Lyrics by Sheldon Harnick. 1964, Imperial Theatre. II; Book by Oscar Hammerstein II; Based on the novel "Anna and Zero Mostel & Beatrice Arthur the King of Siam" by Margaret Landon. 1951, St. James Theatre. Yul Brynner & Gertrude Lawrence b.) e.) Level I: My Fair Lady Level I: Hello, Dolly! Level II: “Wouldn't It Be Loverly?”, Eliza Doolittle and the Cockneys Level II: “Hello, Dolly!”, Mrs. Dolly Gallagher Levi, Rudolph, Waiters and Level III: Book by Alan Jay Lerner; Lyrics by Alan Jay Lerner; Music by Cooks Frederick Loewe; Adapted from "Pygmalion" by George Bernard Shaw.