Frog and Toad Studyguide
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College
Claremont Colleges Scholarship @ Claremont Pitzer Senior Theses Pitzer Student Scholarship 2014 Funny Pages: Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College Recommended Citation Hernandez, Dahnya Nicole, "Funny Pages: Comic Strips and the American Family, 1930-1960" (2014). Pitzer Senior Theses. Paper 60. http://scholarship.claremont.edu/pitzer_theses/60 This Open Access Senior Thesis is brought to you for free and open access by the Pitzer Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pitzer Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. FUNNY PAGES COMIC STRIPS AND THE AMERICAN FAMILY, 1930-1960 BY DAHNYA HERNANDEZ-ROACH SUBMITTED TO PITZER COLLEGE IN PARTIAL FULFILLMENT OF THE BACHELOR OF ARTS DEGREE FIRST READER: PROFESSOR BILL ANTHES SECOND READER: PROFESSOR MATTHEW DELMONT APRIL 25, 2014 0 Table of Contents Acknowledgements...........................................................................................................................................2 Introduction.........................................................................................................................................................3 Chapter One: Blondie.....................................................................................................................................18 Chapter Two: Little Orphan Annie............................................................................................................35 -
The Curse of Eve - Or, What I Learned in School Margaret Atwood
The Curse of Eve - Or, What I Learned in School Margaret Atwood Margaret Atwood and less Graeme Gibson La Malediction d'Eve ou - Ce que j'ai appris aI'ecole. knowledge, like all other knowledge, by virtue of gender. The tables have turned and now it's women who are supposed to Dans cet aper~u des stereotypes de femmes ecrivai ns et possess this knowledge, simply by birthright. I can only assume de leur impact sur notre tradition litteraire, Atwood nous that's the reason I've been invited to speak to you, since I'm demande de permettre aux femmes - personnages et not an authority on women, or indeed on anything else. personnes - d'avoir leurs imperfections sans etre I escaped from academia and bypassed journalism - which was categorisees comme types. the other career I considered, until I was told that women journalists usually ended up writing obituaries or wedding announcements for the women's page, in accordance with their Once upon a time, I wou Id have not been invited to speak to ancient roles as goddesses of life and death, deckers of nuptial you today. That time isn't really very long ago. In 1960, when beds and washers of corpses. Finally, I became a professional I was attending university, it was widely known that the writer. I've just finished a novel, so it's as a working novelist University College English department did not hire women, no that I'd li ke to approach this general area. matter what their qualifications. My own college did hire . -
PLAYHOUSE SQUARE January 12-17, 2016
For Immediate Release January 2016 PLAYHOUSE SQUARE January 12-17, 2016 Playhouse Square is proud to announce that the U.S. National Tour of ANNIE, now in its second smash year, will play January 12 - 17 at the Connor Palace in Cleveland. Directed by original lyricist and director Martin Charnin for the 19th time, this production of ANNIE is a brand new physical incarnation of the iconic Tony Award®-winning original. ANNIE has a book by Thomas Meehan, music by Charles Strouse and lyrics by Martin Charnin. All three authors received 1977 Tony Awards® for their work. Choreography is by Liza Gennaro, who has incorporated selections from her father Peter Gennaro’s 1977 Tony Award®-winning choreography. The celebrated design team includes scenic design by Tony Award® winner Beowulf Boritt (Act One, The Scottsboro Boys, Rock of Ages), costume design by Costume Designer’s Guild Award winner Suzy Benzinger (Blue Jasmine, Movin’ Out, Miss Saigon), lighting design by Tony Award® winner Ken Billington (Chicago, Annie, White Christmas) and sound design by Tony Award® nominee Peter Hylenski (Rocky, Bullets Over Broadway, Motown). The lovable mutt “Sandy” is once again trained by Tony Award® Honoree William Berloni (Annie, A Christmas Story, Legally Blonde). Musical supervision and additional orchestrations are by Keith Levenson (Annie, She Loves Me, Dreamgirls). Casting is by Joy Dewing CSA, Joy Dewing Casting (Soul Doctor, Wonderland). The tour is produced by TROIKA Entertainment, LLC. The production features a 25 member company: in the title role of Annie is Heidi Gray, an 11- year-old actress from the Augusta, GA area, making her tour debut. -
Trib061047p1002.Pdf
~ICACO DAILY TRIBUNEI' . how to organize Bn.tn~est~uctible'IBUSINESS GIVES CENTENNIAL EDmON TRIBUNE AD MEN jBdmlratlOn and affectlon for CoL 2 *** Tuesday, JuaelO, 1947 IIIN IS:W S S U H M A • 1l unconquerable organization. M:cCormic:k,who has guided To ". ••••• 11:•• 1CIAfIOGK." _ Concerning these and other trib- GIVE PLAQUE TO TRIBUNEto its period of sreatest colonel has got." It brought down T.aMy •••••• 10. 1947 utes, the colonel said that he could CAN BE MAILED TO ALL achievements. the house. only pray that he would be able to R0 S E S SCROLL COL McCORMICKI "Practically all of Ull began our A true repres ntatlve of Amerl- accept them with Christian humil- • association with THE 1fRIBUNEsince can thought W8I the picture drawn LOCAL I DOMESTIO ity and that he would be able to , PARTS OF U S FOR IOe A copper plaque bearing the sig·,Col. McCormick took Its helm in of THE TRIBUNEby Gen. Wood, a Tribune Stages Great Centennial House votes to double state school live up to them. I· • natures of 441 membe~s of the Chi'11911,,,the message continued. "Be- paper which fought the New Deal Show Tonight. ••••.• I·ald sranta. Pace I Speaks for Departed IN TESTIMONIALI Chicago readers of THE TRIBUNIcago. Tribune advertising depart- cause of the friendly relations from its start against an intrenched CitYs Leaders Tender Birthday Clalms accused pastor wanted a Cc?l.McCormick recalled that he may order copies of today's Cen- rgett Rw:s presented ye~terday. to Iwhich have at al~ times existed be- bur 0 era c y, and never pulled a DInner to THETRmt1NE. -
2017 | 2018 Season
2017 | 2018 SEASON Unforgettable characters. Extraordinary stories. Since 1947. A CHRISTMAS STORY, 2014 THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE, 2014 Honoring our 70 year history as San Luis Obispo Little Theatre while building our future as San Luis Obispo Repertory Theatre, a professional, nonprofit, regional theatre. Repertory (re-pə(r)-ˌtȯr-ē) 1. a company that performs different plays in the course of a season 2. a theatre in which such a company performs 3. the production and presentation of plays by a repertory company BYE BYE BIRDIE, 2016 THE DROWSY CHAPERONE, 2016 A New Name for Live Theatre This organization was created in the summer of 1947 by a small group of people who wanted to “put on a show.” These 10-15 theatre-lovers, swept up in the last wave of the larger Little Theatre movement across the country, recognized the need for an organized drama troupe in San Luis Obispo. Late in 1947, they decided on the name San Luis Obispo Little Theatre and began rehearsal for their first production – Noel Coward’s Blithe Spirit – which opened at the San Luis Obispo High School Auditorium in early 1948. Since that first show, the San Luis Obispo Little Theatre has produced a full season of plays each year, every year, in 27 different locations around the county. We have had an incredible history as a nonprofit community theatre: 70 years, over 900 plays, hundreds of board members, thousands of volunteers. Now it is time for us to officially become the premier live theatre in San Luis Obispo, and continue the growth we have experienced for the last 5, the last 30, the last 70 years. -
Dick Tracy.” MAX ALLAN COLLINS —Scoop the DICK COMPLETE DICK ® TRACY TRACY
$39.99 “The period covered in this volume is arguably one of the strongest in the Gould/Tracy canon, (Different in Canada) and undeniably the cartoonist’s best work since 1952's Crewy Lou continuity. “One of the best things to happen to the Brutality by both the good and bad guys is as strong and disturbing as ever…” comic market in the last few years was IDW’s decision to publish The Complete from the Introduction by Chester Gould’s Dick Tracy.” MAX ALLAN COLLINS —Scoop THE DICK COMPLETE DICK ® TRACY TRACY NEARLY 550 SEQUENTIAL COMICS OCTOBER 1954 In Volume Sixteen—reprinting strips from October 25, 1954 THROUGH through May 13, 1956—Chester Gould presents an amazing MAY 1956 Chester Gould (1900–1985) was born in Pawnee, Oklahoma. number of memorable characters: grotesques such as the He attended Oklahoma A&M (now Oklahoma State murderous Rughead and a 467-lb. killer named Oodles, University) before transferring to Northwestern University in health faddist George Ozone and his wild boys named Neki Chicago, from which he was graduated in 1923. He produced and Hokey, the despicable "Nothing" Yonson, and the amoral the minor comic strips Fillum Fables and The Radio Catts teenager Joe Period. He then introduces nightclub photog- before striking it big with Dick Tracy in 1931. Originally titled Plainclothes Tracy, the rechristened strip became one of turned policewoman Lizz, at a time when women on the the most successful and lauded comic strips of all time, as well force were still a rarity. Plus for the first time Gould brings as a media and merchandising sensation. -
“Kiss Today Goodbye, and Point Me Toward Tomorrow”
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Missouri: MOspace “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 A Dissertation Presented to The Faculty of the Graduate School At the University of Missouri In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy By BRYAN M. VANDEVENDER Dr. Cheryl Black, Dissertation Supervisor July 2014 © Copyright by Bryan M. Vandevender 2014 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 Presented by Bryan M. Vandevender A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. Dr. Cheryl Black Dr. David Crespy Dr. Suzanne Burgoyne Dr. Judith Sebesta ACKNOWLEDGEMENTS I incurred several debts while working to complete my doctoral program and this dissertation. I would like to extend my heartfelt gratitude to several individuals who helped me along the way. In addition to serving as my dissertation advisor, Dr. Cheryl Black has been a selfless mentor to me for five years. I am deeply grateful to have been her student and collaborator. Dr. Judith Sebesta nurtured my interest in musical theatre scholarship in the early days of my doctoral program and continued to encourage my work from far away Texas. Her graduate course in American Musical Theatre History sparked the idea for this project, and our many conversations over the past six years helped it to take shape. -
November 2019 - No
MEANWHILE FORM FOLLOWS DYSFUNCTION 741.5 NEW EXPERIMENTAL COMICS BY -HUIZENGA —WARE— HANSELMANN- NOVEMBER 2019 - NO. 35 PLUS...HILDA GOES HOLLYWOOD! Davis Lewis Trondheim Hubert Chevillard’s Travis Dandro Aimee de Jongh Dandro Sergio Toppi. The Comics & Graphic Novel Bulletin of Far away from the 3D blockbuster on funny animal comics stands out Galvan follows that pattern, but to emphasize the universality of mentality of commercial comics, a from the madding crowd. As usu- cools it down with geometric their stories as each make their new breed of cartoonists are ex- al, this issue of KE also runs mate- figures and a low-key approach to way through life in the Big City. In panding the means and meaning of rial from the past; this time, it’s narrative. Colors and shapes from contrast, Nickerson’s buildings the Ninth Art. Like its forebears Gasoline Alley Sunday pages and a Suprematist painting overlay a and backgrounds are very de- RAW and Blab!, the anthology Kra- Shary Flenniken’s sweet but sala- alien yet familiar world of dehu- tailed and life-like. That same mer’s Ergot provides a showcase of cious Trots & Bonnie strips from manized relationships defined by struggle between coherence and today’s most outrageous cartoon- the heyday of National Lampoon. hope and paranoia. In contrast to chaos is the central aspect of ists presenting comics that verge But most of this issue features Press Enter to Continue, Sylvia Tommi Masturi’s The Anthology of on avant garde art. The 10th issue work that comes on like W.S. -
JOSEPH SCHMIDT Musical Direction By: EMILY BENGELS Choreography By: KRISTIN SARBOUKH
Bernards Township Parks & Recreation and Trilogy Repertory present... 2021 Produced by: JAYE BARRE Directed by: JOSEPH SCHMIDT Musical Direction by: EMILY BENGELS Choreography by: KRISTIN SARBOUKH Book by THOMAS MEEHAN Music by CHARLES STROUSE Lyrics by MARTIN CHARNIN Original Broadway production directed by MARTIN CHARNIN. Based on “Little Orphan Annie.” By permission of Tribune Content Agency, LLC. ANNIE is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are supplied by MTI. www.MTIShows.com This production is dedicated to the memory of beloved Trilogy Repertory member Chris Winans who gave of his time and spirit for many years and in many performances. Chris was a valued member of our Trilogy family and will be greatly missed. Summer, 2021 Dear Residents and Friends of the Community, Good evening and welcome to the Bernards Township Department of Parks and Recreation’s 34th season of Plays in the Park. So many of you enjoy and look forward to the plays year after year. I am excited that the Township brings this tradition free to the public for all to enjoy. Bernards Township proudly sponsors this event and substantially subsidizes the budget because we recognize the importance of keeping performing arts alive. It is truly wonderful that these productions are here, under the stars, in Pleasant Valley Park. Bernards Township offers many opportunities to enjoy family outings such as Plays In The Park. You can stay current on all our special events by visiting our website at www.bernards.org. There you will find information on the wide variety of programs we offer. -
Letters; "Stories and Plays: "Poetry As a Writing Form; "Factual Reporting,"
DOCUMENT RESIII E ED 026 366 24 TE 000 975 A Curriculum in Written Composition, K-3: A Guide for Teaching. Georgia Univ., Athens. English Curriculum Study Center. Spons Agency-Office of Education (DHEW), Washington, D.C. Bureau of Research. Bureau No- BR -5 -0.565 Pub Date 68 Contract-OEC-4 -10-017 Note- 308p. Available from-English Curriculum Study Center, 312 Baldwin Hall, Univ. of Georgia. Athens, Georgia 30601 ($3.75). EDRS Price MF-$1.25 HC-$1550 Descriptors-Business Correspondence, *Composition (Literary),CreativeWriting.DiachronicLinguistics. Dialects. Dictionaries, *Elementzry Education, English, *English Instruction, Figurative Language, Instructional Materials, Language Usage, Letters (Correspondence), Morphology (Languages), Paragraph Composition, Poetry, Sentence Structure, Sequential Programs, *Teaching Guides, Teaching Methods Identifiers-*Project English, University of Georgia English Corriculum Study Cen Thisteaching guide for written composition in grades K-3 contains (1) a statement of objectives for a curriculum in composition. (2) sequence charts which relate subject content for each grade to basic understandings about composition. (3) illustrations of ways in which the ordinary experiences of children can become the bases for compositions. and (4) units for teaching specific skills. The units for each of the four grades are "Structuring a Composition," "Paragraph Development." "informal Correspondence: PersonalLetters," "Formal Correspondence: Business Letters; "Stories and Plays: "Poetry as a Writing Form; "Factual Reporting," "Definiton; Tigurative Language." "The Dictionary," "History of the English Language." "Morphology," "Sentence Structure," and "Usacie and Dialect." (Each of these units is also published as an individual bulletin for grades K-6. Price lists for the bulletins may bo obtained from Prof. Mary Tingle, 312 Baldwin Hall, Univ. -
Feed Is High
CENTS SMOKE THE C. & M. AND LITTLE JOE CIGARS. 6 CENTS NOVEMBER - Hun i Tuu I Thu Fn r8»l 1 i3 1 3 I One Buys Carpets bocal :i| 4 ft « 7 H W ] 101 11 13 l:t 14 15 to (special When J^ews J 17 ih 19, :o u >t 3a j notice. 341 35 3« 37, iH 3»l SO J Curtains, Shades and other home furnishings, it’s l>est to I and most fashionable ideas, especially when Beginning Oct. 1, 1901, secure latest I’d leave my happy home and cross the What? Fair and supper. When? | we will issue cash In our stock it means no greater outlay. you’ll find the deep blue sea, Thursday evening, Dec. 5. Where ? | sales with all purchases. All customers fashionable ideas, priced be slips neW fall styles -the but along Rather than without Charley and At First Presbyterian church. All my Rocky the same reasonable lines that always characterizes such Mountain Tea. right! I shall shall be there. I buying $25.00 worth of goods or over during —A. L. Bin ford. offerings here. The members of the junior college the balance of tins year lie cash football eleven and of the city high | will entitled to a CARPETS” SeveraI rolls just in at the Morgan Wood, Thanksgiving night. LOWELL school indulged in a pleasant social rebate of 5 percent i same price that you pay for inferior goods. Sherwin sells dry corn cobs. 26t4 time at Woodmen hall on Monday 1 evening. Music and dancing consti- iii our misfit de- Castlewood has organized a business upon presentation exceptional values men's association. -
West Side Story” (Original Cast Recording) (1957) Added to the National Registry: 2008 Essay by Robert L
“West Side Story” (Original cast recording) (1957) Added to the National Registry: 2008 Essay by Robert L. McLaughlin (guest essay)* Original “West Side Story” cast members at recording session (from left: Elizabeth Taylor, Carmen Gutierrez, Marilyn Cooper, Carol Lawrence) “West Side Story” is among the best and most important of Broadway musicals. It was both a culmination of the Rodgers and Hammerstein integrated musical, bringing together music, dance, language and design in service of a powerful narrative, and an arrow pointing toward the future, creating new possibilities for what a musical can be and how it can work. Its cast recording preserves its score and the original performances. “West Side Story’s” journey to theater immortality was not easy. The show’s origins came in the late 1940s when director/choreographer Jerome Robbins, composer Leonard Bernstein, and playwright Arthur Laurents imagined an updated retelling of “Romeo and Juliet,” with the star- crossed lovers thwarted by their contentious Catholic and Jewish families. After some work, the men decided that such a musical would evoke “Abie’s Irish Rose” more than Shakespeare and so they set the project aside. A few years later, however, Bernstein and Laurents were struck by news reports of gang violence in New York and, with Robbins, reconceived the piece as a story of two lovers set against Caucasian and Puerto Rican gang warfare. The musical’s “Prologue” establishes the rivalry between the Jets, a gang of white teens, children mostly of immigrant parents and claimants of a block of turf on New York City’s west side, and the Sharks, a gang of Puerto Rican teens, recently come to the city and, as the play begins, finally numerous enough to challenge the Jets’ dominion.