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Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College
Claremont Colleges Scholarship @ Claremont Pitzer Senior Theses Pitzer Student Scholarship 2014 Funny Pages: Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College Recommended Citation Hernandez, Dahnya Nicole, "Funny Pages: Comic Strips and the American Family, 1930-1960" (2014). Pitzer Senior Theses. Paper 60. http://scholarship.claremont.edu/pitzer_theses/60 This Open Access Senior Thesis is brought to you for free and open access by the Pitzer Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pitzer Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. FUNNY PAGES COMIC STRIPS AND THE AMERICAN FAMILY, 1930-1960 BY DAHNYA HERNANDEZ-ROACH SUBMITTED TO PITZER COLLEGE IN PARTIAL FULFILLMENT OF THE BACHELOR OF ARTS DEGREE FIRST READER: PROFESSOR BILL ANTHES SECOND READER: PROFESSOR MATTHEW DELMONT APRIL 25, 2014 0 Table of Contents Acknowledgements...........................................................................................................................................2 Introduction.........................................................................................................................................................3 Chapter One: Blondie.....................................................................................................................................18 Chapter Two: Little Orphan Annie............................................................................................................35 -
Dick Tracy.” MAX ALLAN COLLINS —Scoop the DICK COMPLETE DICK ® TRACY TRACY
$39.99 “The period covered in this volume is arguably one of the strongest in the Gould/Tracy canon, (Different in Canada) and undeniably the cartoonist’s best work since 1952's Crewy Lou continuity. “One of the best things to happen to the Brutality by both the good and bad guys is as strong and disturbing as ever…” comic market in the last few years was IDW’s decision to publish The Complete from the Introduction by Chester Gould’s Dick Tracy.” MAX ALLAN COLLINS —Scoop THE DICK COMPLETE DICK ® TRACY TRACY NEARLY 550 SEQUENTIAL COMICS OCTOBER 1954 In Volume Sixteen—reprinting strips from October 25, 1954 THROUGH through May 13, 1956—Chester Gould presents an amazing MAY 1956 Chester Gould (1900–1985) was born in Pawnee, Oklahoma. number of memorable characters: grotesques such as the He attended Oklahoma A&M (now Oklahoma State murderous Rughead and a 467-lb. killer named Oodles, University) before transferring to Northwestern University in health faddist George Ozone and his wild boys named Neki Chicago, from which he was graduated in 1923. He produced and Hokey, the despicable "Nothing" Yonson, and the amoral the minor comic strips Fillum Fables and The Radio Catts teenager Joe Period. He then introduces nightclub photog- before striking it big with Dick Tracy in 1931. Originally titled Plainclothes Tracy, the rechristened strip became one of turned policewoman Lizz, at a time when women on the the most successful and lauded comic strips of all time, as well force were still a rarity. Plus for the first time Gould brings as a media and merchandising sensation. -
November 2019 - No
MEANWHILE FORM FOLLOWS DYSFUNCTION 741.5 NEW EXPERIMENTAL COMICS BY -HUIZENGA —WARE— HANSELMANN- NOVEMBER 2019 - NO. 35 PLUS...HILDA GOES HOLLYWOOD! Davis Lewis Trondheim Hubert Chevillard’s Travis Dandro Aimee de Jongh Dandro Sergio Toppi. The Comics & Graphic Novel Bulletin of Far away from the 3D blockbuster on funny animal comics stands out Galvan follows that pattern, but to emphasize the universality of mentality of commercial comics, a from the madding crowd. As usu- cools it down with geometric their stories as each make their new breed of cartoonists are ex- al, this issue of KE also runs mate- figures and a low-key approach to way through life in the Big City. In panding the means and meaning of rial from the past; this time, it’s narrative. Colors and shapes from contrast, Nickerson’s buildings the Ninth Art. Like its forebears Gasoline Alley Sunday pages and a Suprematist painting overlay a and backgrounds are very de- RAW and Blab!, the anthology Kra- Shary Flenniken’s sweet but sala- alien yet familiar world of dehu- tailed and life-like. That same mer’s Ergot provides a showcase of cious Trots & Bonnie strips from manized relationships defined by struggle between coherence and today’s most outrageous cartoon- the heyday of National Lampoon. hope and paranoia. In contrast to chaos is the central aspect of ists presenting comics that verge But most of this issue features Press Enter to Continue, Sylvia Tommi Masturi’s The Anthology of on avant garde art. The 10th issue work that comes on like W.S. -
Broadcasting Taste: a History of Film Talk, International Criticism, and English-Canadian Media a Thesis in the Department of Co
Broadcasting Taste: A History of Film Talk, International Criticism, and English-Canadian Media A Thesis In the Department of Communication Studies Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy (Communication Studies) at Concordia University Montreal, Quebec, Canada December 2016 © Zoë Constantinides, 2016 CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Zoë Constantinides Entitled: Broadcasting Taste: A History of Film Talk, International Criticism, and English- Canadian Media and submitted in partial fulfillment of the requirements for the degree of PhD in Communication Studies complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: __________________________________________ Beverly Best Chair __________________________________________ Peter Urquhart External Examiner __________________________________________ Haidee Wasson External to Program __________________________________________ Monika Kin Gagnon Examiner __________________________________________ William Buxton Examiner __________________________________________ Charles R. Acland Thesis Supervisor Approved by __________________________________________ Yasmin Jiwani Graduate Program Director __________________________________________ André Roy Dean of Faculty Abstract Broadcasting Taste: A History of Film Talk, International Criticism, and English- Canadian Media Zoë Constantinides, -
The Inventory of the Harold Gray Collection #100
The Inventory of the Harold Gray Collection #100 Howard Gotlieb Archival Research Center Gray, Harold #100 Gifts of Mrs. Harold Gray and others, 1966-1992 Box 1 Folder 1 I. Correspondence. A. Reader mail. 1. Fan mail re: “Little Orphan Annie.” a. 1937. b. 1938. c. 1939. d. Undated (1930s). Folder 2 e. 1940-1943. Folder 3 f. 1944. Folder 4 g. 1945. Folder 5 h. 1946. Folder 6 i. 1947. Folder 7 j. 1948. Folder 8 k. 1949. 2 Box 1 cont’d. Folder 9 l. Undated (1940s). Folder 10 m. 1950. Folder 11 n. 1951. Folder 12 o. 1952. Folder 13 p. 1953-1955. Folder 14 q. 1957-1959. Folder 15 r. Undated (1950s). Folder 16 s. 1960. Folder 17 t. 1961. Folder 18 u. 1962. Folder 19 v. 1963. 3 Box 1 cont’d. Folder 20 w. 1964. Folder 21 x. 1965. Folder 22 y. 1966. Folder 23 z. 1967. Folder 24 aa. 1968. Folder 25 bb. Undated (1960s). Folder 26 2. Reader comments, criticisms and complaints. a. TLS re: depiction of social work in “Annie,” Mar. 3, 1937. Folder 27 b. Letters re: “Annie” character names, 1938-1966. Folder 28 c. Re: “Annie”’s dress and appearance, 1941-1952. Folder 29 d. Protests re: African-American character in “Annie,” 1942; includes: (i) “Maw Green” comic strip. 4 Box 1 cont’d. (ii) TL from HG to R. B. Chandler, publisher of the Mobile Press Register, explaining his choice to draw a black character, asking for understanding, and stating his personal stance on issue of the “color barrier,” Aug. -
Bisonalities Again
Bisonalities, Again A quarterly Newsletter dedicated to the Alumni of Waterford & Fort LeBoeuf High Schools April 2005 Spring Issue Volume 6 --- Number 3 Contents Robert J. Catlin, Sr. Cat ===s Corner 111 2670 Dakota Street Death of Merle Heard 2 Bryans Road, MD 20616-3062 Sunday Comics Quiz Tel: (301) 283-6549 or Fax (301) 375-9250 by Herb Walden 333 PPPlease, NONONO handwritten submissions. Remembering those early school days TTThisT newsletter is available free to any and all by Elizabeth Potter 444 alumni, teachers, and administrators, past or A shocking incident present, of Waterford High School or FLBHS on by Herb Walden 5 the Web site. If you know an alumnus, Humor 555 teacher, or administrator who would be My life, my cars interested, tell them about the Web site. None by Alan Hazen 6 of the material in this newsletter has a ****************************************************************************** copyright, unless otherwise noted. If you wish WWWelcome to the spring issue of the Newsletter to print the newsletter and make copies and dedicated to the alumni (students, teachers, distribute it to other Alumni and/or friends, and administrators) of Waterford High School please feel free to do so. and Fort LeBoeuf High School. This newsletter +++++++++++++++++++++++++++++++++++++ will be distributed quarterly. New issues will be posted for viewing on the Web site on, or about, January 5, April 5, July 5, and October 5. The Bisonalities, Again Web site may be viewed by going to the following URL: http://www.geocities.com/candohttp://www.geocities.com/candoer1er1 Cat ===s corner TTThe success of this newsletter depends on you. -
Commies, H-Bombs and the National Security State: the Cold War in The
Western Kentucky University TopSCHOLAR® History Faculty Publications History 1997 Commies, H-Bombs and the National Security State: The oldC War in the Comics Anthony Harkins Western Kentucky University, [email protected] Follow this and additional works at: http://digitalcommons.wku.edu/history_fac_pubs Part of the American Popular Culture Commons, Cultural History Commons, and the Political History Commons Recommended Citation Anthony Harkins, “Commies, H-Bombs and the National Security State: The oC ld War in the Comics” in Gail W. Pieper and Kenneth D. Nordin, eds., Understanding the Funnies: Critical Interpretations of Comic Strips (Lisle, IL: Procopian Press, 1997): 12-36. This Contribution to Book is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in History Faculty Publications by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. Harkins 13 , In the late 1940s and early 1950s, the U.S. government into the key components of what later historians would dub the "national securi ty state." The National Security Act of 1947 established a of Defense, the Central Intelligence Agency, and the National Security Council. The secret "NSC-68" document of 1950 advocated the development of hydrogen bomb, the rapid buildup of conventional forces, a worldwide sys tem of alliances with anti-Communist governments, and the unpn~ce'Clent€~CI mobilization of American society. That document became a blueprint for waging the cold war over the next twenty years. These years also saw the pas sage of the McCarran Internal Security Act (requiring all Communist organizations and their members to register with the government) and the n the era of Ronald Reagan and Newt Gingrich, some look back upon the rise of Senator Joseph McCarthy and his virulent but unsubstantiated charges 1950s as "a age of innocence and simplicity" (Miller and Nowak of Communists in the federal government. -
Collecting Policy Lake Forest College Archives and Special Collections Updated March 4, 2020
Collecting Policy Lake Forest College Archives and Special Collections Updated March 4, 2020 Purpose and Mission The purpose of the Lake Forest College Archives and Special Collections is threefold: to support and strengthen the pursuit of academic excellence by the students at the College, to collect, preserve, and provide access to College permanent records for use in College business and by researchers, and to promote a sense of community. Teaching and Learning As stated in the College’s five-year plan, the College seeks to strengthen the quality of academic programs and prepare students effectively for careers. The College Archives and Special Collections assists in these endeavors by providing research opportunities, instruction sessions, and exposure to a broad array of historical primary source material. To integrate the Archives and Special Collections into the curriculum, manuscript and rare book collection development will be in part faculty-driven. Faculty are encouraged to inform the archivist of subjects of long term interest, and identify manuscript collections and rare books related to the curriculum through connections with individuals and organizations. College Records The Archives will collect College records of all formats and media, from the founding of the College to the present. These collections will be made available to College employees and other researchers depending on necessary restrictions. A records management policy and concomitant records schedules will guide offices in transferring files to the Archives and Special Collections. Papers of faculty and alumni will be considered for the College Archives, with collections related to the College and curricular needs being of special interest. The Archives will not collect faculty publications. -
Thomas Bentley Rue Platinum and Golden Age Comic Book and Adventure Strips Collection 2018.001
http://oac.cdlib.org/findaid/ark:/13030/c8nc66v5 No online items Guide to the Thomas Bentley Rue Platinum and Golden Age Comic Book and Adventure Strips Collection 2018.001 Ann Galvan Historic Collections, J. Paul Leonard Library 2018 1630 Holloway Ave San Francisco, California 94132-1722 URL: http://library.sfsu.edu/historic-collections asc.2018.001 1 Contributing Institution: Historic Collections, J. Paul Leonard Library Title: Thomas Bentley Rue Platinum and Golden Age Comic Book and Adventure Strips Collection Source: Rue, Thomas Bentley, 1937-2016 Accession number: asc.2018.001 Extent: 18 Cubic Feet (17 boxes, 1 oversize box) Date (inclusive): 1938-1956 Abstract: The Thomas Bentley Rue Platinum and Golden Age Comic Book and Adventure Strips Collection features comics and adventure strips ranging from the 1930s to the 1950s. Language of Material: English Conditions Governing Access Collection is open for research. Preferred Citation [Title], Thomas Bentley Rue Platinum and Golden Age Comic Book and Adventure Strips Archive, Historic Collections, J. Paul Leonard Library. Separated Materials A number of comic book reprints and compilations have been added to the J. Paul Leonard Library's general collection. A collection of Big Little Books are housed in Historic Collections within Special Collections. Immediate Source of Acquisition Gift of Virginia D.H. Rue In Memory of Thomas Bentley Rue, Accession number 2018/001. Conditions Governing Use Copyrighted. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owner. In addition, the reproduction of some materials may be restricted by terms of gift or purchase agreements, donor restrictions, privacy and publicity rights, licensing and trademarks. -
Frog and Toad Studyguide
A Guide for Teachers December 2012 Book by Thomas Meehan Music by Charles Strouse Lyrics by Martin Charnin Directed by A. Maria Chattin-Carter Musical Direction by Andrew Chauncey Costume and Scenery Design by Scott Dunlap Co-producers Steve and Amy Meller, Michael Ingram & Lori Conley Vulcan Materials Company, Markel and Major, The Van Valkenburg Family Youth Theatre Sponsors: The Cast Annie.......................................Emmy McKenzie Warbucks..................................Scott Shaw Grace Farrell............................Jennifer Major Orphans Molly........................Aliyah Mastin Kate..........................Kara Mullins Tessie........................Lilli Narramore Pepper.......................Cayci Holt July............................Chapin Montague Duffy.........................Emma Flanagan Mazy..........................Zoe Major Rose..........................Emma Bayer Daisy.........................Maggie Meller Tuesday.....................Aubrey Floyd Miss Hannigan.........................Scott Dunlap Rooster....................................Thaddeus Taylor Lily..........................................Laura Holland FDR.......................................William Galloway Ensemble: Beth McClary, Annie Collins, Marcia Parks, Madison Smith, Mitch Collins, Branden Schwartz, Erick Lorinc, Ben Cain, Steve Meller, William Smith Annie in Performance Annie was the brainchild of Martin Charnin, who was the lyricist and director of the original production. Charnin teamed with composer Charles Strouse and librettist -
HOUSE of REPRESENTATIVES ARIZONA Edith A
.6872 :coNGRESSIONAL RECORD~HOUSE AUGUST 17 Albert Kualii Brickwood Lyman KENTUCKY Mabel B. McConnico, Port Lavaca. •Tames Kirk Zaidee G. Neville, Arlington. Guy E. Warren, Refugio . J ames Kerr Crain Edward W. Cubbage, Clarkson. John A. Nicholson, Sanger. John Elliott Wood Ralph E. Vaughn, Greensburg. John T. Davis, Jr., Throckmorton. Herbert Daskum Gibson' Frances W. LyeJl, Hickory. Emma S. Vick, Valentine. Edmund Bower Sebree Dalph E. Creal, Hodgenville. Margaret E. Lasseter, Westbrook. Joseph Nicholas Dalton May K. Hall, Island. UTAH Anthony Clement McAuliffe Amelia B. Samuels, Lebanon Junction. Elbridge Gerry Chapman, Jr. Theophilus B. Terry, Sonora. Wells P. Starley, Fillmore. George Pierce Howell Homer B. Burks, Upton. WEST VIRGINIA Hugh Joseph Gaffey Reginald William Buzzell MARYLAND Leo B. Ott, Terra Alta. Jacob R . L. Wink, Manchester. Kenneth Frank Cramer WISCONSIN Henry Cotheal Evans Charles W. Carney, Mount Savage. Edwin Whiting Jones Malcolm F. Caplan, St. Michaels. Helen A. Tuttle, Balsam Lake. George Heiderer, Butternut. Alexander Gallatin Paxton MASSACHUSETTS Nat Smith Perrine George J. Armbruster, Cedarburg. Frances A. Rogers, Billerica. Leo J. Ford, Janesville. Ralph Clifford Tobin John R . McManus, Concord. Hanford MacNider Edward F. Smith, King. Charles L. Goodspeed, Dennis. Leo M. Meyer, Loyal. Joseph Wilson, Byron William J . Farley, Hanson. John Reed Kilpatrick Levy Williamson, Mineral Point. · Mary E. Sheehan, Hatfield. Albert Hansen, New Lisbon. IN THE NAVY Josephine R. McLaughlin, Hathorne. Frank·J. Horak, Oconto. TEMPORARY SERVICE Harry T. Swett, Manchester. Gregory C. Flatley, Oconto Falls. Gladys V. Crane, Merrimac. Richard S. Edwards to be a vice admiral in Meridan D. Anderson, Omro. Veronica Manning, Minot. Rudolph I. -
P Opaganda Battlefront
Sec. 562, P. L & R. U. S. POSTAGE PAID New York, N. Y. Permit No. 3870 T Il E P OPAGANDA BATTLEFRONT Issued by: FRIENDS OF DEMOCRACY, INC. Eastern Regional Office: 137 East 57th Street, New York 22, N. Y. April 29, 1944 VOL. II, No. XVI The New York Daily News—Mouthpiece of the Disloyal Opposition Before December 7, 1941, the America First prospect. The Fascists wrote letters to Mr. Pat- ...Comiiikteg.,..was the rallying ground for the Amer- terson. Soon his letters - to - the - editor column ican Fascist movement. reeked with notes like this:. "The millions who love From Joe McWilliams in New York to Her- the truth ... love and listen to Father Coughlin." mann Schwinn in California, the Fascists extolled Lindbergh as America's "man on a white horse." The Nazi-Fascist recog- THE FASCISTS WORK Father Charles E. Coughlin urged readers of Social FOR PATTERSON nition of Patterson as a Justice to invade the Committee; Elizabeth Dilling fellow traveler dates marched her women to Washington to urge Con- back to 1939 when the Deutscher W'eckruf mid gress to follow the America. First line. Beobachter, organ of the German American Bund, In Wichita, Kansas, E. J. Garner praised Lind- praised the New York Daily News for saying bergh for calling "a spade a spade." In California, Danzig was not "worth the life of a single Eng- Coughlinite groups and the German American lishman" or of one French "poilu." Bund practically closed up shop so that their mem- The affection became more pronounced as the bers might work for America first.