Modern Charity: Morality, Politics, and Mid-Twentieth Century US Writing
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College
Claremont Colleges Scholarship @ Claremont Pitzer Senior Theses Pitzer Student Scholarship 2014 Funny Pages: Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College Recommended Citation Hernandez, Dahnya Nicole, "Funny Pages: Comic Strips and the American Family, 1930-1960" (2014). Pitzer Senior Theses. Paper 60. http://scholarship.claremont.edu/pitzer_theses/60 This Open Access Senior Thesis is brought to you for free and open access by the Pitzer Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pitzer Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. FUNNY PAGES COMIC STRIPS AND THE AMERICAN FAMILY, 1930-1960 BY DAHNYA HERNANDEZ-ROACH SUBMITTED TO PITZER COLLEGE IN PARTIAL FULFILLMENT OF THE BACHELOR OF ARTS DEGREE FIRST READER: PROFESSOR BILL ANTHES SECOND READER: PROFESSOR MATTHEW DELMONT APRIL 25, 2014 0 Table of Contents Acknowledgements...........................................................................................................................................2 Introduction.........................................................................................................................................................3 Chapter One: Blondie.....................................................................................................................................18 Chapter Two: Little Orphan Annie............................................................................................................35 -
Trib061047p1002.Pdf
~ICACO DAILY TRIBUNEI' . how to organize Bn.tn~est~uctible'IBUSINESS GIVES CENTENNIAL EDmON TRIBUNE AD MEN jBdmlratlOn and affectlon for CoL 2 *** Tuesday, JuaelO, 1947 IIIN IS:W S S U H M A • 1l unconquerable organization. M:cCormic:k,who has guided To ". ••••• 11:•• 1CIAfIOGK." _ Concerning these and other trib- GIVE PLAQUE TO TRIBUNEto its period of sreatest colonel has got." It brought down T.aMy •••••• 10. 1947 utes, the colonel said that he could CAN BE MAILED TO ALL achievements. the house. only pray that he would be able to R0 S E S SCROLL COL McCORMICKI "Practically all of Ull began our A true repres ntatlve of Amerl- accept them with Christian humil- • association with THE 1fRIBUNEsince can thought W8I the picture drawn LOCAL I DOMESTIO ity and that he would be able to , PARTS OF U S FOR IOe A copper plaque bearing the sig·,Col. McCormick took Its helm in of THE TRIBUNEby Gen. Wood, a Tribune Stages Great Centennial House votes to double state school live up to them. I· • natures of 441 membe~s of the Chi'11911,,,the message continued. "Be- paper which fought the New Deal Show Tonight. ••••.• I·ald sranta. Pace I Speaks for Departed IN TESTIMONIALI Chicago readers of THE TRIBUNIcago. Tribune advertising depart- cause of the friendly relations from its start against an intrenched CitYs Leaders Tender Birthday Clalms accused pastor wanted a Cc?l.McCormick recalled that he may order copies of today's Cen- rgett Rw:s presented ye~terday. to Iwhich have at al~ times existed be- bur 0 era c y, and never pulled a DInner to THETRmt1NE. -
Dick Tracy.” MAX ALLAN COLLINS —Scoop the DICK COMPLETE DICK ® TRACY TRACY
$39.99 “The period covered in this volume is arguably one of the strongest in the Gould/Tracy canon, (Different in Canada) and undeniably the cartoonist’s best work since 1952's Crewy Lou continuity. “One of the best things to happen to the Brutality by both the good and bad guys is as strong and disturbing as ever…” comic market in the last few years was IDW’s decision to publish The Complete from the Introduction by Chester Gould’s Dick Tracy.” MAX ALLAN COLLINS —Scoop THE DICK COMPLETE DICK ® TRACY TRACY NEARLY 550 SEQUENTIAL COMICS OCTOBER 1954 In Volume Sixteen—reprinting strips from October 25, 1954 THROUGH through May 13, 1956—Chester Gould presents an amazing MAY 1956 Chester Gould (1900–1985) was born in Pawnee, Oklahoma. number of memorable characters: grotesques such as the He attended Oklahoma A&M (now Oklahoma State murderous Rughead and a 467-lb. killer named Oodles, University) before transferring to Northwestern University in health faddist George Ozone and his wild boys named Neki Chicago, from which he was graduated in 1923. He produced and Hokey, the despicable "Nothing" Yonson, and the amoral the minor comic strips Fillum Fables and The Radio Catts teenager Joe Period. He then introduces nightclub photog- before striking it big with Dick Tracy in 1931. Originally titled Plainclothes Tracy, the rechristened strip became one of turned policewoman Lizz, at a time when women on the the most successful and lauded comic strips of all time, as well force were still a rarity. Plus for the first time Gould brings as a media and merchandising sensation. -
Maple Syrup: a Sweet Sign of Early Spring by Paula Mchugh
THE TM 911 Franklin Street Weekly Newspaper Michigan City, IN 46360 Volume 21, Number 8 Thursday, March 3, 2005 Maple Syrup: A Sweet Sign of Early Spring by Paula McHugh Maple sugaring time is when daytime temperatures rise above the 32 degree freezing mark, and then drop again below freezing during the nighttime. Which means that we are now heading into that time of year in early, early spring when the sap starts flowing. Hurray! Hurray for two reasons: who doesn’t look forward to the promise of warmer days ahead, and who doesn’t appreciate the sweetness of pure maple syrup dribbled over a stack of pancakes? Yet, how many of us are aware that we could be tapping our own maple trees about now–if we are fortunate enough to have maples on our property? A recent program about everything you ever wanted to know about maple sugar farming was recently presented at the Deep River County Park Visitor Center by Historic Programs Coordinator Joanna Shearer, and the Beacher was there to learn and pass on a few tips for maple sugaring wannabes. Let’s get the trivia out of the way and tell you right now that Vermont is NOT the number one state for maple sugar pro- duction. New York claims that title. But here in the Midwest, Michigan ranks high as a maple syrup producer. Parke County Indiana, home of the most covered bridges, is a large syrup-producing area. And locally, Deep River Park produced nearly 500 bottles of the sweet syrup last year. -
Hoovervilles: the Shantytowns of the Great Depression by History.Com, Adapted by Newsela Staff on 04.04.17 Word Count 702 Level 830L
Hoovervilles: The Shantytowns of the Great Depression By History.com, adapted by Newsela staff on 04.04.17 Word Count 702 Level 830L A typical shantytown of the Great Depression in the United States, this one located in a city. Photo: WPA The Great Depression was an economic crisis that began in 1929. Many people had invested money in the stock market and when it crashed they lost much of the money they had invested. People stopped spending money and investing. Banks did not have enough money, which led many people to lose their savings. Many Americans lost money, their homes and their jobs. Homeless Americans began to build their own camps on the edges of cities, where they lived in shacks and other crude shelters. These areas were known as shantytowns. As the Depression got worse, many Americans asked the U.S. government for help. When the government failed to provide relief, the people blamed President Herbert Hoover for their poverty. The shantytowns became known as Hoovervilles. In 1932, Hoover lost the presidential election to Franklin Roosevelt. Roosevelt created programs that helped lift the U.S. out of the Depression. By the early 1940s, most remaining Hoovervilles were torn down. This article is available at 5 reading levels at https://newsela.com. 1 The Great Depression sets in The Great Depression was one of the most terrible events of the 1900s, and led to a huge rise in unemployment. By 1933, 1 out of 4 Americans was out of work. Americans looked to the U.S. government for help. -
JOSEPH SCHMIDT Musical Direction By: EMILY BENGELS Choreography By: KRISTIN SARBOUKH
Bernards Township Parks & Recreation and Trilogy Repertory present... 2021 Produced by: JAYE BARRE Directed by: JOSEPH SCHMIDT Musical Direction by: EMILY BENGELS Choreography by: KRISTIN SARBOUKH Book by THOMAS MEEHAN Music by CHARLES STROUSE Lyrics by MARTIN CHARNIN Original Broadway production directed by MARTIN CHARNIN. Based on “Little Orphan Annie.” By permission of Tribune Content Agency, LLC. ANNIE is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are supplied by MTI. www.MTIShows.com This production is dedicated to the memory of beloved Trilogy Repertory member Chris Winans who gave of his time and spirit for many years and in many performances. Chris was a valued member of our Trilogy family and will be greatly missed. Summer, 2021 Dear Residents and Friends of the Community, Good evening and welcome to the Bernards Township Department of Parks and Recreation’s 34th season of Plays in the Park. So many of you enjoy and look forward to the plays year after year. I am excited that the Township brings this tradition free to the public for all to enjoy. Bernards Township proudly sponsors this event and substantially subsidizes the budget because we recognize the importance of keeping performing arts alive. It is truly wonderful that these productions are here, under the stars, in Pleasant Valley Park. Bernards Township offers many opportunities to enjoy family outings such as Plays In The Park. You can stay current on all our special events by visiting our website at www.bernards.org. There you will find information on the wide variety of programs we offer. -
Taking Comics Seriously
POP CULTURE clusively with daytime. The show features no gunfights or car chases; there are moments of leisurely, uneventful conversation between the younger and older generations. It is a curious inversion: Where once daytime TV fled prime time, prime time now copies daytime. The evidence is every- where, from the success of The Forsyte Saga and Upstairs Down- stairs (soap operas with extra starch) to major television serials like Rich Man Poor Man, Roots, and Captains and Kings. Spec- taculars aside, even a regular offering such as Family reflects a soap-opera sense of continuity. The major characters suffer. They have affairs, consider marriage, drop out of school, worry about mortality It goes too far to say that daytime dramas are genuinely realistic. The necessities of the form require too many brushes with the kinds of crises that most families would suffer only a few times in a generation. But both soaps and game shows have certainly tried to move television closer to what Paddy Chayefsky called "the marvelous world of the ordinary." What daytime TV has given prime time is the possibility of exploring characters not through the prism of fantasy, but through a focus closer to the way most of us spend our lives. And that is no mean contribution. TAKING COMICS SERIOUSLY by Arthur Asa Berger New art forms are often greeted with derision. Attic tragedy was denounced by conservative Greeks, impressionism by high- brow Parisians. Americans, too, have snubbed new, indigenous art forms. The comics, for example, like jazz music, are a home- grown American product; and like jazz, they were long ignored by "serious" critics. -
Comics Heroine Comes to Theatre Lawrence Annie Will Charm the Hearts of All When She Takes the Theatre Lawrence Stage November 30 – December 16
Comics heroine comes to Theatre Lawrence Annie will charm the hearts of all when she takes the Theatre Lawrence stage November 30 – December 16. Based on the popular comic strip by Harold Gray, Annie has become a worldwide phenomenon and is the winner of seven Tony Awards, including Best Musical. The beloved book and score by Tony Award winners, Thomas Meehan, Charles Strouse and Martin Charnin, features some of the greatest musical theatre hits ever written, including Tomorrow, and Hard Knock Life and opens on Friday, November 30th. A plucky, orphan girl, Annie (Adelle Spiess and Vivi Riffel) is on a mission to find her parents in 1930s New York City, after being abandoned years ago on the doorstep of an orphanage run by the cruel Miss Hannigan (Amanda Clark). With the help of the other girls in the orphanage, Annie escapes and experiences adventure in The Big Apple, making friends with billionaire Daddy Warbucks (Hank Rischar), Franklin D. Roosevelt (Dean Bevan) and a lovable dog, Sandy (Winnie) until finally finding her forever home. Annie‘s rags to riches tale is guaranteed to please audiences and remind us that helping those who are less fortunate can turn out to be the most rewarding gift of all. The production boasts a large cast headed by two young ladies, (Adelle Spiess and Vivi Riffel) who have been double cast in the role of Annie. The large cast includes: Genée Figuieras as Grace Farrell, Tony Console as Rooster, Annie Sauerburger as Lily, and the large list of double cast orphans, Caroline Börk, Isabelle Colon-Alba, Jazzlyn Fowler, Olivia Goeser, Abigayle Groves, Tilly Johnson, Katie Mastrosimone, Juliet Outka, Julia Ruddy, Giulia Ventello, Delaney Wagner, Mimi Wood. -
Studies in Literature and Culture: the Graphic Novel
NACAE National Association of Comics Art Educators Studies in Literature and Culture: The Graphic Novel • REQUIRED TEXTS: Chynna Clugston-Major, Blue Monday: Absolute Beginners (Oni Press) Will Eisner, A Contract with God and Other Tenement Stories (DC Comics) Mike Gold (Ed.), The Greatest 1950s Stories Ever Told (DC Comics) Harold Gray, Little Orphan Annie: The Sentence (Pacific Comics Club) Jason Lutes, Jar of Fools (Drawn & Quarterly) Scott McCloud, Understanding Comics (Harper-Perennial) Frank Miller and David Mazzuchelli, Batman: Year One (DC Comics) Art Spiegelman, Maus: A Survivor’s Tale (Vol. I) (Pantheon) James Sturm, The Revival (Bear Bones Press) You will also need the following: • A notebook. I would like you to keep track of major points which come up in my lectures and also in our class discussions. • A folder or binder for reserve readings and class handouts. I would suggest you make copies of the reserve readings available at the library. I will also give you a number of photocopied handouts which include directed-reading questions and material which supplements the primary readings for the course. • GRADES ––Attendance and class participation (including short response papers and reading quizzes): 25% ––Writing Assignment/Mini-comic project: 25% ––Midterm exam: 25% ––Final exam: 25% * Your papers must be turned in on time! I will deduct a full grade for each day a paper is late. If you have any questions about your papers or the assigned paper topics, please see me during my office hours or by appointment. I will be glad to talk with you about our readings and about your essays. -
{PDF EPUB} Annie's War by Jacqueline Levering Sullivan Tell the Rain Goodbye
Read Ebook {PDF EPUB} Annie's War by Jacqueline Levering Sullivan Tell the Rain Goodbye. What could a troubled sixteen year-old and an aging, homeless television actress, now living in her decaying Mercedes, possibly have in common? Plenty as it turns out. Tracy Cooper finds her life begins to change in ways she never could have imagined after a chance meeting with Alana “Lanie” Milner, once one of television’s most beloved stars. Tracy soon finds herself caught up in the heartbreaking life on the street. The experience becomes a defining one for her, and she uses her camera to record Lanie’s life and the experiences of homeless women she meets. In the process, she learns to deal with loss and the value of letting go, and she realizes that being a family is more about love and acceptance than about blood. Lovesick. Lovesick chronicles the complexity of teenage life and the American political climate in the 1950s. The young adult novel, published by Glass Apple Press, is available in paperback and digital format through Amazon and other major book retailers. In Lovesick , Jeanmarie Dowd is crazy about handsome Chuck Neary, captain of Rainier High School’s hockey team and a musician. But he belongs to Terry Miller, Jeanmarie’s best friend and the school’s reigning beauty. But Jeanmarie has a few things going for her, too. She is smart, fun-loving and energetic. She accepts her role as Chuck’s chief confidant, knowing it might lead to betraying her best friend. She also must deal with her sister Iris, suspected of being a communist. -
The Inventory of the Harold Gray Collection #100
The Inventory of the Harold Gray Collection #100 Howard Gotlieb Archival Research Center Gray, Harold #100 Gifts of Mrs. Harold Gray and others, 1966-1992 Box 1 Folder 1 I. Correspondence. A. Reader mail. 1. Fan mail re: “Little Orphan Annie.” a. 1937. b. 1938. c. 1939. d. Undated (1930s). Folder 2 e. 1940-1943. Folder 3 f. 1944. Folder 4 g. 1945. Folder 5 h. 1946. Folder 6 i. 1947. Folder 7 j. 1948. Folder 8 k. 1949. 2 Box 1 cont’d. Folder 9 l. Undated (1940s). Folder 10 m. 1950. Folder 11 n. 1951. Folder 12 o. 1952. Folder 13 p. 1953-1955. Folder 14 q. 1957-1959. Folder 15 r. Undated (1950s). Folder 16 s. 1960. Folder 17 t. 1961. Folder 18 u. 1962. Folder 19 v. 1963. 3 Box 1 cont’d. Folder 20 w. 1964. Folder 21 x. 1965. Folder 22 y. 1966. Folder 23 z. 1967. Folder 24 aa. 1968. Folder 25 bb. Undated (1960s). Folder 26 2. Reader comments, criticisms and complaints. a. TLS re: depiction of social work in “Annie,” Mar. 3, 1937. Folder 27 b. Letters re: “Annie” character names, 1938-1966. Folder 28 c. Re: “Annie”’s dress and appearance, 1941-1952. Folder 29 d. Protests re: African-American character in “Annie,” 1942; includes: (i) “Maw Green” comic strip. 4 Box 1 cont’d. (ii) TL from HG to R. B. Chandler, publisher of the Mobile Press Register, explaining his choice to draw a black character, asking for understanding, and stating his personal stance on issue of the “color barrier,” Aug. -
American Identity, Humanitarian Experience, and the Commission for Relief in Belgium, 1914-1917 Thomas D
University of Connecticut OpenCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 7-21-2014 Rough and Ready Relief: American Identity, Humanitarian Experience, and the Commission for Relief in Belgium, 1914-1917 Thomas D. Westerman University of Connecticut, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/dissertations Recommended Citation Westerman, Thomas D., "Rough and Ready Relief: American Identity, Humanitarian Experience, and the Commission for Relief in Belgium, 1914-1917" (2014). Doctoral Dissertations. 466. https://opencommons.uconn.edu/dissertations/466 Rough and Ready Relief: American Identity, Humanitarian Experience, and the Commission for Relief in Belgium, 1914-1917 Thomas David Westerman, Ph.D. University of Connecticut, 2014 This dissertation examines a group of American men who adopted and adapted notions of American power for humanitarian ends in German-occupied Belgium with the Commission for Relief in Belgium (CRB) during World War I. The CRB, led by Herbert Hoover, controlled the importation of relief goods and provided supervision of the Belgian-led relief distribution. The young, college-educated American men who volunteered for this relief work between 1914 and 1917 constructed an effective and efficient humanitarian space for themselves by drawing not only on the power of their neutral American citizenship, but on their collectively understood American-ness as able, active, yet responsible young men serving abroad, thereby developing an alternative tool—the use of humanitarian aid—for the use and projection of American power in the early twentieth century. Drawing on their letters, diaries, recollections as well as their official reports on their work and the situation in Belgium, this dissertation argues that the early twentieth century formation of what we today understand to be non-state, international humanitarianism was partially established by Americans exercising explicit and implicit national power during the years of American neutrality in World War I.