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Trib061047p1002.Pdf
~ICACO DAILY TRIBUNEI' . how to organize Bn.tn~est~uctible'IBUSINESS GIVES CENTENNIAL EDmON TRIBUNE AD MEN jBdmlratlOn and affectlon for CoL 2 *** Tuesday, JuaelO, 1947 IIIN IS:W S S U H M A • 1l unconquerable organization. M:cCormic:k,who has guided To ". ••••• 11:•• 1CIAfIOGK." _ Concerning these and other trib- GIVE PLAQUE TO TRIBUNEto its period of sreatest colonel has got." It brought down T.aMy •••••• 10. 1947 utes, the colonel said that he could CAN BE MAILED TO ALL achievements. the house. only pray that he would be able to R0 S E S SCROLL COL McCORMICKI "Practically all of Ull began our A true repres ntatlve of Amerl- accept them with Christian humil- • association with THE 1fRIBUNEsince can thought W8I the picture drawn LOCAL I DOMESTIO ity and that he would be able to , PARTS OF U S FOR IOe A copper plaque bearing the sig·,Col. McCormick took Its helm in of THE TRIBUNEby Gen. Wood, a Tribune Stages Great Centennial House votes to double state school live up to them. I· • natures of 441 membe~s of the Chi'11911,,,the message continued. "Be- paper which fought the New Deal Show Tonight. ••••.• I·ald sranta. Pace I Speaks for Departed IN TESTIMONIALI Chicago readers of THE TRIBUNIcago. Tribune advertising depart- cause of the friendly relations from its start against an intrenched CitYs Leaders Tender Birthday Clalms accused pastor wanted a Cc?l.McCormick recalled that he may order copies of today's Cen- rgett Rw:s presented ye~terday. to Iwhich have at al~ times existed be- bur 0 era c y, and never pulled a DInner to THETRmt1NE. -
Dick Tracy.” MAX ALLAN COLLINS —Scoop the DICK COMPLETE DICK ® TRACY TRACY
$39.99 “The period covered in this volume is arguably one of the strongest in the Gould/Tracy canon, (Different in Canada) and undeniably the cartoonist’s best work since 1952's Crewy Lou continuity. “One of the best things to happen to the Brutality by both the good and bad guys is as strong and disturbing as ever…” comic market in the last few years was IDW’s decision to publish The Complete from the Introduction by Chester Gould’s Dick Tracy.” MAX ALLAN COLLINS —Scoop THE DICK COMPLETE DICK ® TRACY TRACY NEARLY 550 SEQUENTIAL COMICS OCTOBER 1954 In Volume Sixteen—reprinting strips from October 25, 1954 THROUGH through May 13, 1956—Chester Gould presents an amazing MAY 1956 Chester Gould (1900–1985) was born in Pawnee, Oklahoma. number of memorable characters: grotesques such as the He attended Oklahoma A&M (now Oklahoma State murderous Rughead and a 467-lb. killer named Oodles, University) before transferring to Northwestern University in health faddist George Ozone and his wild boys named Neki Chicago, from which he was graduated in 1923. He produced and Hokey, the despicable "Nothing" Yonson, and the amoral the minor comic strips Fillum Fables and The Radio Catts teenager Joe Period. He then introduces nightclub photog- before striking it big with Dick Tracy in 1931. Originally titled Plainclothes Tracy, the rechristened strip became one of turned policewoman Lizz, at a time when women on the the most successful and lauded comic strips of all time, as well force were still a rarity. Plus for the first time Gould brings as a media and merchandising sensation. -
Network Map of Knowledge And
Humphry Davy George Grosz Patrick Galvin August Wilhelm von Hofmann Mervyn Gotsman Peter Blake Willa Cather Norman Vincent Peale Hans Holbein the Elder David Bomberg Hans Lewy Mark Ryden Juan Gris Ian Stevenson Charles Coleman (English painter) Mauritz de Haas David Drake Donald E. Westlake John Morton Blum Yehuda Amichai Stephen Smale Bernd and Hilla Becher Vitsentzos Kornaros Maxfield Parrish L. Sprague de Camp Derek Jarman Baron Carl von Rokitansky John LaFarge Richard Francis Burton Jamie Hewlett George Sterling Sergei Winogradsky Federico Halbherr Jean-Léon Gérôme William M. Bass Roy Lichtenstein Jacob Isaakszoon van Ruisdael Tony Cliff Julia Margaret Cameron Arnold Sommerfeld Adrian Willaert Olga Arsenievna Oleinik LeMoine Fitzgerald Christian Krohg Wilfred Thesiger Jean-Joseph Benjamin-Constant Eva Hesse `Abd Allah ibn `Abbas Him Mark Lai Clark Ashton Smith Clint Eastwood Therkel Mathiassen Bettie Page Frank DuMond Peter Whittle Salvador Espriu Gaetano Fichera William Cubley Jean Tinguely Amado Nervo Sarat Chandra Chattopadhyay Ferdinand Hodler Françoise Sagan Dave Meltzer Anton Julius Carlson Bela Cikoš Sesija John Cleese Kan Nyunt Charlotte Lamb Benjamin Silliman Howard Hendricks Jim Russell (cartoonist) Kate Chopin Gary Becker Harvey Kurtzman Michel Tapié John C. Maxwell Stan Pitt Henry Lawson Gustave Boulanger Wayne Shorter Irshad Kamil Joseph Greenberg Dungeons & Dragons Serbian epic poetry Adrian Ludwig Richter Eliseu Visconti Albert Maignan Syed Nazeer Husain Hakushu Kitahara Lim Cheng Hoe David Brin Bernard Ogilvie Dodge Star Wars Karel Capek Hudson River School Alfred Hitchcock Vladimir Colin Robert Kroetsch Shah Abdul Latif Bhittai Stephen Sondheim Robert Ludlum Frank Frazetta Walter Tevis Sax Rohmer Rafael Sabatini Ralph Nader Manon Gropius Aristide Maillol Ed Roth Jonathan Dordick Abdur Razzaq (Professor) John W. -
List of American Comics Creators 1 List of American Comics Creators
List of American comics creators 1 List of American comics creators This is a list of American comics creators. Although comics have different formats, this list covers creators of comic books, graphic novels and comic strips, along with early innovators. The list presents authors with the United States as their country of origin, although they may have published or now be resident in other countries. For other countries, see List of comic creators. Comic strip creators • Adams, Scott, creator of Dilbert • Ahern, Gene, creator of Our Boarding House, Room and Board, The Squirrel Cage and The Nut Bros. • Andres, Charles, creator of CPU Wars • Berndt, Walter, creator of Smitty • Bishop, Wally, creator of Muggs and Skeeter • Byrnes, Gene, creator of Reg'lar Fellers • Caniff, Milton, creator of Terry and the Pirates and Steve Canyon • Capp, Al, creator of Li'l Abner • Crane, Roy, creator of Captain Easy and Wash Tubbs • Crespo, Jaime, creator of Life on the Edge of Hell • Davis, Jim, creator of Garfield • Defries, Graham Francis, co-creator of Queens Counsel • Fagan, Kevin, creator of Drabble • Falk, Lee, creator of The Phantom and Mandrake the Magician • Fincher, Charles, creator of The Illustrated Daily Scribble and Thadeus & Weez • Griffith, Bill, creator of Zippy • Groening, Matt, creator of Life in Hell • Guindon, Dick, creator of The Carp Chronicles and Guindon • Guisewite, Cathy, creator of Cathy • Hagy, Jessica, creator of Indexed • Hamlin, V. T., creator of Alley Oop • Herriman, George, creator of Krazy Kat • Hess, Sol, creator with -
The Inventory of the Harold Gray Collection #100
The Inventory of the Harold Gray Collection #100 Howard Gotlieb Archival Research Center Gray, Harold #100 Gifts of Mrs. Harold Gray and others, 1966-1992 Box 1 Folder 1 I. Correspondence. A. Reader mail. 1. Fan mail re: “Little Orphan Annie.” a. 1937. b. 1938. c. 1939. d. Undated (1930s). Folder 2 e. 1940-1943. Folder 3 f. 1944. Folder 4 g. 1945. Folder 5 h. 1946. Folder 6 i. 1947. Folder 7 j. 1948. Folder 8 k. 1949. 2 Box 1 cont’d. Folder 9 l. Undated (1940s). Folder 10 m. 1950. Folder 11 n. 1951. Folder 12 o. 1952. Folder 13 p. 1953-1955. Folder 14 q. 1957-1959. Folder 15 r. Undated (1950s). Folder 16 s. 1960. Folder 17 t. 1961. Folder 18 u. 1962. Folder 19 v. 1963. 3 Box 1 cont’d. Folder 20 w. 1964. Folder 21 x. 1965. Folder 22 y. 1966. Folder 23 z. 1967. Folder 24 aa. 1968. Folder 25 bb. Undated (1960s). Folder 26 2. Reader comments, criticisms and complaints. a. TLS re: depiction of social work in “Annie,” Mar. 3, 1937. Folder 27 b. Letters re: “Annie” character names, 1938-1966. Folder 28 c. Re: “Annie”’s dress and appearance, 1941-1952. Folder 29 d. Protests re: African-American character in “Annie,” 1942; includes: (i) “Maw Green” comic strip. 4 Box 1 cont’d. (ii) TL from HG to R. B. Chandler, publisher of the Mobile Press Register, explaining his choice to draw a black character, asking for understanding, and stating his personal stance on issue of the “color barrier,” Aug. -
Bisonalities Again
Bisonalities, Again A quarterly Newsletter dedicated to the Alumni of Waterford & Fort LeBoeuf High Schools April 2005 Spring Issue Volume 6 --- Number 3 Contents Robert J. Catlin, Sr. Cat ===s Corner 111 2670 Dakota Street Death of Merle Heard 2 Bryans Road, MD 20616-3062 Sunday Comics Quiz Tel: (301) 283-6549 or Fax (301) 375-9250 by Herb Walden 333 PPPlease, NONONO handwritten submissions. Remembering those early school days TTThisT newsletter is available free to any and all by Elizabeth Potter 444 alumni, teachers, and administrators, past or A shocking incident present, of Waterford High School or FLBHS on by Herb Walden 5 the Web site. If you know an alumnus, Humor 555 teacher, or administrator who would be My life, my cars interested, tell them about the Web site. None by Alan Hazen 6 of the material in this newsletter has a ****************************************************************************** copyright, unless otherwise noted. If you wish WWWelcome to the spring issue of the Newsletter to print the newsletter and make copies and dedicated to the alumni (students, teachers, distribute it to other Alumni and/or friends, and administrators) of Waterford High School please feel free to do so. and Fort LeBoeuf High School. This newsletter +++++++++++++++++++++++++++++++++++++ will be distributed quarterly. New issues will be posted for viewing on the Web site on, or about, January 5, April 5, July 5, and October 5. The Bisonalities, Again Web site may be viewed by going to the following URL: http://www.geocities.com/candohttp://www.geocities.com/candoer1er1 Cat ===s corner TTThe success of this newsletter depends on you. -
THE COMIX BOOK LIFE of DENIS KITCHEN Spring 2014 • the New Voice of the Comics Medium • Number 5 Table of Contents
THE COMIX BOOK LIFE OF DENIS KITCHEN 0 2 1 82658 97073 4 in theUSA $ 8.95 ADULTS ONLY! A TwoMorrows Publication TwoMorrows Cover art byDenisKitchen No. 5,Spring2014 ™ Spring 2014 • The New Voice of the Comics Medium • Number 5 TABLE OF CONTENTS HIPPIE W©©DY Ye Ed’s Rant: Talking up Kitchen, Wild Bill, Cruse, and upcoming CBC changes ............ 2 CBC mascot by J.D. KING ©2014 J.D. King. COMICS CHATTER About Our Bob Fingerman: The cartoonist is slaving for his monthly Minimum Wage .................. 3 Cover Incoming: Neal Adams and CBC’s editor take a sound thrashing from readers ............. 8 Art by DENIS KITCHEN The Good Stuff: Jorge Khoury on artist Frank Espinosa’s latest triumph ..................... 12 Color by BR YANT PAUL Hembeck’s Dateline: Our Man Fred recalls his Kitchen Sink contributions ................ 14 JOHNSON Coming Soon in CBC: Howard Cruse, Vanguard Cartoonist Announcement that Ye Ed’s comprehensive talk with the 2014 MOCCA guest of honor and award-winning author of Stuck Rubber Baby will be coming this fall...... 15 REMEMBERING WILD BILL EVERETT The Last Splash: Blake Bell traces the final, glorious years of Bill Everett and the man’s exquisite final run on Sub-Mariner in a poignant, sober crescendo of life ..... 16 Fish Stories: Separating the facts from myth regarding William Blake Everett ........... 23 Cowan Considered: Part two of Michael Aushenker’s interview with Denys Cowan on the man’s years in cartoon animation and a triumphant return to comics ............ 24 Art ©2014 Denis Kitchen. Dr. Wertham’s Sloppy Seduction: Prof. Carol L. Tilley discusses her findings of DENIS KITCHEN included three shoddy research and falsified evidence inSeduction of the Innocent, the notorious in-jokes on our cover that his observant close friends might book that almost took down the entire comic book industry .................................... -
Západočeská Univerzita V Plzni Fakulta Pedagogická
Západočeská univerzita v Plzni Fakulta pedagogická Bakalářská práce VZESTUP AMERICKÉHO KOMIKSU DO POZICE SERIÓZNÍHO UMĚNÍ Jiří Linda Plzeň 2012 University of West Bohemia Faculty of Education Undergraduate Thesis THE RISE OF THE AMERICAN COMIC INTO THE ROLE OF SERIOUS ART Jiří Linda Plzeň 2012 Tato stránka bude ve svázané práci Váš původní formulář Zadáni bak. práce (k vyzvednutí u sekretářky KAN) Prohlašuji, že jsem práci vypracoval/a samostatně s použitím uvedené literatury a zdrojů informací. V Plzni dne 19. června 2012 ……………………………. Jiří Linda ACKNOWLEDGMENTS I would like to thank to my supervisor Brad Vice, Ph.D., for his help, opinions and suggestions. My thanks also belong to my loved ones for their support and patience. ABSTRACT Linda, Jiří. University of West Bohemia. May, 2012. The Rise of the American Comic into the Role of Serious Art. Supervisor: Brad Vice, Ph.D. The object of this undergraduate thesis is to map the development of sequential art, comics, in the form of respectable art form influencing contemporary other artistic areas. Modern comics were developed between the World Wars primarily in the United States of America and therefore became a typical part of American culture. The thesis is divided into three major parts. The first part called Sequential Art as a Medium discusses in brief the history of sequential art, which dates back to ancient world. The chapter continues with two sections analyzing the comic medium from the theoretical point of view. The second part inquires the origin of the comic book industry, its cultural environment, and consequently the birth of modern comic book. -
Commies, H-Bombs and the National Security State: the Cold War in The
Western Kentucky University TopSCHOLAR® History Faculty Publications History 1997 Commies, H-Bombs and the National Security State: The oldC War in the Comics Anthony Harkins Western Kentucky University, [email protected] Follow this and additional works at: http://digitalcommons.wku.edu/history_fac_pubs Part of the American Popular Culture Commons, Cultural History Commons, and the Political History Commons Recommended Citation Anthony Harkins, “Commies, H-Bombs and the National Security State: The oC ld War in the Comics” in Gail W. Pieper and Kenneth D. Nordin, eds., Understanding the Funnies: Critical Interpretations of Comic Strips (Lisle, IL: Procopian Press, 1997): 12-36. This Contribution to Book is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in History Faculty Publications by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. Harkins 13 , In the late 1940s and early 1950s, the U.S. government into the key components of what later historians would dub the "national securi ty state." The National Security Act of 1947 established a of Defense, the Central Intelligence Agency, and the National Security Council. The secret "NSC-68" document of 1950 advocated the development of hydrogen bomb, the rapid buildup of conventional forces, a worldwide sys tem of alliances with anti-Communist governments, and the unpn~ce'Clent€~CI mobilization of American society. That document became a blueprint for waging the cold war over the next twenty years. These years also saw the pas sage of the McCarran Internal Security Act (requiring all Communist organizations and their members to register with the government) and the n the era of Ronald Reagan and Newt Gingrich, some look back upon the rise of Senator Joseph McCarthy and his virulent but unsubstantiated charges 1950s as "a age of innocence and simplicity" (Miller and Nowak of Communists in the federal government. -
A Video Conversation with Pulitzer Prize Recipient Art Spiegelman
Inspicio the last laugh Introduction to Art Spiegelman. 1:53 min. Photo & montage by Raymond El- man. Music: My Grey Heaven, from Normalology (1996), by Phillip Johnston, Jedible Music (BMI) A Video Conversation with Pulitzer Prize Recipient Art Spiegelman By Elman + Skye From the Steven Barclay Agency: rt Spiegelman (b. 1948) has almost single-handedly brought comic books out of the toy closet and onto the A literature shelves. In 1992, he won the Pulitzer Prize for his masterful Holocaust narrative Maus— which por- trayed Jews as mice and Nazis as cats. Maus II continued the remarkable story of his parents’ survival of the Nazi regime and their lives later in America. His comics are best known for their shifting graphic styles, their formal complexity, and controver- sial content. He believes that in our post-literate culture the im- portance of the comic is on the rise, for “comics echo the way the brain works. People think in iconographic images, not in holograms, and people think in bursts of language, not in para- graphs.” Having rejected his parents’ aspirations for him to become a dentist, Art Spiegelman studied cartooning in high school and began drawing professionally at age 16. He went on to study art and philosophy at Harpur College before becoming part of the underground comix subculture of the 60s and 70s. As creative consultant for Topps Bubble Gum Co. from 1965-1987, Spie- gelman created Wacky Packages, Garbage Pail Kids and other novelty items, and taught history and aesthetics of comics at the School for Visual Arts in New York from 1979-1986. -
Frog and Toad Studyguide
A Guide for Teachers December 2012 Book by Thomas Meehan Music by Charles Strouse Lyrics by Martin Charnin Directed by A. Maria Chattin-Carter Musical Direction by Andrew Chauncey Costume and Scenery Design by Scott Dunlap Co-producers Steve and Amy Meller, Michael Ingram & Lori Conley Vulcan Materials Company, Markel and Major, The Van Valkenburg Family Youth Theatre Sponsors: The Cast Annie.......................................Emmy McKenzie Warbucks..................................Scott Shaw Grace Farrell............................Jennifer Major Orphans Molly........................Aliyah Mastin Kate..........................Kara Mullins Tessie........................Lilli Narramore Pepper.......................Cayci Holt July............................Chapin Montague Duffy.........................Emma Flanagan Mazy..........................Zoe Major Rose..........................Emma Bayer Daisy.........................Maggie Meller Tuesday.....................Aubrey Floyd Miss Hannigan.........................Scott Dunlap Rooster....................................Thaddeus Taylor Lily..........................................Laura Holland FDR.......................................William Galloway Ensemble: Beth McClary, Annie Collins, Marcia Parks, Madison Smith, Mitch Collins, Branden Schwartz, Erick Lorinc, Ben Cain, Steve Meller, William Smith Annie in Performance Annie was the brainchild of Martin Charnin, who was the lyricist and director of the original production. Charnin teamed with composer Charles Strouse and librettist -
Visitor Guide — Room 1
VISITOR GUIDE — ROOM 1 — THE SPIRIT OF WILL EISNER For its 10th Comics Biennial, the Thomas The one hundred works in this exhibition, Henry Museum is honouring one of the on loan from private collections, present the most influential authors of American comic major stages in the career of an author who books: Will Eisner (1917-2005). Will Eisner was focussed on elevating his discipline left an indelible mark on pop culture with to the rank it deserved, that of an art form The Spirit, a cult series which was to have in its own right. In the complete stories of an impact on the creativity of several The Spirit, Eisner’s very specific narration is generations, from the underground comix there to be discovered (or re-discovered): movement of the 1960s (Robert Crumb, plunge into the very dark atmosphere of Harvey Kurtzman) to the dark comics of the his flagship series, wander through his 1980s (Frank Miller, Alan Moore). theatrical sets and view New York City and the life of its most humble inhabitants from THE THOMAS HENRY MUSEUM Following the end of The Spirit in 1952, Will a different perspective. HAS ADAPTED TO THE CURRENT REGULATIONS RELATING Eisner pondered the theory of his art and TO THE HEALTH CRISIS AND IS OPEN TO THE PUBLIC. taught a ‘sequential art’ class, at the School of Visual Art in New York. After a long break, THIS EXHIBITION HAS BEEN CREATED IN PARTNERSHIP during which he was creating comics and WITH GALERIE 9e ART (REFERENCES). illustrations for educational purposes, he returned to the forefront of the comic book scene in 1978, inventing a new form of narration: the graphic novel.