September 2018 Welcome Mike Hausberg
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Drama Book Shop Became an Independent Store in 1923
SAVORING THE CLASSICAL TRADITION IN DRAMA ENGAGING PRESENTATIONS BY THE SHAKESPEARE GUILD I N P R O U D COLLABORATION WIT H THE NATIONAL ARTS CLUB THE PLAYERS, NEW YORK CITY THE ENGLISH-SPEAKING UNION SALUTING A UNIQUE INSTITUTION ♦ Monday, November 26 Founded in 1917 by the Drama League, the Drama Book Shop became an independent store in 1923. Since 2001 it has been located on West 40th Street, where it provides a variety of services to the actors, directors, producers, and other theatre professionals who work both on and off Broadway. Many of its employees THE PLAYERS are young performers, and a number of them take part in 16 Gramercy Park South events at the Shop’s lovely black-box auditorium. In 2011 Manhattan the store was recognized by a Tony Award for Excellence RECEPTION 6:30, PANEL 7:00 in the Theatre . Not surprisingly, its beneficiaries (among them Admission Free playwrights Eric Bogosian, Moises Kaufman, Lin-Manuel Reservations Requested Miranda, Lynn Nottage, and Theresa Rebeck), have responded with alarm to reports that high rents may force the Shop to relocate or close. Sharing that concern, we joined The Players and such notables as actors Jim Dale, Jeffrey Hardy, and Peter Maloney, and writer Adam Gopnik to rally support for a cultural treasure. DAKIN MATTHEWS ♦ Monday, January 28 We look forward to a special evening with DAKIN MATTHEWS, a versatile artist who is now appearing in Aaron Sorkin’s acclaimed Broadway dramatization of To Kill a Mockingbird. In 2015 Dakin portrayed Churchill, opposite Helen Mirren’s Queen Elizabeth II, in the NATIONAL ARTS CLUB Broadway transfer of The Audience. -
Maria Conchita Alonso, Jami Gertz, Jenny O'hara, Harriet
MARIA CONCHITA ALONSO, JAMI GERTZ, JENNY O’HARA, HARRIET SANSOM HARRIS AND CHRISTINE LAHTI JOIN CAST OF LOVE, LOSS AND WHAT I WORE Fifth Cast will Perform Nora Ephron and Delia Ephron’s Fashion-Focused Hit Through September 26 LOS ANGELES, August 25, 2010 — Nora Ephron and Delia Ephron’s Love, Loss, and What I Wore attracts a whole new cast of actresses as it continues its Los Angeles run in the Audrey Skirball Kenis Theater at the Geffen Playhouse through the month of September. The new cast includes Jenny O’Hara, who is known for her Broadway roles in The Odd Couple and Promises, Promises and was most recently seen on the big screen in M. Night Shyamalan’s Devil, as the narrator Gingy; Oscar and Emmy Award winner Christine Lahti, best known in the theater world for her collaboration with Wendy Wasserstein in The Heidi Chronicles; Broadway vet Harriet Sansom Harris, who won a Tony Award for her role in Thoroughly Modern Millie; Jami Gertz, who is well-recognized for her film work in Twister and The Lost Boys as well as a recent stint on HBO’s Entourage; and Maria Conchita Alonso best known for television work on Desperate Housewives. Love, Loss and What I Wore, an intimate collection of stories covering some of life’s most poignant moments and their corresponding wardrobe, is directed by Jenny Sullivan. The evening of vignettes, which is based on the best-selling book of the same name by Ilene Beckerman as well as personal reminiscences from the Ephrons and their friends, features a rotating cast of five actresses who share tales to which every woman can relate. -
Equity News Summer 2019
SUMMER 2019 | VOLUME 104 | ISSUE 3 ACTORS’ EQUITY ASSOCIATION Equity NEWS A CENTURY OF SOLIDARITY CELEBRATING THE 100TH ANNIVERSARY OF THE VERY FIRST EQUITY STRIKE EquityDIRECTORY EASTERN REGION WESTERN REGION BUSINESS THEATRE Kaitlyn Hoffman [email protected], x322 SPECIAL APPEARANCE, GUEST AND DINNER THEATRE ARTIST Philip Ring [email protected], x106 CABARET Kaitlyn Hoffman [email protected], x322 WITHIN LA - 99 SEAT Albert Geana-Bastare [email protected], x118 CASINO Doria Montfort [email protected], x334 TYA, STOCK, LOA TO COST & LOA TO WCLO Christa Jackson [email protected], x129 DINNER THEATRE Gary Dimon [email protected], x414 SPT, HAT Gwen Meno [email protected], x110 DINNER THEATRE ARTIST Austin Ruffer [email protected], x307 LORT Ethan Schwartz [email protected], x150 DISNEY WORLD Donna-Lynne Dalton [email protected], x604 Buckly Stephens [email protected], x602 LOA TO LORT Lyn Moon [email protected], x119 GUEST ARTIST Austin Ruffer [email protected], x307 CONTRACTS WITHIN NORTHERN CALIFORNIA Ethan Schwartz [email protected], x150 LABS/WORKSHOPS Corey Jenkins [email protected], x325 CONTRACTS WITHIN SOUTHERN CALIFORNIA Albert Geana-Bastare [email protected], x118 LOA-NYC Raymond Morales [email protected], x314 CONTRACTS WITHIN TEXAS & UTAH Christa Jackson [email protected], x129 LOA-PP Timmary Hammett [email protected], x376 Gary Dimon [email protected], x414 CONTRACTS -
Every Act of Life
EVERY ACT OF LIFE Featuring: Terrence McNally, F. Murray Abraham, Lynn Ahrens, Jon Robin Baitz, Christine Baranski, Dominic Cuskern, Tyne Daly, Edie Falco, Stephen Flaherty, John Glover, Anthony Heald, John Benjamin Hickey, Sheryl Kaller, John Kander, Roberta Kaplan, Tom Kirdahy, Larry Kramer, Nathan Lane, Angela Lansbury, Paul Libin, Joe Mantello, Marin Mazzie, Audra McDonald, Peter McNally, Lynne Meadow, Rita Moreno, Jack O’Brien, Billy Porter, Chita Rivera, Doris Roberts, Don Roos, John Slattery, Micah Stock, Richard Thomas, John Tillinger, & Patrick Wilson, the plus the voices of Dan Bucatinsky, Bryan Cranston, & Meryl Streep. “Wonderful . I wasn’t prepared for the emotional release of Every Act Of Life.” – The Paper “Poignant, incredibly inspiring . indispensable.” – The Village Voice “Really entertaining and illuminating . Bravo. – Edge Media “Riveting and revealing.” – Entertainment Weekly “Staggering, heart-warming, and inspiring beyond words.” – Joyce DiDonato “I just loved it. One of the best films I have seen at the festival.” – Rex Reed Short Synopsis: Four-time Tony-winning playwright Terrence McNally’s six ground-breaking decades in the theatre, the fight for LGBTQ rights, triumph over addiction, the pursuit of love and inspiration at every age, and the power of the arts to transform society. Synopsis: The son of an alcoholic beer distributor in southern Texas, Terrence traveled the world as tutor to John Steinbeck's children (Steinbeck’s only advice was, "Don't write for the theater, it will break your heart”); suffered an infamous Broadway flop in 1965 at age 24; and went on to write dozens of groundbreaking plays and musicals about sexuality, homophobia, faith, the power of art, the need to connect, and finding meaning in every moment of life. -
Shakespeare for the 21 Century: a Vision for the Next 25 Years (Continued)
DRAFT SHAKESPEARE FOR THE 21ST CENTURY: THE NEXT 25 YEARS SETTING THE STAGE FOR THE FUTURE Advancing the Artistic Experience, Nurturing New Audiences & Sustaining the Shakespeare Theatre Company Shakespeare for the 21st Century: The Next 25 Years … Advancing the Artistic Experience, Nurturing New Audiences & Sustaining the Shakespeare Theatre Company Over our first 25 years, I am proud to say that the Shakespeare Theatre Company has helped to redefine classical theatre. Beyond the work of William Shakespeare, our definition – and mission – encompass the ancient Greek and Roman plays that inspired him, the works of his contemporaries and those who followed in his tradition, as well as those modern plays which, in our humble opinion, will become classics in the centuries to come. Classical theatre tells us about ourselves in a way that nothing else does, enriches our lives, helps us appreciate people unlike ourselves, makes us think and glories in the language that we speak. But without it going back into the schools and going to new generations of young people, it will be lost. It would be a terrible thing. I hope I don’t ever see that happen. Michael Kahn, reflecting on his 25 years as Artistic Director of the Shakespeare Theatre Company, April 2011 2 CONFIDENTIAL DRAFT: Friday, July 01, 2011 Shakespeare for the 21st Century: The Next 25 Years … Advancing the Artistic Experience, Nurturing New Audiences & Sustaining the Shakespeare Theatre Company Introduction Michael Kahn’s visionary leadership of the Shakespeare Theatre Company over the last 25 years has provided artistic experiences virtually unmatched anywhere else in America. -
Programming; Providing an Environment for the Growth and Education of Theatre Professionals, Audiences and the Community at Large
AUGUST 2013 Welcome to Welcome to Double Indemnity! It is our pleasure to welcome director John Gould Rubin to The Old Globe for the first time to helm this exciting production. The creative staff John has assembled to bring Double Indemnity to the stage represents a true A-list of great American designers. Both scenic designer Christopher Barreca and lighting designer Stephen Strawbridge are international superstars in their fields. Both have designed hundreds DOUG GATES of productions in every possible area of the Managing Director Michael G. Murphy and Artistic Director Barry Edelstein. American theatre: on Broadway, Off Broadway, in regional theatres, as well as in the worlds of opera and dance. Both head design departments at major universities: Chris at California Institute of the Arts and Stephen at Yale University, where they have a profound influence on the next generation of designers. Costume designer David Israel Reynoso has not only worked at theatres across the country, he recently won an OBIE Award for his work on Punchdrunk’s influential immersive piece Sleep No More. Plus, David now calls San Diego his home, which is a great boon to our local theatrical ecosystem. What’s more, this design team, which also includes Elizabeth Rhodes, Keith Skretch and Kwan-Fai Lam, isn’t an anomaly. The Globe has long been recognized as a national leader in stage design, and our technical artisans — the behind-the-scenes wizards who make those designs a reality — are cherished by the designers they support as among the finest in the American theatre. We are pleased to celebrate them and their achievements, which are so central to the Globe’s continuing success. -
A Midsummer Night's Dream
SUPPORT FOR THE 2021 SEASON OF THE TOM PATTERSON THEATRE IS GENEROUSLY PROVIDED BY PRODUCTION SUPPORT IS GENEROUSLY PROVIDED BY THE HARKINS & MANNING FAMILIES IN MEMORY OF SUSAN & JIM HARKINS LAND ACKNOWLEDGEMENT Welcome to the Stratford Festival. It is a great privilege to gather and share stories on this beautiful territory, which has been the site of human activity — and therefore storytelling — for many thousands of years. We wish to honour the ancestral guardians of this land and its waterways: the Anishinaabe, the Haudenosaunee Confederacy, the Wendat, and the Attiwonderonk. Today many Indigenous peoples continue to call this land home and act as its stewards, and this responsibility extends to all peoples, to share and care for this land for generations to come. A MESSAGE FROM OUR ARTISTIC DIRECTOR WORLDS WITHOUT WALLS Two young people are in love. They’re next- cocoon, and now it’s time to emerge in a door neighbours, but their families don’t get blaze of new colour, with lively, searching on. So they’re not allowed to meet: all they work that deals with profound questions and can do is whisper sweet nothings to each prompts us to think and see in new ways. other through a small gap in the garden wall between them. Eventually, they plan to While I do intend to program in future run off together – but on the night of their seasons all the plays we’d planned to elopement, a terrible accident of fate impels present in 2020, I also know we can’t just them both to take their own lives. -
June 2018 Welcome Mike Hausberg
JUNE 2018 WELCOME MIKE HAUSBERG Welcome to The Old Globe and this production of The Tempest. Our goal is to serve all of San Diego and beyond through the art of theatre. Below are the mission and values that drive our work. We thank you for being a crucial part of what we do. MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large. STATEMENT OF VALUES The Old Globe believes that theatre matters. Our commitment is to make it matter to more people. The values that shape this commitment are: TRANSFORMATION Theatre cultivates imagination and empathy, enriching our humanity and connecting us to each other by bringing us entertaining experiences, new ideas, and a wide range of stories told from many perspectives. INCLUSION The communities of San Diego, in their diversity and their commonality, are welcome and reflected at the Globe. Access for all to our stages and programs expands when we engage audiences in many ways and in many places. EXCELLENCE Our dedication to creating exceptional work demands a high standard of achievement in everything we do, on and off the stage. STABILITY Our priority every day is to steward a vital, nurturing, and financially secure institution that will thrive for generations. IMPACT Our prominence nationally and locally brings with it a responsibility to listen, collaborate, and act with integrity in order to serve. -
2015 Summer Shakespeare Intensive
PRESENTS 2015 SUMMER SHAKESPEARE INTENSIVE Two one-hour versions of Shakespeare’s plays LOVE’S LABOR’S LOST & THE TEMPEST Donald and Darlene Shiley Stage Old Globe Theatre Conrad Prebys Theatre Center Monday, August 10, 2015 elcome! Tonight is a celebration. We celebrate Shakespeare, we celebrate theatre, we celebrate imagination. But most of all, we celebrate the young people performing on our stage this evening. Each year young actors walk through our doors ready to learn from us. Indeed, they do learn here. They learn about iambic pentameter, stage combat, choreography, speech, lexicons (ask one of the actors what that is), dance, and professionalism. These things are what we bring to the table. What we never fully realize until we’re in the midst of the program is that we, the directors, stage managers, and staff members, are the ones who learn the most. These extraordinary young people bring us their exuberance, their audacity, their startling honesty and courage. They force us to think again and again about what it means to be human: the very thing that theatre is all about. These young actors remind us each and every day that we must be open and loving in our interactions. They never let us forget how delicate and how powerful they are. We watch them with awe and gratitude for all that they give us. Tonight, take care to watch closely for the elegance and grace of their youth. This day is for all of us, together, to embrace our humanity and breathe in the joy of the art of living. -
Theseus a Midsummer Night's Dream Columbia
M A T T H E W R. W I L S O N Theatre Instructor, Scholar, Director, Combat & Movement Specialist, Actor EDUCATION __________________________________________________________________ University of Maryland, College Park Ph.D. Theatre & Performance Studies (anticipated 2017) Dissertation: “Moving from the Archive: Historiography of Commedia dell’Arte’s Past and ‘Authenticity’ in Its Present Performance” (in process) Areas of Specialization: Theatre History and Historical Theatre Architecture with Franklin J. Hildy Dramatic Theory & Criticism with Catherine A. Schuler Performance Studies and Ethnography with Laurie Frederik Meer American Theatre History with Heather S. Nathans Italian Renaissance with Stefano Villani Shakespeare Theatre’s Academy for Classical Acting at The George Washington University M.F.A. Classical Acting Acting with Michael Kahn, Floyd King, Franchelle Stewart Dorn, Ed Gero, Rob Clare Voice and Text with Gary Logan, Ellen O’Brien, Dakin Matthews Movement with Dody DiSanto, Isabelle Anderson, Brad Waller, Roberta Stiehm, Chris Cherry Elizabethan & Jacobean Literature with Leslie Jacobson and Deborah T. Curren-Aquino Columbia University B.A. Philosophy Shakespeare with David Scott Kastan and Edward Tayler Classical Greek Literature and Language with Helene Foley and Gareth Williams PROFESSIONAL DEVELOPMENT____________________________________________________ “Collaboration,” Columbia Graduate School of the Arts (New York, NY) Play Development with Anne Bogart and MFA theatre students (2002-2003) Stage Internazionale di -
JOINT BIO: LONG (649 Words) Lynn Ahrens and Stephen Flaherty Are
JOINT BIO: LONG (649 words) Lynn Ahrens and Stephen Flaherty are considered the foremost theatrical songwriting team of their generation. They won Broadway's triple crown--Tony Award, Drama Desk Award and Outer Critics Circle Award—as well as two Grammy nominations for their score of the Broadway musical Ragtime. They received two Academy Award nominations and two Golden Globe nominations for the songs and score of Twentieth Century Fox's animated feature film, Anastasia, which they also adapted into Broadway’s hit musical, Anastasia. In 2014 they received the Oscar Hammerstein Award for Lifetime Achievement, and in 2015 they were inducted into the Theater Hall of Fame. They wrote the musical Once On This Island (eight Tony Award nominations, London’s Olivier Award, Best Musical) which premiered on Broadway in 1990. Its Broadway revival in 2018 won the Tony Award for Best Revival of a Musical and its cast recording was nominated for the 2019 Grammy Award. Their show Seussical, based on the works of Dr. Seuss, received Grammy and Drama Desk nominations and is one of the most frequently performed shows in America. They have premiered four new musicals at Lincoln Center Theatre: My Favorite Year, A Man Of No Importance (Winner, 2003 Outer Critics Circle Award, Best Musical); Dessa Rose (Audelco Award, Best Musical, Drama Desk and Outer Critics Circle nominations); and The Glorious Ones (five Drama Desk nominations including Best Musical.) Additional theater credits include Lucky Stiff (Helen Hayes Award, Best Musical); Chita Rivera: The Dancer's Life; Ragtime 2009 Broadway revival (six Tony nominations, seven Drama Desk nominations); and Broadway’s Rocky, which was nominated as Best Musical by the Drama Desk, Drama League and Outer Critics Circle. -
Television Academy
Television Academy 2014 Primetime Emmy Awards Ballot Outstanding Costumes For A Series For a single episode of a regular series. Emmy(s) to costume designer, costume supervisor, assistant costume designer and single-credit key costumer (who is the only costume person on the show.) NOTE: VOTE FOR NO MORE THAN FIVE achievements in this category that you have seen and feel are worthy of nomination. (More than five votes in this category will void all votes in this category.) 001 About A Boy About A Rib Chute May 20, 2014 Will is completely heartbroken when Sam receives a job opportunity she can’t refuse in New York, prompting Fiona and Marcus to try their best to comfort him. With her absence weighing on his mind, Will turns to Andy for his sage advice in figuring out how to best move forward. 002 Alpha House Showgirls January 3, 2014 Louis decides to help showgirls organize, but the Watt brothers stand in his way. A video of Gil John hitting a soldier with a chair in Afghanistan goes viral so Maddie looks for a way to humanize him and Andy's Vanity Fair cover shoot takes an unexpected direction. 003 The Americans The Walk In March 12, 2014 Philip and Elizabeth complete their next mission. Philip's fears about Elizabeth's readiness for action deepen. Stan tracks the KGB walk-in which leads to much praise at work and a deepening of his attachment to Nina. Paige snoops into her mother’s family background and Oleg begins to scrutinize Nina’s secret operation.