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Ethnic Violence in the Former Soviet Union Richard H
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 Ethnic Violence in the Former Soviet Union Richard H. Hawley Jr. (Richard Howard) Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF SOCIAL SCIENCES ETHNIC VIOLENCE IN THE FORMER SOVIET UNION By RICHARD H. HAWLEY, JR. A Dissertation submitted to the Political Science Department in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2011 Richard H. Hawley, Jr. defended this dissertation on August 26, 2011. The members of the supervisory committee were: Heemin Kim Professor Directing Dissertation Jonathan Grant University Representative Dale Smith Committee Member Charles Barrilleaux Committee Member Lee Metcalf Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii To my father, Richard H. Hawley, Sr. and To my mother, Catherine S. Hawley (in loving memory) iii AKNOWLEDGEMENTS There are many people who made this dissertation possible, and I extend my heartfelt gratitude to all of them. Above all, I thank my committee chair, Dr. Heemin Kim, for his understanding, patience, guidance, and comments. Next, I extend my appreciation to Dr. Dale Smith, a committee member and department chair, for his encouragement to me throughout all of my years as a doctoral student at the Florida State University. I am grateful for the support and feedback of my other committee members, namely Dr. -
Peter the Great I. Introduction Peter the Great Or Peter I (1672-1725
Peter the Great I. Introduction Peter the Great or Peter I (1672-1725), tsar and, later, emperor of Russia (1682-1725), who is linked with the Westernization of Russia and its rise as a great power. II. Early Life Peter was born in Moscow of the second marriage of his father, Alexis I, who ruled Russia from 1645 to 1676. Alexis’s first marriage, to Maria Miloslavsky, had produced 13 children, but only two of the sons, Fyodor and Ivan, both of them sickly, survived their father. After Maria died in 1669 Alexis married Natalia Naryshkin in 1671, and Peter, a strong and healthy child, was born the next year. Fyodor III succeeded his father as tsar, but died without an heir in 1682. A bitter struggle for the throne between the two families, the Miloslavskys and the Naryshkins, ensued. The Naryshkins gained an early victory: Supported by the patriarch of the Russian Orthodox Church, a majority in the boyar duma (Russia’s council of nobles), and a gathering of the gentry (untitled landowners), nine- year-old Peter was proclaimed tsar in April of 1682. Because of his youth, his mother became regent, while her relatives and friends secured leading positions in the state. However, as early as May, the Miloslavsky party, led by Alexis's able and strong-willed daughter Sofia, Peter's half-sister, inspired a rebellion of the streltsy, musketeers who made up Russia’s top military corps. The streltsy in Moscow murdered leading members of the Naryshkin clique—Peter witnessed some of these murders—and the Miloslavskys seized power. -
Romanov News Новости Романовых
Romanov News Новости Романовых By Ludmila & Paul Kulikovsky №120 March 2018 Alexander II Tsar-Liberator The press conference about the exhibition "Alexander II Liberator. On the 200th anniversary of his birth." March 12, a press conference dedicated to the State Historical Museum exhibition of the "Alexander II Liberator. On the 200th anniversary of his birth" was held in TASS head office in Moscow. The State Historical Museum on the occasion of the 200th anniversary of the birth of Alexander II will present the first large-scale monographic exposition dedicated to the activities of the Emperor, which should return to the Russian society the memory of this outstanding statesman. The exposition will be open from April 4 to October 15. The press conference was attended by Alexey K. Levykin, Director of the Historical Museum; Andrey D. Yanovsky, Deputy Director for Research; Konstantin I. Mogilevsky, Executive Director of the Fund "History of the Fatherland"; Evgeniy V. Pchelov, PhD (History), Archival Institute of the RSUH; Paul E. Kulikovsky, great-great-great-grandson of Emperor Alexander II; Prince George A. Yurievsky, great- grandson of Emperor Alexander II; Sergey V. Mironenko, scientist Head of GARF; and Alexander A. Kastravets, Advisor to the Chairman of the Board of Directors of United Metallurgic Company. After the introduction of the speakers, a 3 minutes video presenting the exhibition project "Alexander II the Liberator" was shown. Video - https://mediashm.ru/?p=13756#13756 "This is the first major monographic exhibition dedicated to Alexander II, not only in the Historical Museum, but also in our country," said Alexei Levykin, director of the State Historical Museum. -
1 Establishing Authority, 1682–1707
Cambridge University Press 978-1-316-50435-2 — A/AS Level History for AQA Russia in the Age of Absolutism and Enlightenment, 1682–1796 Student Book John Oliphant , Edited by Michael Fordham , David Smith Excerpt More Information PART 1: PETER THE GREAT AND RUSSIA, 1682–1725 1 Establishing authority, 1682–1707 In this section we will look at the condition of Russia in 1682. We will consider the way in which it was governed, as well as the person of Tsar Peter himself. We will also look in some detail at the social and political structures, including the Church, the attempts at reform and the opposition to those attempts. In addition, we will take into account Peter’s foreign policies and wars. We will look into: • The political, economic and social position of Russia in 1682: the Tsars and the nobility; economic backwardness and serfdom; Russia as a traditional, Slav society. • The Regency: the role of the Streltsy; Peter as joint ruler; the establishment of sole rule. • Westernisation: influences on Peter as a child; the Great Embassy; the reasons for and significance of the development of St Petersburg. • Early reforms: economic and financial; political and administrative; military; changes in society • Opposition: the Church; the Streltsy. • Foreign afairs and wars: wars against Turkey and Sweden. 1 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-316-50435-2 — A/AS Level History for AQA Russia in the Age of Absolutism and Enlightenment, 1682–1796 Student Book John Oliphant , Edited by Michael Fordham , David Smith Excerpt More Information A/AS Level History for AQA: Russia in the Age of Absolutism and Enlightenment, 1682–1796 The political, economic and social position of Russia in 1682 The Tsars and the nobility N 0 500 1000 Miles 0 500 1000 Kilometers Bering GREAT BRITAIN Sea Deptford ARCTIC OCEAN London D NORWAY Zaandam K AN AR NM DE Barents Sea SWEDEN Kara Sea Dresden Baltic Sea PRUSSIA St. -
Here Still Remained the Question How to Divide the Work Into Acts
Modest Petrovitsch Mussorgski (geb. Karevo, 9./21. März 1839 – gest. St. Petersburg,16./28. März 1881) Chowanschtschina (“Die Chowansky-Affäre”) Nationale Musikdrama in sechs Bildern nach einem eigenen Libretto (1872-81) Vervollständigt, revidiert und orchestriert von Nikolai Rimsky-Korsakow Vorwort Sicherlich hat keiner der großen Opernkomponisten der Musikgeschichte, zu denen Mussorgski ohne Zweifel gehört, sein musikalisches Oeuvre in einer auch nur annähernd heillosen Unordnung hinterlassen. Wenn sein Opernmeisterwerk Boris Godunow (1868-74) in zwei stark unterschiedlichen, gleichermaßen von Komponisten autorisierten Fassungen erhalten ist, so ist das Werk wenigstens vollständig überliefert worden. Ähnliches läßt sich von den beiden darauffolgenden Opern Der Jahrmarkt von Sorotschinzy (1874-80) und Chowanschtschina (1872-81) nicht behaupten: Beide Werke mußten nach dem Tod Mussorgskis - er starb im Alter von 42 Jahren an Alkoholvergiftung - anhand seines musikalischen Nachlasses mühsam zusammengestückelt werden. Obwohl Mussorgski behauptet hatte, Chowanschtschina sei abgeschlossen, so war schliesslich alles, was man in den nachgelassenen Papieren fand, eine Kiste voller Skizzen, Entwürfe und Partizelle sowie zwei kurze Szenen als Orchesterpartitur. Die Aufgabe, aus diesem Materialvorrat ein aufführbares Werk für die Opernbühne zu schaffen, sollte schließlich einige der größten Komponisten des 19. und 20. Jahrhunderts beschäftigen, darunter Rimsky-Korsakow, Ravel, Strawinsky und Schostakowitsch. Die Unvollständigkeit von Chowanschtschina ergab sich teilweise aus den Arbeitsmethoden Mussorgskis, teilweise aus dem Wesen des Opernprojekts selbst. Im Jahre 1872 hatten der Komponist und der befreundete Kritiker Wladimir Stassow die kühne und damals unerhörte Idee, eine „große historische Oper“ ausschließlich nach Originaldokumenten zu schaffen. Ähnlich wie Tolstoi bei den Vorarbeiten für Krieg und Frieden durchstöberte Mussorgski daraufhin die Archive und Geschichtsbücher Rußlands, um sein Material zusammenzutragen. -
Memoirs of Old Moscow in the Years Before Lenin and Stalin
Memoirs of Old Moscow in the years before Lenin and Stalin Vladimir Gilyarovsky translated and edited by Brian Murphy Michael Pursglove Memoirs of Old Moscow in the years before Lenin and Stalin Vladimir Gilyarovsky translated and edited by Brian Murphy Michael Pursglove The translators Brian Murphy: Former Professor of Russian, University of Ulster; former UN translator; translator and editor of Mikhail Sholokhov's Quiet Flows the Don. Michael Pursglove: Former Senior Lecturer in Russian, University of Exeter; translator of Ivan Turgenev's Fathers and Children, Smoke and Virgin Soil (all Alma Classics), of D.V. Grigorovich's Anton and of numerous Russian short stories. Cover Kitai-gorod from Theatre Square, photographed by Nikolai Naidenov in 1884 PREFACE The casual reader might be surprised to learn that none of the chapters of this book, such a nostalgic evocation of old Russia, were published before 1926 and that the majority of them date from 1934 or 1935. A more careful reading will reveal references to post-1917 Russia, but these are relatively few: aeroplanes, the metro, the cleaning up of the filthy River Neglinka, the demolition of the Khitrovka slum, NEP, the opening of the House of the Peasant in what had been the Hermitage Restaurant or the workers' demonstration which ends the chapter devoted to his great friend Anton Chekhov. It is, however, surprising that a book which, for all its occasional nods of approval to the Soviet regime, contains long passages devoted to Moscow's flourishing merchant class,was allowed to be published in the 1930s. This was a time when, especially after the First All-Union Congress of Soviet Writers in August 1934, Communist Party control over all branches of the Arts was consolidated. -
Learning to Be Nobles: the Elite and Education in Post-Petrine Rusia
LEARNING TO BE NOBLES: THE ELITE AND EDUCATION IN POST-PETRINE RUSIA Igor Fedyukin A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History Chapel Hill 2009 Approved by Advisor: David M. Griffiths Reader: Chad Bryant Reader: Jeffrey W. Jones Reader: Louise McReynolds Reader: Donald J. Raleigh Reader: Jay M. Smith © 2009 Igor Fedyukin ALL RIGHTS RESERVED ii ABSTRACT IGOR FEDYUKIN: Learning To Be Nobles: The Elite and Education in post- Petrine Russia (Under the direction of David M. Griffiths) This dissertation explores the relationship between the state and the nobility in post-Petrine Russia (1730s-1750s). It focuses on educational policies pursued by the state: specifically, on the establishment and operations of the Noble Cadet Corps and on the reform of noble service in 1736-1737; it also explores the reaction of the nobility to these policies. Traditionally, historians have viewed these measures as concessions granted by the state to the nobility in the aftermath of the succession crisis of 1730. Using a large body of unpublished sources from the archive of the Noble Cadet Corps and the records of the Heraldry Department, this dissertation argues that in the 1730s the government of Empress Anna conducted a campaign of social disciplining with the goal of fashioning a “true nobility” out of the existing elite. Specific changes in the system of noble service, such as allowing the nobles some say in choosing their career path and mode of schooling, were not a result of any political pressure from the nobility, but rather were motivated by the changing theoretical notions of human governability. -
Romanov News Новости Романовых
Romanov News Новости Романовых By Ludmila & Paul Kulikovsky №№9944 January 2016 TTssaarrreevviiicchh aanndd GGrrraanndd DDuukkee AAllleexxeeiii NNiiicchhoolllaaiiieevviiicchh bbyy PPeettteerrr PP... PPeerrrsshhiiinn Romanov News' wishes for 2016 For many people it is a tradition to make New Year wishes, which for some are an expression of hope for things to happen in the new year and for others a list of goals to be worked towards during the year. Romanov News wishes listed below are a part of both. These wishes are not new for us, but we would like to use this opportunity to remind all our readers, what we wish and work towards. It is certainly our hope that these wishes will happen now rather than later, and even if in most cases we can do little to make it happen, we can pray and keep reminding people (including authorities) about these outstanding issues. On some of these wishes we are actively working and on some are other good people working, which gives us more than just hope, that these wishes might be fulfilled in the near future - if not this year, then next year! 1. Burial of Tsarevich and Grand Duke Alexei Nicholaievich and Grand Duchess Maria Nicholaievna. 2. The remains of Grand Duke Michael Alexandrovich and his secretary Brian Johnson, shot in Perm, to be found. 3. The remains of the four Grand Dukes, shot in the Peter and Paul Fortress, St. Petersburg - Paul Alexandrovich, Dimitri Konstantinovich, Nicholas Konstantinovich and George Mikhailovich - to be found. 4. The graves of the Alapaevsk Martyrs; Grand Duke Sergei Mikhailovich; Prince John Konstantinovich, Prince Konstantin Konstantinovich and Prince Igor Konstantinovich; Prince Vladimir Paley (Son of Grand Duke Paul Alexandrovich); and Feodor Remez (Secretary to Grand Duke Sergey Mikhailovich) in Beijing, to be found. -
Historico-Cultural Relations Between Tuscany and the Russian Empire
International Journal of Humanities and Social Science Vol. 7, No. 1; January 2017 Historico-cultural relations between Tuscany and the Russian Empire Mariya Komarova Department of Architecture and Design Politecnico di Torino Torino, Italy Abstract The object of research is the international cultural exchange between the Italian region of Tuscany and the Russian Empire in the period of its formation and prosperity at the turn of 18-19 centuries. The studies on diplomatic relations start from the middle of the 15-th century and serve as a foundation for the knowledge of migration of artists, writers, architects, sculptors, composers and other cultural figures in the historical period of the Russian Empire. During the research there were studied primary sources, archival documents and actual data that helped also to discover new names and biographies of some government officials and architects, who have made their contributions to the economic and cultural development of the two states. Keywords: ambassador; migration; foreign trade; architecture; art; Maecenas Introduction Traveling through Italy, one can understand that each its region has its own cultural peculiarities. Here every city is not only a unique work of art, but in every region there are also its own language dialects, recipes and age-old traditions. Today's united Italy still about 160 years ago was a territory with several independent states. Thus, the Grand Duchy of Tuscany was an independent state existed from 1569 to 1859, before under the dynasty of the Medici and under Habsburg-Lorraine after. During that period, the Grand Duchy of Tuscany was able to maintain its independence and to grow up until it was one of the most prosperous and modern states in Europe. -
Proquest Dissertations
urn u Ottawa L'Universite canadienne Canada's university FACULTE DES ETUDES SUPERIEURES FACULTY OF GRADUATE AND ET POSTOCTORALES U Ottawa POSDOCTORAL STUDIES L'Universite canadienne Canada's university Sergey Tyulenev AUTEUR DE LA THESE / AUTHOR OF THESIS Ph.D. (Translation Studies) GRADE/DEGREE School of Transaltion and Interpretation FACULTE, ECOLE, DEPARTEMENT / FACULTY, SCHOOL, DEPARTMENT The Role of Translation in the Westernization of Russia in the Eighteenth Century TITRE DE LA THESE / TITLE OF THESIS A. Brisset _„„^_._^_„.„._ M.Heim EXAMINATEURS (EXAMINATRICES) DE LA THESE/THESIS EXAMINERS L. Beraha R. Grutman C. Foz N, . Teplova Gary W. Slater Le Doyen de la Faculte des etudes superieures et postdoctorales / Dean of the Faculty of Graduate and Postdoctoral Studies SERGEY TYULENEV THE ROLE OF TRANSLATION IN THE WESTERNIZATION OF RUSSIA IN THE EIGHTEENTH CENTURY PH.D. THESIS SUPERVISORS: Professor Annie Brisset (University of Ottawa) Professor Michael Heim (UCLA) School of Translation and Interpretation University of Ottawa 2009 Ottawa, Canada Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-59495-7 Our file Notre reference ISBN: 978-0-494-59495-7 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. -
Journal of Irish and Scottish Studies the World of Patrick Gordon
Journal of Irish and Scottish Studies Volume 7: Issue 2 The World of Patrick Gordon Aberdeen University Press JOURNAL OF IRISH AND SCOTTISH STUDIES Volume 7, Issue 2 Spring 2014 The World of Patrick Gordon Published by Aberdeen University Press in association with The Research Institute of Irish and Scottish Studies ISSN 1753-2396 Printed and bound in Great Britain by CPI Antony Rowe, Chippenham and Eastbourne Journal of Irish and Scottish Studies General Editor: Cairns Craig Issue Editor: Paul Dukes Associate Editor: Michael Brown Editorial Advisory Board: Fran Brearton, Queen’s University, Belfast Eleanor Bell, University of Strathclyde Ewen Cameron, University of Edinburgh Sean Connolly, Queen’s University, Belfast Patrick Crotty, University of Aberdeen David Dickson, Trinity College, Dublin T. M. Devine, University of Edinburgh David Dumville, University of Aberdeen Aaron Kelly, University of Edinburgh Edna Longley, Queen’s University, Belfast Shane Alcobia-Murphy, University of Aberdeen Ian Campbell Ross, Trinity College, Dublin Graham Walker, Queen’s University, Belfast International Advisory Board: Don Akenson, Queen’s University, Kingston Tom Brooking, University of Otago Keith Dixon, Université Lumière Lyon 2 Marjorie Howes, Boston College H. Gustav Klaus, University of Rostock Peter Kuch, University of Otago Graeme Morton, University of Guelph Brad Patterson, Victoria University, Wellington Matthew Wickman, Brigham Young David Wilson, University of Toronto The Journal of Irish and Scottish Studies is a peer reviewed journal -
Singing the Myths of the Nation: Historical Themes in Russian Nineteenth-Century Opera
Singing the Myths of the Nation: Historical Themes in Russian Nineteenth-Century Opera Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate school of The Ohio State University By Ray Alston, M.A. Graduate Program in Slavic and East European Languages and Cultures The Ohio State University 2018 Dissertation Committee: Alexander Burry, Advisor Angela Brintlinger Helena Goscilo Jon Linford © Ray Alston 2018 Abstract Historical opera represents an important subgenre in the Russian repertoire, but many of the Russian operas on historical themes are unperformed and unknown in the West. However, they continue to play an important role in Russia’s self-exploration and historical identity. This dissertation seeks to address the matter of what it means to interpret history through the lens of opera. What assumptions about history are present in these works by virtue of the genre? To answer this question, this dissertation draws on the essays of W. H. Auden who asserts that in opera, virtuosic singing causes even real, historical persons to seem like the gods and heroes of myth. This principle serves as something of the reversal of the concept of displacement that Northrop Frye discusses in Anatomy of Criticism. According to Frye, all plots have a mythic core. Realistic works displace their mythic core by limiting the power of heroes and placing greater obstacles in their way. In opera, the process collapses. A realistic or historical plot may displace the mythic elements of the story of an opera, but the virtuosic singing reconnects the plot with its mythic core.