Briefe Ausberlin Alumni Newsletter of the KRUPP INTERNSHIP PROGRAM for STANFORD STUDENTS in GERMANY

13 ’17 Briefe ausBerlin Alumni Newsletter of the KRUPP INTERNSHIP PROGRAM FOR STANFORD STUDENTS IN GERMANY

What’s New in Berlin Thoughts from an by Karen Kramer Art-Filled Summer by Robin Willscheidt Start-ups are Everywhere by Ron Domingo Alfried Krupp von Bohlen und Halbach-Stiftung Grußwort der Krupp-Stiftung by Prof. Dr. Ursula Gather

© TU Dortmund/ Lutz Kampert “Nach dem Spiel ist vor dem Spiel”, so lautet eine 2018 steht bereits fest. Jede Gruppe aus Stanford viel zitierte deutsche Lebensweisheit. Sie hat ihren bringt dabei erfrischende neue Einsichten mit, Ursprung – wie könnte es anders sein? – im zeigt den Blick der jungen Generation auf das Ame- Lieblingssport der Deutschen, dem Fußball. Aber rika der Gegenwart. sie fällt mir auch im Zusammenhang mit den Be- Ich wünsche allen bisherigen Teilnehmerinnen suchen der Studentinnen und Studenten aus Stan- und Teilnehmern des Praktikantenprogramms, dass ford ein, auf die ich mich jedes Jahr wieder freue. dieser “Brief” gute Erinnerungen bei Ihnen wach- Erst vor einem guten halben Jahr waren die ruft und sie mit Freude auf Ihren Aufenthalt in Stipendiaten des Jahres 2017 in Essen, zu ihrem Deutschland zurückblicken.

schon traditionellen Besuch in der Villa Hügel, und Prof. Dr. Ursula Gather, Vorsitzende des Kuratoriums der Besuch der nächsten Gruppe im Frühsommer der Alfried Krupp von Bohlen und Halbach-Stiftung

Spring quarter students, The photograph on the Berlin faculty and staff staff, and faculty with cover shows the with, on the left, visiting members of the Krupp excursion to Hochofen professors Ed Carryer Foundation and the Stan- 8 of ThyssenKrupp and Sheri Shepard and ford Club of Germany at Steel Europe in Ms. Heymann and Villa Hügel, Essen, May Duisburg: spring Dr. Lorch of the Krupp 11, 2017. quarter students and Foundation.

2 What’s New in Berlin by Karen Kramer

It was a year of dramatic political challenge in many re- clearer. In the case of BOSP Berlin and the Krupp In- gions and countries—and, consequently, for our ever ternship Program for Stanford Students in Germany, I smaller globe. Tumultuous political events of 2016— am pleased to share with you good news on several Brexit, the American election—left many people and or- fronts: We celebrated the 35th anniversary of the Krupp Program, during which period almost 1250 of your In the Gobelin Hall of Stanford peers have completed internships at over 500 Villa Hügel: guest pro- German host institutions. Our reapplication to the Ku- fessors Ed Carryer and Sheri Sheppard with ratorium of the Alfried Krupp von Bohlen and Halbach- spring quarter student Foundation for a further five years was approved, se- Niall Sohan. curing this unparalleled transatlantic program through its 40th year. And we will soon be piloting a second col- laborative program with the Krupp Foundation that will bring up to five German doctoral students to Stanford as Visiting Student Researchers each year to pursue dis- In the Gobelin Hall of sertation research in participating departments and net- Villa Hügel, prospective work with peers in their fields. Wolf Junghanns will interns, l–r: Chase Mil- share with you below, in his overview of this year’s Krupp ligan, Kristina Beck, Emily Jantz, Sofia Internships, the detail and variety and significance of Carrillo, Jason McRuer. this year’s placements, and several of the interns themselves will again share with you their experiences and insights. The Berlin Program—variously known to you, de- pending on when in the 35 years of the Krupp Program you did your internships, as Stanford-in-Berlin, the ganizations reeling; while some voters obviously felt vin- Stanford Study Center in Berlin, or, more recently, in dicated by the outcome, time-honored alliances are hard light of a generous gift from Helen and Peter Bing: the put, and predictability seems to have become one of those Bing Overseas Studies Program in Berlin—continues to “back in the day” virtues. But 2017 was, at the same thrive. Some 100 students participated in the Berlin time, a year of confirmation and renewal, in which the Program this year from all majors, well over the ma- value of transatlantic and intercultural ties became ever jority of them from STEM fields (Science, Technology,

Because of a traffic jam on the Autobahn, there was limited time to see the Kölner Dom, but next door we were offered an excellent tour through the Wallraf- Richartz-Museum (http://www.wallraf.museum). Again the group was accompanied by Ms. Heymann, left, and Dr. Lorch, right, of the Krupp Foundation. 3 In the Gobelin Hall of Villa Hügel, prospective interns a marvelous, student-performed Hauskonzert in Haus discuss their German experiences with Prof. Cramer (the Stanford villa), sponsored by Prof. Regina Ramón Saldívar Casper, which, after two hours of performing segued into (center), Director of a few more hours of karaoke; the entire event, includ- BOSP,l–r: Devon Burger, Rebecca ing tech procurement, recording, and performance, was Cheng, Emma Pair, a result of intense student engagement (many of whom Julia Wagenfehr, were Krupp interns). Finally, the historic gardens of Robin Willscheidt. Haus Cramer were restored with the partial support of the Garden Monument Office of Berlin. Engineering, Mathematics); whereas many students Although it was a very good year for the Berlin and come with no previous German knowledge, by the time Krupp Programs in most respects, autumn came with a they return after an eleven week quarter they have com- very somber note. Sylke Tempel, who taught for us for pleted the equivalent of six months of German in addi- a quarter century and continued to cherish her engage- tion to coursework in German culture, politics, or eco- ment with Stanford even as she had risen to prominence nomics. Many of these students complete a German as one of Germany’s acclaimed public intellectuals, was Studies minor—in some cases even a second major—af- tragically killed by a falling tree during the heavy wind- ter returning to campus. Visiting professors this year storm Xavier on October 5. Please find in this volume were Jan Krawitz (Communications/Film), Dave Don- of Briefe her last published article as well as our hom- aldson (Economics), Ed Carryer and Sheri Sheppard age to Sylke, whom many of you will have encountered (both Mechanical Engineering). Students explored a through her courses on International Relations, either new EU member state each quarter during the three- at the Berlin Center or on the home campus, where she day H.G. Will Trips on European Expansion (it goes taught several times as Stanford Club of Germany Vis- without saying that we did not visit the UK...), featur- iting Lecturer in German Studies. ing intense discussions with political leaders, scholars, and local students, in Warsaw/Poland, in Cyprus (Turk- Dr. Karen Kramer, ish and Greek sectors) and Scopje/Macedonia. We had Director, Bing Overseas Studies Program in Berlin

“Das letzte Wort ist noch nicht gesprochen.” A Production Report by Noemi Berkowitz

Immer fand ich den Namen falsch, den man uns gab: Emigranten. I always found the name they gave us false: Emigrants. “Über die Bezeichnung Emigranten,” Bertolt Brecht, 1937

German, English, Arabic, and Hebrew mingle together in the rehearsal room. A group of people who don’t fit one label: refugee, expatriate, immigrant, foreigner... None of these is quite right. Artists. Künstler*innen. From February to April 2017, I worked as the direct- ing and dramaturgy intern on “Winterreise!"#$%" &%'( ” at the Maxim Gorki Theater. This play is the first main- stage production of the Exil Ensemble, a group of ac- L–R: Mazen Aljubbeh, tors from Syria, Palestine, and Afghanistan living and Kenda Hmeidan, working in exile in Germany. Directed by Yael Ronen, it Karim Daoud, Maryam eine Stückentwicklung Abu Khaled, and Noemi was a devised piece ( ) based on Berkowitz while touring the lives of six Exil Ensemble actors and one German, with “Winterreise.”

4 Niels Bormann, and their two-week long bus tour few weeks, we were usually at the theater from 10am to through Germany. Devising this piece meant that on the 10pm, sometimes longer. The moving parts all came to- first day of rehearsal, the script was blank, with not even gether when we opened to positive reviews and a “New one word written. By April 8, we were ready to premiere York Times” feature in April. this deeply personal new work. A lot had to happen in Since the premiere, we have been retracing that orig- between for that to be possible. inal winter journey through Gastspiele. We have toured We began the rehearsal process by discussing the trip in Mannheim, Zürich, München, Bremen, and Düssel- and answering prompts from Yaeli. We would sit around dorf. I work at the Gorki now, traveling with the group a table and discuss widely varying subjects for hours. doing Gastspiel-Assistenz and running the Übertitel. We During rehearsals have been lucky to engage with at the Maxim Gorki audience members at post-show Theater. discussions, hearing from people with vastly different perspectives. A woman in Zürich, who has lived there since she came as a refugee decades ago, was visibly touched as she thanked the cast. A man in Mu- nich wanted the piece to show the many layers of Germany, up- set because he felt all that the piece showed was a stereotype of Germans. So we talked about how many Germans—and Ame- We talked about labels for foreigners, about southern ricans, and others across the world—generally only get Germany, about World War II, about the war in Syria, to see a stereotype of Arabs in the media. and much more. After a few weeks, we began improvis- I am grateful for these conversations. We are all trying scenes. Yaeli and Irina Szodruch, the Dramaturg, ing to find out how we fit in here, how we belong, and would bring in text. Slowly but surely, the piece took how to understand others. That’s what “Winterreise shape. Behind the action were the beautiful videos tak- !"#$%" &%'( ” is about... well, one of many things. Each en by video designer Benjamin Krieg during the trip, person who comes to the theater takes something dif- projected onto the set design from Magda Willi. Esra ferent from the piece. In a world that is not black and Rotthoff’s incredible drawings and animations also lit white, theater tells stories that reside in the complicat- up the set, and Yaniv Friedel and Ofer Shabi created the ed, liminal gray areas. beautiful music and sound design for the piece. Sophie du Vinage’s costumes completed the design. Noemi Berkowitz (Psychology, Theater & Performance Studies) studied We even worked with a hugely talented puppeteer, in Berlin in spring 2015 and interned with Berlin theaters from autumn Ariel Doron, who created a dynamic background for a 2016 to winter 2017. scene about escaping from Syria. As Hussein tells his story of journeying from Damascus to Qamishli to Izmir to Samos to Athens to Zürich to Lüneburg, Kenda, Maryam, and Karim work with objects and maps pro- Robin Willscheidt took jected on the screen to visually supplement the story. this shot: “Nikolai- With so many elements, the assistant team had a lot viertel, in the heart of to do. We coordinated across departments, helped the the city, under the loo- ming Fernsehturm at actors learn their texts, and recorded notes on every tiny Alexanderplatz. An moment on the stage—actors, sets, props, costumes. I oasis of quiet, quintes- often translated texts between German and English, be- sential German-ness cause we were working with a team that spoke many dif- reminiscent of my hometown of Bonn no ferent languages. The piece itself has scenes in Arabic, less than five minutes English, and German, with surtitles (Übertitel) above from the closest U- the stage in English and German throughout. In the last Bahn. This was my sanctuary when I 5 wanted to feel at home.” Status Report on the Krupp Internship Program by Wolf-Dietrich Junghanns

I concluded last year’s report by pointing out that the German labor market is still growing, demanding professionals and hence providing a stable environment for our internship program. This tendency has continued in 2017, with an average employment growth rate of 1.5% so that currently, as of October, 44.65 million residents of Germany are economically active (“erwerbstätig”). Unemployment is down to 5.4% (West: 5%, East: 7%), however, the numbers differ widely between certain areas, e. g.: Bavaria: 2.9%, Baden-Württemberg: 3.3%, NRW: 7.1%, Berlin: 8.6%, Bremen: 10%... Because of integration courses and various supportive measures, refugees have not yet had a significant impact on job- less figures—the estimated number of underemployed refugees is 416,000. (For official German labour mar- Stefanie Lim with ket figures see: https://www.arbeitsagentur.de.) two of “her” chil- The Krupp program grew as well, indeed by 24%. In dren at the Stra- the academic year 2016–17, we placed 33 new appli- ßenkinder e. V. – cants who did 34 internships and one student, BOSP’s Kinder- und Jugendhaus Bolle Berlin Ambassador Gaby Steiner (Human Biology, Com- in Berlin-Marzahn. puter Science, German) returned to the Charité for a second internship, this time in oncology instead of neu- rology as in 2016. The total numbers of Krupp interns Niall Sohan by the summer: 1,248 fellows, 1,299 internships with (Symbolic Systems, 551 companies, institutions and organizations. In the German Studies) at Geeny, the IoT meantime, the 1250th intern has been placed—but that software platform is a story for 2018. of Telefónica This past placement season started, in the literal NEXT, in Berlin. sense, spectacularly with Noemi Berkowitz (Psycholo- gy, Theater & Performance Studies) interning with theaters in the autumn and winter quarters. At first, to get her foot onto the stage so to speak, she assisted the director of the English Theatre Berlin e.V./ International Gabriella Steiner Performing Arts Center. She then interned at the fa- (Human Biology, mous Maxim Gorki Theater (“Theater of the Year” in Computer Science, 2014 and 2016), located on Unter den Linden. Noemi German Studies) in Regiehospitantin her lab at the Charité became a , supporting the production where she worked on stem cell trans- plantation.

Michael Lu summer, VINCI-Ener- considering that there (Electrical Enginee- gies. I learned how are many technical ring, German the specific terms that I don’t Studies): “Here I am components of an know the German with my colleague electric charger work, equivalents of! In any Granit at an electric specifically how there case, I had a lot of car charging station is both AC and DC fun and gained new on Alexanderplatz, current that together knowledge from these Berlin. This station charge the car, which on-site, hands-on ex- was installed by the Granit explained to periences dispersed company at which I me in German—a throughout my intern- interned over the daunting task, ship.”

6 Yunha Hwang (Computer Science, Earth Systems) with her colleague also had business-related internships: Danielle Nguyen Christopher Stolzen- (Economics, Electrical Engineering), who worked with berg at Adelphi Cassantec, Berlin, on risk assessment, and Brennan research GmbH, a consultancy firm Wertz (Sociology, German), who explored sports mar- working in the fields keting, especially in the bicycle sector, with ITMS in the of environment, famous spa town Bad Nauheim (which, however, he left climate, and development. quite often for hiking and cycling trips—see his report further down). Aria Rodli (Human Biology) expanded her knowledge of prevention medicine at Labor Berlin, of a brand new play by refugee actors: “Winterreise”— which is affiliated with the Charité and Vivantis clinics. see her report in this issue. After graduation in spring, Psychologist Stefanie Lim worked at the other end of the Noemi became a Neuberlinerin and is now a contracted city: In Marzahn she did social work with underprivi- member of the Gorki-Theater. We congratulate her on leged children at the registered association Straßen- this success! kinder e. V. – Kinder- und Jugendhaus Bolle. To continue with non-technical internships, of which All other interns were engineers, CS, Symbolic Sys- we had only a few this past season: Robin Willscheidt tems and/or science majors. As usual, we had a mix of (Political Science, Art History) divided her summertime old and new hosts. Altogether we found 17 new hosts, between project making for The WYE and art work for most of them research institutions and start-ups. To men- plan b performance, our proven post-dramatical theater tion just a few examples: Yunha Hwang (CS, Earth Sys- host—see her report in this issue. Sam Alexander (Mu- tems) worked on development projects for water man- sic, Film & Media Studies, German) went to Tübingen agement in China, India and Vietnam with the inde- to support director Marcus Vetter’s production compa- pendent think tank and public policy consultancy Adelphi ny Filmperspektive, which continues to focus on Ameri- in Berlin. Niall Sohan (Symbolic Systems, German) took can and German-American topics (“The Forecaster,” 2014; “Das Versprechen/ The Promise—Killing for Sofia Carrillo, center, love,” 2016). Internships with the Militärhistorisches with her team on her Museum are always a highlight; this year it was histori- last working day at an Rebecca Cheng who had the privilege of working on the MakerSpace workshop in Munich. exhibition design and getting to know Dresden and the Southeast at close range. In our program, juristic internships are rare because US undergraduates cannot Neel Yerneni (left) study law as Germans do. Therefore prospective law stu- used his mathematical and computing dent Ayano Kitano (International Relations), was par- knowhow during his ticularly fortunate with her placement at the business internship with the law firm Noerr LLP in Berlin. The following students new online bank N26 in Berlin.

over marketing and communication for Telefónica Ger- many Next, Berlin, which is developing a platform for consumer IoT (Internet der Dinge) at the subsidiary Gee- ny. Neel Yerneni (Mathematical & Computational Sci- ence) worked as a data scientist for the new direct bank N26, also in Berlin. We placed electrical engineers in Hannover, Karlsruhe and Reutlingen: At the Institute of Communication Technology of the Leibniz Universität James Ordner created animations and interactive virtual reality demos to be combined with audio content; Anirudh Patel supported the development of CT technology for early detection of breast cancer at the KIT: Karlsruhe Institute of Technology; Ron Domingo joined the “Greenovation Team” of a Bosch start-up to prototype an indoor air filtration system that uses plants (read

7 Danielle Nguyen (Electrical Enginee- his report in this issue). It was an unex- create a visual representation of the world’s car market ring, Economics) pected placement—Ron had actually ap- which will be used by all Bosch divisions. This position with her colleagues Behnam Moshtaghi plied to a different Bosch job. Since the be- gave her the opportunity to drive and test various cars and Mohannad Assad ginning of the program our students have and confirmed her ambition of also getting a CS degree. at Cassantec GmbH worked at almost 20 different Fraunhofer Mechatronics aside, ME majors increasingly recognize in Berlin- Charlottenburg. institutes all over the country but, inexpli- the need to gain additional formal qualifications in CS. Right: cably, not with the Institute for Industrial Other “tried and tested” hosts included ELHA Maschi- Aria Rodli (Human Engineering IAO in Stuttgart until this sum- nenbau, SAP,and Volkswagen, as well as several start- Biology) at Labor mer, when CS major Sarina Wu worked ups and smaller companies, including Duane Philips Ar- Berlin in Moabit. there as an HCI programmer to develop, chitektur und Städtebau (Julia Wagenfehr: Architectur- among other things, a NeuroDemo to illustrate the ca- al Design, German), and KIWI (Jean-Christophe Perrin: pabilities of brain-computer interaction in a factory set- ME), to name only two Berlin firms. In Wolfsburg, Chase ting. Milligan (ME) tested new materials for lightweight car And again this year we had an intern—indeed two— design. At ELHA, in a very small town called Hövelhof with the Institute for Factory Operation and Automa- near Bielefeld, Emma Pair (Product Design, Human tion IFF: In Magdeburg, Emily Jantz (Mechanical Rights) improved both her practical and SolidWorks Engineering (ME, CS) and Neville Muringayi (ME, Ger- skills while exploring hard-core mechanical engineering man) developed robotics technology. At Bosch Au- for manufacturing automats. In Walldorf, at SAP,Kevin tomotive Electronics in Stuttgart Kristina Beck (ME, Haugh (Mathematical & Computational Science) worked Energy Resource Engineering, German) used Matlab to on a program that allows tennis coaches to analyze

Neu in Berlin (I)

Link: https://www.futurium.de © Schnepp Renou/ Futurium gGmbH

Das Futurium ist ein neues Niedrigstenergiegebäude für Austellungen und Diskussionen über Zukunftszenarien, das an der Spree, gegenüber vom Hauptbahnof, in Zusammen- arbeit von Bundesministerien, Privatwirtschaft und Stif- tungen errichtet wurde. Im Moment ist es noch leer – die Zukunft ist unbekannt –, soll aber im Jahr 2019 eröffnet werden. in-game performance in about and to evaluate alternative energy production and order to develop strate- distribution in Bamberg, Berlin, Cottbus and the Czech gy and optimize practice Republic. sessions, which will be Not all internships went as smoothly as expected—a used by the WTA—a project fell through at the last minute here, a supervi- perfect project for sor took a long summer vacation there—but everyone someone who loves CS learned a lot, both at work and after work. Lessons re- and tennis and a fine lated to Germans’ attention to work-life balance and to achievement which their interest in international politics were eye-opening might lead to further co- for a number of students. operation with SAP in I thank all students, faculty and staff members who Palo Alto. contributed ideas and contacts in the ever-suspenseful Geographically we internship placement process, and I will conclude with covered almost the en- Goethe. On January 25, 1788, in Rome, he wrote to his tire country from Han- ruler Carl August von Sachen-Weimar-Eisenach about nover to Munich, from the benefits of traveling and living abroad: Karlsruhe to Dresden, with a concentration, Neville Muringayi Right: (Mechanical Enginee- Alumni meeting at Berlin aside, in the ring, German Studies) Sweet Hall, Jan. 25, southwest in Baden- mit Dipl.-Ing. Ulrich 2017, l–r: Kellie Württemberg and in Panzer, der in Berlin- Brownell (in Berlin in Charlottenburg die 2007–08), Sara Berg- Bavaria, with three in- Werkstatt „Feine Me- Love, Som-Mai terns in Munich: Pablo chanik und Design” Nguyen, Eric Ballouz, Aldape (Mathematical betreibt. Er hat dort Gabrielle Steiner, im Frühjahr, während Peter Satterthwaite, & Computational Sci- Studienquartals, eine Austin Stout (all in ence, German) with kleine Windturbine Berlin in 2015–16) BMW Traffic Technolo- gebaut und dabei and Wolf. gy, Johnson Underwood seiner handwerklichen Fähigkeiten erweitert. (Electrical Engineering) with Cosinuss, and Sofia Carrillo (Product Design, Art Practice) with Maker- “Ganz unter fremden Menschen, Space, the machine shop of our cooperation partner Un- in einem fremden Lande zu leben, ternehmerTUM which is the incubator of the TU Munich. auch nicht einen bekannten Bedienten zu haben [,] Michael Lu (Electrical Engineering, German) did the an den man sich hätte anlehnen können, most “touristy” internship, having found the new host hat mich aus manchen Träumen geweckt, Omexom Umspannwerke, a subdivision of VINCI Ener- ich habe an munterm und resolutem Leben gies, on his own; his work there allowed him to learn viel gewonnen.”

Start-ups are Everywhere by Ron Domingo

Coming from a school located in the heart of Silicon Val- sidiary, Robert Bosch Start-Up GmbH. In this division, ley, start-ups have become just another ubiquitous as- Bosch allows their employees to develop and build their pect of life. Among my peers it seems as if everyone has own ideas and supplies them with the many resources had experience with start-ups in one aspect or another, Bosch has at its disposal. Through the incubation of from running one themselves to working for one in a ideas, Bosch is able to capture innovation and allow the summer internship. I had never really actively expressed company to grow from the inside. Before I actually be- interest in joining the start-up culture like others around gan performing the technical aspects of my internship, me had, but little did I know that I would end up work- my bosses suggested I participate in the most recent ing in a start-up during my time in Germany. round of workshops in the Bosch Start-up Platform, Over the past summer I interned for the Bosch sub- where teams of Bosch employees from around the world

9 come to Stuttgart to work on and pitch their ideas to the could; this was very beneficial to me since I could, in a core team at the Start-up Platform in order to get fund- way, tailor the internship to match my interests. ing to further develop their projects. I was lucky enough Although I worked in a city called Reutlingen, I had to have the opportunity to help one team throughout this been advised by my bosses to live in the next city over, process and I even helped them with their final pitch for Tübingen. This proved to be fantastic advice, as Tübin- funding. Through the workshop I gleaned great insight gen is a small university town in which a significant per- into how the Bosch start-up system works and I could centage of the population is made up of university stu- see the many similarities it has with the start-up world dents. I lived in a Wohngemeinschaft (WG) with two stu- we have in Silicon Valley. dents from the University of Tübingen and I really enjoyed my time with them. I highly recommend living in a WG with other university students if you are in this area. My flatmates were very friendly and actively invited me to events with their friends, so I often had the chance to meet and get to know many of their friends. One thing to note, however, is that because Tübingen is a university town, the city does empty out at the end of July and the beginning of August because students are finishing their finals and leaving for vacation. Overall, I greatly enjoyed my summer in Germany. I was able to fully immerse myself in the professional and working life aspect of the German culture, as well as the After the workshop, I was able to go back to my team social scene with other students my age. I learned a lot with more knowledge of where they stood in the Bosch through my conversations with others and I genuinely incubation process and I was then able to start the more feel that I have grown as a result of this experience. technical aspects of my internship. My project was to Working in another country has really widened my hori- prototype an indoor air filtration system that uses plants zons for the future and is an experience I will never for- to actively filter the air inside a room. This system was get. meant to be self-contained and automated, meaning that I had to build a fully connected system in which all of Ron Domingo (Electrical Engineering) studied in Berlin in winter and the devices (fans, water pumps, sensors) were operated interned in Reutlingen in summer 2017. by a centralized controller. When I joined the team the existing prototype was very bare bones, so my duties not only involved putting components together but also performing research on the different aspects of the system in order to have them ordered and integrated into the I studied abroad in Berlin in the prototype. I was given a lot of freedom to develop the spring, stayed in Germany for the summer, and found myself back prototype for this project and I mainly worked alone, so in Berlin shortly before returning every week I would develop a write-up of all the com- to the US in September 2016, ponents I needed to move the project forward; my boss- when this photo was taken. The es and I would have a short meeting in which we dis- weather had gotten colder, more like it had been when I had first cussed what I needed and the new components would be arrived, and I found myself ordered. Once these components arrived, I could inte- thinking about my time in grate them into the prototype. Germany, what I had learned, the My work experience was very different than any of my scars that history had left on the country as a whole and Berlin in prior internships. Since I worked alone and had great au- particular. Potsdamer Platz itself tonomy, I had to be very proactive in asking for anything was physically divided in two by that I needed. Initially I was timid and would wait for my the Berlin Wall. The city has bosses to ask me if I needed anything, but as the intern- grown back, modern and diverse and complex, but in this part of ship progressed I became more proactive in asking for Berlin there is still something more work or any necessary components needed to fur- stark (in both the English and ther develop the project. I found that my bosses were very German meanings) in its beauty. receptive of my requests and would help me wherever they – Evelyn Li: Civil Engineering, internship with Duane Phillips 10 Architektur und Städtebau. “I Don’t Get It”… and other Thoughts from an Art-Filled Summer by Robin Willscheidt

I don’t get it. Let’s be honest—when we look at con- a creative production agency operating in the realm of temporary art, this is usually our first thought. It’s a art & technology. These experiences shaped how I ap- struggle to capture what’s so important about a work of proached the Big Three. seemingly unintelligible art: to grasp, at the very least, Each of the exhibitions, by its own nature, provided a why it should be given a critical glance. unique experience. Münster was a whirlwind of bicycling 2017 was a special year in the world of contemporary through the city, seeking out spray-painted neon arrows art. It was the Superkunstjahr, or super art year: the first that led to works hidden in gardens, in rivers, or on sec- in many seasons ond-floor balconies. It was a scavenger hunt guided only that the Venice by a map of an unfamiliar city, common sense, and team- Biennale, Skulp- work—Dan and Sophia invited me to tag along with tur Projekte them. Kassel’s distances were more manageable; I Münster, and Do- walked from North to South through warehouses, aban- cumenta, three of doned underground train stations, and shiny new muse- the largest and ums. In Venice, I traipsed through the Biennale’s two most renowned key venues, exploring the national pavilions and en- contemporary art countering art housed in ancient buildings, surrounded events in Eu- by canals, and hedged in by hordes of tourists. rope—we’ll call My first big realization of the summer, which I them the Big brought with me to Kassel and Münster, was that con- Three—coincid- temporary art demands appreciation beyond aesthetics. Robin Willscheidt at ed. As a student at BOSP Berlin, and later a With Dan and Sophia, I worked on their installation work with Sophia Krupp intern, I’d hit the arts jackpot. I could „Knotting Time,“ on display now at Villa Merkel in Ess- New and Dan Belasco Rogers of hop on any cheap bus, train or plane to ex- lingen. I helped drive its progress from initial ideation plan b performance plore each exhibition. So I did. to planning and research to final execution, confound- in summer 2017. This summer, I reframed my perspective toward contemporary art. I I knew that there’s much to be gained from examining it—my Stanford art Neu in Berlin (II) history education taught me that much. However, it was In der Französischen Boulez Saal”, der von zur Barenboim-Said- still difficult to approach contemporary works. Without Straße, hinter der St. Frank Gehry in das Akademie, der nach “key” traditional forms or analysis techniques to draw Hedwigs-Kathedrale, ehemalige Kulissendepot Daniel Barenboim und upon, they seemed thematically dense: an unfinished and befindet sich Berlins der Staatsoper gebaut Edward W. Said ben- perhaps not traditionally beautiful jumble. Now, when I neuer, ovaler Kammer- wurde, für die Akustik annten und staatlich musiksaal mit 682 zeichnet Yasuhisa Toyota finanzierten Musikschule. first see a piece, I remember this: contemporary art is Plätzen, der “Pierre verantwortlich. Er gehört not defined solely by the finished product, as most clas- sical art forms are. Its value, rather, comes from the sin- Link: https://boulezsaal.de, https://barenboimsaid.de gular idea that led to its creation—that’s what this age of art is all about. Accordingly, these are my thoughts on contemporary art from an art-filled summer. First, some background. I study Political Science, with a minor in Art History and potential second minor in Ar- chaeology. My experience at Stanford has been largely shaped by a drive to examine the backend of the art world, so to speak—the tangled web of interests of artists, governments, and institutions that determine what we call art and how it’s disseminated to an audience. I chose to spend my summer getting to know this world by visiting as many exhibitions as I could, interning with two artists (Dan Belasco Rogers and Sophia

New of plan b performance), and working for The WYE, © Volker Kreidler/ Barenboim-Said Akademie gGmbH

11 ed by a limited budget resonate emotionally or politically, that turn to new and the limits of our own technologies for artistic innovation. skills. I developed new My final revelation came from a man on the U-Bahn methods of pattern and who struck up a conversation with me when I was head- progress tracking and ing to the Documenta. There is a problem in only seek- crash-tested speed-tuft- ing valuable contemporary art at exhibitions like the Big ing techniques to create Three. As he explained to me, “real” contemporary art the final tapestries— is found on the street. The Big Three are run by art world plan b’s “Birch Forest “elites” who select art for the exhibitions; works which Visualization.” Although are, to an extent, endorsed by an international art and the mode of execution critical art public. Many artists and works lie beneath changed, the idea of the their radar, but are no less valuable for it. work remained intact: il- As with any major event, the Big Three were plagued lustrating a year’s worth by criticism and controversy. Münster faced concerns of of time spent inside and poor memorialization and iconoclasm. The Documenta, outside by refiguring for the first time in history, split its time between Kas- digital data into a tangible physical form. sel, Germany, and Athens, Greece—its “Learning from Art starts with ideas, concepts fed by an artist’s pas- Athens” motto was cited as demeaning. Sure, some as- sion and energy. The final result is important, of course, pects of each show were and are extremely problemat- but not, I realized, because its purpose is solely to be ic. Art, however, has always been polarizing, and to say something beautiful. An artwork is a record of an idea, that underlying politics don’t have any impact on how a a portrait of an action. show is nationally and globally perceived is naive. Con- When working on a mock-up for an anthology of Dan troversy does not always stem from the artwork itself. and Sophia’s works, I came across a performance piece Though I understand, now, how I wish to approach by one Sara Vehee (in which they were included), named contemporary art and define it for myself as either ex- “The Great Public Sale of Unrealised but Brilliant ceptional or average, I realize that even this approach Ideas.” This work summed up my thoughts quite nicely. is imperfect. I won’t have a life-changing experience It was a performative auction during which artists sold with every new work of art I see. At the Big Three, I did- their ideas, giving up all rights to bring them to fruition n’t always “get it” and wasn’t always engaged by the after sale. In the piece, the works themselves were just idea of a piece. When I was, however, the experience ideas—concepts not yet physically defined, yet still giv- was powerful. en value. That’s where the value of these contemporary In a warehouse in Kassel, a hanging curtain of rein- works was held—the idea. deer skulls was placed counterpoint to a long, illumi- My next conclusion was that contemporary art’s val- nated glass box. Inside lay a translated legislative doc- ue doesn’t just stem from ideas—it stems from disruptive ideas, those that change the status quo, push the envelope. Many people have exclusively experienced contemporary art realized through traditional mediums: some blue paint splashed on a white canvas, scribbles on a wall (I’m looking at you, Cy Twombly), pieces of “artistic” wood reclaimed from a Brooklyn street corner and cobbled together into sculpture. In my experience, these people tend to think that if you’ve seen one abstract expressionist, you’ve seen all that contemporary art has to offer. What isn’t generally realized, however, is that these works were incredibly disruptive throughout the 20th century. They shattered perceptions of what art was and could be. However, these aren’t truly contemporary anymore. What the Big Three, plan b and The WYE introduced me to is disruptive art in our century—works that repurpose old mediums into something new and relevant, that

12 Robin Willscheidt ument detailing the power of the Norwegian government (Political Science, Art/ Art to force culls of indigenously held reindeer herds, thus History) took this shot of then museum intern compromising the fundamental cultural rights of the Rebecca Cheng while Sámi peoples. This piece—“Pile o’ Sápmi,” 2017, by visiting the Museum Máret Anne Sara—struck me. It was a direct artistic Folkwang on their own after the end of the Krupp response to colonial power exercised through law: a law interns’ excursion to Essen that was, plain as day, displayed for all to read. Though in May 2017. This the execution itself was elegant—metal wires seamlessly alveolate installation “Helmet,” by the Cuban tying skulls together achieve an almost weightless feel- artists Los Carpinteros, ing, the suspended behemoth demanding attention—it plays host to some of the was the idea of the work, the process evident in each tie Berlin-based collector Thomas Olbricht’s favorite and careful arrangement of coloration, and the provi- pieces, and you certainly sion of the document that started it all that fascinated don’t have to be an art his- me to no end. This was powerful—this was contempo- torian to appreciate this exhibit. rary art.

Link: Robin Willscheidt (Political Science, Art History) studied in Berlin in https://www.museum- folkwang.de/ spring and interned in summer 2017.

The German Speaking World as a Paradise for Adventurous Nature Lovers by Brennan Wertz

As a sophomore at Stanford, I was fortunate enough to hard work upon my return, at the beginning of our spring spend the winter quarter studying at the Stanford in competition season. I immediately applied to the Berlin Berlin campus. I had such a great time studying in Berlin program. and living in Germany that I decided to apply for a Krupp A few weeks before the Berlin program started, I was internship and return to Germany for a summer intern- fortunate enough to go to Germany to visit my German ship. The decision to do both of these programs is one family for the holidays and spend some quality time ex- of the best I have ever made. Having been back in the ploring a few different locations in Germany and Aus- U.S. for almost two months now, I wanted to reflect on tria with my parents and brother. The day after Christ- a few of my favorite experiences of my time in Germany. mas, my German relatives and I set off from their small I am double-majoring in German Studies and Sociol- town in Baden-Württemberg and headed south into the ogy. While it may seem like an obvious decision for me Austrian Alps. We spent four days in a small Ferien- to go abroad to Berlin during my time at Stanford (how wohnung/ Hütte high up in the mountains near a ski re- can someone study German Studies without ever having sort. We got to know the local family who ran the place lived in Germany?), I didn’t plan on it until just a few where we were staying and I was able to show off all the months before I left for Germany. One of the main rea- German language I had learned at Stanford. sons for this is that I am a member of the Varsity Row- While high up in the Austrian Alps, some 6,000 miles ing Team. Due to my athletic commitments, going from my Californian hometown, I somehow felt very abroad and missing a whole quarter of crucial training much at home. I really enjoyed speaking with the locals seemed impossible, until I had a serious chat with my and learning about the culture and traditions that play coach. We discussed the pros and cons of the program, such an important role in their lives. how my absence would affect the team and our per- While in Berlin for the winter, I did two amazing formances in the spring racing season, as well as a train- weekend trips that allowed me to experience again this ing plan that would help keep me fit while studying in deep appreciation of nature, which I think is particular Berlin. After this meeting, we decided I would be able to the German-speaking world. My first trip was a short to go to Berlin, but needed to be prepared for a lot of weekend trip to the Sächische Schweiz, a region with

13 some of the most breathtaking rock formations I have ever seen. This trip was great because it wasn’t too far from Berlin, even though the Nationalpark is split between Germany and Czechia. I found a very charming and traditional Gasthof nestled in a valley in the park that gave me great access to the expansive network of trails, as well as an insight into the local culture in this mountainous part of Saxony. While hiking I was fortunate enough to experience snow that transformed the landscape into one of the most beautiful I have ever seen. The foot of fresh snow on the ground made hiking a bit challenging at times, but all the more rewarding when I reached the overlooks and could enjoy the views of the Mein Kiez translates to chanical Engineering, snowcapped rock formations. my neighborhood. This German Studies) On the first day of my hike, I met a fellow solo hiker is the landscape I saw studied in Berlin in every day as soon as I autumn 2016 and on the trail, a young German guy from Hamburg. We walked out of my interned at the started chatting and ended up spending the better part homestay. Nothing like Locomotion Labora- of the day hiking together, enjoying the scenery and a scene like this to get tory of the Institute of speaking in German about many fascinating topics, you ready for your Sport Science, TU 9:00 am class. – Darmstadt. ranging from politics and the social work he was so pas- Francisco Lopez (Me- sionate about, all the way to how the different parts of what was East Germany have continued to lag behind the A picture of my fa- trees. The quote from which is brimming with West in terms of overall economic development, and what vorite park to run in, Karl Ganser at the en- new art and beautiful effect that has had on local communities in the East. The called Natur-Park trance reads, “Die parks. – Jason McRuer following day, I set off again on a different trail, this time Schöneberger Kunst ist der nächste (Product Design, Südgelände, which Nachbar der Wildnis,” Computer Science) alone, and covered another sizable chunk of the beauti- seamlessly ties which translates to studied in Berlin in ful park, before heading back to the capital. together abandoned “art is the closest spring 2017 and plans My second hiking trip was a long weekend in Gar- train tracks, graffiti, neighbor to to come back for a design internship in the misch-Partenkirchen in Bavaria. I spent two full days sculptures, and long wilderness.” It per- winding paths through fectly captures Berlin, summer of 2018. hiking up and around the Zugspitze, the highest mountain in Germany. While I didn’t have the full moun- taineering equipment needed to make a serious summit attempt, in one day I hiked more than halfway up the mountain on fresh snow-covered trails and then tra- versed around the side and over the Austrian border before dropping down the back side of the mountain into the small town of Ehrwald. This was another great weekend in the mountains that gave me a lot of time to reflect on all that I had been learning in my classes in Berlin, as well as the opportunity to learn more about a totally new part of Germany. Although the thick Bavar- ian accents were quite difficult to understand, everyone was very friendly and willing to chat with me. After spending winter quarter in Berlin and spring quarter back at the home campus, I headed back to Ger- many for the summer to do my Krupp Internship in Bad Nauheim near Frankfurt/ Main. Since I knew I wasn’t going to be doing a lot of rowing while abroad due to the lack of a team in the area, I instead packed up my mountain bike and brought it with me on my flight across the Atlantic. After getting settled into my home for the summer, I

14 Link: https://gruen-berlin.de/natur-park-suedgelaende set off on my bike to explore the local network of trails. over 200 miles of grueling yet extremely scenic terrain. For the first two weeks of my internship, I would set off On the last day of riding, I came out of the Black For- aimlessly once I had finished my day’s work and head est and rode along the Rhine into Basel. After four days out into one of the many large local parks. These parks of sleeping in the woods, riding all day in very warm were full of trails and other bikers which was a very weather and not having access to a shower, jumping into pleasant surprise for me. In the first few weeks, I met the Rhine and floating over the border from Switzerland many other mountain bikers who were always very into France was one of the most memorable experiences friendly and willing to show me new trails and give me of my summer. recommendations on other places to ride. By way of these These bike trips were unforgettable experiences and other bikers, I very quickly began to feel welcomed and something I will look back on fondly for the rest of my comfortable in this foreign location. For the duration of life. I am so glad I stepped outside of my comfort zone the summer, I would go riding most days after work for and was able to see so much of Europe while riding my two to three hours before coming home to cook dinner bike. While there were many more highlights, such as with my two German roommates. the amazing group of friends I made in Bad Nauheim Throughout the summer, I did many longer bike tour- or the family in Switzerland with whom I became very ing trips that enabled me to see new parts of Germany, well acquainted while hiking in the mountains near Ap- Switzerland, Austria, France and Lichtenstein. As part penzell, I must close this essay now. I had the most won- of my internship work at ITMS Marketing GmbH, I re- derful time in Germany and the surrounding countries searched trends in the German bike market, which gave and I cannot wait to return. I am endlessly thankful for me inspiration for weekend bike trips. With the vacation the multitude of possibilities that have been extended to days I received from the company, I took two longer bike me via Stanford University and the Krupp Internship touring trips, along with a few hiking weekends. Program and know that none of it would have been pos- The first of these bike touring trips was from sible without their help. Pforzheim, Germany, to Basel, Switzerland, through the entire Black Forest along the iconic Westweg trail. In Brennan Wertz (Sociology, German Studies) studied in Berlin in winter four days, riding seven to nine hours per day, I covered and interned in Bad Nauheim in summer 2017.

Neu in Berlin (III)

Der Neubau des Berliner Stadtschlosses schreitet voran. Da die Westseite derzeit mit Werbeplakaten zugehängt ist, zeigen wir in diesem Jahr die im Gegensatz zur sonstigen barocken Fassade stehende Ostseite, die von Francesco Stella ent- worfen wurde. Der Bau war von Beginn an umstritten und ist es noch immer. Gegenstand der aktuellen Kontroverse ist die Frage, ob es einem “Humboldt-Forum” an- gemessen ist, die Kuppel wieder mit einem Kreuz zu versehen. Das Forum soll 2019 eröffnet werden, mit etwas Glück noch vor dem Flughafen Berlin Brandenburg “Willy Brandt”. Links: http://www.humboldtforum.com 15 http://berliner-schloss.de https://cam03.berlinerschloss-webcam.de Filmtips In Zeiten abnehmenden Lichts Neben den Gleisen http://www.x-verleih.de/filme/in-zeiten-des-abnehmenden-lichts http://neben-den-gleisen-film.de Der dem Film den Namen gebende preisgekrönte autobiographische https://www.youtube.com/watch?v=j5AO9XGp49E Bestsellerroman von Eugen Ruge (2011) erzählt die Geschichte einer “Boizenburg ist eine kleine Elbestadt in Mecklenburg-Vorpommern. Kommunistenfamilie, die von einer Generation zur anderen schritt- Mitten auf dem Bahnhofsvorplatz steht ein in die Jahre gekommener weise den Glauben an die Idee und die Realität des Sozialismus in Kiosk, der von 5.00 Uhr bis 22.00 Uhr geöffnet hat. Er dient aber der DDR verliert: Wilhelm Powileit (gespielt von Bruno Ganz) auch als Stammkneipe für Schichtarbeiter aus den Schlachthöfen, flüchtete mit seiner Frau vor den Nationalsozialisten in das mexika- Arbeitslose, Taxifahrer und Rentner. Ende 2015 kommen am Bahnhof nische Exil, seine Söhne suchten Rettung in der Sowjetunion, wo sie Tausende Flüchtlinge an, die ins nahe gelegene Erstaufnahmelager aber beide als angebliche Konterrevolutionäre interniert wurden: wollen. Die Stammgäste, die normalerweise hier Bier trinken und Der eine kam in der Haft um, der andere, Klaus Umnitzer, überlebte Fußball schauen, fangen an, über Politik zu diskutieren und ihre ei- das Lager und wurde in der DDR ein angesehener, “systemnaher” gene Situation zu reflektieren. Wir treffen auf einen besonderen Historiker, verheiratet mit einer russischen Frau. Ihr Sohn Alexander Moment, wo sie uns Einblicke in ihren Lebensalltag gewähren und “Sascha” Umnitzer flüchtete im Herbst 1989 aus der DDR in die über ihre Frustrationen und Hoffnungen reden.” (Filminformation Bundesrepublik und beging somit “Verrat” an Sozialismus und DDR. des Regisseurs Dieter Schumann). – Ein äußerst aktueller Beitrag zur Das Buch füllt damit eine Leerstelle, den etwa der ebenfalls verfilmte Information über Reaktionen auf das Ankommen von Weltereignissen Roman “Der Turm” Uwe Tellkamps ließ, insofern dieser DDR-Kom- im Leben einer Kleinstadt munisten bloß als Karikaturen zeichnete. Das die Romanhandlung auf die Feier des 90. Geburtstags des Familienpatriarchen Powileit Mein wunderbares West-Berlin am 1. Oktober 1989, den Tag der Republikflucht seines Enkels, ver- http://www.wunderbares-west-berlin.de kürzende Drehbuch schrieb der berühmte Szenarist Wolfgang Dieser Dokumentarfilm ist so etwas wie eine Chronik der Kohlhaase (*1931), der ebenfalls in der DDR wirkte. Regie führte Schwulenbewegung von der Nachkriegszeit bis zum Mauerfall, die Matti Geschonneck – Jahrgang 1952, Sohn des legendären Schau- bekannte und unbekannte Teilnehmer zu Wort kommen lässt und spielers Erwin Geschonneck (1906–2008) – und benannt nach einer historische Aufnahmen, auch von bekannten Zentren wie dem Nollen- Figur aus Brechts Stück “Herr Puntila und sein Knecht Matti”. Der dorfplatz, der Hermannstraße, dem Kleist-Kasino und SO36 oder dem erfolgreiche Fernsehregisseur verließ die DDR im Zuge der Aus- Bahnhof Zoo enthält. Eine zentrale Rolle spielt die Bewegung für die bürgerung Wolf Biermanns schon 1978. Er war prädestiniert, den Abschaffung des berüchtigten §175 des Strafgesetzbuches von Roman zu verfilmen, ohne die Figuren zu denunzieren. 1871/72, der im Westen wie im Osten mehrfach modifiziert, aber erst 1988 in der DDR und erst 1994 für das gesamte vereinigte Deutsch- Helle Nächte land völlig gestrichen wurde. Auch dem HIV-Schock und den daraus http://helle-naechte.de entstehenden Basisinitiativen wird Raum gegeben. Der Film gehört Vater und Sohn reisen zusammen aus Berlin in das nördliche zu einer Trilogie des Regisseurs Jochen Hick: “Out in Ost-Berlin – Norwegen zum Begräbnis des Großvaters, der sich dorthin zurück- Lesben und Schwule in der DDR” erschien 2013, nun soll noch ein gezogen hatte und zu dem schon lange kein Kontakt mehr bestand. Streifen über die Zeit nach 1989/90 folgen. Dieser spezielle Berlin- Von Entfremdung ist auch das Verhältnis zwischen Vater und Sohn Film kann aber auch als Teil der Nostalgie nach dem West-Berlin, z. gekennzeichnet und die Frage ist, ob und wenn ja, wie, zunächst B., David Bowies und Iggy Pops, gesehen werden. durch diese Fahrt und Wanderungen durch leere Landschaften, dieses Verhältnis je zum Besseren verändert werden kann. Der anti- Zwischen den Stühlen psychologische Minimalismus, mit dem der Regisseur Thomas Arslan http://www.zwischendenstuehlen-film.de (u. a. “Dealer” , “Der schöne Tag” , “Im Schatten” , “Gold” ) diese Dieser herausragende, zu Recht prämierte Dokumentarfilm, die Ab- Reise, die dann nach Berlin zurückführt, aber damit keineswegs be- schlussarbeit des Regisseurs Jakob Schmidt an der Filmhochschule endet ist, inszeniert, gilt als typisch für die Berliner Schule (Angela Babelsberg, porträtiert Lehramtsstudenten im Referendariat an Schanelec, Valeska Grisebach, Christoph Hochhäusler, Christian Berliner Schulen. Angehende Lehrer müssen nach einem ein- bis Petzold u. a.). Die Kritik verortet diesen Film, der nichts “Hippes” zweijährigen “Vorbereitungsdienst” ein zweites Staatsexamen able- hat, im Zeitalter der Digitalisierung, weil er sich, wie schon Maren gen, bevor sie regulär unterrichten dürfen. Dafür braucht es sehr Ades “Toni Erdmann” – ein Vater reist seiner ihm entfremdeten starke Nerven. Das “System Schule” sowie die Leiden der passionier- Tochter nach – mit asozialen Menschenbildern der Gegenwart aus- ten Pädagogen werden im Film auf ungeschönte und doch humorvolle einandersetzt. Weise gezeigt. Die entscheidende Frage ist: Welche Art von Menschen wollen wir für welche Art von Gesellschaft bilden und erziehen?! Western http://www.western-der-film.de Berlin Rebel High School Auch Valeska Grisebach (s. o.; Auszeichnungen vor allem für “Mein http://www.berlin-rebel-high-school.de/ Stern” , 2001, und “Sehnsucht” , 2006) bevorzugt Langsamkeit und Jedes Jahr brechen in Deutschland über 50.000 Schüler die Schule Konzentration. Ausserdem dreht sie gern mit Laienschauspielern, weil ab und bleiben ohne Abschluss. Eine Alternative zu den gängigen diese weniger kontrolliert agieren als Profis. Die Konstellation dieses staatlichen und Privatschulen ist die SFE, die Schule für Erwach- Genre-Westerns: Deutsch Arbeiter bauen in der bulgarischen Provinz senenbildung in Berlin-Kreuzberg, die seit 1973 als basisdemo- an der Grenze zu Griechenland ein Kraftwerk, für das ein Fluss umge- kratisches, Freiheit und Gemeinschaft miteinander verbindendes leitet werden muss, was Folgen für das naheliegende Dorf haben wird. Projekt geführt wird. Die Schüler bzw. ihre Eltern bezahlen die Sie sprechen weder Bulgarisch noch Englisch, sie sind hier fremd. Die Lehrer (etwa 160 €/Monat) und es gibt weder Direktoren noch Regisseurin diskutiert zwei große Themen: Fremdsein und (deutsche) Zensuren. Dieses ungewöhnliche, antiautoritäre Modell war bislang Fremdenfeindlichkeit im Ausland sowie das Funktionieren von Män- sehr erfolgreich. Der Regisseur Alexander Kleider dokumentierte nergesellschaften, die Konstruktion von Maskulinität, hier der Bau- über zwei Jahre den Schulalltag und begleitete eine Klasse bis zur arbeiter auf Montage: Werkzeuge, Duelle, die Ab- und Anwesenheit Abiturprüfung. Beim Austin Film Festival (AFF) gewann der Beitrag von Frauen, die Dissimulation von Gefühlen u. a. 16 den Publikumspreis. FILMTIPS Vorwärts immer! 1917 – Der wahre Oktober https://dcmworld.com/filme http://www.1917-derfilm.de Ernst Lubitschs Meisterwerk “Sein oder Nichtsein” von 1942 ist Dem 100. Jahrestag der russischen Revolutionen, in denen Deutsch- das Vorbild für diese Klamotte der Regisseurin Franziska Meletzky, land eine große Rolle spielte und die entsprechend große Aus- in der Jörg Schüttauf sowohl Erich Honecker als auch dessen wirkungen auf Deutschland hatten und noch haben, sind viele Aus- Doppelgänger spielt. Die Verwechslungskomödie spielt im Herbst stellungen, Publikationen und Filme gewidmet, die ein wesentlicher 1989: Die schwangere Tochter eines bekannten DDR-Staatsschau- Teil der Erinnerung an den Ersten Weltkrieg sind, denn ohne diesen spielers und heimlichen Honecker-Imitators fährt gegen dessen sind die Ereignisse in Russland nicht zu verstehen. Der Beitrag der Willen zur Montagsdemonstration nach Leipzig und begibt somit in Grimme-Preisträgerin Katrin Rothe fällt auf durch eine ästhetisch Lebensgefahr. Den vom echten, auf der Jagd befindlichen SED-Ge- außergewöhnliche Annäherung: Mit einer Legetrick-Animation (cut neralsekretär und Staatsratsvorsitzenden schon erteilten Schieß- out animation) präsentiert sie verschiedene zeitgenössische künst- befehl gegen die immer größer werdende Demonstrantenmenge in lerische Perspektiven auf den Hergang der Oktoberrevolution, u. a. Leipzig kann nun nur noch dieser Schauspieler rückgängig machen. von Kasimir Malewitsch und Maxim Gorki, um die zwei bekanntesten Als Honecker verkleidet schmuggelt er sich in eine Sitzung des Zen- Protagonisten zu nennen. Sie orientiert sich an Stilen der Zeit und tralkomitees der SED, wo schon seine Absetzung diskutiert wird, nutzt auch bisher unveröffentlichte Materialien, nicht zuletzt, um landet dann aber bei dessen schrecklicher Frau Margot in Wandlitz. Wege jenseits gängiger akademischer Interpretationen zu ver- Für alle Beteiligten geht es also um alles, um Leben und Tod. Der folgen. Ihre Hauptfragen: Was geschah zwischen dem Februar und Filmtitel bezieht sich auf einen Spruch Honeckers in der Fest- dem Oktober 1917, warum kam es nicht zu einer bürgerlichen par- ansprache vom 7. Oktober 1989 anlässlich des Jahrestages der lamentarischen Demokratie? Gründung der DDR, der aber viel älteren Datums ist: “Vorwärts immer, rückwärts nimmer!” Jörg Schüttauf spielte übrigens die WDJ Hauptrolle in einem der besten sog. Nachwendefilme “Berlin is in Germany” (2001), der zum Wiederansehen empfohlen sei.

BERLINALEFEATUREREVIEWI

Willkommen bei den Hartmanns by Ayano Kitano

Released in 2016 and directed by Simon Verhoeven, riences. It is also important to note that the film is more “Willkommen bei den Hartmanns” is a German film a comedy than a social commentary, showing us some centered around the impact of the refugee crisis. With realities of the refugee issue, but remaining sprinkled the increasing presence of refugees throughout Germany, with humor and light-heartedness. it is no surprise that the issue appears in German film. It may be tempting to interpret the happy ending of the Specifically, the plot of the film centers around what film as a symbol of hope for Germany’s future, perhaps happens after the Hartmanns, a German family in Mu- implying that the refugees, like Diallo, will soon be well nich, decide to take in a Nigerian refugee named Dial- integrated into German society. However, the film ends lo. While much of the film is devoted to the developing only with the reestablishment of peace and stability with- relationship between Diallo and the Hartmann family, in the family, not in the rest of Germany. Even as the Hart- the film also portrays how German society has respond- manns find their peace, pro- and anti-refugee groups fail ed to the refugee issue, including perspectives from both to reconcile their conflicting ideals. The family’s redis- the far-left and the far-right. covered peace is an appropriate ending to the comedy, but Conflict is a constant theme throughout the film. Di- it is no foreshadowing of Germany’s future. Although the allo’s arrival escalates conflict between members of the steps toward recovering order and stability in German so- family, each of whom have different thoughts about ciety are left unaddressed, the film, with its hopeful tone, whether adopting him is a good idea. At a broader lev- humorous lines and unexpected plot twists, inspires its el, the fighting and violence between the pro- and anti- viewers to open their eyes to the social and political trans- refugee groups reflects the director’s attempt to portray formations occurring in German society today. the political divisiveness of the issue. Nonetheless, the film’s portrayal of the refugee issue is far from com- Link: http://film.info/willkommenbeidenhartmanns pletely accurate. By focusing on Diallo’s personal character development, the film sheds little light on the di- Ayano Kitano (International Relations) studied in Berlin in winter and versity of refugees in Germany and their different expe- interned with the law firm Noerr LLP,Berlin, in summer 2017. REVIEW 17 BERLINALEFEATUREREVIEWII

Morris aus Amerika by James Underwood

“You know when the girl, instead of kissing Morris, to the humor. This is a testament to both the film’s artis- uses a water gun to shoot him in the crotch at a party tic quality and its entertainment value. to make it look like he peed his pants? That actually And there is yet more to praise about “Morris from happened to me,” explains “Morris from America’s” America.” The story is universal—while the film is set director Chad Hartigan after the Berlinale screening, in Heidelberg and Morris comes from America, the pre- with a sort of nostalgic embarrassment. This sort of cise differences (such as the culture of hip hop versus the brutal authenticity complements the striking relata- culture of techno) are secondary to the much more im- bility the film brings. Morris is the new kid. He’s black portant, broader tale. There is a brilliant soundtrack in a town where everyone else is white. He’s still learn- which was, in fact, originally composed in its entirety, ing German and there’s a language barrier. He grew yet which sounds authentically hip hop and techno. The up in a culture of hip hop and rap, whereas everyone acting performances are excellent. The film teaches an he meets is into techno. While his is surely an extreme important lesson—that just because Morris doesn’t win case of not “fitting in,” most should still be able to see over the girl in the end, doesn’t mean they can’t still have a piece of their own social coming-of-age struggles in their friendship, or that they can’t be happy. It would be Morris’s story. hard to find anything wrong with this movie—all in all, This realized connection between a viewer and Mor- it is a humorous, yet poignantly relevant, film that we ris serves two very important purposes—it helps you root can all relate to and maybe even learn a little something for him, and it makes the comedy that much funnier. about ourselves from. Even if we never made love to a dressed up pillow, as Morris does, our established connection with him makes Link: http://www.farbfilm-verleih.de/ filme/ mor- the scene even more amusing, since we can at least re- risausamerika/?context=cinema late to the awkwardness of not being sure how to deal with a first crush. We can envision such a scene actual- James Underwood (Management Science & Engineering, German Stud-

ly occurring, and this candidness contributes a great deal ies) studied in Berlin in winter 2017. REVIEW

Neu in Berlin (IV)

Nach siebenjähriger Restaurierung wurde am 3. Oktober die Staatsoper Unter den Linden, kurz: Linden- oper, wiedereröffent. Zwecks Verbesserung der Akustik wurde auf Wunsch von General- musikdirektor Daniel Barenboim die Decke um 5 m angehoben – der Nachhall beträgt nun 1,6 statt “trocke- ne” 0,7 Sek. Auch dieser Umbau war umstritten. Wie beim Stadtschloß ging es darum, welche der ver- schiedenen historischen Phasen denn wiederher- gestellt werden soll, und: welche Moderni- sierungen sind statt-

18 mlerenntAmelie a at Herz kalte Das al ece h ek hsfl ae sfe these feel us makes fi- film the she This when for peak. bliss friend in the her her reaches with with nally celebrate love We in time. fall first when to hearts the our begins in climbs Amelie fluttering she little when a feel wrong We and her mountain. parents around her empathize prove else We to everyone try illness. to of her determination her than character with other the known something become with to for struggle love her with in identifying Amelie, fall did. films immediately more “deeper” other We much many me than happiness brought and Howev- joy simplicity society. narrative’s or the world, er, the life, about philosophies and her. grateful around be people to the to and loving illness more her accept to along that learning mountain, meets of metaphorical she a hurdles whom also friend she way, climb- a the While with mountain. mountain a a the climb to ing and away go de- run to she to Bavaria, forced cides of mountains being the in After camp” “breathing condition. put her to having with hates and up She “weakness” life. a is her this all that asthma thinks from suffered has who girl rude h film The film This oebtfiigt euehrhn nmrig,Peter marriage, in hand her secure to failing Lisbeth’s gaining but After love gladly wishes. his world, grant and the in- Peter help of continued deforestation the and against dustrialization pushback the Naber’s form for mys- who the basis characters, find These to fairies. attempts woodland he her, tical fa- woo glassmaking to wealthy order Lisbeth, a In with of cility. love owner in the of is Peter, daughter protag- the son The thriving. miner’s truly coal are a few onist, a only vil- which secluded in wooded, lage a in place takes of the Naber, story Johannes fantasy the by director, the told As for through. shine the allows to which tale and the in told time originally the was reflects story both that to world CGI a and elements create fantastic using lens, new a through TUREREVIEWIII I I W E I V E R E R U AT E F E L A N I L R E B TUREREVIEWIV I W E I V E R E R U AT E F E L A N I L R E B hsi o imta ae o usindeep question you makes that film a not is This el ihl af’ lsi emnfiytale fairy German classic Hauff’s Wilhelm tells el tr bu tbonadsomewhat and stubborn a about story a tells yFakZheng Frank by ySme Johnson Samuel by 19 2017. Zheng Frank emnto owi o ee ortr n hog a through and return of to Peter shot for wait de- to Lisbeth’s termination well Through cinematography. as fantastic Sohn,” its verlorene refer- as “Der its Trenker’s was Luis however, to me, ences for it bogged fairy redeemed the little of What a lessons tale. moral gets the of but emphasizing Forest, its in Black down fanci- the the in portraying world in ful succeeds film be- This to heart. heartless do one’s deeds of ill damage dangers the heart, capturing the his graphically havior, audience recover the to de- tells struggle he Naber fortune later the his with Through him sires. supply unscrupu- will the that stomach deeds to lous able a suddenly for is heart Peter his stone, exchanging By Michael. Hollander fig- mythical, ure: almost reclusive, another of help the seeks film/?pk_campaign=nl2017-09-27&pk_kwd=49120d film-des-monats/kf1709-amelie-rennt- http://www.kinofenster.de/film-des-monats/aktueller- http://www.farbfilm-verleih.de/filme/amelie_rennt/ Links: place. the first to the going in loved much we so why movies to sim- and the story-telling to of perceptive us plicity and returns deep it Rather, a understand. requires that to film analysis a not is it film, laugh audience film. entire the the throughout makes that dialogue us script the gives Amelie, by remarks snarky badgering part. quick-witted constant the to best roommate’s eager the overly probably the From was countryside. screenplay Bavarian the the However, of us showing landscapes brilliant, beautiful also the is cinematography The love. film. ultimately, and, joy frustration, of feelings pure Aei en”i e.Afny ap,family-style happy, funny, A gem. a is rennt” “Amelie this for perfect is complex, too not though acting, The Rauhnacht Cmue cec,Hsoy tde nBri nwinter in Berlin in studied History) Science, (Computer ak,Nbrrmnsu fthe of us reminds Naber masks,

REVIEW themes of “Der verlorene Sohn,” while avoiding that film’s claim that the only authentic way of life is through Kinofenster Heimat. The stunning shots of the Black Forest, combined with the message of environmentalism and Filmportale conservationism strike a forceful message at a time when our planet has never been in more danger, and the tale deutscher und internationaler Filme, Filmliteratur itself illuminates the destruction greed can cause to both u.a.: man and nature. Along with visually demonstrating http://www.filmportal.de the beauty and value of nature, “Das kalte http://www.film-zeit.de Herz” illuminates the greed of men and how man’s http://www.kinofenster.de wickedness only serves to hinder the world and make it (Das Onlineportal für Filmbildung) a darker, colder place. http://www.bpb.de (Mediathek, Shop/Filmhefte)

Link: http://daskalteherz.weltkino.de/ Kinderfilminformationen: http://www.kinderfilmwelt.de Samuel Johnson (Electrical Engineering, German Studies) studied in http://www.top-videonews.de Berlin in winter and spring and worked on a power conversion project at http://www.kinderfilm-gmbh.de Interdisziplinäre Elektronik, Berlin, in summer 2017. Deutsches Fernsehen in den USA:

Visiting the steel con- Unfortunately, the company decided on http://www.onlinetvrecorder.com verter and (above) future of steel a joint venture with the hot strip mill in manufacturing within Tata Steel Ltd. The Berliner Filmfestivals Duisburg is always a ThyssenKrupp AG is international steel http://www.festiwelt-berlin.de highlight of our uncertain and a sub- market is difficult excursions to the the ject of controversy, terrain and there are Ruhr Valley. especially since the jobs at stake. © thyssenkrupp Steel Europe

20 How to come back? Tips for recent alumni

The Alexander von Humboldt-Stiftung offers fellowships for U.S. scientists and scholars: http://www.humboldt-foundation.de

For many years the Carl Duisberg Gesellschaft (CDS) has provided internships and practical training opportunities in business, engineering, finance, tourism, IT, media/communications, international relations, the nonprofit sector, German studies, economics, and other fields for up to 12 months. After fusing with the Association for In- ternational Practical Training, CDS continues its initiatives under the new name “Cultural Vistas.” http://www.culturalvistas.org Was meinte Luther mit dem Apfelbaum?

“The Congress-Bundestag Youth Exchange for Young Professionals Was meinte Luther mit dem Apfelbaum? (CBYX) is a fellowship funded by the German Bundestag and US Con- gress that annually provides 75 American and 75 German young Mir ist es gleich – auch Untergang ist Traum – professionals, between the ages of 18-24, the opportunity to spend ich stehe hier in meinem Apfelgarten one year in each other’s countries, studying, interning, and living with hosts on a cultural immersion program. The program is open to und kann den Untergang getrost erwarten – candidates in all career fields who are interested in a year of cultural exchange.” ich bin in Gott, der außerhalb der Welt http://culturalvistas.org noch manchen Trumpf in seinem Skatblatt hält – http://www.usagermanyscholarship.org/ wenn morgen früh die Welt zu Bruche geht, The Deutscher Akademischer Austauschdienst (DAAD) and the Ger- ich bleibe ewig sein und sternestet – man Committee of the International Association for the Exchange of Students for Technical Experience (IASTE) help individuals find study and research opportunities at all levels as well as internships: meinte er das, der alte Biedermann http://www.daad.de, http://www.iaeste.de u. blickt noch einmal seine Käte an? The Robert Bosch Foundation Fellowship Program enables young Und trinkt noch einmal einen Humpen Bier professionals from the US to spend one year working in their fields in Germany: u. schläft, bis es beginnt – frühmorgens vier? http://www.bosch-stiftung.de Dann war er wirklich ein sehr grosser Mann, The “Bundeskanzler-Stipendium für Führungskräfte von morgen” den man auch heute nur bewundern kann. scholarship is offered in cooperation with the Alexander von Hum- boldt-Stiftung: http://www.humboldt-foundation.de/web/bundeskanzler-stipendi- Gottfried Benn (1950) um.html Quelle: Gottfried Benn: Sämtliche Gedichte. 9. Ausgabe, Stuttgart: Klett-Cotta-Verlag The Internationales Parlaments-Stipendium (IPS) lasts five months 2016, S. 460. Mit freundlicher Genehmigung des Klett-Cotta-Verlages: https://www.klett- (March 1 to July 31) and includes meetings, seminars, and an cotta.de internship with a parlamentarian: http://www.bundestag.de/ips Gottfried Benn (Mansfeld 1886 – Berlin 1956), ein Klassiker der Moderne, studierte von 1905 bis 1910 Medizin in Berlin und arbeitete sowohl als niedergelassener Arzt und The German Center for Research and Innovation (GCRI) in New York Klinikarzt (u. a. Pathologie) als auch als Militärarzt, im Ersten Weltkrieg auch an der is a governmental initiative to internationalize science and research. Front. Der Beruf prägte seinen distanzierten Blick nachhaltig. Gedichte publizierte er ab It is a clearinghouse providing information on research and funding 1912. 1933 unterstützte er den NS-Staat, später wandte er sich von der nationalsozial- opportunities for researchers (graduate students, post-docs, etc.) all istischen Ideologie ab; 1938 wurde er aus der “Reichsschrifttumskammer” ausgeschlossen over Germany and logistical help: und mit Schreibverbot belegt. Nach einem weiteren, von den Alliierten auferlegten Schreib- http://www.germaninnovation.org verbot durfte er ab 1948 wieder publizieren. In den fünfziger Jahren erlebte er in der Bun- desrepublik noch einmal große Anerkennung. The German-American Fulbright Commission has special programs for Das Gedicht bezieht sich auf eines der bekanntesten der vielen “Luther-Zitate”: „Wenn ich wüsste, dass morgen die Welt unterginge, würde ich heute noch mein Apfelbäumchen U.S. citizens, e.g. grants for teaching assistantships at German high pflanzen.” Allerdings ist der Spruch bei Martin Luther selbst gar nicht nachweisbar, schools: sondern eine Schöpfung des 20. Jahrhunderts. Als frühester Beleg gilt bislang ein Rund- http://www.fulbright.de brief der Bekennenden Kirche (Confessing Church, Dietrich Bonhoeffer u. a.), die gegen die “Gleichschaltung” der evangelischen Kirche im Nationalsozialismus opponierte, aus The International Cooperative Education (ICE) helps arrange summer dem Jahr 1944. Gegen Ende des Krieges wurde der Spruch zu einem populären Wort des jobs and internships: Trostes und der Ermutigung, trotz Tod und Zerstörung weiterzuleben. Später wurde mit http://www.icemenlo.com/index.shtml ihm auf die Bedrohungen durch den Kalten Krieg und die globale Umweltzerstörung reagiert. Obgleich inzwischen gut bekannt ist, dass der Satz nicht von Luther stammt, wird The Konrad-Adenauer-Stiftung e.V. (KAS) provides stipends to er weiterhin verwendet, auch von Theologen, die übersehen, dass sein Optimismus schlecht German and international graduate students for further education and zu Luthers Eschatologie passt, und dies auch mit praktischen Konsequenzen: Seit den graduate work, especially for young people who want to become lea- 1950er Jahren inspirierte er immer wieder die Anpflanzung von Apfelbäumen, so auch ders in the fields of politics, business, science, media, and culture: anlässlich der Feiern zum 500. Reformationsjubiläum in der Lutherstadt Wittenberg, wo http://www.kas.de (Über uns – Abteilungen – Begabtenförderung) seit 2009 500 Bäume – außer Apfelbäumen z. B. auch Rot-Ahorn (red maple) aus Nord- amerika – gepflanzt wurden. Benn soll den Spruch 1950 im Radio gehört haben. Er be- The platform “So tickt Deutschland” provides information about stu- tonte, typisch für ihn, nicht Hoffnung, sondern Gelassenheit angesichts des Jüngsten dying and working in Germany: Gerichts und der ewigen, astralen Endzeit: sternestet – das heißt stetig wie die Sterne: https://www.deutschland.de 21 steady as the stars. My Journey Back to Berlin by Omosola Odetunde

In 2016, it was official. I was finally back in Berlin for I was drawn into almost any opportunity to learn, and good. I had been in and out of the city for the past few new people bringing cultures, languages, and ideas to years—first studying abroad in 2012, completing a share inevitably intrigued me. As I got older, I felt the Krupp internship the summer after, returning for an- world around trying harder and harder to come up with other internship in 2014, and even interviewing in the a neat definition of who I was and what I did, but this city for full time jobs after my coterm, before ultimate- increasingly specialized world didn’t work for me. I ly deciding to go to Ottawa, Canada, pulled away by a struggled to find fulfillment and comfort in environments great Canadian company called Shopify. This decision that forced me to choose, and Berlin was one of the first had been some time in the making and any of my friends cities I found that did not. could attest to how much I talked about eventually mak- I decided to study abroad in Berlin at the end of my ing my way back to Berlin. So when I finally did, few freshman year, in 2010: I’d go in spring of my sopho- were surprised. more year. I wish I had a good answer for why I chose The thing is, I’m a software developer who studied Berlin, but I don’t. I did not know much about the city Computer Science at Stanford. I enjoy working at start- other than what I gleaned from my history classes. ups and worked at several companies in the Bay Area. I did know, however, that Stanford in Berlin offered Over time, I also developed a strong network there. Ac- the Krupp internship. As a freshman programmer mak- quaintances from back home and from university who ing her way through internship interviews and career knew this history, raising their eyebrows and consumed fairs, I saw how difficult it was for younger students to by confusion, would ask the inevitable question: get their first industry internship. Despite having previ- Then...what made you move to Berlin? ous years of programming experience, most companies I am a natural storyteller, so I let my answer make its at the time were passing me over, specifically looking for way into a twisting and winding set of tales about the juniors. The prospect of getting a good internship as a city I expected to visit, the city I ultimately became en- sophomore and getting to complete that internship thralled by, the ways this city changed and inspired me. abroad seemed marvelous. Although I ended up decid- But as I have only limited time to share my story with ing to study abroad in my junior spring after getting you, I will give you the abbreviated version. great industry experiences before that in the US, the You need to understand a bit about me as a person to idea of Berlin was in my mind and I could not kick it out. understand how Berlin fit so well with my personality. I arrived in Berlin as a blank slate, with no sense of Growing up, I was the girl who was known for doing a what to expect. It took me some time to adjust to this little bit of everything and knowing a little bit of every- new city. My smiles down the street garnered question- thing. I pursued many activities actively and competi- ing or confused looks instead of the pleasant returned tively with success, but never found a primary focus. I smiles I was used to, growing up in the South. My jokes thrived on constantly being engaged: artistically, athlet- and humor were sometimes lost in translation. I im- ically, and academically through a variety of disciplines. mersed myself into the new language—I like learning new languages—but I often struggled to speak even at a child’s level: constantly having a multitude of complex Product Designer zer Park – Hanno French horn and seemingly interesting thoughts while only being able Jason McRuer Braun Holz- und rental for spring to express a fraction of them in the most basic of ways. took this picture Blechblasinstru- quarter 2017. of an instrument mente – while I also found myself spending more time on my own, shop near Görlit- picking up a as I did not have outside friends in this city and I did not share the same interests as some of my Stanford-in- Berlin peers. With a reputation of being an extrovert, this was all quite a shock for me. However, spending more time on my own also meant that I was much freer to explore, to make random and new friends, to figure out for myself what it is that I wanted to do and what I didn’t. I had amazing times by lakes and parks, in modern art muse- ums, journaling, exploring the history and architecture of the city, learning acroyoga, enjoying my favorite bands 22 and discovering new ones in the coziest of concert ven- workspace with smart and driven people. I work as a ues. There was no shortage of activities in the city in any broad full stack developer and use a variety of my skills, number of different areas. from front-end and back-end development, to user ex- A diversity that went beyond activity diversity was part perience, writing, data science, and more. This job is a of what drew me to the city. Berlin was a city that was great complement to a city that engages me on a vari- able to engage so many different parts of me. ety of fronts. Professionally, I am able to tap into vari- On a daily basis, making my way through the streets, ous skill sets, while being in a city, a culture, and an en- I saw and met people from a multitude of countries vironment that values a healthy work-life balance and throughout the world, from many religions, people with different mother tongues, different cultural, social, and Omosola with her colleagues educational backgrounds. I had the opportunity to learn at Clue in from all of these people and to become more and more Berlin. accustomed to seeing and appreciating many of the ways in which people are unique. Here, I saw a wider range of people and lifestyles than I experienced in other cities I’ve lived in before. It is a city where it becomes easier to be yourself. Berlin has landscape diversity. From the beautiful and easily accessible lakes and forests which surround the city, to the artistically graffitied apartment buildings, there’s something for almost everyone. There are rivers gives me the space to embrace and cultivate a diverse and canals, plenty of public parks, a variety of archi- set of interests in my life. Berlin gives me the breath of tectural designs, and many neighborhoods, each with its creativity on which I thrive. own aesthetic and vibe. Outside of work, as well, I am able to engage many Berlin has professional diversity, too. Though the city parts of my brain. I find sources of creativity and inspi- overall is known for being a hub for creatives, there are ration in design, lettering, modern art, and architecture, a multitude of careers, jobs, and paths represented in while simultaneously being able to tap into a bustling this city: architects, academics, writers, programmers, start-up scene and tech community. There are tech com- musicians, doctors, bakers, dancers, and more. munities in Berlin similar to those you might find in a Berlin is a city that rarely questions the myriad ways city like New York or SF. You will still find your Block- in which one can live his or her life. It does not question chain, Virtual Reality, Node.js meetup groups in the city. why one might take a year or more away from a lucra- However, since so much of the city is still not tech-fo- tive job and travel the world, why a mechanical engineer cused, you have the chance to experience many other might become a painter, why an architect is publishing fields of interest and study around you. You can learn magazines, why a marketing analyst might be running from them and synthesize lessons to apply to your own a candle shop (all real examples). life and career. As I mentioned, I have regularly struggled when in en- A notable difference is that investors in Berlin tend to vironments that nudge or pressure me into choosing one be more risk averse than NY or SF, which can be diffi- interest and following it. In contrast, Berlin encourages cult for entrepreneurs, but I have also found that in- me to design a life that makes the most sense for me. vestors are less prone to dictate the space of ideas and So, with all of this waxing lyrical, you might still be topic exploration. The result, in my eyes, is a wider range wondering what exactly I do in Berlin... I have spent the of small businesses and tech ventures. past year working for a great company called Clue All of this combined is what made me move to Berlin. (https://www.helloclue.com). Clue is a 50-or-so person Berlin is a city where I can continue to advance and start-up in Berlin working in female health technology. challenge myself as a software engineer and whatever At Clue, I get to use a variety of my skill sets to build else I choose to pursue in life, while being continually products that help bust taboos around menstruation and encouraged and inspired by the creativity and diversity female health, help empower women to track their health of people, land, and culture. Plus there’s lots of good and understand their bodies better, and educate people food. Who can say No to that? around the world about female reproductive and sexual health. Omosola Odetunde (Computer Science) studied in Berlin in spring and Every day, I get to work in a very open and inviting interned with UCDplus GmbH in summer 2012.

23 The Transatlantic Trump Card Germany and Europe remain dependent on cooperation with the US on NATO, economic relations, and climate policy. Luckily, many on the other side of the Atlantic share their point of view. By Sylke Tempel

Strategies grow out of knowledge about the past, vi- European Security Remains Transatlantic sions for the future, and the possibilities offered by the The man currently sitting in the White House clearly present. If we were to leave all the latest strategy ex- views NATO as a kind of costly joint venture rather than periments to one side and try to formulate a page-long a support network. He obviously feels more at home (be- strategy for Germany, two essential elements would cause more flattered?) in the company of autocratic hu- come to the fore. man-rights abusers than democratic allies. He effec- The battle to become Europe’s leading power, which tively congratulated the head of a NATO member state always features Germany as a strong central player, is on abolishing democracy in his country. This does not often a vigorous one. This clash would have to be re- make maintaining and nurturing close transatlantic placed by more civil, starkly regulated competition, re- bonds based on shared values (see above) any easier. stricted at most to the fields of economics and innova- This is not the only problem. Donald Trump is also at- tion. This means a form of European integration that tempting to fray—if not cut altogether—the second would ultimately deepen and drive its own development. broad tie of the transatlantic relationship: close and in- In the field of security, the importance of the little tensive trade relations. The American president’s latest continent perched on Asia’s western front is shrinking, interview with the British magazine “The Economist” and it will not be long before this also applies to eco- should be enough to correct anyone laboring under the nomic matters. In order to compensate for this, a strong illusion that Trump’s protectionist rhetoric is merely a alliance is needed—not an ad-hoc grouping, nor a coali- hangover from election talk. This businessman has not tion of the willing formed in response to specific chal- grasped the most fundamental building-blocks of the lenges—but a union of states that conceive of them- modern economy. selves as a “community with shared values.” Never- The paradox of the market economy—that increased theless, this does not mean that each member state competition can lead to higher productivity and greater involved would be forced to conform to the same views wealth—is a completely foreign concept to him. His on social issues. Make America Great Again (MAGA for short) motto, To put it simply, the fundamental requirement un- shared by his zealously loyal voters, is at any rate a sure- derpinning a community of values is that its member fire way to Make America Lonely and Poorer. states all share the same political order: a system based Trump has no sense of European integration. His ad- on the rule of law, the separation of powers, and checks ministration is completely unmoved by the history of and balances on power; one in which conflicts over the transatlantic relations and NATO. It avoids free trade controversial questions that face society are worked like the plague and, to add insult to injury, has demon- through on a civil level. strated absolutely no appreciation for the humanitari- If the EU and NATO did not exist, not a moment could an, economic, and security threat posed by climate be spared in inventing them. Both institutions—and Eu- change. After all, The Donald thinks that global warm- ropean integration in any case—as well as the military ing is a lie (as if to prove his steadfast belief in this, he alliance from the Cold War are anything but obsolete. is withdrawing funding for climate research.) They are important elements for survival in a world that, for all its interconnectedness, remains multipolar. A

world that is growing closer together, but whose politi- Im Rosengarten der Villa. cal orders are drifting further and further apart. To rely solely upon one pillar and demand a “process of Euro- pean emancipation from the US” is extremely unwise. Assuming that the political will endures, the EU may well grow tighter knit and strengthen its grip on security policy. But this process could drag on for years, at a time when the current situation is already calling for military means capable of responding to threats in re- gions directly bordering Europe. These include, following Russia’s overt nuclear threats, the possibility of forming another atomic deterrent, a matter which cannot be left to France and the United Kingdom alone.

24 He is the utmost representative of a power that helped construct vital pillars for Germany and Europe, whether INMEMORIAM actively or as a benevolent onlooker. What can be done when that representative is essentially single-handedly seeking to destroy those selfsame pillars? It is clear that a multi-level approach is needed to preserve a strategy for European transatlantic integration.

Powers of Persuasion Twenty-seven members of the alliance will continue to redouble their efforts to convince that one member—al- beit the most important player—of the value of such alliances. At the same time, they will have to commit to strengthening it. Of course, it is all the more helpful when It is with sadness that we inform you of the tragic death of our the “adults” in the Trump administration—Secretary of colleague and friend Sylke Tempel, who was killed on October 5 Defense James Mattis or members of Congress and sen- in Berlin by a falling birch tree during the windstorm Xavier, ators—play ball and cooperate in this endeavor. while driving home through the Tegel Forest after an expert ses- It is futile to expect a clear stance from this adminis- sion with German Foreign Minister Sigmar Gabriel. She was tration when it comes to NATO’s biggest challenge: Rus- struck when she got out of her car to clear the road of fallen sia (and not terrorism, as the American President would branches. have it). It would be even more important for the NATO Sylke taught for over two decades at the Berlin Program. 27 to establish its own clear line. In terms of the EU, it Many of you will remember her as the brilliant, lively, humorous should continue to impose sanctions unless Moscow instructor who taught courses on historical themes ranging from shows signs of backing down in Ukraine. nationalism/ militarism and the long history of German ecologi- It is, however, also clear that a visibly greater effort cal awareness to her most recent course on German foreign po- will have to be made. Resources for securing and en- licy, “Leading from Behind.” She hosted several of you as Krupp hancing NATO capacities need to be made available, as interns at the Deutsche Gesellschaft für Auswärtige Politik. Syl- was agreed in Cardiff in 2014. In this regard, it is the ke was the coach for Berlin’s teams at the BOSP Workshops on opposite of helpful to define what constitutes a common- World War II in Berlin and Potsdam; she mentored the Berlin sense approach to common security in such vague terms team at the 2006 Siemens/Stanford Colloquium in Globalisa- that refugee aid is also counted in the 2% of GDP that tion in Beijing; and she also lectured over the years in German NATO members are required to spend on defense. This Studies at Stanford as a Stanford Club of Germany Visiting Lec- renders a NATO power like Germany—not an unimpor- turer. She taught many of you to bake Apfelstrudel. tant one—incredible. In recent years Sylke had emerged as one of Germany’s most The Chancellor has tried, the heads of the European respected public intellectuals. She was editor-in-chief of “Inter- Council and Commission have tried. Their efforts have nationale Politik” (the journal of the Deutsche Gesellschaft für clearly been in vain. In brief, fleeting moments of en- Auswärtige Politik), a frequent commentator on talk shows, a lightenment, Donald Trump seems to have grasped that scholar of analytical acuteness and keen wit, and a prolific wri- protectionism will cause the most harm to the very peo- ter. Her aptitude and calling as a mentor found expression in va- ple he supposedly seeks to help: American workers. And rying modes and venues: from the university classroom to the nu- yet, like Newton’s apple inevitably falling to the floor, merous young adult books she wrote to kindle in young people a Trump, too, is soon magnetically drawn back to punitive timely interest in political culture, to a Berlin school where she tariffs. However, attempts at persuasion must continue, read books to a class she had “adopted.” We will remember Syl- just as positive examples (and deterrents, too) will still ke as the special woman she was—a woman whose heart and need to be brought forward. mind won over those of all who met her—with respect, fondness and great sorrow. She is survived by Judith, her beloved partner Diversification in life. Yet even in the economic sphere, transatlantic relations Dr. Karen Kramer are not confined to the United States; they also involve Director, Bing Overseas Studies Program in Berlin Canada (or Mexico). Free-trade agreements like CETA are no replacement for TTIP, but they can still bring about positive effects. Diversifying economic relation-

25 ships means not restricting them to central government, Transatlantic relations remain of strategic value for but seeking like-minded partners at the level of the US Germany. But it will be necessary to extend their scope states to work together against American protectionism. and do precisely what the “elites” have apparently failed This means looking for senators and governments who at: Relations can no longer be confined to the Washing- cannot be held responsible for foreign firms moving their ton bubble; they will have to be anchored across the Unit- business elsewhere. It also means looking for companies ed States, not simply on the East and West Coasts. (not least in Silicon Valley) who know only too well how much harm protectionism can inflict upon them. Links: When it comes to climate change, all efforts and well- https://zeitschrift-ip.dgap.org/, meaning words are probably doomed to fail. Here, too, http://berlinpolicyjournal.com/ it is a matter of keeping the United States on board— not necessarily through Washington, but through the fed- Dr. Sylke Tempel (1963–2017) was editor-in-chief of the journals IP eral states instead. The possibilities they have to estab- (“Internationale Politik”), the journal of the German Council on Foreign lish renewable energy sources are not insignificant. They Relations (DGAP), and the “Berlin Policy Journal,” and longstanding can pressure Washington into staying in the Paris Cli- lecturer at Stanford in Berlin. mate Agreement, because leaving it would, to put it simply, also damage American interests. Translated from the German by Sylee Gore. The absence of the US from the fight against global Source: Sylke Tempel: Trotz Trump transatlantisch bleiben. böll Thema. warming would indeed be a bad sign. But climate change Das Magazin der Heinrich-Böll-Stiftung, 2017/ 2, 14–15: is not solely a transatlantic issue. There is nothing stand- https://www.boell.de/de/boellthema ing in the way of working with industrial powers like Chi- Courtesy of Heinrich Böll Foundation. The Green Political Foundation. na on this issue. The English translation is published under Creative Commons licence CC BY NC ND 4.0.

Our “vertical garden” on the Villa wall. Im Dol.

Impressum PHOTO CREDITS: Editing: Wolf-Dietrich Junghanns (WDJ). Alfried Krupp von Bohlen und Halbach- Proofreading: Only Today/Sylee Gore Krupp Internship Program Stiftung (4), Barenboim-Said Akademie (English, History, 1999), Berlin for Stanford Students in Germany gGmbH/ Volker Kreidler (1), DGAP/Berlin (http://www.thisisonlytoday.com). Stanford in Berlin Policy Journal (1), Futurium gGmbH/ Design: Sonja Hennersdorf. http://www.stanford.fu-berlin.de Schnepp Renou (2), Klett-Cotta Verlag [email protected] (1), Staatsoper Unter den Linden – Stif- Pacelliallee 18–20, D-14195 Berlin tung Oper in Berlin/ Gordon Welters (1), thyssenkrupp Steel Europe (1), TUDort- mund/ Lutz Kampert (1),Unternehmer- TUM MakerSpace GmbH (1), Cathrin Bach/ Konzept und Bild (9), Noemi Berko- witz (2), Ron Ulric Domingo (1), Samuel Johnson (1), W.-D. Junghanns (7), Karen Kramer (1), Ayano Kitano (1), Ashley Landwehr (1),Evelyn Li (1), Francisco Lopez (1), Jason McRuer (2), Omosola Odetunde (2), Ulrich Panzer (1), James Alfried Krupp von Bohlen Underwood (1),Brennan Wertz (1), Robin und Halbach-Stiftung Willscheidt (5),Frank Zheng (1). Mit freundlicher Unterstützung der: Thank you to all donors of images and Alfried Krupp von Bohlen und Halbach-Stiftung, texts. Essen http://www.krupp-stiftung.de