Voltaire. a Perfect Case for Comparison
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
On a Recent Italian Edition of Voltaire's Essai Sur Les Moeurs Et L'esprit Des Nations 1
Araucaria. Revista Iberoamericana de Filosofía, Política y Humanidades ISSN: 1575-6823 ISSN: 2340-2199 [email protected] Universidad de Sevilla España On a recent Italian edition of Voltaire's Essai sur les moeurs et l'esprit des nations 1 Campi, Riccardo 1 On a recent Italian edition of Voltaire's Essai sur les moeurs et l'esprit des nations Araucaria. Revista Iberoamericana de Filosofía, Política y Humanidades, vol. 20, no. 40, 2018 Universidad de Sevilla, España Available in: https://www.redalyc.org/articulo.oa?id=28264622033 This work is licensed under Creative Commons Attribution-NonCommercial-NoDerivs 4.0 International. PDF generated from XML JATS4R by Redalyc Project academic non-profit, developed under the open access initiative Reseñas y debates On a recent Italian edition of Voltaire's Essai sur les moeurs et l'esprit des nations 1 Riccardo Campi Università di Bologna, Italia Most readers at once associate Voltaire’s name with the noble figure of the paladin of tolerance, author of the Traité sur la Tolérance, and with the image of the brilliant narrator and inimitable stylist with his cutting irony, inventor of that literary genre called conte philosophique and Araucaria. Revista Iberoamericana de characters who have become part of the pantheonof world literature, such Filosofía, Política y Humanidades, vol. 20, no. 40, 2018 as Candide and Zadig. But all too oen the average reader’s knowledge is reduced to this. e rest of Voltaire’s immense production (which Universidad de Sevilla, España includes verse tragedies and comedies, epic poems, poetry of all kinds, educational treatises on science, philosophical texts, historical works, all Redalyc: https://www.redalyc.org/ sorts of pamphlets, and an immense correspondence) remains a heritage articulo.oa?id=28264622033 open to a small coterie of experts on 18th-century French literature. -
How to Quote Voltaire: the Edition to Use1 February 2021
How to quote Voltaire: the edition to use1 February 2021 A complete alphabetical list of Voltaire texts and in which edition and volume to find them. The Voltaire Foundation’s Œuvres complètes de Voltaire (OCV) edition includes most texts, but for those not yet published in OCV, the 1877-1885 Moland edition (M) is mostly given. Abbreviations used AP Ajouts posthumes Best., followed by a a letter printed in Voltaire’s correspondence, ed. Th. Besterman, number 107 vol. (Geneva, 1953-1965, 1st edition) BnC Bibliothèque nationale de France: Catalogue général des livres imprimés, 213-214 (1978) BnF, ms.fr. Bibliothèque nationale de France: Manuscrits français BnF, n.a.fr. Bibliothèque nationale de France: Nouvelles acquisitions françaises D, followed by a number a letter printed in Voltaire, Correspondence and related documents, ed. Th. Besterman, in OCV, vol.85-135 DP Dictionnaire philosophique Lizé Voltaire, Grimm et la Correspondence littéraire, SVEC 180 (1979) M Œuvres complètes de Voltaire, éd. Louis Moland, 52 vol. (Paris, Garnier, 1877-1885) NM Nouveaux Mélanges philosophiques, historiques, critiques ([Genève], 1768) OA Œuvres alphabétiques (Articles pour l’Encyclopédie, Articles pour le Dictionnaire de l’Académie) OCV Œuvres complètes de Voltaire (Voltaire Foundation, Oxford, 1968- ) QE Questions sur l’Encyclopédie RC Romans et Contes, ed. Frédéric Deloffre et Jacques van den Heuvel (Paris, Gallimard [Pléiade], 1979) RHLF Revue d’histoire littéraire de la France (Presses universitaire de France) SVEC Studies on Voltaire and the Eighteenth Century (Voltaire Foundation) Vauger ‘Vauger’s lists of Voltaire’s writings, 1757-1785’ (D.app.161, OCV, vol.102, p.509-10) W72P Œuvres de M. -
Pierre Cambou Lycée Saint-Sernin, DAM, Université Toulouse II
LES OREILLES DU COMTE DE CHESTERFIELD OU L’impasse DU TRAITEMENT GÉNÉrique Pierre Cambou Lycée Saint-Sernin, DAM, Université Toulouse II Les Oreilles du comte de Chesterfield est un conte de vieillesse. L’énergie s’y 289 dégrade en ressassement, l’ironie en cynisme, avec son résidu d’amertume. n voltaire revue Critiques fondées, par rapport au goût, et au goût voltairien lui-même. Beaucoup moins par rapport à une poétique du conte qui, à force d’être pratiquée, se crispe mais se stylise aussi et révèle des constantes. Il se pourrait même que l’humeur, la hâte ou la peur d’en finir, le relâchement du propos, libèrent des virtualités narratives jusqu’alors contenues, et les ° 9 portent à un degré d’incandescence jamais atteint. C’est ainsi que ce texte • subvertit non seulement le conte classique, mais aussi le traitement qu’en pups donne habituellement Voltaire, en une sorte de surdétermination parodique • qui se donne à lire, très clairement, dans la progression linéaire du récit. La 2009 narration y est peut-être moins celle d’une déception intellectuelle et morale que d’un dérèglement de la pratique voltairienne du conte, un exercice ultime et exaspéré d’autocritique qui mettrait à l’épreuve et dramatiserait le renouvellement philosophique du genre. SITUATION INITIALE OU CONTE EN RACCOURCI ? (CHAP. 1) La formule augurale, « La fatalité gouverne irrémissiblement toutes les choses de ce monde 1 », programme la narration, comme dans la scène des dons. Le mandateur est le comte de Chesterfield qui « avait promis de […] faire du bien » au héros, mais sa surdité l’en empêche, et sa mort compromet 1 Contes en vers et en prose, éd. -
The Ultimate On-Demand Music Library
2020 CATALOGUE Classical music Opera The ultimate Dance Jazz on-demand music library The ultimate on-demand music video library for classical music, jazz and dance As of 2020, Mezzo and medici.tv are part of Les Echos - Le Parisien media group and join their forces to bring the best of classical music, jazz and dance to a growing audience. Thanks to their complementary catalogues, Mezzo and medici.tv offer today an on-demand catalogue of 1000 titles, about 1500 hours of programmes, constantly renewed thanks to an ambitious content acquisition strategy, with more than 300 performances filmed each year, including live events. A catalogue with no equal, featuring carefully curated programmes, and a wide selection of musical styles and artists: • The hits everyone wants to watch but also hidden gems... • New prodigies, the stars of today, the legends of the past... • Recitals, opera, symphonic or sacred music... • Baroque to today’s classics, jazz, world music, classical or contemporary dance... • The greatest concert halls, opera houses, festivals in the world... Mezzo and medici.tv have them all, for you to discover and explore! A unique offering, a must for the most demanding music lovers, and a perfect introduction for the newcomers. Mezzo and medici.tv can deliver a large selection of programmes to set up the perfect video library for classical music, jazz and dance, with accurate metadata and appealing images - then refresh each month with new titles. 300 filmed performances each year 1000 titles available about 1500 hours already available in 190 countries 2 Table of contents Highlights P. -
FRANÇOIS MARIE AROUET DE VOLTAIRE (1694-1778) Author: George Saintsbury, D.C.L., LL.D
FRANÇOIS MARIE AROUET DE VOLTAIRE (1694-1778) Author: George Saintsbury, D.C.L., LL.D. Encyclopedia Britannica (New York 1911) vol. 28: 199-205. Electronic Text edited, modified & paginated by Dr Robert A. Hatch© VOLTAIRE, FRANCOIS MARIE AROUET DE. French philosopher, historian, dramatist and man of letters, whose real name was François Marie Arouet simply, was born on the 21st of November 1694 at Paris, and was baptized the next day. His father was François Arouet, a notary; his mother was Marie Marguerite Daumart or D’Aumard. Both father and mother were of Poitevin extraction, but the Arouets had been for two generations established in Paris, the grandfather being a prosperous tradesman. The family appear to have always belonged to the yeoman-tradesman class; their special home was the town of Saint-Loup. Voltaire was the fifth child of his parents—twin boys (of whom one survived), a girl, Marguerite Catherine, and another boy who died young, having preceded him. Not very much is known of the mother, who died when Voltaire was but seven years old. She pretty certainly was the chief cause of his early introduction to good society, the Abbé de Châteauneuf (his sponsor in more ways than one) having been her friend. The father appears to have been somewhat peremptory in temper, but neither inhospitable nor tyrannical. Marguerite Arouet, of whom her younger brother was very fond, married early, her husbands name being Mignot; the elder brother, Armand, was a strong Jansenist, and there never was any kind of sympathy between him and François. The Abbé do Châteauneuf instructed him early in belles lettres and deism, and he showed when a child the unsurpassed faculty for facile verse-making which always distinguished him. -
Candide and Other Stories (Oxford World's Classics)
oxford world’ s classics CANDIDE and other stories Voltaire was the assumed name of François-Marie Arouet (1694– 1778). Born into a well-to-do Parisian family, he was educated at the leading Jesuit college in Paris. Having refused to follow his father and elder brother into the legal profession he soon won widespread acclaim for Œdipe (1718), the first of some twenty-seven tragedies which he continued to write until the end of his life. His national epic La Henriade (1723) confirmed his reputation as the leading French literary figure of his generation. Following a quarrel with the worthless but influential aristocrat, the Chevalier de Rohan, he was forced into exile in England. This period (1726–8) was particularly formative, and his Letters concern- ing the English Nation (1733) constitute the first major expression of Voltaire’s deism and his subsequent lifelong opposition to religious and political oppression. Following the happy years (1734–43) spent at Cirey with his mistress Mme du Châtelet in the shared pursuit of several intellectual enthusiasms, notably the work of Isaac Newton, he enjoyed a brief interval of favour at court during which he was appointed Historiographer to the King. After the death of Mme du Châtelet in 1749 he finally accepted an invitation to the court of Frederick of Prussia, but left in 1753 when life with this particular enlightened despot became intolerable. In 1755, after temporary sojourn in Colmar, he settled at Les Délices on the outskirts of Geneva. He then moved to nearby Ferney in 1759, the year Candide was published. -
Voltaire's Fables of Discretion: the Conte Philosophique in Le Taureau Blanc
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Modern Languages and Literatures, Department French Language and Literature Papers of October 1985 Voltaire's Fables of Discretion: The Conte philosophique in Le Taureau blanc Thomas M. Carr Jr. University of Nebraska - Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/modlangfrench Part of the Modern Languages Commons Carr, Thomas M. Jr., "Voltaire's Fables of Discretion: The Conte philosophique in Le Taureau blanc" (1985). French Language and Literature Papers. 15. https://digitalcommons.unl.edu/modlangfrench/15 This Article is brought to you for free and open access by the Modern Languages and Literatures, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in French Language and Literature Papers by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Publls hed In Srudes /n E~ghreenrh-CenturyCu/rure, volume 15 (1 9851, edlted byJohn Conway, pp. 47-65. Voltaire's Fables of Discretion: Pubilshed by the Amerlcan Soclety for Eighteenth- Century Studies. The Conte philosophique in Le Taureau blanc THOMAS M.CARR, JR. le voudrais surtout que, sous le voile de la fable, il laisslit entrevoir aux yeux exercis quelque virite fine qlti echappe au vulgaire. Amaside on the conte Le Taureau blanc (1774)' offers remarkable insight into Voltaire's use of the conte as persuasive discourse for two reasons. First, as the pur- est example of the genre among his last contes, it is in many ways the quintessence of his talents as a conteur. This tale does not cover any new ideological territory in its treatment of the Old Testament, a preoccupation found in much of his production of the Ferney period; nor does it introduce any technical innovations. -
Translations Scandinavian Finn
v STUDIES ON VOLTAIRE No. r; B, p.zr. (b) December: another signed receipt by "+ Hirschel.See Mangold, r6 D. p.36,also reproduced in a facsimile copy at theend of thebook. (") + January:see text 7 printedabove. (d) 16 December:the 'Quittance g6n6rale':see Mangold, z A, pP.t-6- A Provisionalbibliograplry { Sc"ndinayian Der Herr Schreibmeister( Scherer) and Finnish editions and ffanslaions Comparatioliterarum { Volmire (Berlin ce ry) DecembrerTyo komt accurat mit des Juden by Theodore Besterman Hand unterm 4Jan ibercin item d. z4 Nou z4 Dec Das B Berlin cekomt mit des Juden Hand vom 4Jan item vom z4Decitemvomz4Nov. Contents rTJo mit dembilletvom z4 Nov r75o (r9) mit dembilletvom 24 Preface,p. y3 z94odas z und 9 finsertedabove the linefmit dem billet vom 4fan. Selections,p. yy das9 noch mit dem billet eignerunterschrift Collectedstories, p. y6 das4itidem Collectedplays, p. 17 Individualworks, p. ;8 Das S von Hirschel z4 Dec lz4 Dec insertedlDec. 4Jan. 16 Dec. Apocrypha,p. 87 4mahl die 4 Dec fthis is not the dateof a document;the 4 and Dec. Indexby languages,p. 89 are vlectedfeature,t of Hirschel's handwriting.] vom z4 Nov Indexof titles,p.89 Den 16 Dec guittancegeneral tout paye Indexofeditors, translators, etc., p.9r und dasser den Wechselbrief wider liefern wolte freylich da er gewust dassder W-echselprorcsdrtwar und billet desVolt. Pr,f'ce dprouvl This is a further instalmentof a projectedsurvey of Voltaire a Er pflegt allezeit einenaccent auf das,i zu machenz4 Dec editionsand translationsprinted out of France.The English edi- P es findet sich dergleicheBuchstabe nicht tions were listed by H. -
De Zadig a Zaratustra Guillaume Métayer** Resumo
Revista Trágica: estudos de filosofia da imanência – 1º quadrimestre de 2014 – Vol. 7 – nº 1 – pp.21-44 De Zadig a Zaratustra * De Zadig à Zarathoustra Guillaume Métayer ** Resumo: Trata-se de propor uma reflexão sobre a relação entre Voltaire e Nietzsche, a partir da exposição das possíveis aproximações entre Zadig e Assim falava Zaratustra , tendo como ponto central a importância do personagem histórico Zoroastro, ou Zaratustra, para ambos os pensadores. Palavras-chave: Voltaire, Nietzsche, Zoroastro Résumé : Il s’agit de proposer une réflexion sur la relation entre Voltaire et Nietzsche, à partir de l’exposition des possibles rapprochements entre Zadig et Ainsi parlait Zarathoustra , ayant pour point central l’importance du personnage historique de Zoroastre, ou Zarathoustra, pour les deux penseurs. Mots-clés : Voltaire, Nietzsche, Zoroastre No momento da publicação de Assim falou Zaratustra, Nietzsche se lembrou de Voltaire. Estamos em 26 de agosto de 1883: Nietzsche, nesse dia, envia duas cartas triunfantes aos seus amigos Köselitz e Overbeck. Ele escreve ao primeiro: “Aqui, meu amigo, por mais ridículo que isso possa soar aos vossos ouvidos 1, eu ouvi pela primeira vez do exterior o que eu ouvi de vossa parte e sei há muito tempo: eu sou um dos mais terríveis adversários do cristianismo e eu descobri uma forma de ataque de que Voltaire mesmo não tinha nenhuma ideia” 2. Ao segundo, ele faz saber dessa mesma aprovação : * O texto a seguir é, com o mesmo título, o capítulo VII do livro Nietzsche et Voltaire , do mesmo autor, publicado pela Flammarion em Paris em 2011. Nesta mesma edição da Revista Trágica encontra-se disponível uma resenha sobre o referido livro. -
Micromégas Zadig Candide
Extrait de la publication Extrait de la publication MICROMÉGAS ZADIG CANDIDE Extrait de la publication Extrait de la publication Du même auteur dans la même collection DICTIONNAIRE PHILOSOPHIQUE ÉCRITS AUTOBIOGRAPHIQUES (Mémoires pour servir à la vie de Monsieur de Voltaire, écrits par lui-même. – Commentaire historique sur les œuvres de l'auteur de La Henriade. – Lettres de Monsieur de Voltaire à Madame Denis, de Berlin) HISTOIRE DE CHARLES XII L'INGÉNU. – LA PRINCESSE DE BABYLONE LETTRES PHILOSOPHIQUES LETTRES PHILOSOPHIQUES. – DERNIERS ÉCRITS SUR DIEU (Tout en Dieu. Commentaire sur Malebranche. – Dieu. Réponse au Système de la nature. – Lettres de Memmius à Cicéron. – Il faut prendre un parti, ou le Principe d'action) MICROMÉGAS. – ZADIG. – CANDIDE ROMANS ET CONTES TRAITÉ SUR LA TOLÉRANCE ZAÏRE. – LE FANATISME OU MAHOMET LE PROPHÈTE. – NANINE OU L'HOMME SANS PRÉJUGÉ. – LE CAFÉ OU L'ÉCOSSAISE Extrait de la publication VOLTAIRE MICROMÉGAS ZADIG CANDIDE Introduction, notes, bibliographie, chronologie par René POMEAU Bibliographie mise à jour par Chiara GAMBACORTI (2006) GF Flammarion Extrait de la publication © Flammarion, Paris, 1994. Édition mise à jour en 2006. ISBN :978-2-0812-6260-7 978-2-0807-1293-6 Extrait de la publication INTRODUCTION Micromégas, Zadig, Candide : pourquoi trois titres seulement ? Et pourquoi ceux-là ? On sait l'ampleur de l'œuvre voltairienne. Les anciennes éditions des œuvres complètes, par catégo- ries, avaient un avantage : d'avance on connaissait les secteurs où l'on renoncerait à s'aventurer. Depuis longtemps, entre tous les genres pratiqués par un écrivain prolifique, les lecteurs privilégient ce qu'il est convenu d'appeler ses « romans et contes ». -
REPRESENTATIONS of MARIE- ANTOINETTE in 19Th
L’AUGUSTE AUTRICHIENNE: REPRESENTATIONS OF MARIE- ANTOINETTE IN 19th CENTURY FRENCH LITERATURE AND HISTORY --------------------------------------------------------------------------------------------------------------------- A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia --------------------------------------------------------------------------------------------------------------------- In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy --------------------------------------------------------------------------------------------------------------------- by KALYN ROCHELLE BALDRIDGE Dr. Carol Lazzaro-Weis, Dissertation Superviser MAY 2016 APPROVAL PAGE The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled L’AUGUSTE AUTRICHIENNE: REPRESENTATIONS OF MARIE-ANTOINETTE IN 19th CENTURY FRENCH LITERATURE AND HISTORY presented by Kalyn Rochelle Baldridge, a candidate for the degree of doctor of philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. Professor Carol Lazzaro-Weis Professor Ilyana Karthas Professor Valerie Kaussen Professor Megan Moore Professor Daniel Sipe ACKNOWLEDGEMENTS I would first of all like to acknowledge the Department of Romance Languages at the University of Missouri for having supported me throughout my dissertation writing process, allowing me to spend time in France, and welcoming me back to the campus for my final year of study. Secondly, I would like to thank the members of my committee, Dr. Valerie Kaussen, Dr. Megan Moore and Dr. Daniel Sipe, for taking the time to read my research and offer their welcome suggestions and insight. I would especially like to thank Dr. Ilyana Karthas, from the Department of History, for having spent many hours reading earlier drafts of my chapters and providing me with valuable feedback which spurred me on to new discoveries. I am most grateful to my dissertation superviser, Dr. Carol Lazzaro-Weis. -
Voltaire Micromégas Zadig * Candide * Présentation Par René Pomeau *
Voltaire Micromégas Zadig * Candide * Présentation par René Pomeau * * OF ----=-* Voltaire Micromégas Zadig Candide «Il faut être très court, et un peu salé, Voltaire Micromégas sans quoi les ministres et madame de Zadig Candide Pompadour, les commis et les femmes de chambre, font des papillotes du livre.» Brièveté et mordant, telles sont les princi pales qualités de Micromégas, Zadig et Candide, les trois contes de Voltaire les plus célèbres, traversés par deux motifs: le philosophe dans le monde, le bonheur par la philo sophie. Chassé de sa planète, Micromégas - un jeune géant de près de sept cents ans - entame un périple cosmique qui le mènera à ces «petites mites» qu'on appelle les hommes. En proie aux caprices du sort, !'Oriental Zadig fera la rencontre d'un ermite à la barbe blanche, détenteur du livre des destinées où tout est écrit. Quant à Candide, contraint de quitter le château de Thunder-ten-tronckh, il apprendra à ses dépens que tout n'est pas pour le mieux dans le meilleur des mondes ... Présentation, notes, bibliographie et chronologie par René Pomeau 'lèxte intégral Illustration : Virginie Berthcmct e Flainmarion GF Flammarion MICRO MÉGAS ZADIG CANDIDE Du même auteur dans la même collection DICTIONNAIRE PHILOSOPHIQUE ÉCRITS AUTOBIOGRAPHIQUES (Mémoires pour servir à la vie de Monsieur de Voltaire, écrits par lui-même. - Commentaire historique sur les œuvres de l'auteur de La Henriade. - Lettres de Monsieur de Voltaire à Madame Denis, de Berlin) HISTOIRE DE CHARLES XII L'INGÉNU. - LA PRINCESSE DE BABYLONE LETTRES PHILOSOPHIQUES LETTRES PHILOSOPHIQUES. - DERNIERS ÉCRITS SUR DIEU (Tout en Dieu. Commentaire sur Malebranche.