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The Development and Validation of the Game User Experience Satisfaction Scale (Guess)
THE DEVELOPMENT AND VALIDATION OF THE GAME USER EXPERIENCE SATISFACTION SCALE (GUESS) A Dissertation by Mikki Hoang Phan Master of Arts, Wichita State University, 2012 Bachelor of Arts, Wichita State University, 2008 Submitted to the Department of Psychology and the faculty of the Graduate School of Wichita State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2015 © Copyright 2015 by Mikki Phan All Rights Reserved THE DEVELOPMENT AND VALIDATION OF THE GAME USER EXPERIENCE SATISFACTION SCALE (GUESS) The following faculty members have examined the final copy of this dissertation for form and content, and recommend that it be accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy with a major in Psychology. _____________________________________ Barbara S. Chaparro, Committee Chair _____________________________________ Joseph Keebler, Committee Member _____________________________________ Jibo He, Committee Member _____________________________________ Darwin Dorr, Committee Member _____________________________________ Jodie Hertzog, Committee Member Accepted for the College of Liberal Arts and Sciences _____________________________________ Ronald Matson, Dean Accepted for the Graduate School _____________________________________ Abu S. Masud, Interim Dean iii DEDICATION To my parents for their love and support, and all that they have sacrificed so that my siblings and I can have a better future iv Video games open worlds. — Jon-Paul Dyson v ACKNOWLEDGEMENTS Althea Gibson once said, “No matter what accomplishments you make, somebody helped you.” Thus, completing this long and winding Ph.D. journey would not have been possible without a village of support and help. While words could not adequately sum up how thankful I am, I would like to start off by thanking my dissertation chair and advisor, Dr. -
Meaningful Choice As Expression of Creativity in Gameplay
Meaningful Choice as Expression of Creativity in Gameplay A Preliminary Typology of Creative Gameplay in Videogames Abstract Gamification guru Yu-Kai Chou positions creativity as the ultimate motivational drive as it both addresses intrinsic motivation as well as positive emotions. Creativity and play have long been linked together and, despite many attempts to grasp them, have maintained elusive concept because their expressions have an enormous variety. Yet, creative gameplay has rarely been analyzed as a whole, research often lingering on a single variant of it, mostly tangible player production in videogames. This thesis offers a framework based on Chou’s concept of meaningful choices for identifying varieties of creative gameplay and offers a preliminary typology of creative gameplay in videogames. By Wesley Smit 3781410 Supervisor Jasper van Vught TABLE OF CONTENTS INTRODUCTION .............................................................................................. 3 IN THE BEGINNING… .................................................................................... 9 CREATIVITY AND MEANINGFUL PLAY ..................................................... 14 METHODOLOGY ........................................................................................... 26 CREATIVE PLAY IN LITTLEBIGPLANET 2 ................................................. 29 CREATIVE PLAY IN NBA 2K15 ................................................................... 39 DISCUSSION ................................................................................................ -
Investor Update 01/13/2015 Gamestop Overview
Investor Update 01/13/2015 GameStop Overview EUROPE 331 CANADA stores 1,321 stores UNITED STATES 4,656 stores 421 stores AUSTRALIA/NZ Italy 420 Ireland 50 France 435 Total Stores: 6,729 Germany 260 6,248 Video game stores Nordic 156 481 Technology Brand stores 2 Video Game Brands Platform Overview GameStop maintains a leadership position in the $22.4bn worldwide gaming market 30-34% next-gen console market share (U.S.) 48-52% next-gen software market share (U.S.) Leading retailer in the fast growing digital business (26%+ CAGR from 2011-2013) Unique in-store customer experience Highly successful loyalty program with 40 million global members Game Informer is the #1 digital magazine globally Established buy-sell-trade program drives differentiation from competitors and enhanced profitability 3 GameStop’s Unique Formula Informed Associates Multichannel Vendor Relationships PowerUp Rewards GameInformer Magazine Buy – Sell – Trade 4 Our Strategic Plan Maximize Brick & Mortar Stores . Capture leading market share of new console cycle . Utilize stores to grow digital sales . Apply retail expertise to Tech Brands Build on our Distinct Pre-owned Business . Expand the value assortment to increase sales and gross profit dollars . Gain market share in Value channel Own the Customer . Capitalize on our international loyalty program, now with 40 million members in 14 countries around the world Digital Growth . DLC, Kongregate, Steam wallet, PC Downloads, Console Network cards Disciplined Capital Allocation . Return 100% of our FCF to shareholders through buyback and dividend unless a better opportunity arises 5 We are delivering on our plan… . Digital & Mobile growth . $2.69B of digital receipts and $989M of mobile revenue since 2011 . -
Microsoft Xbox One
Microsoft Xbox One Last Updated on September 26, 2021 Title Publisher Qty Box Man Comments #IDARB Other Ocean 8 To Glory: Official Game of the PBR THQ Nordic 8-Bit Armies Soedesco Abzû 505 Games Ace Combat 7: Skies Unknown Bandai Namco Entertainment Aces of the Luftwaffe: Squadron - Extended Edition THQ Nordic Adventure Time: Finn & Jake Investigations Little Orbit Aer: Memories of Old Daedalic Entertainment GmbH Agatha Christie: The ABC Murders Kalypso Age of Wonders: Planetfall Koch Media / Deep Silver Agony Ravenscourt Alekhine's Gun Maximum Games Alien: Isolation: Nostromo Edition Sega Among the Sleep: Enhanced Edition Soedesco Angry Birds: Star Wars Activision Anthem EA Anthem: Legion of Dawn Edition EA AO Tennis 2 BigBen Interactive Arslan: The Warriors of Legend Tecmo Koei Assassin's Creed Chronicles Ubisoft Assassin's Creed III: Remastered Ubisoft Assassin's Creed IV: Black Flag Ubisoft Assassin's Creed IV: Black Flag: Walmart Edition Ubisoft Assassin's Creed IV: Black Flag: Target Edition Ubisoft Assassin's Creed IV: Black Flag: GameStop Edition Ubisoft Assassin's Creed Syndicate Ubisoft Assassin's Creed Syndicate: Gold Edition Ubisoft Assassin's Creed Syndicate: Limited Edition Ubisoft Assassin's Creed: Odyssey: Gold Edition Ubisoft Assassin's Creed: Odyssey: Deluxe Edition Ubisoft Assassin's Creed: Odyssey Ubisoft Assassin's Creed: Origins: Steelbook Gold Edition Ubisoft Assassin's Creed: The Ezio Collection Ubisoft Assassin's Creed: Unity Ubisoft Assassin's Creed: Unity: Collector's Edition Ubisoft Assassin's Creed: Unity: Walmart Edition Ubisoft Assassin's Creed: Unity: Limited Edition Ubisoft Assetto Corsa 505 Games Atari Flashback Classics Vol. 3 AtGames Digital Media Inc. -
Checklist for Submission to Gamescom Award 2020
DEADLINE Friday, August 7th 2020 gamescom award honors outstanding games and products presented within the frame of gamescom 2020. Organizer of the award is the Digital Gaming Culture Foundation. To evaluate and rate the award submissions, the organizer composes an independent and internationally-staffed jury. By submitting a game or product to gamescom award, a company agrees to the regulations of gamescom award 2020. They can be found here (German) or here (English), near the bottom of the page, under the respective subheader. Checklist for submission to gamescom award 2020 For a successful submission to the gamescom award it is necessary to comply with the following regulations. Need help? Call +49 30 29 04 92 92 Please make sure that your game / product is not in Any questions? [email protected] conflict with any of the following criteria. Otherwise, its submission cannot be accepted. The submitted game / product has never been submitted for gamescom award in previous years.* The submitted game / product will be released in Germany or in my company‘s domestic market between the beginning of gamescom 2020 and the beginning of gamescom 2021 Benjamin Rostalski Tobias Lo Coco I’ve specifiedat least one contact person (see page 3) responsible for the game / product during the submission process, who is eligible to be called during a live streamed award ceremony. I am submitting this submission form prior to the Gameplay footage will be submitted alongside deadline on Friday, August 7th 2020 as a writable this form via link on page 3. PDF containing verified and copyable links, Footage must feature: contact details etc. -
Original Article Effect of Esport Sponsorship on Brands
Journal of Physical Education and Sport ® (JPES), Vol.20 (2), Art 122 pp. 852 - 861, 2020 online ISSN: 2247 - 806X; p-ISSN: 2247 – 8051; ISSN - L = 2247 - 8051 © JPES Original Article Effect of eSport sponsorship on brands: an empirical study applied to youth ELASRI-EJJABERI, AMAL 1; RODRIGUEZ-RODRIGUEZ, SERGIO 2; APARICIO-CHUECA, PILAR 3 1 Estudis d’Economia i Empresa, Universitat Oberta de Catalunya (UOC), SPAIN 2,3, Business and Economics Faculty, University of Barcelona, SPAIN Published online: March 31, 2020 (Accepted for publication: March 17, 2020) DOI:10.7752/jpes.2020.02122 Abstract : This paper contributes to the understanding of sponsorship in eSports, shedding light on an enormously important topic that has been little explored in academia. ESport is growing internationally, mainly due to the easy access to technology, but also as a response to access to different competitions on the part of the general public, and especially youth. The objective of this paper is to investigate the effect that eSport sponsorship has on the health of a brand sponsoring a competition. The field work was carried out by means of a questionnaire distributed among the Internet population, differentiating between children in the age bracket 8 and 14 years and youth between 15 and 25 years, with a total of 1,619 responses. The questionnaire measured the health of the brand through analysing the variables related to the purchase funnel and the brand’s advertising campaigns. The results suggest that sponsoring an eSports league has positive effects on the brand. The study also contributes some findings that are applicable to managers in the area of marketing, suggesting some future related lines of research. -
Inside the E-Sports Ecosystem: a Business Overview
Inside the e-Sports Ecosystem: A Business Overview David Hiltscher VP Gaming Communities Turtle Entertainment About the presenter • Saw the beginning of Quake 2 & 3 and Counter- Strike, and many more games over the years • Joined Turtle in 2006 • He and his team figure out the first rule book of a sport on a regular basis • They ran 1,500 tournaments this year with 1.5 million participants eSports – The name ● Why not sport? ● Retired terms: Cyberathleticism, professional video gaming ● Sports professionals are split over accepting eSports ● Definition more an issue for sports professional than us A different sport ● Can be experienced by everyone ● Global player liquidity helps develop a sport ● No physicality ● Digitally exact ● Inclusive What is eSports? • Synchronous Multiplayer games that are played competitively (team games mainly) • From ranked matchmaking to the Staples Center • For us there is only eSports, but we treat each game individually as a sport THE GAMES OFFICIAL LEAGUES WCS 2012 EU FINALS LOL S2 WORLD CHAMPIONSHIP THE INTERNATIONAL 2 Why enter this business? What the public thinks: • Reach • Trend • Direct profit Actual good reasons to consider eSports • Engagement • Viral acquisition • Brand loyalty • Across genres, once learned becomes part of your marketing • Competitive advantage • Gain control • A sound business choice overall Options • Organic / anorganic Is there an eSports industry? “Your best bet finding an eSports position is to look at every company that sponsors eSports.” This view is common and wrong. eSports -
Case 1:16-Cv-00724-LTS Document 33 Filed 04/19/16 Page 1 of 12
Case 1:16-cv-00724-LTS Document 33 Filed 04/19/16 Page 1 of 12 Dale M. Cendali Joshua L. Simmons Emma Raviv KIRKLAND & ELLIS LLP 601 Lexington Avenue New York, New York 10022 Telephone: (212) 446-4800 Facsimile: (212) 446-4900 [email protected] [email protected] [email protected] Attorneys for Defendants 2K Games, Inc. and Take-Two Interactive Software, Inc. UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK SOLID OAK SKETCHES, LLC, CASE NO. 1:16-cv-724(LTS)(RLE) Plaintiff, ECF Case v. VISUAL CONCEPTS, INC.; 2K GAMES, INC.; TAKE-TWO INTERACTIVE SOFTWARE, INC., Defendants. MEMORANDUM OF LAW IN SUPPORT OF DEFENDANTS 2K GAMES, INC. AND TAKE-TWO INTERACTIVE SOFTWARE, INC.’S MOTION TO DISMISS Case 1:16-cv-00724-LTS Document 33 Filed 04/19/16 Page 2 of 12 TABLE OF CONTENTS PRELIMINARY STATEMENT ................................................................................................. 1 FACTUAL BACKGROUND ....................................................................................................... 2 I. TAKE-TWO AND THE NBA 2K VIDEO GAME SERIES .................................. 2 II. SOLID OAK AND THE TATTOOS ..................................................................... 3 ARGUMENT ................................................................................................................................. 4 I. THE STANDARD FOR A MOTION TO DISMISS ............................................. 4 II. SOLID OAK IS NOT ENTITLED TO STATUTORY DAMAGES OR ATTORNEYS’ FEES AS A MATTER OF LAW ................................................ -
Copyright and Tattoos
Copyright and Tattoos Discussing the current legal trends in protecting the rights granted in the creation of tattoos. Presented by: Delia Ramirez Of Counsel at Hakimi Law, PC [email protected] P: 415-255-4503 Overview Copyright Overview Defenses How to obtain copyright De minimis Rights granted Implied License Fair Use Copyright as it relates to tattoos Initial Cases Copyrightable? Rasheed Wallace – Nike Commercial Rights for tattoos Mike Tyson – Hangover 2 Ownership vs. Authorship Carlos Condit – Video Game Types of Authorship NFL cases – Madden NFL 10 & 11 Ownership Current litigation Copyright Infringement Solid Oaks Sketchest vs. 2K Games, et al. What is copyright infringement James Haydan v. 2K Games, et al. Possible impact on entertainment industry How to obtain Copyright **Protects original works of authorship fixed in a tangible medium of expression. 1. Original 2. Fixed into medium 3. Expression 4. Protected Category– 8 types Ex: Literary works, musical works, pictorial and graphical works. Protects for life of author plus 70 years unless WFH or Corporation Registration required? No – protection Yes – file suit, statutory damages, attorney fees http://www.wpdlegal.com/wp-content/uploads/2017/04/Copyright-All-Rights-Reserved.jpg BUNDLE OF RIGHTS 17 U.S. Code §106 – Exclusive rights of Author Visual Artist Rights Act (1990) §106A- (Owner) of work disclosure or divulgation, which allows Reproduce the copyright work in copies the artist to determine when a work is complete and may be displayed; -
Annual Review
annual review 2017 our board Ukie Annual Review 2016/17 contents 02 foreword 04 Noirin Carmody - Chair Harvey Eagle chair’s report Owner and COO Xbox UK Marketing Director Our initiatives Revolution Software Microsoft 06 ceo’s report Ian Livingstone CBE - Vice Chair Miles Jacobson OBE Chairman Studio Director Playmob Sports Interactive 08 a year in westminster and brussels askaboutgames Dave Gould - Treasurer Veronique Lallier askaboutgames.com Snr Director of Sales UK & Export European Managing Director 12 Take 2 Interactive Hi-Rez Studios research and analysis Without house background Simon Barratt Warwick Light 16 Director UK Managing Director and Vice President ukie’s year in numbers Sony Interactive Entertainment Barog Game Labs INSPIRATIONAL COMPUTING 18 Katherine Bidwell Phil Mansell Digital Schoolhouse acting locally thinking globally Co-Founder CEO digitalschoolhouse.org.ukWith house background State of Play Games Jagex 20 ukie’s global trade programme Neil Boyd Andy Payne OBE INSPIRATIONAL COMPUTING European Anti-Piracy Counsel CEO Nintendo Europe AppyNation 22 the digital schoolhouse Shaun Campbell Kirsty Rigden Games London UK Country Manager Operations Director games.london 24 Electronic Arts FuturLab inspiring talent John Clark Ella Romanos 26 Senior Vice President, Commercial Director promoting a positive image Publishing Rocket Lolly Games SEGA Europe Students 27 Rob Cooper Roy Stackhouse making the most of your IP Managing Director Northern Europe and Vice President - UK, Ireland & Benelux Ukie Students Export Territories -
Phenomena of Social Dynamics in Online Games
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School July 2019 Phenomena of Social Dynamics in Online Games Essa Alhazmi University of South Florida, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the Computer Sciences Commons Scholar Commons Citation Alhazmi, Essa, "Phenomena of Social Dynamics in Online Games" (2019). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/8329 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Phenomena of Social Dynamics in Online Games by Essa Alhazmi A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Computer Science and Engineering College of Engineering University of South Florida Major Professor: Adriana Iamnitchi, Ph.D. John Skvoretz, Ph.D. Kingsley A. Reeves, Jr., Ph.D. Yao Liu, Ph.D. Paul Rosen, Ph.D. Giovanni Luca Ciampaglia, PhD. Date of Approval: June 6, 2019 Keywords: social phenomena, social network analysis, data mining, team formation, migration Copyright c 2019, Essa Alhazmi DEDICATION This dissertation is dedicated to my wife, Maryam, and our daughters, Jude and Elena. I also dedicate this work to my parents, Zakia and Ali, and all my brothers and sisters. ACKNOWLEDGMENTS First, I would like to thank my advisor, Professor Adriana Iamnitchi, for advising and supporting me learn and practice foundations of scientific research. This thesis would not have been possible without her and without freedom and encouragement, she has given me during the time I spent at University of South Florida. -
Digital Gaming Industry in Global-Local Crossings: Comparative Study of UK, China and Brazil
Digital Gaming Industry in Global-Local Crossings: Comparative Study of UK, China and Brazil Abstract Clustering is a common phenomenon in digital gaming industry where businesses can benefit from local concentration of talents, spill-over events, resources recycling activities, formal or informal networks formed (Pilon and Tremblay 2013; Ruggill et al. 2016). In addition, digital gaming industry also possess a born-global nature (Gomez and Gonzalez-Perez 2015). Reflecting on the global-local structure, a conceptual framework on digital gaming industry ecosystem is proposed in this paper. A comparative analysis is performed against the digital gaming industry in UK, China and Brazil. As the initial stage of the project, the analysis focuses on the similarities and differences of the digital gaming industry from perspectives such as policy, culture, funding, talents, market, infrastructure and other supports. Keywords: Entrepreneurial Ecosystem, Digital Gaming, Business Growth, UK, Brazil, China 1. Introduction When video game Grand Theft Auto V came out in September 2013, it quickly broke six Guinness world records including the highest revenue generated within 24 hours ($815.7 million) and the fastest entertainment property to reach $1 billion in sales (within three days of releasing) which were previously held by blockbuster movies like The Avengers and Avatar (Lynch 2013). This achievement is a manifestation of the growth in the digital gaming industry: since mid-1980s, the industry has grown annually by between 10% and 15% (Zackariasson and Wilson 2010; Marchand and Hennig-Thurau 2013; Newzoo 2018). In comparison, the estimated compound annual growth rate (CAGR) between 2018 and 2023 for global entertainment and media industry, which the digital gaming industry is part of, is at 4.3% (PwC 2019).