The Cambridge History of American Music - Edited by David Nicholls Index More Information
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Cambridge University Press 0521454298 - The Cambridge History of American Music - Edited by David Nicholls Index More information Index AACM (Association for the Advancement of relationship with Africa 103–112, 114, Creative Musicians) 456–458, 463, 465 115–117, 120–121, 134, 295; stereotypes Abba 343, 368 166–167, 171 (see also minstrelsy); and Abbott, Emma 41 the West Indies 112–113, 115 Abdul, Paula 376 After the Ball 164, 183, 322, 327 Abrams, Muhal Richard 457 Agee, James 486 AC/DC 370 Ainsworth, Henry 35, 82–83 Acadians 151, 295 Ain’t Misbehavin’ 413 accessibility 158–159, 222 Aitken, John 67 accompaniment patterns 314, 321 Alabama (group) 376 accordion 150, 151, 283, 292, 301–302 Aladdin 333 acid house 386 Albert, Stephen 561–562 acid jazz 467 Alboni, Marietta 203 acid rock 347–348, 363 Alexander, James 76, 77 Acu◊, Roy 356 Alexander’s Ragtime Band 393–394 Adam, Adolphe 202 Alice Cooper 371 Adams, Abraham 92 All I Want Is a Room Somewhere 321 Adams, John (18th-century) 69, 186 All Quiet Along the Potomac Tonight 182 Adams, John (20th-century) 260, 557–558 Allen, Red 429 Adderley, Julian “Cannonball” 447 Allen, Richard 81, 120, 127 Addison, Joseph 70 Allen, Woody 532 Adgate, Andrew 66–67 Allman Brothers Band, the 369 Adler, Richard 341 alternative music 381–383 Adorno, Theodore 324 alternative rock 266, 347–348 advertising jingles 314, 336, 337 amateur music 189–190, 193; amateurs and Aerosmith 370 professionals performing together 66, AFM (American Federation of Musicians) 189, 216–217 349–350 ambient music 386 Africa, music in 106–107, 108–110, AME (African Methodist Episcopal) Church 111–112 81, 120, 127 African American music 388, 403; American Federation of Musicians 341, 424, nationalists and 251; white composers 428–429 and 260; white performers and 267; see American Folklife Center 27 also under individual musical styles American Indian Dance Theater 25 African Americans 46–48; bands 161; and American Indian (Native American) music Christianity 80–81, 114, 116, 119–120, 3–29, 58; continuity 79; early studies of 126–129; as composers 133–134; 251–252, 253; musical forms 6–7, 8, 9, festivals 119, 123–124; and minstrelsy 17; non-Native Americans and 28–29, 174–175; and music 113–115, 117–126, 251–252, 253, 260; part-singing 10; 128–134 (see also blues); and musical performance contexts 5, 6, 7, 9, 10, 11, signifying 413; and popular culture 418; 13–16, 20–25, 79; revitalization in 18, [610] © Cambridge University Press www.cambridge.org Cambridge University Press 0521454298 - The Cambridge History of American Music - Edited by David Nicholls Index More information Index 611 19, 26–27, 29; scales in 5, 8, 12, 14; song Ashman, Howard 333 texts 5, 6, 8, 9, 10, 14, 17, 21, 23, 25 Ashworth, Caleb 92 American Indians (Native Americans) Asian-American orchestras/ensembles 46–47; bands 161; and Christianity 284–285 58–61, 80; and polka 283; spirituality 79 Assassins 331 American Opera Company 222 Associates of Doctor Bray 80, 119 American Society of University Composers Astaire, Fred 335 514–515 At a Georgia Campmeeting 391, 392 “Americana” 276–277, 278, 306 Atkins, Chet 357 Amirkhanian, Charles 534 Auber, D.-F.-E. 201, 202 Amish 303, 306 Austin, Elizabeth 194 Ammons, Albert 348 Autry, Gene 349 Anabaptists 145 Autumn in New York 331 Anderson, Laurie 533, 551 Avalon, Frankie 358 Anderson, Leroy 337 avant-gardism 457–458, 517–518 Angels, the 360 Ayler, Albert 455 Animals, the 362 Anka, Paul 358 Babbitt, Milton 42, 442, 484, 496, 498, 499, Annapolis, Tuesday Club 64, 65, 217 508–509, 511, 513, 534, 537 Annie 341 Babes in Arms 318, 330 Annie Get Your Gun 325, 329 Babes in Toyland 323–324 Antheil, George 519 Baby 343 anthems 92, 93, 95 Bach, J. S. 234, 237, 238 Any Old Night 317–318 Bacharach, Burt 343 Anyone Can Whistle 342 Baez, Joan 288, 361, 365 Anything Goes 326 Bailey, Buster 416, 422 Appalachian folk tradition 45, 47, 137, 145, Baird, [Thomas?] 95 296 Baker, Chet 429 Appleton, Jon 534 Baker, Josephine 329 April in Paris 331 Baker, Theodore 28, 251 Arapaho 79 Balatka, Hans 147, 205 Ardoin, Alphonse 302 Balfe, Michael William 163, 202 Ardoin, Amédé 151 Bali Ha’i 336 Argento, Dominick 538–539, 542–543 ballads, political 75–76 Arkansas Traveler 143, 144, 446 Ballard, Louis 26 Arlen, Harold 319, 330–331 Ballentine, Solomon 64 Armstrong, Lillian Hardin 412, 427–428 ballet 72 Armstrong, Louis 270, 409, 411, 412–413, Ballgame, the (Choctaw) 13–14, 15, 18 414, 416, 428, 429, 432 Balmer, Charles 194 Arne, Thomas 34, 67, 69, 70, 71 Baltimore 192, 199, 226 Arnold, Eddy 356, 357 Bambi 333 Arnold, John 90, 92 Band Wagon, The 335 Arnold, Samuel 67 bandleaders 133 arrangement 134, 190–191, 311–312, bands 66, 67–68, 141, 160–162, 189, 195, 320–321, 428 327, 348–349; see also big bands Art Blakey Group 468 bandsmen as soloists 195 Art Ensemble of Chicago 457 Bangs, Lester 365 art rock 347–348 banjo 47, 48 Artôt, Alexandre-Joseph 200 Baptists 98, 99–101 As Time Goes By 336 Baraka, Amiri 456 ASCAP (American Society of Composers, Barber, Samuel 481, 485–488, 537 Authors, and Publishers) 341, 349 Barbera, Joseph 337 Ashley, Robert 533 barbershop music 297 © Cambridge University Press www.cambridge.org Cambridge University Press 0521454298 - The Cambridge History of American Music - Edited by David Nicholls Index More information 612 Index Barefield, Eddie 419–420 Berry, Chuck 351, 354–355, 357, 359, 361 Barney, Geraldine 25 Best Little Whorehouse in Texas, The 341 Barnum 341 Bethany 43, 44, 154, 247 Barnum, P. T. 203–204, 218, 234 Bewitched 329–330 Barras, Charles M. 164 Biferi, Nicholas 54, 64 Bartók, Béla 537 big bands 271, 348–349, 417, 424, 435, Barton, Andrew 71 436–439; singers in 428, 429 Basie, William “Count” 348–349, 350, 419, Big Boy 330 420, 425–427, 436 Big John’s Special 423 Battle Cry of Freedom, The 181 Bill Bailey, Won’t You Please Come Home? Battle Hymn of the Republic, The 181 391 Bauer, Billy 438 Billings, William 67, 87, 90, 92, 93, 94, 95, Bauer, Marion 493 99, 187, 198, 272 Baur, Clara 231–232 Birth of the Cool 437, 438, 442, 443, 459 Bauza, Mario 434 Biscaccianti, Elisa 208 “Bay Psalm Book” 35, 83, 85, 87, 90 Bishop, Henry 203 Bayley, Daniel 91, 92 Bitches Brew 370, 460, 461 Beach, Amy Cheney 236, 237, 241–242, black Americans see African Americans 253–254, 490 Black Bottom 330 Beach Boys, the 361 Black Bottom Stomp 410–411 Beatles, the 359, 360, 362, 363, 364 Black Crook, The 164 Beauty and the Beast 333 Black Rock Coalition 348 bebop 48, 426, 427, 428, 432–439, 440 Black Sabbath 370 Bechet, Sidney 407 Black or White 384 Becker, John J. 520, 521 Blackbirds of 1928 330 Bee Gees, the 372 Blackboard Jungle 353 Beer-Barrel Polka 293 blackface minstrelsy see minstrelsy Beethoven, Ludwig van 139, 196, 197, 198, Blackfoot Strikes 25 201, 203, 206, 207, 211, 215–216, 222, Blackmore, Ritchie 364 234 Blackwell, Ed 451–452, 453 Beggar’s Opera, The 69, 70 Blake, Blind 286 Behrent, John 63 Blake, Eubie 329, 406 Beiderbecke, Bix 421, 427, 429, 432, 437 Blakey, Art 440, 441, 467, 468 Belcher, Supply 94 Bland, James 131, 132, 174 Bellaman, Henry 246 Blane, Ralph 309 Bellini, Vincenzo 163, 202, 211 Blanton, Jimmy 431 Bells Are Ringing 340 Blazoncsyk, Eddie 283 Benatar, Pat 375 Bley, Paul 455 Benham, Asahel 94 Bliss, Philip 155, 156, 291 Bennett, Robert Russell 328 Blitzstein, Marc 331 Berg, Alban 504, 506, 519 Bloch, Ernest 42, 493, 508 Berger, Arthur 510, 514 Blood, Sweat and Tears 370 Bergmann, Carl 205 Blue Devils, the 419, 420 Bergsma, William 493 Blue Moon 357 Berio, Luciano 526, 528 Blue Moon of Kentucky 355 Berkeley, Busby 332, 333, 334 Blue Note 441 Berlin, Irving 46, 311, 312, 316–317, 320, blue notes 319, 346, 414 321, 324, 325, 332, 335, 339, 403, 407; Blue Öyster Cult 370 and ragtime 393–394, 395, 397 bluegrass 271, 305, 357 Berlioz, Hector 234 blues 125, 271, 348, 350–351, 406, 413–414, Bernstein, Elmer 336 445–446; Cajun music and 151; country Bernstein, Leonard 41, 260, 312, 341, music and 349; jump 348, 350, 351, 354; 342–343, 481, 496–497, 538–541, 566 origins/roots of 285–286; and place 294, © Cambridge University Press www.cambridge.org Cambridge University Press 0521454298 - The Cambridge History of American Music - Edited by David Nicholls Index More information Index 613 295–296, 297; popular song and brass bands 161–162, 195 327–328; rock and roll and 346–347, Braud, Wellman 431 348; twelve-bar 406 Braxton, Anthony 260, 268, 449, 457, 458, Bluiett, Hamiett 466 463–465, 470 BMI (Broadcast Music, Inc.) 341, 349 Brecht, George 533 Bock, Jerry 341 Brecker, Michael 447 Body and Soul 426, 427 Bremner, James 54 Boelke, Walter 513 Brenston, Jackie 351, 353 Bok, Mary Louise Curtis 232 Brigadoon 340 Bolan, Marc 371 Brighton Beach concerts 230 Bolcom, William 550–551, 552 Bring It On Home 365 Bolden, Buddy 408–409 Bristow, George 41, 210, 211–212, 235 Bolton, Guy 326 broadsides 140 Bolton, Michael 376 Brooks, Garth 383, 384 Bon Jovi 378 Brown, Bobby 376 Bonham, John 565 Brown, Cli◊ord 429 Bonnie Blue Flag, The 181 Brown, Earle 524–525, 526, 530, 534 boogie-woogie 347, 348 Brown, James 266, 360, 363 Boone, Pat 267, 358 Brown, Lawrence 431 bop 271, 434, 440–441, 443, 444, 468 Brown, Lew 330 Borde, Claude de 57 Brown, Milton 349 Boretz, Benjamin 510, 514 Brown, Nacio Herb 317 Born to Run 369 Brown, Ruth 354 Born in the U.S.A.