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Waters of Rome Journal
TIBER RIVER BRIDGES AND THE DEVELOPMENT OF THE ANCIENT CITY OF ROME Rabun Taylor [email protected] Introduction arly Rome is usually interpreted as a little ring of hilltop urban area, but also the everyday and long-term movements of E strongholds surrounding the valley that is today the Forum. populations. Much of the subsequent commentary is founded But Rome has also been, from the very beginnings, a riverside upon published research, both by myself and by others.2 community. No one doubts that the Tiber River introduced a Functionally, the bridges in Rome over the Tiber were commercial and strategic dimension to life in Rome: towns on of four types. A very few — perhaps only one permanent bridge navigable rivers, especially if they are near the river’s mouth, — were private or quasi-private, and served the purposes of enjoy obvious advantages. But access to and control of river their owners as well as the public. ThePons Agrippae, discussed traffic is only one aspect of riparian power and responsibility. below, may fall into this category; we are even told of a case in This was not just a river town; it presided over the junction of the late Republic in which a special bridge was built across the a river and a highway. Adding to its importance is the fact that Tiber in order to provide access to the Transtiberine tomb of the river was a political and military boundary between Etruria the deceased during the funeral.3 The second type (Pons Fabri- and Latium, two cultural domains, which in early times were cius, Pons Cestius, Pons Neronianus, Pons Aelius, Pons Aure- often at war. -
9781107013995 Index.Pdf
Cambridge University Press 978-1-107-01399-5 — Rome Rabun Taylor , Katherine Rinne , Spiro Kostof Index More Information INDEX abitato , 209 , 253 , 255 , 264 , 273 , 281 , 286 , 288 , cura(tor) aquarum (et Miniciae) , water 290 , 319 commission later merged with administration, ancient. See also Agrippa ; grain distribution authority, 40 , archives ; banishment and 47 , 97 , 113 , 115 , 116 – 17 , 124 . sequestration ; libraries ; maps ; See also Frontinus, Sextus Julius ; regions ( regiones ) ; taxes, tarif s, water supply ; aqueducts; etc. customs, and fees ; warehouses ; cura(tor) operum maximorum (commission of wharves monumental works), 162 Augustan reorganization of, 40 – 41 , cura(tor) riparum et alvei Tiberis (commission 47 – 48 of the Tiber), 51 censuses and public surveys, 19 , 24 , 82 , cura(tor) viarum (roads commission), 48 114 – 17 , 122 , 125 magistrates of the vici ( vicomagistri ), 48 , 91 codes, laws, and restrictions, 27 , 29 , 47 , Praetorian Prefect and Guard, 60 , 96 , 99 , 63 – 65 , 114 , 162 101 , 115 , 116 , 135 , 139 , 154 . See also against permanent theaters, 57 – 58 Castra Praetoria of burial, 37 , 117 – 20 , 128 , 154 , 187 urban prefect and prefecture, 76 , 116 , 124 , districts and boundaries, 41 , 45 , 49 , 135 , 139 , 163 , 166 , 171 67 – 69 , 116 , 128 . See also vigiles (i re brigade), 66 , 85 , 96 , 116 , pomerium ; regions ( regiones ) ; vici ; 122 , 124 Aurelian Wall ; Leonine Wall ; police and policing, 5 , 100 , 114 – 16 , 122 , wharves 144 , 171 grain, l our, or bread procurement and Severan reorganization of, 96 – 98 distribution, 27 , 89 , 96 – 100 , staf and minor oi cials, 48 , 91 , 116 , 126 , 175 , 215 102 , 115 , 117 , 124 , 166 , 171 , 177 , zones and zoning, 6 , 38 , 84 , 85 , 126 , 127 182 , 184 – 85 administration, medieval frumentationes , 46 , 97 charitable institutions, 158 , 169 , 179 – 87 , 191 , headquarters of administrative oi ces, 81 , 85 , 201 , 299 114 – 17 , 214 Church. -
A View of the Tiber Island and the Pons Cestius, with the Church Of
Nicolas DELOBEL (Paris 1693 - Paris 1763) A View of the Tiber Island and the Pons Cestius, with the Church of San Bartolomeo all’Isola, Rome Pen and brown ink and brown and grey wash, over an underdrawing in black chalk, extensively heightened with white, on blue paper. Inscribed, dated and signed faite le 30 Septembre1729(5or 7?) / vue de la pointe del[‘ile?]d’/ que[?] pont[?] delobel(?) at the lower left. 241 x 391 mm. (9 1/2 x 15v 3/8 in.) ACQUIRED BY THE FONDATION CUSTODIA, PARIS. Indistinctly signed by the artist and dated 1729 (although the date can also be read as 1725 or 1727), the present sheet is among the earliest views of Rome by a pensionnaireat the Académie de France. The drawing depicts the small boat-shaped island in middle of the Tiber river, dominated by the 17th century church of San Bartolomeo all’Isola, seen from downstream. In the centre is the 12th century bell tower of the church and, just to the right, the fortified Torre Caetani, dating from the 10th century. At the left of the composition is the Pons Cestius, the ancient stone bridge linking the Tiber Island to Trastevere in the western part of the city; the bridge was reconstructed and widened in the late 19th century. The large tower in the foreground at the upper right of the composition, which no longer exists today, sat above an old water mill on the right bank of the Tiber. Delobel also made a drawing of the opposite view, looking downstream from the southern end of the Tiber Island towards the Temple of Hercules Victor and the campanile of the church of Santa Maria in Cosmedin. -
Michael J. Waters Francesco Di Giorgio and the Reconstruction Of
Michael J. Waters Francesco di Giorgio and the Reconstruction of Antiquity. Epigraphy, Archeology, and Newly Discovered Drawings In: Pegasus : Berliner Beiträge zum Nachleben der Antike ; 16.2014, S. 9-102 Berlin : Census of Antique Works of Art and Architecture Known in the Renaissance, 2015 Persistent Identifier: urn:nbn:de:kobv:b4-opus4-33749 Die vorliegende Datei wird Ihnen von der Berlin-Brandenburgischen Akademie der Wissenschaften unter einer Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (cc by-nc-sa 4.0) Licence zur Verfügung gestellt. pegasus Berliner Beiträge zum Nachleben der Antike Heft 16 · 2014 Census of Antique Works of Art and Architecture Known in the Renaissance Berlin-Brandenburgische Akademie der Wissenschaften Humboldt-Universität zu Berlin www.census.de Census of Antique Works of Art and Architecture Known in the Renaissance Berlin-Brandenburgische Akademie der Wissenschaften Humboldt-Universität zu Berlin Herausgeber: Horst Bredekamp, Arnold Nesselrath Redaktion: Barbara Lück, Philipp Schneider, Maika Stobbe, Timo Strauch Institut für Kunst- und Bildgeschichte Unter den Linden 6 10099 Berlin © 2015 Census of Antique Works of Art and Architecture Known in the Renaissance Satz: Susanne Werner (Lukas Verlag) Druck: Elbe Druckerei Wittenberg ISBN: 978–3–86732–201–0 ISSN: 1436–3461 francesco di giorgio and the reconstruction of antiquity. epigraphy, archeology, and newly discovered drawings michael j. waters This article fundamentally reinterprets a group of Renaissance drawings of ancient monuments – preserved primarily in the Houfe Album and Codex Cholmondeley – in light of a newly discovered set conserved at the Yale Center for British Art. It argues that these various drawings derive from a lost set of originals made by the architect Francesco di Giorgio Martini and his col- laborators sometime in the late-1490s. -
The Aqueducts of Ancient Rome
THE AQUEDUCTS OF ANCIENT ROME by EVAN JAMES DEMBSKEY Submitted in fulfilment of the requirements for the degree of MASTER OF ARTS in the subject ANCIENT HISTORY at the UNIVERSITY OF SOUTH AFRICA SUPERVISOR: DR. M.E.A. DE MARRE CO-SUPERVISOR: DR. R. EVANS February 2009 2 Student Number 3116 522 2 I declare that The Aqueducts of Ancient Rome is my own work and that all the sources I have used or quoted have been indicated and acknowledged by means of complete references. .......................... SIGNATURE (MR E J DEMBSKEY) ACKNOWLEDGEMENTS I would like to express my sincere gratitude and appreciation to: My supervisors, Dr. M. De Marre and Dr. R. Evans for their positive attitudes and guidance. My parents and Angeline, for their support. I'd like to dedicate this study to my mother, Alicia Dembskey. Contents LIST OF FIGURES . v LIST OF TABLES . vii 1 INTRODUCTION 1 1.1 Introduction . 1 1.2 Objectives . 6 1.3 Conclusion . 7 2 METHODOLOGY 11 2.1 Introduction . 11 2.2 Conclusion . 16 3 SOURCES 19 3.1 Introduction . 19 3.2 Literary evidence . 20 3.3 Archaeological evidence . 29 3.4 Numismatic evidence . 30 3.5 Epigraphic evidence . 32 3.6 Conclusion . 37 4 TOOLS, SKILLS AND CONSTRUCTION 39 4.1 Introduction . 39 4.2 Levels . 39 4.3 Lifting apparatus . 43 4.4 Construction . 46 4.5 Cost . 51 i 4.6 Labour . 54 4.7 Locating the source . 55 4.8 Surveying the course . 56 4.9 Construction materials . 58 4.10 Tunnels . 66 4.11 Measuring capacity . -
Building in Early Medieval Rome, 500-1000 AD
BUILDING IN EARLY MEDIEVAL ROME, 500 - 1000 AD Robert Coates-Stephens PhD, Archaeology Institute of Archaeology, University College London ProQuest Number: 10017236 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10017236 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract The thesis concerns the organisation and typology of building construction in Rome during the period 500 - 1000 AD. Part 1 - the organisation - contains three chapters on: ( 1) the finance and administration of building; ( 2 ) the materials of construction; and (3) the workforce (including here architects and architectural tracts). Part 2 - the typology - again contains three chapters on: ( 1) ecclesiastical architecture; ( 2 ) fortifications and aqueducts; and (3) domestic architecture. Using textual sources from the period (papal registers, property deeds, technical tracts and historical works), archaeological data from the Renaissance to the present day, and much new archaeological survey-work carried out in Rome and the surrounding country, I have outlined a new model for the development of architecture in the period. This emphasises the periods directly preceding and succeeding the age of the so-called "Carolingian Renaissance", pointing out new evidence for the architectural activity in these supposed dark ages. -
Rom | Geschichte - Römisches Reich Internet
eLexikon Bewährtes Wissen in aktueller Form Rom | Geschichte - Römisches Reich Internet: https://peter-hug.ch/lexikon/rom/w1 MainSeite 13.897 Rom 7 Seiten, 26'128 Wörter, 184'216 Zeichen Rom. Übersicht der zugehörigen Artikel: Die antike Stadt Rom (Beschreibung) S. 897 Die heu•tige Provinz Rom 903 Die heu•tige Hauptstadt Rom (Beschreibung) 903 Ge•schichte der Stadt Rom seit 76 n. Chr. 912 Der alte römische Staat (Artikel »Römisches Reich«) 933 Ge•schichte des altrömis•chen Staats 940 Rom (Roma), Hauptstadt des röm. Weltreichs (s. Römisches Reich), in der Landschaft Latium am Tiber unterhalb der Einmündung des Anio gelegen, da, wo die Schiffbarkeit des Stroms beginnt und das Thal desselben in seinem Unterlauf am meisten von Hügeln eingeengt wird (s. den Plan, S. 898). Die Ortslage war in den tiefer gelegenen Teilen sumpfig, den Überschwemmungen des Tiber ausgesetzt und daher ziemlich ungesund. Die ältesten Erinnerungen städtischen Anbaues knüpfen sich an den isolierten Palatinischen Berg, die sogen. Roma quadrata, welche mit ihren drei Thoren als Gründung des Romulus galt. Die Tradition läßt Rom unter der Königsherrschaft dann in folgender Weise sich vergrößern. Zur Roma quadrata kam zunächst die folgenreiche Ansiedelung der Sabiner unter Titus Tatius auf dem Mons Capitolinus und der Südspitze des Collis Quirinalis, das sogen. Capitolium Vetus, hinzu. Auch die nordöstlich an den Mons Palatinus stoßende Anhöhe Velia ward frühzeitig mit Heiligtümern und Ansiedelungen besetzt; ebenfalls schon in alter Zeit ward ferner der Cälius mit etruskischen Geschlechtern unter Cäles Vibenna bevölkert. Der Aventinus ward unter Ancus Marcius von latinischen Städtegemeinden kolonisiert; dieser König überbrückte auch den Tiber und befestigte jenseit desselben den Janiculus. -
Rome's Uncertain Tiberscape: Tevereterno and the Urban
ROME’S UNCERTAIN TIBERSCAPE: TEVERETERNO AND THE URBAN COMMONS Kay Bea Jones, The Ohio State University [email protected] If there is too much to see, that is, if an image is too full, or there are too many images, the effect is you do not see anything any more. Too much too quickly turns into ‘nothing.’ If an image is empty, or almost empty and sparse, it can reveal so much that it completely fills you, and the emptiness becomes ‘everything.’ Wim Wenders The idea of ‘terrain vague’ has captured responsible for shifting attention away from what the attention of contemporary landscape and was “already almost all right” in the architecture of architectural designers in part because of its many cities to those understudied and previously ambiguous implications. It is worth considering the unseen eyesores that are part of any metropolis. The origins of the vacant, indeterminate zones found in aim to act on possibilities presented by newfound modern cities to better understand the causes of indeterminate urban areas raises questions about their abandonment or deterioration. More than an their history. What caused such deterioration in the indefinite plot of land or territory, the nameless first place, what activities might revive allegedly terrain in question has lived uncertain or dead zones, and what issues of identity and culture unrecognized histories, contains weak formal come to the fore? boundaries, and is perceived to lie fallow however This essay will examine one of the five activated by marginal forces. Idealized ‘strategic spheres’ of Rome’s 2004 Piano pronouncements of unrealized potential haunt these Regolatore (master plan) for the historic city, the— urban areas that demonstrate both disorder and Tiber River—and consider proposed interventions freedom. -
Resurveying the Religious Topography of Tiber Island
RESURVEYING THE RELIGIOUS TOPOGRAPHY OF THE TIBER ISLAND By WILLIAM NOLAN BRUCE A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2004 This thesis is dedicated to Mom, Dad, Clay, William G. & Anna Bevis, and ID & Annie- Mell Bruce. TABLE OF CONTENTS page LIST OF FIGURES .............................................................................................................v ABSTRACT....................................................................................................................... vi INTRODUCTION ...............................................................................................................1 The Island and Its Importance ......................................................................................1 Previous Work ..............................................................................................................2 CHAPTER 1 GENERAL BACKGROUND......................................................................................6 Legend of the Island's Origin........................................................................................6 Legend of Aesculapius' Arrival from Epidauros ..........................................................9 General information on Aesculapius and his Cult......................................................12 Epidauros as a Model for the Tiber Island and Other Asclepiea................................13 Temple.................................................................................................................13 -
'The Influence of Geography on the Development of Early Rome'
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. 1 ‘The Influence of Geography on the Development of early Rome’ A Thesis Submitted in Partial Fulfilment of the Requirements for a Master of Arts in History; School of Humanities At Massey University, Manawatu, New Zealand Matthew Karl Putt 2018 2 TABLE OF CONTENTS Introduction .......................................................................................................................... 3 Chapter 1: Ancient Sources ................................................................................................... 8 Chapter 2: The Geography of Rome and its Environs .......................................................... 12 Chapter 3: The Hills of Rome ............................................................................................. 20 Chapter 4: The Valleys of Rome ........................................................................................ 30 Chapter 5: The Tiber River ................................................................................................. 38 Chapter 6: The Infrastructure of Early Rome ...................................................................... 51 Conclusion .......................................................................................................................... 61 Bibliography ...................................................................................................................... -
The Story of Rome Digna Locus Roma Est Quo Deus Omnis Eat
The Story of Rome Digna locus Roma est quo Deus omnis eat. Ovid. Ail rights reserved .^•-' V '^K*/ 1 fefe^BBQEIMGtBWfflSlIM <;s*///S//> Kac The Story of ROME by Norwood Young Illustrated by Nelly Erich<sen London: / M. I hilt CT Co. Aldine House, 29 and 30 Bedford Street Covent Garden W.C. * * 1901 1) i'v PREFACE THE story of Rome covers an area so vast that it would be pedantic on my part to apologise for the omissions which will be observed on every page of this little book. It is, of necessity, an abridgment of the work of many authors and many volumes. The small space at my disposal has made it impossible to add to the story of Christianity in Rome any adequate consideration of Roman churches, museums and ruins. I have devoted one chapter, the second, to a slight sketch of the remains lying in the neighbourhood of the Colosseum and Forum Romanum, and I have mentioned the more important of the recent sensational discoveries, but it is too early yet to dogmatise as to their exact significance. Ex- cavation is still being keenly pursued, and new finds may at any moment negative the opinions already formed. Such other topographical references as the book contains will be found in the last chapter, and in the Appendix, which has a few practical suggestions as to hotels, etc., an itinerary for the hurried visitor, a short list of books, and a very brief statement of the more interesting objects to be found in some of the most important churches. -
Magrath, Roman Myth and Ritual 1
Ancient Rome: Myth and Ritual through a tour in VROMA 1. You arrive at VROMA by going to http://www.vroma.org:7878 2. Where it asks for "name" type in guest 3. Leave Password blank 4. Click on Connect 5. You should now arrive at the Prima Porta VRomana You'll want to use ROME as your home base because here are where you find the clickable locations. ROME is always available from the toolbar in the upper right-hand corner of the web window. Regio I Porta Capena 1. go to the Via Appia, then (S) to Clivus Martius and record which deity had his/her statue washed at the Almo Brook annually: _______________________________ Regio II Clivus Scauri 2. Which emperor had a temple here in which he was worshipped like a god. ____________________________________________________________ 3. In his statue here which god was this emperor represented as being? ____________________________________________________________ Regio III Vicus Sandalarius 4. go (NW) to Clivus Orbis, then (E) to House of Paullus Aemilius Lepidus. What are the guardian spirits called who were honored with a shrine in this noble home? ____________________________________________________________ 5. explore the home a bit and find the EXEDRA. What myth is depicted in the center of the mosaic here ______________________ and____________________________ Regio IV Sacra Via 6. go (SW) to the Arch of Titus The destruction of what famous temple is commemorated by this arch? ____________________________________________________________________________ Regio VIII Central Forum 7. Click on Clivus Capitolinus, then go (W) to Area Capitolina What three deities were honored in the aedes Iovis Optimi maximi? ________________________ and _________________________ and ___________________________ 8.