DOCSLIB.ORG

They Mightbe Giants

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
They Mightbe Giants THEY MIGHTBE GIANTS APOLLO 18 V i Dig My Grave ELEKTRA 2 1 Palindrome I 3 She's Actual Size 4 My Evil Twin 5 Mammal They Might Be Giants are 6 The Statue Got Me High Musical Ambassadors for International Space Year 7 Spider 18 s The Guitar (The Lion Sleeps Tonight) 9 Dinner Beil 10 Narrow Your Eyes APOLLO n Hall of Heads / 12 Which Describes How You're Feeling 13 See The Constellation GIANTS 14 If I Wasn't Shy is Turn Around BE i6 Hypnotist Of Ladies 17 Fingertips 38 Space Suit MIGHT THEY 61257-2 PRODUCED BY THEY MIGHT BE GIANTS 9 — ELEKTRA ENTERTAINMENT A Division of Warner Communications Inc., Q A Time Warner Company. 75 Rockefeller Plaza, New York, ~ New York 10019; 345 North Maple Drtve. Suita 123, Beverly Hills, California 90210. • A © 1992 Elektra Entertainment a division of Warner Communicadons. Inc., for the United States and WEA International Inc. for the world outside of the United States. All Rights Reserved. Elektra Printed In U.S.A. Warning; Unauthorized reproduction of this recording Is prohibited by Federal law and subiect to criminal prosecution. Sop pue uiqdjoQ (am o) UMoqs seq auo)s aq) s8uiq) aq) aas mou pue) | -puiqaq )ja| )eq) |eioads 8uiq)amos )o8 s )eo aq) ‘)eq aqx auoamos ( aqs o) pa||eo auo)s am )j aqx -Anq up|noo Aauom Aauom aq) pe )o8 Med e asiej Aaqx ) t s.aqs An8 e aq o) pasn ajaq) ajaqM aoeujnj e pauiejuoo )eoo Ayy papeo aje sameu Jiaqx -aAapaq ‘apiMuoqeu ‘azis |en)oe s.aqs Aj) apem an)e)s ‘lemmeyq am aqx lemmem -jaq aqp ApoqAue UMOuq joaou 9a,| Aj) am apem an)e)s aqx aAeq Aaq) d)ej ms;|oqe)am qSiq Ajsa aq) Suiuieqjieyy -am o) ja88iq qonm smaas aqs )nq azis |en)oe s.aqs aq aq) Abmb paddiqo |asiqo s,jo)d|nos aq) ajaqM si qpu) aqx ‘peaq pajaqmeqo-anoj aSjej aq) qSnojqx -puim Am paSueqo -aouo 8iq sbm )qSnoq) q8iq am )o8 an)e)s aqs | | aqx smojj poop mjeM aq) os aAq-pooS ssabm uop aq) ‘diqs aoeds JdAps aq) ‘dnjs aoeds aq) u| qSiq am jo8 an)e)s -apise da)s Aaq) se apmaj) ua)jo uam 8jg aqx -q)MOjS Suqejpej aAiso|dxa pue aAq-pooS soabm uop aq) ‘diqs aoeds jsajis aq) ‘diqs aoeds aq) u| - aj.Aaq) )nq am jaAO SJ9MO) )eq) qjqououi aq) ajojaq a|ed Aaq) ppo aq) ut uoi)ou;)xa uaaM)aq u; 8u;pue)s -Abmb saAup aqs se azis |en)oe jo jojjim MaiA jeaj jaq ui )ue)Sip qoo| Aem sajenbs jepn8 aq) Auedmoo s,8u;aq uemnq e pajjajajd aouo | qSnoq) puv )fi;m sseio jeaq ),ueo -am o) ja88iq qonm smaas aqs )nq ‘azis |en)oe s.aqs | (pjeaq aq ueo |ejau;m pa)em;ue ue) jepnS aq) )j 1VININVIN pjoM e aqods )eq) qooj v -saAa Am ajojaq spue)s aqs dn ujnx uaqM jo ajaqM Mouq ),uop jnq q o) aq) mou pue) | -uaAeaq mojj UMop smeaq )q8n (am UMoqs seq auo)s aq) s8u;q) aas | m;q )aam Oil Aep amos Mouq | •apiM suado punoj8 -a|qmn) sSuippng -pej spjoM auoqd aq) uo s.uop aq) am o) papeo )i auo)s aqx aqx puaijj jaqjeaM peq ‘uimj |tAa Ayg ‘8upjep Aui pi)s aq ‘Supjep Am qsng Aqs aq) o) am Majq) )i pue am papiq )i pueq Am qoo) )| 3ZIS lvniov S<3HS auoqd aq) uo s,uop aq) am aq;| uimj e )o8 uaAa s ( an aip am apem an)e)s aqx amojpuped ‘Supjep Am n;)s aq ‘8upjep Am qsng am aqi| sq|BM pue I | aip am apem an)e)s aqx am aqi| qjOM sajen pea amojpuped pea |oj)uoo saqe) uop aq) ‘diqs aoeds j3a|;s aq) ‘diqs aoeds aq) u| aAa Am o)ui meaq e )uas aquejS )0 )uamnuom v am aqp sqooj aq Mouq spimpuiM 8ujqem Suudsjjo Am jo spueq aq) aas |oj)uoo saqe) uop aq) ‘diqs aoeds jaAps aq) ‘diqs aoeds aq) u| qSiq am )o8 an)e)s aqx | SuipujMun qoo|o jaq)ejpuej8 aq) jo Suuds aq) aas )o8 an)e)s Mouq uop q8iq am aqx mojj am oabs noA amep ) ( | aq) joj |njd)ej8 os umojS aAeq asneo, ,/uos ‘| me a|qe„ S| | *? 3H1V1S 3H1 ‘aqs pies qgnoq) noA ajeos am qopM,, pies ,,‘paAojaq,, HDIH 3W lOO 3Aea| noA o) ajeq ^ | Mouq ),uop aas pj | BS B noqueo ‘eupiqos oSe 8uo| mojj )uapisajd ueoipndag e sajqmasaj )eqx I P! «‘M3» M» i*»\t W *1 -am ajeos noA qSnoq),, pies aqs „‘a|qe me uos„ Majqs pue ajjejjg pop oopooA aq) jjo mje aq) )no oqM u | £jeqnS aqi xo aq) ‘xoj aqx amojpuped AdH u;qs Am q)eaujapun Sujpp miq uaas aAeq spuauj Ayy I | Soq pue jeaq e|eo>| apioap )i d aq mou uim) pAa Am ‘uieSe samoo aq ajag t p.| 8u;Ae|d )eq) s.oqM Sop pue uiqd|oa 8ez-8iz mopuej aq) qpM peqo |eoipam aq) aas Aan uaq) Aq amoq aq jnq ‘iqpe ue joj qoo| sjqSp qojeas )eo aq) ‘)eq aqx p4 | aupsaq)O|0 aq) mojj 8ui8ueq ssajp joojd)apnq )eq) aas Med e asiej Aaqx uieSe amoq sunj uimj pAa A|/y 3H1 amojpuped nvimo I | pa||eo aje sameu Jiaqx AqM Mouq ),uop )nq ajaqMamos suajis amos jeaq ueo j | apis apsoddo aq) uo peaq aq) uaaids lemmem ‘leuiuieyg u;e8e pejs pue dn ja8 ‘Aep aq) qSnojq) pe daa|S uaqx 8ui)ea peaq aqeus e me | pue q8iq noA )o8 an)e)s aq) ajaqM 8uipue)s euaq)0||V apun peaa umb| sJoqqSiau aq) uo S)nuop 8uioq amojpuped Suiujom aq) uemSueq I | an)e)s e )snf si puij p.Aaq) )eqM pue amaj)ouoyg pa||eo uisnoo Jiaqx )q8p p), SuiAeid „qo)p e jo uos noA q8iq am )o8 an)e)s aq) ajaqM 8uipue)s leidnsjeyy jaq)Ojq jaq )o ja)sis aq) |e)uaoe|(j jjaqs Am uodn dn snmepej)so)g jo qooq )eq) q)iM ‘Apoexa sjuamquas Am,, ‘sAes pue UMop suea| moyg an)e)s e )snf sbm punoj Aaq) )eqM pue Soq pue jeaq e|eoq aq) )a8 pue aip p;M jaq)om jjasAm ajeos | aqp ‘os am sajeos )| Aauom p,| Aepamos Jieqo 8u;qouis pue pajjeqo jnoA iuojj qsmeA piM aouapiAa aqx Sop pue uiqdpa uiSaq o) )ubm | uaqM pejs O) sjubm sAbm|b ap jib aq) spij uajis auiSua ajij Suimeajos aq) se puv )eo aq) ‘)eq aqx puauj jaqjeaM peq ‘uimj pAa Ayy / 3HiouaNnvd i Med e asjej Aaqx (O) noA s||d) s8uiq) aq) op o) asnjaj ),ueo noA) )j aAej8 Am pa||eo aje sameu Jiaqx NIM1 IIA3 AW tl 8jaM noA o) s||bo )i auo)s aqx Aes S|a8ue aq) jeaq lemmem ‘leuiuieyg | (ujnq o) ujn) jnoA uaq) pue auo)s aq) jeaq o) ujn) jnoA) -aAayaq ‘azis |en)oe • azis |en)oe s,aqs aAeq Aaq) a)ej uisqoqejauj q8iq Aj8a aq) Suiuiepueyy ameu Am peo noA am;) AjaA^ ujri) -jaq aqp ApoqAue uMOuq J8Aau 8a jnoA si q mou puv ( | peaq pajaqmeqo-jno) a8je| aq) qSnojqx 9abj8 •am O) ja88;q qonm smaas aqs )nq azis |en)oe s.aqs Am 8;a q8iq am )o8 an)e)s aq) ajaqM 8uipue)s tapnu 8u;qoe| ‘spao poop paj aq) qqM aas 9ABM J9)9d *)S I an)B)s e )snf sbm punoj Aaq) )eqM pue smo|) poop mjeM aq) o$ s8uo|aq poop Am ajaqM ‘mou peaq Am u; qon)s s.aqs saAa jnoA ui qoo| | ami) Ajba^ Jieqo Suiqoms pue pajjeqo Am uiojj paqsiueA peq aouapiAa aq) |ie) ou qpM Aaquorn aq) o) a|eqM oiuoAjqma aq) mojj peM aoijjo )sod aq) uo jiejpod ui s8ueq aoej jag j;e aq) papij uajis au;8ua aj;j Suimeajos aq) se ajaq) sbm aouo )eq) papujmaj aj.noA )ng 9abj8 Am 8;a puv q -jaq o) azis jenpe - azis lenjoe aj Aaq) )nq ( 9abj8 Jieq siq aso| )q8iui sn )0 auo Am 8;a (pjeaq aq ueo )i |ejau;m pajemiue ue) jojjiuj MaiA jboj jaq ui juejsip qoo| Aem sajenbs pjoM e aqods )eq) qooj Soq pue jeaq e|eo)j -am o) ja88;q qonm smaas aqs )nq azis |en)oe s,aqs 3AVU0 AW oia D v DINNER BELL Forgot how you said W| to split your side off the bed I’ve been leaving on my things I get on my bike so in the morning when the morning bird sings Ride down our block there’s still dinner on my dinner jacket Ride through the world ‘til the dinner bell rings Thru the green lights Experimental dog But when I think of all your advice Salivating dog I narrow my eyes Good dog Narrow my eyes dinner bell dinner bell do the bell thing Now let’s toast the sad cold fact dinner bell dinner bell ring Our love’s never coming back shoulder, bicep, elbow, arm and we’ll race to the bottom of a glass forearm, thumb, wrist, knuckle, palm so narrow your eyes middle, pinky, index, ring Narrow your eyes dinner bell dinner bell ding HALL OF HEADS I don’t want a pizza, I don’t want a piece of in the hall of heads peanut brittle, I don’t want a pear. Here look through the keyhole I don’t want a bagel I don't want a bean I wouldn’t like You a bag of beef or a beer or a This is the hall of heads cup of chowder, corn, cake or creamed cauliflower cause I’m One step through the doorway thing waiting for the dinner bell to do the bell Roll out that special head bell ring dinner bell dinner This is our favorite one Please don’t try to leave I don’t know whether I’d rather be having a bottle of vinegar Don’t leave the hall of heads I don’t know whether I’d rather be having an egg.
Load more

Recommended publications
  • The Titanic Origin of Humans: the Melian Nymphs and Zagreus Velvet Yates
    The Titanic Origin of Humans: The Melian Nymphs and Zagreus Velvet Yates HE FIRST PART of this paper examines a minor mystery in Hesiod’s Theogony, centering around the Melian Nymphs, Tin order to assess the suggestions, both ancient and modern, that the Melian Nymphs were the mothers of the human race. The second part examines the afterlife of Hesiod’s Melian Nymphs over a thousand years later, in the allegorizing myths of late Neoplatonism, in order to suggest that the Hesiodic myth in which the Melian Nymphs primarily figure, namely the castration of Ouranos, has close similarities to a central Neoplatonic myth, that of Zagreus. Both myths depict a “Titanic” act of destruction and separation which leads to the birth of the human race. Both myths furthermore seek to account for a divine element which human nature retains from its origins. The Melian Nymphs in Hesiod ˜ssai går =ayãmiggew ép°ssuyen aflmatÒessai, pãsaw d°jato Ga›a: periplom°nou d' §niautoË ge¤nat' ÉErinËw te krateråw megãlouw te G¤gantaw, teÊxesi lampom°nouw, dol¤x' ¶gxea xers‹n ¶xontaw, NÊmfaw y' ìw Mel¤aw kal°ous' §p' épe¤rona ga›an. Gaia took in all the bloody drops that spattered off, and as the seasons of the year turned round she bore the potent Furies and the Giants, immense, dazzling in their armor, holding long spears in their hands, and then she bore the Melian Nymphs on the boundless earth.1 1 Theog. 183–187. Translations of Hesiod adapted from A. Athanassakis, Hesiod: Theogony, Works and Days, Shield (Baltimore 1983).
    [Show full text]
  • Folktale Types and Motifs in Greek Heroic Myth Review P.11 Morphology of the Folktale, Vladimir Propp 1928 Heroic Quest
    Mon Feb 13: Heracles/Hercules and the Greek world Ch. 15, pp. 361-397 Folktale types and motifs in Greek heroic myth review p.11 Morphology of the Folktale, Vladimir Propp 1928 Heroic quest NAME: Hera-kleos = (Gk) glory of Hera (his persecutor) >p.395 Roman name: Hercules divine heritage and birth: Alcmena +Zeus -> Heracles pp.362-5 + Amphitryo -> Iphicles Zeus impersonates Amphityron: "disguised as her husband he enjoyed the bed of Alcmena" “Alcmena, having submitted to a god and the best of mankind, in Thebes of the seven gates gave birth to a pair of twin brothers – brothers, but by no means alike in thought or in vigor of spirit. The one was by far the weaker, the other a much better man, terrible, mighty in battle, Heracles, the hero unconquered. Him she bore in submission to Cronus’ cloud-ruling son, the other, by name Iphicles, to Amphitryon, powerful lancer. Of different sires she conceived them, the one of a human father, the other of Zeus, son of Cronus, the ruler of all the gods” pseudo-Hesiod, Shield of Heracles Hera tries to block birth of twin sons (one per father) Eurystheus born on same day (Hera heard Zeus swear that a great ruler would be born that day, so she speeded up Eurystheus' birth) (Zeus threw her out of heaven when he realized what she had done) marvellous infancy: vs. Hera’s serpents Hera, Heracles and the origin of the MIlky Way Alienation: Madness of Heracles & Atonement pp.367,370 • murders wife Megara and children (agency of Hera) Euripides, Heracles verdict of Delphic oracle: must serve his cousin Eurystheus, king of Mycenae -> must perform 12 Labors (‘contests’) for Eurystheus -> immortality as reward The Twelve Labors pp.370ff.
    [Show full text]
  • Walking with Giants
    Journal of Agricultural Education, 55(1), 1-7. doi: 10.5032/jae.2014.01001 Walking With Giants George W. Wardlow1 Abstract Dr. George W. Wardlow presented the 2013 AAAE Distinguished Lecture at the Annual Meeting of the American Association for Agricultural Education in Columbus, Ohio in May, 2013. While the focus of the article is on the importance of research to the profession, it is intended as a philosophical work. There were giants in the earth in those days; and also after that, when the sons of God came in unto the daughters of men, and they bare children to them, the same became mighty men which were of old, men of renown (American Bible Society, 1985, p. 6). Every culture from the beginning of human civilization has some reference to “giants” of old, or as Genesis refers to them, “men of renown.” The Bible refers to these individuals as Nephilim, a result of human genetic crosses with angels; and we accept the notion that this did not necessarily result in a positive outcome. In Greek mythology the giants who roamed the Earth were, according to the poet Hesiod, the children of Uranus and Gaea (spirits of the sky and the earth) (“Giants (Greek Mythology),” 2013). Indeed, references are made to “giants” among many cultures of the world. In Native American lore such as Paiute oral history, the Si-Te-Cah or Sai'i are a legendary tribe of red- haired cannibalistic giants (“Giants (Mythology),” 2013). In Norse mythology existed the Jotun, or jötnar in Old Norse (“Jotunn,” 2013). Megalithic construction in South America among Inca and even Aztec legend is, at times, attributed to ancient giants.
    [Show full text]
  • Greek Mythology
    Greek Mythology The Creation Myth “First Chaos came into being, next wide bosomed Gaea(Earth), Tartarus and Eros (Love). From Chaos came forth Erebus and black Night. Of Night were born Aether and Day (whom she brought forth after intercourse with Erebus), and Doom, Fate, Death, sleep, Dreams; also, though she lay with none, the Hesperides and Blame and Woe and the Fates, and Nemesis to afflict mortal men, and Deceit, Friendship, Age and Strife, which also had gloomy offspring.”[11] “And Earth first bore starry Heaven (Uranus), equal to herself to cover her on every side and to be an ever-sure abiding place for the blessed gods. And earth brought forth, without intercourse of love, the Hills, haunts of the Nymphs and the fruitless sea with his raging swell.”[11] Heaven “gazing down fondly at her (Earth) from the mountains he showered fertile rain upon her secret clefts, and she bore grass flowers, and trees, with the beasts and birds proper to each. This same rain made the rivers flow and filled the hollow places with the water, so that lakes and seas came into being.”[12] The Titans and the Giants “Her (Earth) first children (with heaven) of Semi-human form were the hundred-handed giants Briareus, Gyges, and Cottus. Next appeared the three wild, one-eyed Cyclopes, builders of gigantic walls and master-smiths…..Their names were Brontes, Steropes, and Arges.”[12] Next came the “Titans: Oceanus, Hypenon, Iapetus, Themis, Memory (Mnemosyne), Phoebe also Tethys, and Cronus the wily—youngest and most terrible of her children.”[11] “Cronus hated his lusty sire Heaven (Uranus).
    [Show full text]
  • Greek Myths Student Sample
    CONTENTS Why Study Greek Mythology? ......................................................................................................................................5 How to Use This Guide ...................................................................................................................................................6 Lesson 1: Olden Times, Gaea, The Titans, Cronus (pp. 9-15) ....................................................................................8 Lesson 2: Zeus and his Family (pp. 16-21) .................................................................................................................10 Lesson 3: Twelve Golden Thrones (pp. 22-23) ...........................................................................................................12 Lesson 4: Hera, Hephaestus (pp. 24-29) .....................................................................................................................14 Lesson 5: Aphrodite, Ares, Athena (pp. 30-37) ..........................................................................................................16 Review Lesson: Lessons 1-5 ........................................................................................................................................18 Lesson 6: Poseidon, Apollo (pp. 38-43) .......................................................................................................................26 Lesson 7: Artemis, Hermes (pp. 44-55) .......................................................................................................................28
    [Show full text]
  • Major Themes and Motifs in the Dionysiaca
    chapter 6 Major Themes and Motifs in the Dionysiaca Fotini Hadjittofi A feature which will immediately strike the first-time reader of Nonnus’ Dionysiaca is the poet’s penchant for creating formulaic scenes or expressions: verses can be repeated verbatim or in a slightly varied form, and passages can be recast several times, with different protagonists and only minor alterations.1 These recurrent scenes and expressions are certainly a manifestation of Nonnus’ aesthetic principle of ποικιλία (variatio),2 and have an obvious role to play in structuring the poem. For example, in looking for unifying threads that would tie together the disparate episodes of the Dionysiaca, scholars have identified a set of close structural parallels between the first and last books of the epic.3 Thus, the narrative proper begins with a rape (of Europa, by Zeus) and ends with a rape (of Aura, by Dionysus). The Typhonomachy, in which Zeus defeats Typhoeus, in Books 1–2 corresponds to the Gigantomachy, in which Dionysus defeats the Giants of Thrace, in Book 48. The tragic narratives of Actaeon (Book 5) and Pentheus (Books 44–46) clearly echo each other. Even though this chapter will often focus on the thematic correspondences between the first and last books (as themes which appear in these narratively privileged positions are likely to be fundamental for the whole poem), it does not aim to explore structural questions, such as how far we can push these particular similarities and to what extent Nonnus was indeed striving for a perfect ring composition.4 My aim is to provide an outline of the most important themes and motifs which recur throughout the entire epic, and which will be studied 1 The formularity of Nonnus’ language will not concern me in this chapter, but see D’Ippolito in this volume.
    [Show full text]
  • FAVORITE GREEK MYTHS VARVAKEION STATUETTE Antique Copy of the Athena of Phidias National Museum, Athens FAVORITE GREEK MYTHS
    FAVORITE GREEK MYTHS VARVAKEION STATUETTE Antique copy of the Athena of Phidias National Museum, Athens FAVORITE GREEK MYTHS BY LILIAN STOUGHTON HYDE YESTERDAY’S CLASSICS CHAPEL HILL, NORTH CAROLINA Cover and arrangement © 2008 Yesterday’s Classics, LLC. Th is edition, fi rst published in 2008 by Yesterday’s Classics, an imprint of Yesterday’s Classics, LLC, is an unabridged republication of the work originally published by D. C. Heath and Company in 1904. For the complete listing of the books that are published by Yesterday’s Classics, please visit www.yesterdaysclassics.com. Yesterday’s Classics is the publishing arm of the Baldwin Online Children’s Literature Project which presents the complete text of hundreds of classic books for children at www.mainlesson.com. ISBN-10: 1-59915-261-4 ISBN-13: 978-1-59915-261-5 Yesterday’s Classics, LLC PO Box 3418 Chapel Hill, NC 27515 PREFACE In the preparation of this book, the aim has been to present in a manner suited to young readers the Greek myths that have been world favorites through the centuries, and that have in some measure exercised a formative infl uence on literature and the fi ne arts in many countries. While a knowledge of these myths is undoubtedly necessary to a clear understanding of much in literature and the arts, yet it is not for this reason alone that they have been selected; the myths that have appealed to the poets, the painters, and the sculptors for so many ages are the very ones that have the greatest depth of meaning, and that are the most beautiful and the best worth telling.
    [Show full text]
  • Apollo Rocket Propulsion Development
    REMEMBERING THE GIANTS APOLLO ROCKET PROPULSION DEVELOPMENT Editors: Steven C. Fisher Shamim A. Rahman John C. Stennis Space Center The NASA History Series National Aeronautics and Space Administration NASA History Division Office of External Relations Washington, DC December 2009 NASA SP-2009-4545 Library of Congress Cataloging-in-Publication Data Remembering the Giants: Apollo Rocket Propulsion Development / editors, Steven C. Fisher, Shamim A. Rahman. p. cm. -- (The NASA history series) Papers from a lecture series held April 25, 2006 at the John C. Stennis Space Center. Includes bibliographical references. 1. Saturn Project (U.S.)--Congresses. 2. Saturn launch vehicles--Congresses. 3. Project Apollo (U.S.)--Congresses. 4. Rocketry--Research--United States--History--20th century-- Congresses. I. Fisher, Steven C., 1949- II. Rahman, Shamim A., 1963- TL781.5.S3R46 2009 629.47’52--dc22 2009054178 Table of Contents Foreword ...............................................................................................................................7 Acknowledgments .................................................................................................................9 Welcome Remarks Richard Gilbrech ..........................................................................................................11 Steve Fisher ...................................................................................................................13 Chapter One - Robert Biggs, Rocketdyne - F-1 Saturn V First Stage Engine .......................15
    [Show full text]
  • SPECIAL TOURS MYTHOLOGY Gallery of Greek and Roman Casts
    SPECIAL TOURS MYTHOLOGY Gallery of Greek and Roman Casts Battle of the Greeks and Amazons Temple of Apollo at Phigaleia (Bassai) Greek, late 5th c. B.C. The Mausoleion at Halikarnassos Greek, ca. 360-340 B.C. Myth: The Amazons lived in the northern limits of the known world. They were warrior women who fought from horseback usually with bow and arrows, but also with axe and spear. Their shields were crescent shaped. They destroyed the right breast of young Amazons, to facilitate use of the bow. The Attic hero Theseus had joined Herakles on his expedition against them and received the Amazon Antiope (or Hippolyta) as his share of the spoils of war. In revenge, the Amazons invaded Attica. In the subsequent battle Antiope was killed. This battle was represented in a number of works, notably the metopes of the Parthenon and the shield of the Athena Parthenos, the great cult statue by Pheidias that stood in the Parthenon. Symbolically, the battle represents the triumph of civilization over barbarism. Battle of the Gods and Giants Altar of Zeus and Athena, Pergamon (Zeus battling Giants) Greek, ca. 180 B.C. Myth: The giants, born of Earth, threatened Zeus and the other gods, and a fierce struggle ensued, the so-called Gigantomachy, or battle of the gods and giants. The giants were defeated and imprisoned below the earth. This section of the frieze from the altar shows Zeus battling three giants. The myth may reflect an event of prehistory, the arrival ca. 2000 B.C. of Greek- speaking invaders, who brought with them their own gods, whose chief god was Zeus.
    [Show full text]
  • Constellation Legends
    Constellation Legends by Norm McCarter Naturalist and Astronomy Intern SCICON Andromeda – The Chained Lady Cassiopeia, Andromeda’s mother, boasted that she was the most beautiful woman in the world, even more beautiful than the gods. Poseidon, the brother of Zeus and the god of the seas, took great offense at this statement, for he had created the most beautiful beings ever in the form of his sea nymphs. In his anger, he created a great sea monster, Cetus (pictured as a whale) to ravage the seas and sea coast. Since Cassiopeia would not recant her claim of beauty, it was decreed that she must sacrifice her only daughter, the beautiful Andromeda, to this sea monster. So Andromeda was chained to a large rock projecting out into the sea and was left there to await the arrival of the great sea monster Cetus. As Cetus approached Andromeda, Perseus arrived (some say on the winged sandals given to him by Hermes). He had just killed the gorgon Medusa and was carrying her severed head in a special bag. When Perseus saw the beautiful maiden in distress, like a true champion he went to her aid. Facing the terrible sea monster, he drew the head of Medusa from the bag and held it so that the sea monster would see it. Immediately, the sea monster turned to stone. Perseus then freed the beautiful Andromeda and, claiming her as his bride, took her home with him as his queen to rule. Aquarius – The Water Bearer The name most often associated with the constellation Aquarius is that of Ganymede, son of Tros, King of Troy.
    [Show full text]
  • Athena Parthenos in Nashville and Athens
    �������������������������������������� Athena Parthenos in Nashville and Athens The Parthenon on the acropolis in Athens was an architectural and sculptural masterpiece, with soaring columns, a spacious cella, figured metopes, friezes and pedimental sculptures. Unfortunately, what remains on the acropolis now, after the passage of over 2400 years (with consequent erosion and pollution damage), conversion to a church, a mosque and, most disastrously, an ammunition dump, and dispersion of much of the art to world museums, is a pale image of what once was. The only positive gain as a result of the deterioration of the marble (mainly from the rusting of iron reinforcing rods) is that archaeologists working on restorations have had to take the temple apart block by block and have often discovered new facts about the building - e.g., evidence for some windows, a stairway inside to the second level, a small shrine in one of the colonnades. One of the striking features of the temple was the huge (40 foot plus 2 foot base) statue of Athena Parthenos in the cella, the height of which space was made possible by imposing a second row of Doric columns above a ground-level Pi-shaped row. The second level was needed to reach that height because single Doric columns that tall (because of the height to diameter relation of a Doric column) would have made bases so big there would have been no room left in cella for people. For those who cannot get to Athens or who want to see what the Parthenon building and the Athena statue would have looked like in 5th century BC, an option now exists: the Parthenon reconstructed in Nashville.
    [Show full text]
  • Mythology Booklist
    Mythology: Gr. 4-6 All books can be found in the Juvenile Fiction or Juvenile Paperback section by author’s last name. *This book is part of a series of trilogy. Cadnum, Michael Farmer, Nancy STARFALL : PHAETON AND THE CHARIOT OF THE SUN SEA OF TROLLS * Phaeton undertakes a long and dangerous journey to the gates of dawn to After Jack becomes apprenticed to a Druid bard, he and his little sister Lucy confront the mighty god of the sun, Apollo, and is granted one wish. are captured by Viking Berserkers and taken to the home of King Ivar the Boneless and his half-troll queen, leading Jack to undertake a vital quest to Colfer, Eoin Jotunheim, home of the trolls. ARTEMIS FOWL * When a twelve-year-old evil genius tries to restore his family fortune by Gaiman, Neil capturing a fairy and demanding a ransom in gold, the fairies fight back with ODD AND THE FROST GIANTS magic, technology, and a particularly nasty troll. An unlucky twelve-year-old Norwegian boy named Odd leads the Norse gods Loki, Thor, and Odin in an attempt to outwit evil Frost Giants who have taken Collins, Ross over Asgard. MEDUSA JONES After being teased by her classmates because of her head of snakes for hair, Golding, Julie Medusa must make the right decision when her classmates end up in great THE COMPANIONS QUARTET: SECRET OF THE SIRENS * danger on a class trip and anxiously look to her for help. Upon moving to the British Isles, Connie becomes part of a secret society that shelters mythical creatures, and must use her ability to communicate Cowell, Cressida with these beings to protect them from evil and the incursions of humans.
    [Show full text]