The FRENCH REVOLUTION
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Fighting for France's Political Future in the Long Wake of the Commune, 1871-1880
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2013 Long Live the Revolutions: Fighting for France's Political Future in the Long Wake of the Commune, 1871-1880 Heather Marlene Bennett University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the European History Commons Recommended Citation Bennett, Heather Marlene, "Long Live the Revolutions: Fighting for France's Political Future in the Long Wake of the Commune, 1871-1880" (2013). Publicly Accessible Penn Dissertations. 734. https://repository.upenn.edu/edissertations/734 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/734 For more information, please contact [email protected]. Long Live the Revolutions: Fighting for France's Political Future in the Long Wake of the Commune, 1871-1880 Abstract The traumatic legacies of the Paris Commune and its harsh suppression in 1871 had a significant impact on the identities and voter outreach efforts of each of the chief political blocs of the 1870s. The political and cultural developments of this phenomenal decade, which is frequently mislabeled as calm and stable, established the Republic's longevity and set its character. Yet the Commune's legacies have never been comprehensively examined in a way that synthesizes their political and cultural effects. This dissertation offers a compelling perspective of the 1870s through qualitative and quantitative analyses of the influence of these legacies, using sources as diverse as parliamentary debates, visual media, and scribbled sedition on city walls, to explicate the decade's most important political and cultural moments, their origins, and their impact. -
Inscriptive Masculinity in Balzac's Comédie Humaine
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Theses, Dissertations, Student Research: Modern Languages and Literatures, Department Modern Languages and Literatures of 4-20-2009 Inscriptive Masculinity in Balzac’s Comédie Humaine Alana K. Eldrige University of Nebraska - Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/modlangdiss Part of the Modern Languages Commons Eldrige, Alana K., "Inscriptive Masculinity in Balzac’s Comédie Humaine" (2009). Theses, Dissertations, Student Research: Modern Languages and Literatures. 6. https://digitalcommons.unl.edu/modlangdiss/6 This Article is brought to you for free and open access by the Modern Languages and Literatures, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Theses, Dissertations, Student Research: Modern Languages and Literatures by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. INSCRIPTIVE MASCULINITY IN BALZAC’S COMÉDIE HUMAINE by Alana K. Eldrige A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor in Philosophy Major: Modern Languages and Literature (French) Under the Supervision of Professor Marshall C. Olds Lincoln, Nebraska May, 2009 INSCRIPTIVE MASCULINITY IN BALZAC’S COMÉDIE HUMAINE Alana K. Eldrige, Ph.D. University of Nebraska, 2009. Adviser: Marshall C. Olds This reading of La Comédie humaine traces the narrative paradigm of the young hero within Balzac’s literary universe. A dynamic literary signifier in nineteenth-century literature, the young hero epitomizes the problematic existence encountered by the individual in post-revolutionary France. At the same time, he serves as a mouth-piece for an entire youthful generation burdened by historical memory. -
Comparative Politics
Dr.Rishu Raj Assistant professor Department of Political Science M.M.College(P.U) [email protected] COMPARATIVE POLITICS Comparative study of The Constitution of Switzerland and France THE SWISS PARLIAMENT The Federal Assembly THE FEDERAL ASSEMBLY • The Federal Assembly is the legislative power of Switzerland. Its two chambers – the National Council and the Council of States –have the same powers but meet separately. Federal Assembly The National The Council Council of States The National Council • The National Council, or “lower chamber”, represents the people and comprises 200 members who are elected by popular vote for a four-year term. The number of representatives sent by each canton depends on the size of its population. As a rule of thumb, each canton may send one elected representative to the National Council for roughly every 40,000 inhabitants. • The Federal Constitution guarantees at least one seat per canton, even if the canton has fewer than 40,000 residents. The cantons of Appenzell-Ausserrhoden, AppenzellInnerrhoden, Obwalden, Nidwalden, Uri and Glarus send one National Council member each, whereas Zurich, the most heavily populated canton, currently has 35 seats. The Council of States • The Council of States, or “upper chamber”, represents the cantons and comprises 46 members, who are also elected directly by the people for a four-year term. Regardless of their population size, the cantons send two deputies, with the exception of the six half-cantons of AppenzellAusserrhoden, Appenzell-Innerrhoden, Obwalden, Nidwalden, Basel-Stadt and Basel-Land, which send one deputy each. • Council of States deputies represent their cantons but are not bound by any instructions from their cantonal government or parliament. -
Highlights of a Fascinating City
PARIS HIGHLIGHTS OF A FASCINATING C ITY “Paris is always that monstrous marvel, that amazing assem- blage of activities, of schemes, of thoughts; the city of a hundred thousand tales, the head of the universe.” Balzac’s description is as apt today as it was when he penned it. The city has featured in many songs, it is the atmospheric setting for countless films and novels and the focal point of the French chanson, and for many it will always be the “city of love”. And often it’s love at first sight. Whether you’re sipping a café crème or a glass of wine in a street café in the lively Quartier Latin, taking in the breathtaking pano- ramic view across the city from Sacré-Coeur, enjoying a romantic boat trip on the Seine, taking a relaxed stroll through the Jardin du Luxembourg or appreciating great works of art in the muse- ums – few will be able to resist the charm of the French capital. THE PARIS BOOK invites you on a fascinating journey around the city, revealing its many different facets in superb colour photo- graphs and informative texts. Fold-out panoramic photographs present spectacular views of this metropolis, a major stronghold of culture, intellect and savoir-vivre that has always attracted many artists and scholars, adventurers and those with a zest for life. Page after page, readers will discover new views of the high- lights of the city, which Hemingway called “a moveable feast”. UK£ 20 / US$ 29,95 / € 24,95 ISBN 978-3-95504-264-6 THE PARIS BOOK THE PARIS BOOK 2 THE PARIS BOOK 3 THE PARIS BOOK 4 THE PARIS BOOK 5 THE PARIS BOOK 6 THE PARIS BOOK 7 THE PARIS BOOK 8 THE PARIS BOOK 9 ABOUT THIS BOOK Paris: the City of Light and Love. -
Fine Arts Paris Wednesday 7 November - Sunday 11 November 2018 Carrousel Du Louvre / Paris
Fine Arts Paris WednesdAy 7 november - sundAy 11 november 2018 CArrousel du louvre / PAris press kit n o s s e t n o m e d y u g n a t www.finearts-paris.com t i d e r c Fine Arts Paris From 7 to 11 november 2018 CArrousel du louvre / PAris Fine Arts Paris From 7 to 11 november 2018 CArrousel du louvre / PAris Hours Tuesday, 6 November 2018 / Preview 3 pm - 10 pm Wednesday, 7 November 2018 / 2 pm - 8 pm Thursday 8 November 2018 / noon - 10 pm Friday 9 November 2018 / noon - 8 pm Saturday 10 November 2018 / noon - 8 pm Sunday 11 November 2018 / noon - 7 pm admission: €15 (catalogue included, as long as stocks last) Half price: students under the age of 26 FINE ARTS PARIS Press oPening Main office tuesdAy 6 november 68, Bd malesherbes, 75008 paris 2 Pm Hélène mouradian: + 33 (0)1 45 22 08 77 Social media claire Dubois and manon Girard: Art Content + 33 (0)1 45 22 61 06 Denise Hermanns contact@finearts-paris.com & Jeanette Gerritsma +31 30 2819 654 Press contacts [email protected] Agence Art & Communication 29, rue de ponthieu, 75008 paris sylvie robaglia: + 33 (0)6 72 59 57 34 [email protected] samantha Bergognon: + 33 (0)6 25 04 62 29 [email protected] charlotte corre: + 33 (0)6 36 66 06 77 [email protected] n o s s e t n o m e d y u g n a t t i d e r c Fine Arts Paris From 7 to 11 november 2018 CArrousel du louvre / PAris "We have chosen the Carrousel du Louvre as the venue for FINE ARTS PARIS because we want the fair to be a major event for both the fine arts and for Paris, and an important date on every collector’s calendar. -
Scenes and Impressions Abroad
SCENES IMPRESSIONS ABROAD. E Y THE REV. J. E. ROCKWELL, D.D. NEW YORK: ROBERT CARTER & BROTHERS No. 580 BROADWAY. 1860. Entered according to Act of Congress, in the year 1860, by ROBERT CARTER AND BROTHERS, In the Clerk's Office of the District Court of the United States for the Southern District of New York, EDWARD O. JENKINS, Printer # &tcrfotgper, No. 26 Frankfort Strket. ^s Sng*T>y -^-K. Biis/iia - fast^J ^.^T^tc^U^ TO MY WIFE, WHOSE SOCIETY WAS THE CHAEM WHICH MADE THESE SCENES- DELIGHTFUL AND MEMORABLE; TO MY PARENTS, WHOSE IN8TKUCTIONS AND COUNSELS HAVE EVER BEEN WISE, FAITHFUL AND SAFE; TO THE CENTRAL PRESBYTERIAN CHURCH OF BROOKLYN, WHOSE SYMPATHY AND EARNEST CO-OPERATION HAVE MADE MY WORK AS A PASTOR PLEASANT; THIS VOLUME IS DEDICATED WITH EVERY FEELING OF RESPECT AND AFFECTION BY THE AUTHOR. SCENES AND IMPRESSIONS ABROAD, PREFACE, The substance of these Scenes and Impres- sions Abroad was presented in the form of a Series of Lectures, before the congregation to which it is my pleasure to minister, without a thought of giving to them any farther pub- licity. Unexpectedly they enlisted such atten- tion and apparent interest, as that it became necessary to adjourn from my Lecture Koom, where they were commenced, to the main Auditory of the Church, which place was filled every Wednesday evening for three months. Most of the Lectures were very fully reported in the columns of the Transcript, of this city, with kind and courteous notices of the course. At the request of many who heard them, or who had read the reports of them, and in Vlll PREFACE. -
American Armies and Battlefields in Europe 533
Chapter xv MISCELLANEOUS HE American Battle Monuments The size or type of the map illustrating Commission was created by Con- any particular operation in no way indi- Tgress in 1923. In carrying out its cates the importance of the operation; task of commeroorating the services of the clearness was the only governing factor. American forces in Europe during the The 1, 200,000 maps at the ends of W or ld W ar the Commission erected a ppro- Chapters II, III, IV and V have been priate memorials abroad, improved the placed there with the idea that while the eight military cemeteries there and in this tourist is reading the text or following the volume records the vital part American tour of a chapter he will keep the map at soldiers and sailors played in bringing the the end unfolded, available for reference. war to an early and successful conclusion. As a general rule, only the locations of Ail dates which appear in this book are headquarters of corps and divisions from inclusive. For instance, when a period which active operations were directed is stated as November 7-9 it includes more than three days are mentioned in ail three days, i. e., November 7, 8 and 9. the text. Those who desire more com- The date giYen for the relief in the plete information on the subject can find front Jine of one division by another is it in the two volumes published officially that when the command of the sector by the Historical Section, Army W ar passed to the division entering the line. -
Symbolism E-Newsletter
SM I L ISSUE 22 O B M NEWSLETTER SY E S (ADULT ANGELS) U O H R APRIL 1, 2008 E AT W ADULT ANGELS AND SYMBOLISM INSIDE THIS ISSUE: Adult angels and symbols have the movie It’s A Wonderful ANGEL STONE, 2 been connected to one another Life. If Clarence succeeds, he C. 1855, MO- BILE, ALABAMA for thousands of years probably gets his wings and becomes a beginning in Egypt. They have first class angel. BERTHEL THOR- 2 always been around to protect, VALDSEN There are three types of an- guide and take care of humans. gels: ANGEL AND 2 A Christian prayer says: “Keep CHILD GRAVE First Hierarchy, Seraphim, watch, dear Lord, with those MARKER (1855) surround the throne of the who work, or watch or weep this Virgin Mary and in red to the THURMAN AN- 3 night, and give your angels GEL right. charge over those who sleep. Tend the sick, Lord Christ; give Second Hierarchy, Cherubim, KINSLEY ME- 3 the ones who know and wor- MORIAL rest to the weary, bless the dying, soothe the suffering, pity ship seen in blue to the right. the afflicted, shield the joyous NOVELLI BIO 3 Third Hierarchy, Thrones, and all for your love’s sake.” wearing judges’ robes below Probably, the best known adult the Seraphim and support her IRISH IMMI- 4 angel in 20th Century American seat and represent divine GRANT ANGEL film history is Clarence Odd- justice. body (Henry Travers) who Some attributes of angels in- Assumption of the Virgin comes down from heaven to clude trumpets, harps, swords, Masolino (ca.1489-1429) keep George Bailey (Jimmy Capodimonte, Naples censers, scepters or swords. -
Refractions of Rome in the Russian Political Imagination by Olga Greco
From Triumphal Gates to Triumphant Rotting: Refractions of Rome in the Russian Political Imagination by Olga Greco A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Comparative Literature) in the University of Michigan 2015 Doctoral Committee: Professor Valerie A. Kivelson, Chair Assistant Professor Paolo Asso Associate Professor Basil J. Dufallo Assistant Professor Benjamin B. Paloff With much gratitude to Valerie Kivelson, for her unflagging support, to Yana, for her coffee and tangerines, and to the Prawns, for keeping me sane. ii TABLE OF CONTENTS Dedication ............................................................................................................................... ii Introduction ............................................................................................................................. 1 Chapter I. Writing Empire: Lomonosov’s Rivalry with Imperial Rome ................................... 31 II. Qualifying Empire: Morals and Ethics of Derzhavin’s Romans ............................... 76 III. Freedom, Tyrannicide, and Roman Heroes in the Works of Pushkin and Ryleev .. 122 IV. Ivan Goncharov’s Oblomov and the Rejection of the Political [Rome] .................. 175 V. Blok, Catiline, and the Decomposition of Empire .................................................. 222 Conclusion ........................................................................................................................... 271 Bibliography ....................................................................................................................... -
Les Tuileries, Massacrent Les Gardes Suisses, Pillent Le Palais, Contraignant Le Roi À Se Réfugier Auprès De L'assemblée
L’Histoire des Tuileries Le jardin des Tuileries est le jardin royal d’un palais disparu, celui qui a été voulu par Catherine de Médicis et agrandi par les nombreux souverains qui y séjournèrent jusqu’à ce qu’il soit incendié lors de la Commune en 1871. Mais ce jardin est surtout l’un des plus beaux exemples de l’œuvre d’André Le Nôtre, le prince des jardiniers, qui dessina ses bassins, ses terrasses, ses bosquets, l’axe central, et le fer à cheval qui resserre la perspective pour mieux conduire l’œil vers le lointain, façonnant ainsi l’urbanisme de l’Ouest parisien. Dans ce jardin a battu le cœur de notre pays – des fêtes somptueuses de Catherine de Médicis aux parties de chasse de Louis XIII, en passant par les épisodes sanglants qui s’y déroulèrent pendant la Révolution française ou par le gigantesque banquet de maires qui y fut organisé en 1900. L’histoire des Tuileries est intimement liée à l’histoire de France. Wikipédia : https://fr.wikipedia.org/wiki/Jardin_des_Tuileries L'Histoire des Tuileries en 19 Dates http://www.linternaute.com/histoire/motcle/2279/a/1/1/tuileries.shtml 1564 Début de la construction du palais des Tuileries Les travaux de la construction du palais des Tuileries sont entrepris, sous la direction de l’architecte Philibert de l’Orme. Le palais est destiné à la régente de France, Catherine de Médicis, qui a acheté un terrain abritant des fabriques de tuiles. 1662 7 février Inauguration de la Salle des Machines La Salle des Machines du palais des Tuileries est inaugurée. -
CC De L'argonne Champenoise
Communes membres : 0 Export_PDF de toutes les fiches A3 EPCI ortrait P Foncier Argers, Auve, Belval-en-Argonne, Berzieux, Binarville, Braux-Sainte-Cohière, Braux- Saint-Remy, Cernay-en-Dormois, La Chapelle-Felcourt, Les Charmontois, Le Châtelier, Châtrices, Chaudefontaine, Le Chemin, Contault, Courtémont, CC de l'Argonne Dampierre-le-Château, Dommartin-Dampierre, Dommartin-sous-Hans, Dommartin- Varimont, Éclaires, Élise-Daucourt, Épense, Florent-en-Argonne, Fontaine-en- Dormois, Givry-en-Argonne, Gizaucourt, Gratreuil, Hans, Herpont, Maffrécourt, Malmy, Massiges, Minaucourt-le-Mesnil-lès-Hurlus, Moiremont, La Neuville-aux- Champenoise Bois, La Neuville-au-Pont, Noirlieu, Passavant-en-Argonne, Rapsécourt, Remicourt, Rouvroy-Ripont, Saint-Mard-sur-Auve, Saint-Mard-sur-le-Mont, Sainte- Menehould, Saint-Thomas-en-Argonne, Servon-Melzicourt, Sivry-Ante, Somme- Bionne, Somme-Yèvre, Valmy, Verrières, Le Vieil-Dampierre, Vienne-la-Ville, Vienne-le-Château, Villers-en-Argonne, Ville-sur-Tourbe, Virginy, Voilemont, Wargemoulin-Hurlus 0 Direction Régionale de l'environnement, de l'aménagement et du logement GRAND EST SAER / Mission Foncier Novembre 2019 http://www.grand-est.developpement-durable.gouv.fr/ 0 CC de l'Argonne Champenoise Périmètre Communes membres 01/2019 60 ( Marne : 60) Surface de l'EPCI (km²) 833,90 Dépt Marne Densité (hab/km²) en 2016 EPCI 14 Poids dans la ZE Châlons-en-Champagne*(99,9%) Reims(0,1%) ZE 39 Pop EPCI dans la ZE Châlons-en-Champagne(11,4%) Grand Est 96 * ZE de comparaison dans le portrait Population 2011 12 425 2016 -
German Atrocities in France
German Atrocities in France A Translation of the Official Report oi the French Commission {"Journal Officiel de la Republique Francaise." 8th January, 1915). PUBLISHED BY AUTHORITY. German Atrocities in Fr rrane e A Translation of the Official Report of the French Commission REPORT Presented to the President of the Council by the Commission Instituted with a view to Investigating Acts Committed by the Enemy in Violation of International Law. Decree of the 23rd September, 1914. MM. Georges Payelle, First President of the Cour des Comptes; Armand Mollard, Minister Plenipotentiary; Georges Maringer, Counsellor of State ; and Edmond Paillot, Counsellor at the Court of Appeal. To the President of the Council of Ministers. Sir,—Having been appointed by virtue of a decree of the 23rd of last September to carry out on the spot an inquiry in relation to acts com mitted in violation of International Law in the portions of French territory occupied by the enemy which have been reconquered by the armies of the SJepublie, we have the honour to lay before you the first results of our mission. We have already a full harvest of information to submit. It includes, however, a very limited part of the findings at which we should have been able to arrive if we had not submitted all the evidence which was laid before us to severe criticism and rigorous examination. We have indeed believed it to be our duty only to place on record those facts which, being established beyond dispute, constitute with absolute certainty what may be clearly termed crimes, omitting those the proofs of which were, in our view, insufficient, or which, however destructive or cruel they were, might liave been the result of acts of war properly so-called, rather than of wilful excesses, attributable to the enemy.