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Liste Dvd Consult
titre réalisateur année durée cote Amour est à réinventer (L') * 2003 1 h 46 C 52 Animated soviet propaganda . 1 , Les impérialistes américains * 1933-2006 1 h 46 C 58 Animated soviet propaganda . 2 , Les barbares facistes * 1941-2006 2 h 16 C 56 Animated soviet propaganda . 3 , Les requins capitalistes * 1925-2006 1 h 54 C 59 Animated soviet propaganda . 4 , Vers un avenir brillant, le communisme * 1924-2006 1 h 54 C 57 Animatix : une sélection des meilleurs courts-métrages d'animation française. * 2004 57 min. C 60 Animatrix * 2003 1 h 29 C 62 Anime story * 1990-2002 3 h C 61 Au cœur de la nuit = Dead of night * 1945 1 h 44 C 499 Autour du père : 3 courts métrages * 2003-2004 1 h 40 C 99 Avant-garde 1927-1937, surréalisme et expérimentation dans le cinéma belge * 1927-1937 1 h 30 C 100 (dvd 1&2) Best of 2002 * 2002 1 h 12 C 208 Caméra stylo. Vol. 1 * 2001-2005 2 h 25 C 322 Cinéma différent = Different cinema . 1 * 2005 1 h 30 C 461 Cinéma documentaire (Le) * 2003 2 h 58 C 462 Documentaire animé (Le). 1, C'est la politique qui fait l'histoire : 9 films * 2003-2012 1 h 26 C 2982 Du court au long. Vol. 1 * 1973-1986 1 h 52 C 693 Fellini au travail * 1960-1975 3 h 20 C 786 (dvd 1&2) Filmer le monde : les prix du Festival Jean Rouch. 01 * 1947-1984 2 h 40 C 3176 Filmer le monde : les prix du Festival Jean Rouch. -
Collection Adultes Et Jeunesse
bibliothèque Marguerite Audoux collection DVD adultes et jeunesse [mise à jour avril 2015] FILMS Héritage / Hiam Abbass, réal. ABB L'iceberg / Bruno Romy, Fiona Gordon, Dominique Abel, réal., scénario ABE Garage / Lenny Abrahamson, réal ABR Jamais sans toi / Aluizio Abranches, réal. ABR Star Trek / J.J. Abrams, réal. ABR SUPER 8 / Jeffrey Jacob Abrams, réal. ABR Y a-t-il un pilote dans l'avion ? / Jim Abrahams, David Zucker, Jerry Zucker, réal., scénario ABR Omar / Hany Abu-Assad, réal. ABU Paradise now / Hany Abu-Assad, réal., scénario ABU Le dernier des fous / Laurent Achard, réal., scénario ACH Le hérisson / Mona Achache, réal., scénario ACH Everyone else / Maren Ade, réal., scénario ADE Bagdad café / Percy Adlon, réal., scénario ADL Bethléem / Yuval Adler, réal., scénario ADL New York Masala / Nikhil Advani, réal. ADV Argo / Ben Affleck, réal., act. AFF Gone baby gone / Ben Affleck, réal. AFF The town / Ben Affleck, réal. AFF L'âge heureux / Philippe Agostini, réal. AGO Le jardin des délices / Silvano Agosti, réal., scénario AGO La influencia / Pedro Aguilera, réal., scénario AGU Le Ciel de Suely / Karim Aïnouz, réal., scénario AIN Golden eighties / Chantal Akerman, réal., scénario AKE Hotel Monterey / Chantal Akerman, réal., scénario AKE Jeanne Dielman 23 quai du commerce, 1080 Bruxelles / Chantal Akerman, réal., scénario AKE La captive / Chantal Akerman, réal., scénario AKE Les rendez-vous d'Anna / Chantal Akerman, réal., scénario AKE News from home / Chantal Akerman, réal., scénario, voix AKE De l'autre côté / Fatih Akin, réal., scénario AKI Head-on / Fatih Akin, réal, scénario AKI Julie en juillet / Fatih Akin, réal., scénario AKI L'engrenage / Fatih Akin, réal., scénario AKI Solino / Fatih Akin, réal. -
Festival Schedule
T H E n OR T HWEST FILM CE n TER / p ORTL a n D a R T M US E U M p RESE n TS 3 3 R D p ortl a n D I n ter n a tio n a L film festi v a L S p O n SORED BY: THE OREGO n I a n / R E G a L C I n EM a S F E BR U a R Y 1 1 – 2 7 , 2 0 1 0 WELCOME Welcome to the Northwest Film Center’s 33rd annual showcase of new world cinema. Like our Northwest Film & Video Festival, which celebrates the unique visions of artists in our community, PIFF seeks to engage, educate, entertain and challenge. We invite you to explore and celebrate not only the art of film, but also the world around you. It is said that film is a universal language—able to transcend geographic, political and cultural boundaries in a singular fashion. In the spirit of Robert Louis Stevenson’s famous observation, “There are no foreign lands. It is the traveler who is foreign,” this year’s films allow us to discover what unites rather than what divides. The Festival also unites our community, bringing together culturally diverse audiences, a remarkable cross-section of cinematic voices, public and private funders of the arts, corporate sponsors and global film industry members. This fabulous ecology makes the event possible, and we wish our credits at the back of the program could better convey our deep appreci- ation of all who help make the Festival happen. -
A Comparison of Anti-War Films in China and Japan
Trinity College Trinity College Digital Repository Trinity Publications (Newspapers, Yearbooks, The Trinity Papers (2011 - present) Catalogs, etc.) 2017 Vulnerability of Humanity: A Comparison of Anti-war Films in China and Japan Yingfang Chen Trinity College, Hartford Connecticut Follow this and additional works at: https://digitalrepository.trincoll.edu/trinitypapers Part of the Film and Media Studies Commons Recommended Citation Chen, Yingfang, "Vulnerability of Humanity: A Comparison of Anti-war Films in China and Japan". The Trinity Papers (2011 - present) (2017). Trinity College Digital Repository, Hartford, CT. https://digitalrepository.trincoll.edu/trinitypapers/58 Vulnerability of Humanity: A Comparison of Anti-war Films in China and Japan Yingfang Chen Name: Yingfang Chen Majors: Urban Studies & International Studies Title of work: Semester: Fall 2016 Introduction The visit to the Yasukuni Shrine on Dec. 26, 2013 by Abe Shinzo, the Prime Minister of Japan, infuriated the international community, especially its close neighbors China and South Korea. While the Shrine honors millions of the civilians who lost their lives during the second world war, it also commemorates major convicted war criminals such as Tojo Hideki, making it a controversial site because of its symbolism of the Japanese militarism in the past. However Abe explained that it was not his intention at all to hurt the feelings of the Chinese and South Koreans as his effort was to promote peace and democracy, the spokesman of Chinese Foreign Ministry expressed anger by declaring such act heavily offended the Chinese people and those who were victims of the war, and the visit was not at all “acceptable”.i I remembered being deeply frustrated by this news just like other Chinese nationals, who grew up seeing movies and being told the history of the severe destruction and brutal killing done to our country by the Japanese during the war. -
Bibliothèque François Villon Liste Des Films Classés Par Réalisateur
Bibliothèque François Villon liste des films classés par réalisateur Sommaire Nom des réalisateurs commençant par la lettre : Cliquez sur la lettre pour atteindre la page correspondante A J S B K T C L U D M V E N W F O X - Y G P Z H Q Elaborée au mois de mars 2013, cette liste a une portée indicative. Elle ne peut I R refléter à l’exact notre fonds au moment où vous la consultez, notre fonds étant rythmé par de nouvelles acquisitions ou de dvd retirés pour cause de vétusté ou de vol. A Territoires Abbou, Olivier TER La vierge, les coptes et moi Abdel, Namir messeh VIE L'iceberg Abel, Dominique ICE Rumba Abel, Dominique RUM Garage Abrahamson, Lenny GAR Mission impossible 3 Abrams, J. J. MIS Star Trek Abrams, J.J. STA SUPER 8 Abrams, Jeffrey Jacob SUP Madame Brouette Absa, Moussa Sene MAD Paradise now Abu-Assad, Hany PAR Le hérisson Achache, Mona HER Dernière séance Achard, Laurent DER Le dernier des fous Achard, Laurent DER Numéro 9 Acker, Shane NUM Le monde de Narnia Adamson, Andrew MON Le monde de Narnia Adamson, Andrew MON Shrek Adamson, Andrew SHR Under the skin Adler, Carine UND Bagdad Café Adlon, Percy BAG New York Masala Advani, Nikhil NEW Gone baby gone Affleck, Ben GON The town Affleck, Ben TOW I'm Still Here Affleck, Casey IMS Pédale douce Aghion, Gabriel PED Rencontres Agostini, Philippe REN Entre deux rives Agresti, Alejandro ENT Une nuit avec Sabrina love Agresti, Alejandro NUI Haute tension Aja, Alexandre HAU Mirrors Aja, Alexandre MIR Piranha Aja, Alexandre PIR Golden eighties Akerman, Chantal GOL Jeanne Dielman 23 quai du commerce, 1080 Bruxelles Akerman, Chantal JEA La captive Akerman, Chantal CAP De l'autre côté Akin, Fatih DEL Head-on Akin, Fatih HEA Soul kitchen Akin, Fatih SOU 8th wonderland Alberny, Nicolas EIG La petite Jérusalem Albou, Karin PET Coup d'éclat Alcala, José COU Les maîtres de l'animation russe Aldashin, M. -
China's Nationalism and Its Quest for Soft Power Through Cinema
Doctoral Thesis for PhD in International Studies China’s Nationalism and Its Quest for Soft Power through Cinema Frances (Xiao-Feng) Guo University of Technology, Sydney 2013 Acknowledgement To begin, I wish to express my great appreciation to my PhD supervisor Associate Professor Yingjie Guo. Yingjie has been instrumental in helping me shape the theoretical framework, sharpen the focus, and improve the structure and the flow of the thesis. He has spent a considerable amount of time reading many drafts and providing insightful comments. I wish to thank him for his confidence in this project, and for his invaluable support, guidance, and patience throughout my PhD program. I also wish to thank Professor Wanning Sun and Professor Louise Edwards for their valued support and advice. I am grateful for the Australian Postgraduate Award that I received via UTS over the three-and-half years during my candidature. The scholarship has afforded me the opportunity to take the time to fully concentrate on my PhD study. I am indebted to Yingjie Guo and Louise Edwards for their help with my scholarship application. I should also thank UTS China Research Centre, the Research Office of the Faculty of Arts and Social Sciences at UTS, and UTS Graduate Research School for their financial support for my fieldwork in China and the opportunities to present papers at national and international conferences during my doctoral candidature. Finally, my gratitude goes to my family, in particular my parents. Their unconditional love and their respect for education have inspired me to embark on this challenging and fulfilling journey. -
ISSN 2526-9038 • V. 12, Nº 2, Maio/Agosto De 2017 • DOI: 10.12530/Ci.V12n2.2017 Expediente
ISSN 2526-9038 • V. 12, Nº 2, maio/agosto de 2017 • DOI: 10.12530/ci.v12n2.2017 Expediente Carta Internacional é uma revista eletrônica de Henrique Altemani de Oliveira, José Augusto Guilhon publicação quadrimestral dedicada ao debate sobre as Albuquerque, Luis Olavo Baptista, Margarita Silvia questões mais relevantes das relações internacionais Olivera, Maria Cristina Cacciamali, Maria Regina Soares sob a perspectiva brasileira. As opiniões expressas nos de Lima, Paulo Fagundes Visentini, Paulo Lavigne artigos assinados são de responsabilidade exclusiva de Esteves, Peter Demant, Rafael Antônio Duarte Villa, seus autores e não expressam as opiniões da Associação Sean Burges e Tullo Vigevani. Brasileira de Relações Internacionais (ABRI). Redes Sociais: A Revista Carta Internacional foi fundada em 1993 Facebook: Carta Internacional por José Augusto Guilhon Albuquerque, no Núcleo de Twitter: @CartaAbri Pesquisas em Relações Internacionais da Universidade LinkedIn: Revista Carta Internacional de São Paulo (NUPRI/USP). Em 2011 tornou-se a Academia.edu: Revista Carta Internacional publicação científica da Associação Brasileira de Relações Internacionais (ABRI). Associação Brasileira de Relações Internacionais (ABRI) Carta Internacional é publicada pela Associação Brasileira de Relações Internacionais (ABRI). A revista Presidente: está disponível para download gratuito, em formato Eugênio Pacelli Lazzarotti Diniz Costa (PUC Minas) PDF, no endereço: <http://www.cartainternacional.abri.org.br>. Secretária Executiva: Layla Ibrahim Abdallah Dawood -
Sensate Focus (Mark Fell) Y (Sensate Focus 1.666666) [Sensate Focus
Sensate Focus (Mark Fell) Y (Sensate Focus 1.666666) [Sensate Focus / Editions M ego] Tuff Sherm Boiled [Merok] Ital - Ice Drift (Stalker Mix) [Workshop] Old Apparatus Chicago [Sullen Tone] Keith Fullerton Whitman - Automatic Drums with Melody [Shelter Press] Powell - Wharton Tiers On Drums [Liberation Technologies] High Wolf Singularity [Not Not Fun] The Archivist - Answers Could Not Be Attempted [The Archivist] Kwaidan - Gateless Gate [Bathetic Records] Kowton - Shuffle Good [Boomkat] Random Inc. - Jerusalem: Tales Outside The Framework Of Orthodoxy [RItornel] Markos Vamvakaris - Taxim Zeibekiko [Dust-To-Digital] Professor Genius - À Jean Giraud 4 [Thisisnotanexit] Suns Of Arqa (Muslimgauze Re-mixs) - Where's The Missing Chord [Emotional Rescue ] M. Geddes Genras - Oblique Intersection Simple [Leaving Records] Stellar Om Source - Elite Excel (Kassem Mosse Remix) [RVNG Intl.] Deoslate Yearning [Fauxpas Musik] Jozef Van Wissem - Patience in Suffering is a Living Sacrifice [Important Reords ] Morphosis - Music For Vampyr (ii) Shadows [Honest Jons] Frank Bretschneider machine.gun [Raster-Noton] Mark Pritchard Ghosts [Warp Records] Dave Saved - Cybernetic 3000 [Astro:Dynamics] Holden Renata [Border Community] the postman always rings twice the happiest days of your life escape from alcastraz laurent cantet guy debord everyone else olga's house of shame pal gabor billy in the lowlands chilly scenes of winter alambrista david neves lino brocka auto-mates the third voice marcel pagnol vecchiali an unforgettable summer arrebato attila -
EDAV (Educazione Audiovisiva) Sussidio Mensile Di «Lettura» Dei Media E D’Uso Dei Loro Linguaggi Fondato Da NAZARENO TADDEI S.J
EDAV (Educazione Audiovisiva) sussidio mensile di «lettura» dei media e d’uso dei loro linguaggi fondato da NAZARENO TADDEI S.J. diretto dal luglio 2006 da Andrea Fagioli edito dal CiSCS Centro internazionale dello Spettacolo e della Comunicazione Sociale - Roma (*) Indice di indici di 37 anni dal 1972-73 al 2009 a cura di Bruno Michelon INDICE ...ARGUTA PUBBLICITÀ..., [figura], n. 85, p. 1 ...FIORI... di NaT, [foto di copertina], n. 216, p. 1-2 ...LASSA STAR I SANTI, (pubblicità che crea mentalità), [vetrinetta dei media (a cura di Nazareno Taddei S.J.) – pubblicità], n. 296, p. 18 ?BERLUSCONI? di NaT, [foto di copertina], n. 223, p. 1-2 «...ED È ANCORA AMORE» (DA UN CALENDARIO DI GIANNI BELLESIA) di Achille Abramo Saporiti, [foto di copertina – lettura foto], n. 326, pp. 1-2 «‖IN ALTUM‖ LEGGENDO I FILM» di Nazareno Taddei S.J., [studio]: 1. LA SITUAZIONE: MA PERCHÉ?, n. 286, pag. 2 2. USCIRE DALLA NEBBIA, n. 287, pag. 6 3. ANCORA DELLA MENTALITÀ… E NON SOLO, n. 288, pag. 3 4. «NUOVI MODI DI COMUNICARE», n. 289-90, pag. 3 5. LA «LETTURA (STRUTTURALE)» È UNA POSSIBILE SOLUZIONE, n. 291, p. 3 6. «LEGGERE FILM PER FORMARE LA PERSONA»: 1° L‘ASPETTO TEORICO, n. 292, p. 3 Appendice: a) I FILM CHE PIACEVANO A LUCIANO TAGLIAVINI di Eugenio Bicocchi, [studio], n. 292, p. 7 b) THELMA E LOUISE di Ridley Scott (n. 1937), (Olinto Brugnoli), [lettura – film], n. 292, p. 8 7. «LEGGERE FILM PER FORMARE LA PERSONA: 2° L‘ASPETTO METODOLOGICO», n. 294, p. 7 8. «LEGGERE FILM PER FORMARE LA PERSONA: APPENDICE», n. -
British Film Institute Report & Financial Statements 2006
British Film Institute Report & Financial Statements 2006 BECAUSE FILMS INSPIRE... WONDER There’s more to discover about film and television British Film Institute through the BFI. Our world-renowned archive, cinemas, festivals, films, publications and learning Report & Financial resources are here to inspire you. Statements 2006 Contents The mission about the BFI 3 Great expectations Governors’ report 5 Out of the past Archive strategy 7 Walkabout Cultural programme 9 Modern times Director’s report 17 The commitments key aims for 2005/06 19 Performance Financial report 23 Guys and dolls how the BFI is governed 29 Last orders Auditors’ report 37 The full monty appendices 57 The mission ABOUT THE BFI The BFI (British Film Institute) was established in 1933 to promote greater understanding, appreciation and access to fi lm and television culture in Britain. In 1983 The Institute was incorporated by Royal Charter, a copy of which is available on request. Our mission is ‘to champion moving image culture in all its richness and diversity, across the UK, for the benefi t of as wide an audience as possible, to create and encourage debate.’ SUMMARY OF ROYAL CHARTER OBJECTIVES: > To establish, care for and develop collections refl ecting the moving image history and heritage of the United Kingdom; > To encourage the development of the art of fi lm, television and the moving image throughout the United Kingdom; > To promote the use of fi lm and television culture as a record of contemporary life and manners; > To promote access to and appreciation of the widest possible range of British and world cinema; and > To promote education about fi lm, television and the moving image generally, and their impact on society. -
Mémoire Collective Et Images Du Passé En Chine Et À Taïwan Samia Ferhat
Mémoire collective et images du passé en Chine et à Taïwan Samia Ferhat To cite this version: Samia Ferhat. Mémoire collective et images du passé en Chine et à Taïwan : débats autour de la représentation cinématographique de l’ennemi ou du colonisateur japonais. Études Chinoises, Associ- ation française d’études chinoises, 2012, XXXI (2), pp.153 - 177. halshs-00927733 HAL Id: halshs-00927733 https://halshs.archives-ouvertes.fr/halshs-00927733 Submitted on 16 Sep 2014 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. ÉTUDES CHINOISES Revue de l’Association française d’études chinoises ÉTUDES CHINOISES Publiée deux fois par an avec le concours du Centre d’études sur la Chine moderne et contemporaine (UMR8173) de l’École des hautes études en sciences sociales, du XXXI-2 2012 Centre de recherche sur les civilisations de l’Asie orientale (UMR8155) et de l’Institut des hautes études chinoises du Collège de France. Art et mémoire en Chine et à Taïwan Directrice de la publication : Samia Ferhat, présidente de l’Association française d’études chinoises. Rédacteur en chef : Damien Chaussende. Comité de rédaction : Catherine Despeux, Guillaume Dutournier, Danielle Elisseeff, John ÉTUDES CHINOISES Finlay, Stéphanie Homola, Esther Lin, Alexis Lycas, Thierry Pairault, Xavier Paulès, Muriel Peytavin-Baget, Michèle Pirazzoli-t’Serstevens, Delphine Spicq, Soline Suchet. -
RICHARD BROOKS Zinemaldiaren Egunkaria • Asteazkena, 2009Ko Irailaren 23A
2 / ARGAZKIAK FOTOS PICTURES Zinemaldiaren egunkaria • Asteazkena, 2009ko irailaren 23a HEMENDIRAYAESTÁNAQUÍTHEY´REHERE!HEMENDIRAYAESTÁNAQUÍTHEY´REHERE!HEMENDIRAYAESTÁNAQUÍ 1 2 Iñaki PARDO 1. Ian McKellen no pudo ocultar su satisfacción ante el recibimiento que le dispensaron los 3 donostiarras. El actor británico recibirá el Premio Donostia hoy miércoles en el Kursaal, a las 22:00 horas, antes de la proyección de la película Yo, también. Al intérprete del mago Gandalf no se le caen 2. los anillos por firmar a sus admiradores. 3. El actor Josep Mª Pou, protagonista de Màscares, será el encargado de entregar el Premio Donostia a Ian McKellen. ESTRADA Gorka 4. El director Imanol Uribe recibirá el Premio Zinemira, coincidiendo con el 25 aniversario del estreno de La muerte de Mikel. IRITSIERAK 5. La actriz Lola Dueñas flanqueada por los co-directores de la película Yo, también, LLEGADAS Antonio Naharro y Álvaro Pastor. ARRIVALS Karlos CORBELLA Karlos 4 5 HOTEL MARIA CRISTINA OIiver Hirschbiegel 12:15ean/horas Tom Dicillo 14:10ean/horas Hana Makhmalbaf 14:55ean/horas Nicolas Klotz 17:10ean/horas Jan Budar 17:20ean/horas Carmen Machi 21:45ean/horas Iñaki PARDO Iñaki PARDO Diario del Festival • Miércoles, 23 de septiembre de 2009 PREMIO DONOSTIA DONOSTIA SARIA DONOSTIA AWARD / 3 Por su excelente interpretación en Dioses y monstruos, el actor recibió la Concha de Plata. Filmografia Filmografía Filmography The Hobbitt (Guillermo del Toro, 2011) El actor de Shakespeare “The Prisoner” (TV) (2009) “King Lear” (TV) (Trevor Nunn, 2008) The Golden Compass