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DOCUMENT RESUME Chicano Studies Bibliography
DOCUMENT RESUME ED 119 923 ric 009 066 AUTHOR Marquez, Benjamin, Ed. TITLE Chicano Studies Bibliography: A Guide to the Resources of the Library at the University of Texas at El Paso, Fourth Edition. INSTITUTION Texas Univ., El Paso. PUB DATE 75 NOTE 138p.; For related document, see ED 081 524 AVAILABLE PROM Chicano Library Services, University of Texas at El Paso, El Paso, Texas 79902 ($3.00; 25% discount on 5 or more copies) EDRS PRICE MF-$0.83 HC-$7.35 Plus Postage DESCRIPTORS Audiovisual Aids; *Bibliographies; Books; Films; *library Collections; *Mexican Americans; Periodicals; *Reference Materials; *University Libraries IDENTIFIERS Chicanos; *University of Texas El Paso ABSTRACT Intended as a guide to select items, this bibliography cites approximately 668 books and periodical articles published between 1925 and 1975. Compiled to facilitate research in the field of Chicano Studies, the entries are part of the Chicano Materials Collection at the University of Texas at El Paso. Arranged alphabetically by the author's or editor's last name or by title when no author or editor is available, the entries include general bibliographic information and the call number for books and volume number and date for periodicals. Some entries also include a short abstract. Subject and title indices are provided. The bibliography also cites 14 Chicano magazines and newspapers, 27 audiovisual materials, 56 tape holdings, 10 researc°1 aids and services, and 22 Chicano bibliographies. (NQ) ******************************************14*************************** Documents acquired by ERIC include many informal unpublished * materials not available from other sources. ERIC makes every effort * * to obtain the best copy available. -
Second Generation
HISTORY The New Mexican-Americans in Wartime America: riots reflect the state of the Mexican American pop How the "Z-Oot Suit Riots" and the "Second Generation" events shape the future of the Mexican American c Transformed Mexican-American Ethnic Politics Brady Dvorak In this paper, l will show how the unique state oft especially the first US-born generation of Mexican Abstract second generation) - coupled with the anxiety of\ This paper looks at the unique demographic, economic, and cultural state of ethnic Mexicans living of racial tensions in Los Angeles. And, I will sho\\ in the United States during World War II and how the "Zoot Suit Riots" both refl ected the wartime riots" created by the sensationalistic press affected ethnic relations between Latinos and Anglos and influenced the future of Mexican American civil campaign in two ways: (1) Popular interpretation< rights movements. In particular, the riots will be examined within the context of the emergence of a American youth, bridging a correlation between et pachuco youth culture within the second generation of US-born ethnic Mexicans. Newspaper there being any racial discrimination during the ric articles of the time and complimentary research will also show how popular public perception of perception of there being no racial element of disc the events affected the way in which Mexican American community leaders would negotiate the communities. With Mexican American activists or ethnic politics of civil rights until the 1960s. anti-Mexican sentiment, they preached uncompror while ignoring the more complex problems of disc Introduction disparity between Latinos and Anglos in the Unite ne of the most notorious episodes in the history of US ethnic relations, and certainly in Mexican Americans, Pachucos, and World 0 Mexican American history, was the so called "zoot suit riots" that took place in wartime Los Angeles. -
Style Sheet for Aztlán: a Journal of Chicano Studies
Style Sheet for Aztlán: A Journal of Chicano Studies Articles submitted to Aztlán are accepted with the understanding that the author will agree to all style changes made by the copyeditor unless the changes drastically alter the author’s meaning. This style sheet is intended for use with articles written in English. Much of it also applies to those written in Spanish, but authors planning to submit Spanish-language texts should check with the editors for special instructions. 1. Reference Books Aztlán bases its style on the Chicago Manual of Style, 15th edition, with some modifications. Spelling follows Merriam-Webster’s Collegiate Dictionary, 11th edition. This sheet provides a guide to a number of style questions that come up frequently in Aztlán. 2. Titles and Subheads 2a. Article titles No endnotes are allowed on titles. Acknowledgments, information about the title or epigraph, or other general information about an article should go in an unnumbered note at the beginning of the endnotes (see section 12). 2b. Subheads Topical subheads should be used to break up the text at logical points. In general, Aztlán does not use more than two levels of subheads. Most articles have only one level. Authors should make the hierarchy of subheads clear by using large, bold, and/or italic type to differentiate levels of subheads. For example, level-1 and level-2 subheads might look like this: Ethnocentrism and Imperialism in the Imperial Valley Social and Spatial Marginalization of Latinos Do not set subheads in all caps. Do not number subheads. No endnotes are allowed on subheads. -
Chicano Nationalism: the Brown Berets
CHICANO NATIONALISM: THE BROWN BERETS AND LEGAL SOCIAL CONTROL By JENNIFER G. CORREA Bachelor of Science in Criminology Texas A&M University Kingsville, TX 2004 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF SCIENCE July 2006 CHICANO NATIONALISM: THE BROWN BERETS AND LEGAL SOCIAL CONTROL Thesis Approved: Dr. Thomas Shriver Thesis Adviser Dr. Gary Webb Dr. Stephen Perkins Dr. A. Gordon Emslie Dean of the Graduate College ii TABLE OF CONTENTS Chapter Page I. INTRODUCTION ......................................................................................................1 II. REVIEW OF LITERATURE ………………………………………………………7 Informants and Agent Provocateurs .........................................................................8 Surveillance, Dossiers, Mail Openings, and Surreptitious Entries ……………….14 Violent Strategies and Tactics ……………………………………………………20 III. METHOD OLOGY……………………………………………………………….29 Document Analysis ................................................................................................30 Telephone Interviews .............................................................................................32 Historical Analysis .................................................................................................34 IV. FINDINGS .............................................................................................................36 Mexican -American History ...................................................................................36 -
VINCENT VALDEZ the Strangest Fruit
VINCENT VALDEZ The Strangest Fruit Staniar Gallery Washington and Lee University April 27–May 29, 2015 The Strangest Fruit Vincent Valdez Staniar Gallery Department of Art and Art History Washington and Lee University 204 West Washington Street Lexington, VA 24450 USA http://www.wlu.edu/staniar-gallery The Staniar Gallery endeavors to respect copyright in a manner consistent with its nonprofit educational mission. If you believe any material has been included in this publication improperly, please contact the Staniar Gallery. Copyright © 2015 by Staniar Gallery, Washington and Lee University, Lexington, Virginia All essays copyright © 2015 by the authors All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publishers. Layout by Billy Chase Editing in English by Kara Pickman Editing of Spanish translations by María Eugenia Hidalgo Preliminary Spanish translations by Mariana Aguirre, Mauricio Bustamante, Sally Curtiss, Franco Forgiarini, Ellen Mayock, Alicia Martínez, Luna Rodríguez, and Daniel Rodríguez Segura Printed and bound in Waynesboro, Virginia, by McClung Companies English and Spanish covers: Vincent Valdez, Untitled, from The Strangest Fruit (2013). Oil on canvas, 92 x 55 inches. © 2015 Vincent Valdez. Photo: Mark Menjivar MUDD CENTER EFGFoundation for ETHICS This catalogue has been funded in part by the Elizabeth Firestone Graham Foundation, the Virginia Foundation for the Humanities and Washington and Lee’s Roger Mudd Center for Ethics. The Strangest Fruit Vincent Valdez April 27–May 29, 2015 Staniar Gallery Washington and Lee University Lexington, Virginia Catalogue Contributors: Clover Archer Lyle William D. -
A Comparative Analysis of Black American and Mexican-American
DOCUHEHT RBS01E ED 139 057 . CS 501 714 AOT.H.O.R Underwood, Willard A.; And otkers_;_.. .. ' > TITLE A Coaparative Analysis of Black American and Hexican-American Cultural Norms an,3 .Expectations. PUB DATE Mar 77 NOTE . 23p.; Paper presented at the Annual Conference oa Culture and Communication (Philadelphia, Pennsylvania, Harch 19/7) EDRS PRICE HF-$0.83 HC-S1.67 Plus Postage. DESCRIPTORS Black Culture; *Blacks; *Cultural Differences; *Cultural Faoiors; *cultural Traits; Mexican American History; ^Mexican Americans . ' IDENTIFIERS " *Intercultural Communication _ ' ABSTRACT Although Mexican-American and Black-American movements in the United States have typically been compared, significant differences between the two minorities--especially ii cultural norms and expectations—make comparisons inaccurate and misleading. This paper explores the differences between the Blade-American and Mexican-American miaorities, focusing on the analysis of intercultural communication behavior as it is affected by cultural variables, on cultural assimilation and cultural pluralism, an3 on economic and political comparative standards. Differences in the followirg cultural variables are discussed: language, cultural history, multiculturalism, educational opportunities, -Chicanismo and people with "soul," family orientation, participation in the church, belief in the supernatural, diet, dress habits, sports preferences, respect for the elderly, concept of coimunity, drug use, national identity, musical tastes, celebrations, and possessions. (JM) *********************************************************************** * Documents acquired by ERIC include many informal unpublished * * aaterials not available from other sources. ERIC makes every effort * * tp obtain the best copy available.'Nevertheless, items of marginal * .* r9proclucibility are often encountered and this affects the quality * * of the microfiche and hardcopy reproductions ERIC makes available * * via the EPIC Document Reproduction Service (EDRS). -
1998 Acquisitions
1998 Acquisitions PAINTINGS PRINTS Carl Rice Embrey, Shells, 1972. Acrylic on panel, 47 7/8 x 71 7/8 in. Albert Belleroche, Rêverie, 1903. Lithograph, image 13 3/4 x Museum purchase with funds from Charline and Red McCombs, 17 1/4 in. Museum purchase, 1998.5. 1998.3. Henry Caro-Delvaille, Maternité, ca.1905. Lithograph, Ernest Lawson, Harbor in Winter, ca. 1908. Oil on canvas, image 22 x 17 1/4 in. Museum purchase, 1998.6. 24 1/4 x 29 1/2 in. Bequest of Gloria and Dan Oppenheimer, Honoré Daumier, Ne vous y frottez pas (Don’t Meddle With It), 1834. 1998.10. Lithograph, image 13 1/4 x 17 3/4 in. Museum purchase in memory Bill Reily, Variations on a Xuande Bowl, 1959. Oil on canvas, of Alexander J. Oppenheimer, 1998.23. 70 1/2 x 54 in. Gift of Maryanne MacGuarin Leeper in memory of Marsden Hartley, Apples in a Basket, 1923. Lithograph, image Blanche and John Palmer Leeper, 1998.21. 13 1/2 x 18 1/2 in. Museum purchase in memory of Alexander J. Kent Rush, Untitled, 1978. Collage with acrylic, charcoal, and Oppenheimer, 1998.24. graphite on panel, 67 x 48 in. Gift of Jane and Arthur Stieren, Maximilian Kurzweil, Der Polster (The Pillow), ca.1903. 1998.9. Woodcut, image 11 1/4 x 10 1/4 in. Gift of Mr. and Mrs. Frederic J. SCULPTURE Oppenheimer in memory of Alexander J. Oppenheimer, 1998.4. Pierre-Jean David d’Angers, Philopoemen, 1837. Gilded bronze, Louis LeGrand, The End, ca.1887. Two etching and aquatints, 19 in. -
Mexican American Project Collection Is One Component of the Collections Available in the Center for Oral and Public History at California State University Fullerton
MEXICAN AMERICAN ORAL HISTORY PROJECT COPH OHP 0021 Center for Oral and Public History California State University, Fullerton 1 Administrative Information Acquisition All items in this collection were donated to the Center for Oral and Public History by the interviewer and interviewees. Access The collection is open for research. Preferred Citation Citations must identify the oral history number, interviewee, interviewer, date, project, and the Center for Oral and Public History. Literary Rights and Quotations The oral histories are made available for research purposes only. No part of the audio tape or the manuscript may be quoted for publication without the written permission of the Center for Oral and Public History, California State University, Fullerton. Requests for permission to quote from these materials should be addressed to: Center for Oral and Public History California State University, Fullerton P.O. Box 6846 Fullerton, CA 92834 or [email protected] The request should include identification of the specific passages and identification of the user. 2 Descriptive Summary Title Mexican American Oral History Project [OHP 21] Dates: Interviews are in three parts. Part I interviews are dated from 1968 to 1975. Part II interviews take place in 1995. Part III has one interview that takes place in 2002. Years: 1968 – 2002 Creator Center for Oral and Public History Extent Ninety (90) oral histories. Eighty-seven (87) narrators. Collateral: Photographs Repository Center for Oral and Public History California State University, Fullerton Project Abstract The Mexican American Project collection is one component of the collections available in the Center for Oral and Public History at California State University Fullerton. -
Aberystwyth University the Theatrical Politics of Chicana/Chicano
CORE Metadata, citation and similar papers at core.ac.uk Provided by Aberystwyth Research Portal Aberystwyth University The Theatrical Politics of Chicana/Chicano Identity: from Valdez to Moraga Jacobs, Elizabeth Published in: New Theatre Quarterly DOI: 10.1017/S0266464X06000601 Publication date: 2007 Citation for published version (APA): Jacobs, E. (2007). The Theatrical Politics of Chicana/Chicano Identity: from Valdez to Moraga. New Theatre Quarterly, 23(1), 25-35. https://doi.org/10.1017/S0266464X06000601 General rights Copyright and moral rights for the publications made accessible in the Aberystwyth Research Portal (the Institutional Repository) are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the Aberystwyth Research Portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the Aberystwyth Research Portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. tel: +44 1970 62 2400 email: [email protected] Download date: 18. Apr. 2020 Elizabeth Jacobs The Theatrical Politics of Chicana / Chicano Identity: from Valdez to Moraga Critical opinion over the role of popular culture in relation to ethnic and cultural identity is deeply divided. In this essay, Elizabeth Jacobs explores the dynamics of this relationship in the works of two leading Mexican American playwrights. -
US.-Mexican Boundary. Offers a Ready Laboratory for the Observation of Many
O C V M E N T BIN Pe ED 032 520 AL 001 964 By-Ornstein. Jacob -Languige Varieties Along the US.-MexicanBorder. Pub Date Sep 69 Note-27p.; Paper presented to the Sociolinguistics Section of the 2nd InternationalCongress of Applied Linguistics. Cambridge. England, September812. 1969. ERRS Price MF -S025 HC -S1 A5 Descriptors *Bilingualism. Dialect Studies.*English (Second Language). Language Skills.Mexican Americans. Multilingualism. Nonstandard Dialects. SocialDialects. 'Sociolinguistics. 'Spanish Speaking The US. Southwest andparticularly the region alongthe 1000-mile long US.-Mexican boundary. offersa ready laboratory for the observation ofmany phases of multilingualism andmulticulturalism. The author feels.however. that the rich sociolinguistic material of thearea has suffered from over-simplification andneglect. Very few synchronic studies alongmodern linguistic lines haveappeared. He believes that the Bilingual Education Actof 1968 and the SociolinguisticStudy on Southwest Spanish. supported by the Universityof Texas at El Paso's ResearchInstitute. will help change the situation. Afterexplaining briefly the aims of theSociolinguistic Study. the author presentsa survey of the historical evolution of thestudy of multilingualism. He also suggestsa schema of the language situation of theSouthwest. (D0) N i i 4-. U.S. DEPARTMENT Of NEMTN. EDUCATION i WElfilf OffICE Of EDUCATION THIS DOCUMENT NIS 1111 KNOWN EXACTLY AS HUMID FROM 1111 PERSON 01 0161111111011 0M6INATIN6 IT.POINTS Of VIEW OR OPINIONS STATED DO NOT NECESSAINS INPIRSINT OFFICIAL OFFICE Of EDUCATION POSITION 01 POKY. LANGUAGE VARIETIES ALONG THE U.S.-MEXICAN BORDER* By: Jacob Ornstein, University of Texas-El Paso (For Sociolinguistics Section, Second International Congress of Applied Linguistics, Cambridge Univ., England (AI A) Sept. 8-12, 1969) The U. -
Fti PARTIDO DE LA RAZA UNIDA IN
fti PARTIDO DE LA RA ZA UNIDA DE NUEVO MECO DISCUSSION BULLETIN NUMBER ONEI THE CMCANO MOVEMENT, THE SOUTHWEST, AND THE ROLE OF THE NATIONAL AND STATE PARTIDO DE LA RAZA UNIDA IN THE SOUTI-177EST AN ECONOMIC, TacTomc, SOCIAL AND POLITICAL PROFILE FROM 11190 TO THE EARLY 2000's BY JUAN JOSE PEÑA • STATE CHARIMAN PARTIDO DE LA RAZA UNIDA DE NUEVO MECO FOR TIMITED CIRCULATION ONLY F!`RT?DO DE : A .RAZA UNIDA DE NUEVO MEXICO DISCUSSION BULLETIN NUMBER ONE Introduction: This will be the first of a series of discussion bulletins to be put forth by t , e State Chairman of the Partido and by oth - er members who wish to have questions of ideology, program, organization, etc. discussed by the membership at large to acted upon as policy by the State Central Committee upon completion of discussion at the county or section levels. For some time row, it has become clear that if the Partido is to survive, it must develop an ideology, a political position and a program which will take us to power and through the crises that are presently and immen.ently threatening the Chicano Movement, its gains and even the civil liberties and civil rights of our people. In the past few years, the Partido has been the main mover of the Chicano Movement and the Chicano cause it the state of New Mexico, as we are the only statewide Chicano organization. Admitedly, we as the Partido seem, in many cases and in many counties to have los perspective of our purpose, goals and directions and have fallen vidtims of the hard times under which we are presently living. -
Pachuco, Pocho Y Cholo
1 Celaya Pachuco, Pocho and Cholo: Symbolism and Nationalist Identity Conflicts. The pachuco,1 pocho and cholo2 are three figures that have come to symbolize and represent a large segment of the Mexican Diaspora. The image and the identity of these individuals were forged on the margins of two cultures, and their presence has contributed to the formation of a border culture. The identity of the individuals of the northern part of Mexico, and their counterparts on the other side of the border were formed by scornful attitudes that have portrayed the pachuco, pocho and cholo as ambiguous and hybrid in nature. The pachuco, pocho and the cholo transcend the limitations of an ambiguous identity; one that is understood as an element that is not clearly defined or determined. However, these icons embody the meaning of ambivalence, as they belong in a world that oscillates between cultures and territories. In existing between two cultures, they are compelled to forge and negotiate their own brand of identity, one that is characterized by an appropriation of its multiplicity. In Mexico’s northern border, the identity conflicts of Mexicannes are not limited to one side of the border, that is to say, the border issues do not stop at a diving line, rather, they are a fluid conflict that moves back and forth with the individuals that transit this border. But beyond that, there are socio-linguistic elements that transcend social and geographical divides. Nevertheless, in spite of these transgressions, these figures are 1See appendix a: Hollywood’s closest representation of the pachuco is portrayed in Luis Valdez’ (1981) film Zootsuit.